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I felt like doing something creepy today, this was tons of fun! About 5 hours Subscribe :[link] Like my Website:[link] Textures:[link] ©All rights reser... The House Of Spikes

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Gracie

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Hi all. This is an "old" work I did for a matte paint contest on Mattepainting.org It was done just for fun and exercise but it became one of my best work. I sold it many times for various customer...

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WHO PUT PRESIDENT OBAMA IN THE WHITE HOUSE ?
WHO PUT PRESIDENT OBAMA IN THE WHITE HOUSE ?

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Daniel 2:21
New King James Version (NKJV)
21 And He changes the times and the seasons;
He removes kings and raises up kings;
He gives wisdom to the wise
And knowledge to those who have understanding.

'Payday someday'. The world's number one (so-called-democratic) purveyor of abortion, pornography, legitimization and promotion of homosexual lifestyle, government-funded contraception and fantasy-violence (Hollywood, and the computer-gaming industries) now have exactly what they asked for. It was not actually the confederacy of fools[1] who put Barak Hussein Obama in the White House.

Now socialism has come to America with a 'delightfully' Islamic twist. Barack Hussein Obama (who no longer has to seek re-election) can now almost unilaterally un-wind the US economy, tax and regulate capitalist market forces out of existence, and ignore a debt-level that the entire world economy cannot possibly re-pay. Through a brilliant propaganda campaign, he has convinced the reality show and iPhone addicted generation of button pushers that George W. Bush was the source of the economic collapse.

Through unemployment, food stamps, welfare, public-service and Democrat-labour aristocracies, endlessly extended unemployment-benefits and bloated government bureaucracies, he will expand a dependency-class that MUST re-elect the Democrats in order to keep food on the table. The Constitution of the United States of America is roadblock that can (in his estimation) be removed easily as there is no vigorous or intelligent opposition.

If President Obama and the Democrats have their way have their way, they will destroy much of what remains of independent small business and the middle class, and through their stenographers and promoters in the lame-stream media (and Hollywood), will make it appear to be ". . . in the interest of 'fairness'.

If President Obama and the Democrats have their way, the US Military will be degraded into mediocrity and turned ultimately on its own citizens as with all one-party systems. Bible-believing Christianity (as opposed to the consumer-friendly, left-wing, chrislamic, and mystical-emerging-church) will be driven underground as the Islamic and leftist propaganda machines finish its job on the schools, universities, media[2] and the arts.

If President Obama and the Democrats have their way, Israel will be abandoned to the Sunni-controlled north African and Middle Eastern United States of Islam[3] (assuming Iran does not get the bomb first in which case it will be a Shia Caliphate). The Sunni-led demographic Jihad[4] against western Europe and the United States will advance inexorably and will soon appear in the parliaments and congresses of the once-democratic west as Islamic populations grow arithmetically and Sharia law puts an end to feminism and gay rights.

If President Obama and the Democrats have their way, the slaughter and oppression of Christians and Jews worldwide will continue to be ignored in the Islamo-leftist media as the Unholy Alliance[5] (Communism and Jihadism) subscribe to (or passively ascent to) the slaughter.

Like the divided kingdoms of Israel and Judah in the Biblical books of the Kings, America prefers her idols to the GOD of Abraham Isaac and Jacob and ultimately her idols will enslave her. The voices of the prophets were ignored by Israel. They got what they asked for and so will we.

Hosea 4:17
New King James Version (NKJV)
17 "Ephraim is joined to idols,
Let him alone.

Endnotes:
[1] Source: Czech Republic newspaper, Prager Zeitungon Nov 2012. op cit ... this blog Dec. 19th 2012 entry
[2] Al Gore, Vice-President to the William Jefferson Clinton Administration and enviro-activist sells leftist Current TV Network to Al Jazeera. This is the latest example of the Unholy Alliance between the American Left and Radical Islam. This clip presents Act for America spokesperson, Bridgitte Gabriel's debate with a former Al Jazeera Anchor. http://www.youtube.com/watch?v=GiFSNSCT1Wk
[3] Dinesh D'Souza's film, 2016: Obama's America (released 2012)
[4] Demographic Jihad by the Numbers: Getting a Handle on the True Scope 2 June 2007 ©Yoel Natan http://www.yoel.info/demographicjihad.htm
[5] Horowitz, The Unholy Alliance op.cit this blog Sept 15, 2011 entry

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WHO PUT PRESIDENT OBAMA IN THE WHITE HOUSE ?

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WHO PUT PRESIDENT OBAMA IN THE WHITE HOUSE ? ________________________________________________________________ Daniel 2:21 New King James Version (NKJV) 21 And He changes the times and the seasons; He removes kings and raises up kings; He gives wisdom to the wise And knowledge to those who have understanding. 'Payday someday'.

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The Dark Plantation by James Christopher Hill

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The Dark Plantation is a painting by James Christopher Hill which was uploaded on June 8th, 2012. The painting may be purchased as wall art, home decor, apparel, phone cases, greeting cards, and more. All products are produced on-demand and shipped worldwide within 2 - 3 business days.

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Fat Albert was a show I'd watch regulary every Saturday morning, and enjoyed despite the fact that I had no idea at the time who this "Bill Cosby" guy was, and why he was the sole live-action character in an otherwise animated series.

Fat Albert's Halloween Special premiered in 1977, and stood out from other Halloween specials of the day, not only because it featured kids wandering around gritty urban streets that were just a little threatening to this 7-year old kid from the suburbs, but also because their world seemed populated by adults who were hostile to kids.
From left to right: Bucky (cowboy), Mushmouth (robot), Russell (the world's smallest giant), Dumb Donald (ghost?), Rudy (clown), Weird Harold (matador), Fat Albert ("Super Fat"), Bill (one of The Warriors?)
It starts when the kids go Halloween costume shopping at the Root'n Rummage Emporium. The shopkeeper barks at them angrily from behind the counter when they ask for help.

But the kids, perhaps used to being yelled at, aren't even bothered. Further back in the store is the feared and despised Mrs. Bakewell, who glowers at the kids for no particular reason.

She lives in a spooky old house near the graveyard, where she can be seen looming ominously from an upstairs window later that night.

After being terrified by their friend Devery, who pounces out of a crypt costumed as a witch, Dumb Donald (whose identity is concealed EVERY night of the year, not just Halloween, by a stocking cap pulled over his face) announces their intention to spend this Halloween night "spooking old folks."

Fat Albert, forever the voice of reason, advises against it...

Next, the gang heads to the local movie theater for a twilight showing of "Space Squids that Ate Pittsburgh", where they encounter yet another hostile adult, "Searchlight" Johnson, who scowls at them and warns them to keep their feet off the seats and their lips zipped.

We soon understand why ol' Searchlight is such a sourpuss, when he has to chase Fat Albert and entourage out of the theater for causing too much commotion. Their next encounter is a baffling visit to Mudfoot Brown, an older man who lives out of a shack pieced together from the back end of a car, a rowboat, and an old refrigerator.

Mudfoot, who seems a bit out of it, proceeds to take the kids' Halloween candy while rambling incoherently about the good old days! The kids aren't bothered by his bizarre behavior, but I couldn't help but wonder if this guy was competent enough to be living alone, and should maybe look into an assisted living situation.

The climax of the night is a spooky visit to Old Lady Bakewell's mansion, where it turns out, of course, that she's really just a nice old woman, who welcomes their visit with soda and candy.

But there's one more scare waiting this Halloween night... Devery's brawny and agitated FATHER, who shows up out of nowhere to bring his grounded son home. I'm not sure what punishment awaited him once they got there, but I was sure glad he wasn't MY Dad!

Available on DVD here.

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Fat Albert's Halloween Special (1977, Filmation)

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Fat Albert was a show I'd watch regulary every Saturday morning, and enjoyed despite the fact that I had no idea at the time who this "Bill Cosby" guy was, and why he was the sole live-action character in an otherwise animated series.

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What is Southern Gothic Literature?

Southern Gothic literature is a genre of Southern writing. The stories often focus on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters.

Southern Gothic literature was inspired by early Gothic writing, a genre that was popular in 18th-century England. In Gothic literature, the authors wanted to expose the problems they saw in society. The authors wrote fiction, but included supernatural and romantic elements. They were often stories of hauntings, death, darkness and madness. Some of the more well-known examples of this genre are Frankenstein and Dracula.

While Gothic writing initially began in England, American Gothic literature began in the 19th century, with short stories by Nathaniel Hawthorne and Edgar Allan Poe. Nathaniel Hawthorne also writes with a sense of mystery, and his characters are very flawed. There are some supernatural elements to his writings and many questions about the society that they represent. Poe's short stories usually focus on death, but he tells the tale of death with a dark humor and a desire to expose the complexity of his characters and society.

Writers, such as William Faulkner, began writing a more specifically Southern form of American Gothic in the 1920s. However, the Southern Gothic genre reached its height in popularity in the 1940s-1960s.

Characteristics of the Genre

Although inspired by Gothic literature, Southern Gothic does not dwell on suspense and the supernatural. Rather, there is a dark humor in the stories. It follows the idea of exposing the problems of society, but does so by developing complex characters. The authors explored the behaviors of people (usually strange) and the social order of the South. Through their stories, the authors hoped to show that the social order was fragile, and the realities behind it were actually disturbing. The authors work to point out truths of Southern culture and its moral shortcomings. The themes of this genre are developed around these goals.

The stories of Southern Gothic are, of course, set in the South. They may take place on a plantation, old slave quarters or broken-down towns. There are many Southern elements in the stories, including dialect, habits and personalities. The history of the South is represented through the settings of the stories.

The characters are usually complex, and many of them are mentally unstable. Many of the characters are broken in spirit and struggling to find a place in society once again. The morality of characters is often questioned. Through their characters, the authors examine the harm that people can do to each other. There are also many characters that are seen as innocent, such as the mentally handicapped, and there is a struggle for their place in the world. Whether mentally unstable, dark or innocent, the characters try to make sense of the world around them and the society in which they live.

The plots of Southern Gothic stories can be disturbing and some do include supernatural elements. They often contain ironic events as a writing style. Many of the events contained in the stories are linked to racism, violence and poverty.

Southern Gothic Authors

In the 1920s, William Faulkner began writing Southern Gothic literature. His novels are set in Mississippi and often take place in older Southern towns and plantations. They contain many Southern archetypes, or examples or patterns, including roles in Southern society. The characters often are suffering and show this through Faulkner's stream of consciousness, where an author writes the characters thoughts as they would flow through one's mind. In addition, the stories are often grotesque and involve death and loneliness. For example, in his short story 'A Rose for Emily,' it is discovered that the lonely old woman who recently died had the corpse of an old lover in her bedroom.

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characteristics & authors - video & lesson transcript | study.com

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Southern Gothic Literature: Definition, Characteristics & Authors - Video & Lesson Transcript | Study.com

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Southern Gothic literature is a genre of Southern writing. The stories often focus on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters. Southern Gothic literature was inspired by early Gothic writing, a genre that was popular in 18th-century England.

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ROYLIN

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Elizabeth

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Macey

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Urton

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Jacie