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The purpose was to accompany the liturgy.

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The Catholic Counter-Reformation (María Coruña)         

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The Catholic Counter-Reformation (María Coruña)         

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The mass was a compond musical form, result of putting together  all the pieces of the liturgy.
The most important composers of the Counter-Reformation werw Giovanni Pierluigi ds Pslestrina, Orlando di Lasso, and Cristóbal Morales and Tomás Luis de Victoria.

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It's a song composed for four or fives voices mixing different genres, forms and text in a composition. The most representative compsers were Juan de Enzina, Francisco Peñalosa, Mateo Flecha and Juan Vázquez.

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It is a narrative strophic song about historic and legendary matters or about social events.

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Presented in contrasting pairs, in a binary rhythm and slow tempo.

·The pavane: A processional dance, three parts.

·The galliard: with ternary rhythm . Composed upon the pavane, the same structure.

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In the Renaissance the composers were very interested in the instruments at this moment marginalized and that later they will be known.
The church supports pagan cults.

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-Madrigal is composition for four or five voices,with compound polyohonic texture.
-This music tries to reflect the sence and meaning of the text by using expressive elemets known as madrigalism.

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Martin Luther King broke away with Rome in the year 1510 establishing Protestantism.
Luther considered music the most important thing after theology.
He creates the chorale.

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The protestant Reformation (María Bueno)

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The protestant Reformation (María Bueno)

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The protestant Chorale is a simple composition, often based on popular melodies.
It is usually written for 4 voices and in German.
These characteristics made it easy for the congregation to participe in the singing, and made the chorale hymn of the protestant religion.

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On the one hand, it still served as accompaniment for secular vocal music. On the other, a true instrumental music appeared, independent from singing and its texts.
Since this moment, music, which used to be improvised or performed by hearth, began to be written down. However, improvisation continued being deeply rooted and would later have its reflection in the different ornamentation and variation techniques, typical of many forms of instrumental music

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The concept of orchestra as a stable group did not exist in group music yet.
-Haut*music: formed by instruments with great sound power. These were groups intended for outdoor performances os public events.
-Bas*music: formed by instruments of soft sound intensity. These were groups intendrd for indoor performances.

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Usually made up of four voices with simple homophonic texture. It's main characteristic is that the last verses of the copla act as a volta, repeating the melody of the chorus.

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The origin of ballet
the connection between the dramatic arts and the court caused the introduction of dance into theatre. It sterted developing as an art in itself under some very strict rules. There are two types of dance: social dance and dance theatre.

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- French vocal with polyphonic texture and with instrumental accompainament.
Descriptive character, uses musical onomatopeias ( singing of birds...)
- Most vrepresentative composers: Joaquin des Prez and Clement Janequin.

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*Characteristics:
- Italian vocal form ( 4 o 5 voices)
-Polyphonic texture
- Tries to reflect the sense and    the meaning of the text
- Using expresive elements (madrigalisms)
*Important compousers:
-Orlando di Lasso
-Carlo Gesualdo
-Claudio Monteverdi.

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-The first ballet in history was the Ballet comique de la Reine, at the request of Catherine de Medici for the betrothal of the duke of Joyeuse with Margarida de Lorena
-It was  represented in paris in 1581.
-Perfomed by amateur nobles.
-Combined music, poetry decoration and dance.

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Instrumental forms (Third type)
The composer starts with a simple theme,that he later repeats and modifies it.

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.Adapted pieces form vocal works :
They keep the typical structure forms of the original vocals forms,but adapted for instruments.The ricercare (derived from the motet)and the canzona (derived from the chanson ) belong to this type.
The most prominet composers of instrumental music were :
Andrea Gabrielli(1510-1586)and Giovanni Gabrielli(1557-1612), John Dowland(1510-1626),Luis de Navaéz (1499-1555)and Antonio de Cabezón(1510-1566).

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The dance was the favourite entertainments of nobility, it counted with one of the most important repertoires of instrumental music.

Composing danceable music conditioned its structure.

ºIt had musical phrases, to be regular.

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Pieces based on improvisation :
hey can be improvised upon a given melody or "cantus firmus" or the music can be freely made up . The fantasia and the toccata (pieces in which the composer  completely develops his creativity), belong to this type
Compositers:
The most prominent composers of instrumental music were Andrea Grabrielli (1510-1586) and Giovanni Grabrielli(1557-1612), Jhon Dowland (1563-1612), Luis de Naváez(1499-1555) and Antonio de Cabezón (1510-1566)

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Instruments families were divided into two categories depending on sound power:
-Haut music: formed by instruments with great sound power.

- Bas music: formed by instruments of soft sound intensity.
The favourite solo instruments were plucked string instruments and keyboard instruments.
The number of wind instruments increased and many of them were built in families of different sizes in order to cover the complete tesitura of voices.

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Religious vocal music begins with the revolution of Catholic Protestants

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-French vocal form with polyphonic texture and usually with instrumental accompaniment.
-It has a descriptive character and it often uses musical onomatopoeias.
-The most representative composers were Josquin des Prez and Clément Janequin.

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The most prominent composers of of instrumental music were Andrea Grabrielli (1510-1586) and Giovanni Gabrielli (1557-1612),Jhon Dowland (1563-1626), Luis de Narváez ( 1499-1555) and Antonio de Cabezon (1510-1566).

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The most prominet composers of instrumental music were Andrea Gabrielli (1510-1586) and Giovanni Gabrielli (1557-1612), John Dowland (1563-1626),Luis de Narváez (1499-1555) and Antonio Cabezón (1510-1566).

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The purpose was to entertain people.

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 The Catholic Counter-Reformation (Nuria Casablanca)

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 The Catholic Counter-Reformation (Nuria Casablanca)

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The Catholic Church developed polyphony, which reached its utmost splendor
The motet: Was the most important form of religious polyphony. In Latin and brief ,it avoided the previous counterpoint complexity.

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The Renaissance arises to denominate the artistic manifestations of the XV and XVI centuries that seek to recover the ideals of beauty and proportion inspired by the ancient Roman and Greek classical art.
In the music is not based on the past his stylistic evolution part of the stage of Ars Nova.
Humanism is the cultural movement that marks the entire Renaissance, after theocentrism man is interested again in the sciences, nature, the cultivation of the arts and the expression of feelings.
In this context music is one of the privileged arts.

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The English Reformation                         ( Bryan Caguana) 

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The English Reformation                         ( Bryan Caguana) 

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In england Henry Will broke away with Rome in the year 1534, creating the Anglican Church. Create the anthem written for four voices

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The purpose was to accompany   secular music.

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In England , Henry VIII broke with rome in 1534 . He comand the Anglican Church . Her hymn is Anthem wrttien to four voices and in English

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Adepted pieces from vocal works
-They keep the typical structures and textures of the original vocal forms, but adapted for instruments. The ricercare  (derived from the motet) and the canzona (derived from the chanson) belong to this type.
The most prominet composers of instrumental music were Andrea Gabrielli (1510-1586) and Giovanni Gabrielli (1557-1612), John Dowland (1563-1626),Luis de Narváez (1499-1555) and Antonio Cabezón (1510-1566).