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YELLOW: Neither good nor bad or in between

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YELLOW: Neither good nor bad or in between

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Page 221, Richie said to Pop, "See your face every day. Like the sun." (KA)

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Page 221, Richie said to Pop, "See your face every day. Like the sun." (KA)

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“Because we don’t walk no straight lines.  It’s all happening at once.  All of it.  We all here at once.” (236)

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“Because we don’t walk no straight lines.  It’s all happening at once.  All of it.  We all here at once.” (236)

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"She hates me" "No she, love you. She don't know how to show it. And her love for herself and her love for Michael - well it gets in the way. It confuses her." HW

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"She hates me" "No she, love you. She don't know how to show it. And her love for herself and her love for Michael - well it gets in the way. It confuses her." HW

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pg. 234

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"There are people; tiny and distinct. They fly and walk and float and run. They are alone. They are together. They wander the summits. They swim in the rivers and sea. They walk hand in hand in the parks, in the squares, disappear into the buildings. They are silent. " pg.241 -A.M.

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“Some scientists for BP said this didn’t have nothing to do with the oil, that sometimes this is what happens to animals: they die for unexpected reasons. Sometimes a lot of them.  Sometimes all at once...and when the scientists said that, i thought about humans.  Because humans is animals.” (226)

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“Some scientists for BP said this didn’t have nothing to do with the oil, that sometimes this is what happens to animals: they die for unexpected reasons. Sometimes a lot of them.  Sometimes all at once...and when the scientists said that, i thought about humans.  Because humans is animals.” (226)

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 “In the bright light of the day the shadow swallows him: cool dark bayou water, the colour of mud - tepid and blinding.  He moves and he is a of a piece with the darkness.” (229)

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 “In the bright light of the day the shadow swallows him: cool dark bayou water, the colour of mud - tepid and blinding.  He moves and he is a of a piece with the darkness.” (229)

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“we call her Kayla,” pg. 227  -KH

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"I don't know if its something I did. Or if it's something that's in Leonie. But she aint got the mothering instinct." KD

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“Watching this family grabs me inside, twists and pulls tight.  It hurts.  It hurts.  It hurts so much I can’t look at it, so I don’t.  I go outside.” (240)

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“Watching this family grabs me inside, twists and pulls tight.  It hurts.  It hurts.  It hurts so much I can’t look at it, so I don’t.  I go outside.” (240)

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“I hope I fed you enough.  While I’m here.  So you carry it with you. Like a camel.” (233)...”like a well Jojo.  Pull that water up when you need it.” (234)

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“I hope I fed you enough.  While I’m here.  So you carry it with you. Like a camel.” (233)...”like a well Jojo.  Pull that water up when you need it.” (234)

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"She can and she's listening to me, hearing me the same way I hear Kayla when she's upset. M.Y

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"She can and she's listening to me, hearing me the same way I hear Kayla when she's upset. M.Y

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"...For a stupid second I wonder why Leonie and Michael ain't arguing about him hitting Kayla. And then I remember. They don't care." HG

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“the bugs shush for him with every word” (222)

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“the bugs shush for him with every word” (222)

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“Mama looks at Leonie with so much understanding and forgiveness and love that I hear the song again; I know that singing.  I have heard it from the golden place across the waters.  A great mouth opens in me and wails; i am an empty stomach. The scaly bird lands on the windowsill and caws” 245

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“Mama looks at Leonie with so much understanding and forgiveness and love that I hear the song again; I know that singing.  I have heard it from the golden place across the waters.  A great mouth opens in me and wails; i am an empty stomach. The scaly bird lands on the windowsill and caws” 245

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page 221, Richie says to Pop " I See your face everyday, like a sun." 

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page 221, Richie says to Pop " I See your face everyday, like a sun." 

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KA

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Jojo pulled Kayla out of the porch; Jojo said, "Pop’s lighter: “bright as a lighthouse beacon as it flashed in the dark. (219)“I skipped the steps and leapt up to the porch” (219)

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Jojo pulled Kayla out of the porch; Jojo said, "Pop’s lighter: “bright as a lighthouse beacon as it flashed in the dark. (219)“I skipped the steps and leapt up to the porch” (219)

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Richie is singing songs without words. RO

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"The boy's face shows in fire, and I ain't nenver seen that look before." LS

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"The boy's face shows in fire, and I ain't nenver seen that look before." LS

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page 220

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pg 233
"I never wanted you t be hungry, Jojo. That's why I tried. I would do it if she wouldn't."
RB

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"I just want you and Michaela to know that I'm here. I'm here to stay. nd I missed y'all."
- Micheal, pg 226
D.P

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 “all the hope on his face, plain in the circle of his mouth, his wide-open eyes, the wrinkle of his forehead...and he’s a cat then, fresh-born, milk-hungry, creeping toward someone he’d die without.” 220

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 “all the hope on his face, plain in the circle of his mouth, his wide-open eyes, the wrinkle of his forehead...and he’s a cat then, fresh-born, milk-hungry, creeping toward someone he’d die without.” 220

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Michael burns the bacon(227) so Jojo has to make food for Kayla

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Michael burns the bacon(227) so Jojo has to make food for Kayla

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mk

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Jojo says on Pg. 229 "I apologize until she quiets to hiccups, until I know she can hear me." JK

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"how he cried one day after the spill, when he heard about how all of them was dying off"
pg.225-226
Jwm

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pg. 225 Micheal calls Jojo son -MD

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“You better watch out, boy. He used to look at me like that. And then he left me” Page 222
MM

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G.A.

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"she ain't got the mothering instinct" pg.233

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"she ain't got the mothering instinct" pg.233

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BA

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Loenie says "Maybe i'm too selfish" pg 244. zh

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"Her fingernails used to be pink and clear. Now they seashells, salt pitted and yellow." pg 233   M.Y

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"Her fingernails used to be pink and clear. Now they seashells, salt pitted and yellow." pg 233   M.Y