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Chair Henna Tahvanainen

Michele Ducceschi, Department of Industrial Engineering, University of Bologna, Italy

From the Sounds of the Past to the Instruments of the Future: Five Years of NEMUS

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Chair Vasileios Chatziioannou

Nicolas Giordano, Department of Physics, Auburn University, USA

Modeling of the recorder. What we have learned (and continue to learn) from this simple instrument

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Chair Hanna Järveläinen

11:00-11:20 Matias Häkkinen and Hanna Järveläinen:

Tuning Shapes Perceived Tension in Historical Harpsichord Music

11:20-11:40 Rolf Bader, Niko Plath and Patrick Kontopidis:

Sound impact of simple viscoelastic damping changes due to aging and the role of the double bentside on soundboard tension in a 1755 Dulcken harpsichord

11:40-12:00 Pablo Miranda Valiente, Giacomo Squicciarini, David Thompson, David O. Norris and Cesar Hernandez:

Physics-based modelling of an early British piano

12:00-12:20 Kyosuke Sato, Atsushi Marui and Toru Kamekawa:

Analysis of attack and harmonic components in piano sounds using harmonic/percussive source separation

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14:00-15:40 Sounds of the past into the future, part I

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14:00-15:40 Sounds of the past into the future, part I

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Chair Vesa Välimäki

14:00-14:20 Xinmeng Luan and Gary Scavone:

Inverse Problems in Musical Instrument Modeling: A Structured Taxonomy and Review

14:20-14:40 Mark Rau, Jared Katz, Jin Woo Lee, Benjamin Sabatini and Nate Steele:

Studies of Historic Musical Instruments Using X-ray Computed Tomography and Acoustic Measurements

14:40-15:00 Sebastian Duran, Henna Tahvanainen and Michele Ducceschi:

Towards a Framework for CT-Driven FEM Analysis of Musical Instruments: Impact of Geometric Detail on the predicted modal behaviour

15:00-15:20 Jean-Loïc Le Carrou, René Caussé and Sibylle Emerit:

Acoustics of an ancient Egyptian cordophone: study of the copy of the Dra' Abou El-Naga arched harp

15:20-15:40 Simon Linke, Robert Mores and Rolf Bader:

Tuning Principles and Harmonic Alignment in the Mong Kang Gong Ensemble

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16:20-17:40 Sounds of the past into the future, part II

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16:20-17:40 Sounds of the past into the future, part II

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Chair Claudia Fritz

16:20-16:40 Charlotte Fernandez, Nathalie Henrich Bernardoni and Brian F. G. Katz:

Effect of Acoustic Variations of Performance Environments on artistic and physiological vocal performance: A Case Study of Medieval Monodic Music

16:40-17:00 Noam Amir and Laure Azoulay Chacham:

Do listeners like vibrato?

17:00-17:20 Gioele Greco, Mirco Pezzoli, Raffaele Malvermi, Gian Marco Ricci and Fabio Antonacci:

A Compact Statistical View of Musical-Instrument Directivity

17:20-17:40 Michele Ducceschi, Craig Webb, Matteo Gualeni and Riccardo Russo:

Spatial modal reverberation

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Chair Vasileios Chatziioannou and Augustin Ernoult

10:50-11:10 Lior Arbel and Itai Weissman:

Digital Revival: Acoustic Documentation and Digital Reactivation of Historical Woodwind Instruments

11:10-11:30 N. Giordano and K. L. Saenger:

Study of sub-harmonic tones in the recorder

11:30-11:50 Corto Bastien, Claudia Fritz and Augustin Ernoult:

Evaluation of Perceptual and Acceptability Thresholds of Recorder Detuning

11:50-12:10 Kojiro Nishimiya and Seiji Adachi:

Development of an Inclusive Wind Instrument Enabling Pitch Control via Neck-Opening Area Variation in Helmholtz Resonance

12:10-12:30 Champ Darabundit, Mark Rau, Jared Katz, Benjamin Sabatini and Gary Scavone:

Power-balanced simulation of a Paracas whistle

12:30-12:50 Jin Woo Lee, Benjamin Sabatini, Jared Katz, Nate Steele and Mark Rau:

Numerical Study of Air-jet Instrument Sounds using Hydrodynamic-Acoustic Splitting

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Chair Amélie Gaillard

14:00-14:20 Daniel Ha and Gary Scavone:

Acoustic Impedance of FDM-Printed Cylindrical Waveguides:
Influence of Surface Conditions and Infill Structures

14:20-14:40 Tom Colinot:

Transverse flute dynamics explored using a jet-drive model

14:40-15:00 Damien Forgeot D'Arc and Augustin Ernoult:

Experimental acoustic characterization of a three-hole flute

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Chair Masanobu Miura

15:00-15:20 Cristhiam Fidel Martínez Orellanos and Rolf Bader:

Influence of Membrane Viscoelasticity on Timbre Perception of the Colombian Alegre Drum: A Combined Experimental, Psychoacoustic, and Physics-Informed Machine Learning Approach

15:20-15:40 Vincent Debut and Filipe Soares:

Sound radiation-based optimization for the design of undercut idiophone bars

15:40- 16:00 Masanobu Miura and Hidehiko Kozai:

Fine motor control of cymbal-to-cymbal collision in orchestral cymbal performance

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Chair Mark Rau

16:20-16:40 Pierfrancesco Cillo, Pascal Ziegler and Peter Eberhard:

Gradient-based design optimization of classical guitars under material variability

16:40-17:00 Tharindu Danushka Nandalal, Pierfrancesco Cillo, Pascal Ziegler and Peter Eberhard:

A physical synthesis framework for vibro-acoustic interaction of plucked strings in classical guitars

17:00-17:20 Victor Piton, Kerem Ege, Jean-Loïc Le Carrou and Quentin Leclère:

Study of the influence of the bridge on the sound of an acoustic guitar using virtual prototyping

17:20-17:40 Adam Łapiński, Marguerite Jossic and Claudia Fritz:

Parametric Modeling of Tanbūr‑Family Lutes for Finite Element Analysis

17:40-18:00 Zhen Zheng, Champ Darabundit and Gary Scavone:

Physics-based Modeling of the Yehu, a Chinese Bowed String Instrument

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18:00-18:50 EAA Musical Acoustics TC meeting

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18:00-18:50 EAA Musical Acoustics TC meeting

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Chair Vasileios Chatziioannou

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Chair Seiji Adachi

10:00-10:20 Fumihiko Kurosawa, Naoto Wakatsuki and Tadashi Ebihara:

Deep neural network-based optimization of oboe geometry from target sound spectrum

10:20-10:40 Artturi Vuorinen:

Development of a prototype accordion with the aid of digital fabrication

10:40-11:00 Hyuga Okada, Seiji Adachi, Toshiya Samejima, Masakazu Takeda and Kojiro Nishimiya:

Reproducing Accordion Pitch Bending using a Physical Model with Reed Box Resonance and Laminar and Turbulent Resistance

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Chair Naoto Wakatsuki

11:20-11:40 Filipe Soares, Vincent Fréour, Christophe Vergez and Bruno Cochelin:

Nonlinear dynamics of brass instruments in loud playing conditions: confronting models with artificial blowing experiments

11:40- 12:00 Vincent Freour, Filipe Soares, Christophe Vergez and Bruno Cochelin:

Experimental characterization of artificial lips and
benefits for the physical modelling of the trumpet

12:00-12:20 Marco Aragó Bishop, Christophe Vergez, Vincent Fréour, Filipe Soares and Bruno Cochelin:

Lip dynamics in brass instruments: A sparse system-identification approach

12:20-12:40 Hiroshi Shirai, Ukyo Inomata, Naoto Wakatsuki, Keiichi Zempo and Yuka Maeda:

Vocal-Tract Acoustic Effects on Self-Sustained Oscillation in Trumpet Sound Production

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Chair Vincent Fréour

14:20-14:40 Harry Mayrhofer, Samy Missoum and Christophe Vergez:

Identification of Acoustic Maps for Sound Production and Intonation of a Trumpet

14:40-15:00 Juan Luis de la Torre and Daniel de la Prida:

Perceived Loudness in Trumpets in Relation to Directivity Patterns and Psychoacoustic Metrics

15:00-15:20 Martin Pégeot, Tom Colinot, Jean-Baptiste Doc, Vincent Fréour and Christophe Vergez:

Double Hopf Bifurcations in Brass Instruments: A Comparison Between a Numerical Model and Results Obtained with an Artificial Player System

15:20-15:40 Ukyo Inomata, Naoto Wakatsuki, Tadashi Ebihara and Yuka Maeda:

Deep Learning-Based Estimation of Geometric Parameters from Acoustic Impedance for Inverse Design of Brass Instruments

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Chair Tom Nania

16:00-16:20 Vasileios Chatziioannou, Maarten Van Walstijn and Alessio Lampis:

Simulating bow-string transients using a thermal elasto-plastic friction model

16:20-16:40 Shodai Tanaka, Julius Smith and Nathaniel Grinkrug:

Bow Hair-Plate Coupling in Obliquely Bowed Plates

16:40-17:00 Jaska Uimonen:

Choosing a Violin: Professional Players’ Perspectives on Instrument Testing

17:00-17:20 Hugo Pauget Ballesteros, Philippe Lalitte, Vincent Lostanlen and Claudia Fritz:

Violin "Playing-In": Disentangling Physical Change from Player Adaptation

17:20-17:40 Claudia Fritz, Angelica Cagnetta, Mj Kwan and Sam Zygmuntowicz:

Sound differences between Stradivari and del Gesù violins

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19:00-19:10 Flagellate collective performance, concert hall

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19:00-19:10 Flagellate collective performance, concert hall

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Chair Henna Tahvanainen

Anthony Wang, Irene Dong, Jared Katz, Jin Woo Lee, Benjamin Sabatini and Mark Rau:

Finite-Difference Time-Domain Modeling of a Historical Ocarina

Maximino Linares, Guillaume Doras and Thomas Hélie:

Identifying the nonlinear string dynamics with port-Hamiltonian neural networks

Amélie Gaillard, Augustin Ernoult, Patricio de la Cuadra and Benoît Fabre:

Optimization of the baroque transverse flute geometry for tuning modifications

Jean-Francois Petiot, Mauricio Payan, Vincent Freour and Keita Arimoto:

Contribution of sound simulations by physical model and machine learning models for the prediction of spectral centroid trumpets sounds: influence of the leadpipe bore

Paul Amann, Vasileios Chatziioannou, Pascal Nicolay and Roland Willmann:

Lip-Specific Mouthpiece Force in Brass Performance: Effects of Pitch and Intensity in a Note-Synchronised Dataset

Victoria Pham, Jared Katz, Mark Rau, Alex Tung and Benjamin Sabatini:

Modeling the Acoustics of a Veracruz Classic Period Three Chamber Polyglobular Flute with COMSOL Multiphysics

Gioele Greco, Vincent Freour, Filipe Soares, Jean-Baptiste Doc, Christophe Vergez, Mirco Pezzoli and Fabio Antonacci:

Understanding Oscillation in Membrane-Based Mouthpiece Models

Alexander Mazurenko, Benjamin Sabatini, Caleb Burkhardt and Mark Rau:

Geometric and Acoustic Studies of a Collection of Historically Significant Saxophone Mouthpieces

Xinmeng Luan, Kensuke Okada, Ryoya Tabata and Gary Scavone:

Towards Physics-Informed Neural Networks for Stiff Guitar String Vibrations

Jimi Tenor and Matti Knaapi:

Prototype of a solenoid-controlled flute