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The oscilloscopes generated huge positive feedback during testing, so we decided to include them in the film's credit sequences.

We fully simulated them inside of a browser, and played a variety of sounds to produce art-directed sound waves. Then the final image was comped together in resolve

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Get access to files anywhere through secure cloud storage and file backup for your photos, videos, files and more with Google Drive.

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The glitching memories were a link to how Aphantasic people do not have pictorial memories, but rather, they remember events as a series of facts.

They describe knowing what happened, but not being able to 'see it' so we decided to represent that through glitching. This was so that the audience could work out what was happening, but not get a clear picture tyign it into the aphantasic expirence

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We used 8mm film emulation to ensure consistency across all of the archival materials due to diffrent cameras. Bloom was added alongside split toning

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Crit went well - positive feedback on soundscapes and projecter fx stuff, use of silence was good

POINTS TO CONSIDER

Dialogue should have been mixed slightly better - it's slightly difficult to hear at some certain points

Should have had more sound to image for some bits which instead just had ambience and drones over

Should have dealt with bad location sound problems better - shouldn't have just tried to stop a whole interview being put in - perhaps slightly audacious upon further reflection

MAIN TAKEAWAY

Should have spent much more time mixing trying to get correct volume levels for dx

Should have followed intuition about filling in some empty space a bit more - Perhaps didn't because it was easier to just hold ambiences over it

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Learnt how to upmix from stereo into 5.1 from Herve while finishing picture this

HOW TO UPMIX FROM STEREO SESSION

Change all routing folders to 5.1 by duplicating and changing the empty duplicating folders into 5.1

Move all of tracks into new routing folders

Adjust all buses into 5.1

All mono sounds just therefor come from centre speaker

Move all ambiences into 5.1 space through panner - and or 5.1 reverbs

Add 5.1 reverb auxes and a LFE aux

MAIN POINTS TO CONSIDER

When mixing in stereo just use 5.1 outputs and folders types and use front left and right speakers to reduce amount of work when upmixing

Use LFE sparingly - just for big FX moments or ambiences

If mono sounds are in ambiences or other non DX or Folley sounds then just duplicate track and pan each one to far sidde to make it stereo so it doesn't muddy up the centre speaker

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Creative sound design for 'Picture this' documentary

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Creative sound design for 'Picture this' documentary

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For this documentary I was given a ten minute cut to work on that exclusively consisted of interviews with silence between all of it and abstract image sections - I've had a big job to fill this all out

Some of the silent scenes included

Sequence of a film projector being loaded and played

Black screen with flashing images of apples and brain scan imagery

I wanted to use as much sounds that I'd recorded and designed myself for this project to test myself. This included many ambiences I'd recorded (sounds of Ocean, rain, bells etc.) - contact microphone recordings I'd gotten of electronics, mechanical movements, trains - A lot of bell recordings which I'd recorded then manipulated often by cutting off the initial strike of the bell to just have the decau which I'd duplicate and reverse the second one and splice together to create a drone like effect which I could layer with pitch shifter to create some sort of 'chords'

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We used VHS effects to create a consistent look for all the archival materials, ensuring a cohesive memory effect. Additionally we used it to signify what was a memory and what wasn't.

The effect was completed in resolve through a power grade, and we used a wide vartiety of VHS tools such as overscan and much more

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The overall intention for these was a sheer void, so we reduced the blacks, and then darked everything a smidge before adding a tilt shift

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Unfortunately, some haze we ordered didn't arrive in time. So we shot the hand on its own. We started with some light textures from YouTube, then added particles and haze. We then added interactions with the hand, and then lighting replacement

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As part of the abstract sequence, we created this shot. It symbolises memory strands and fleeting memories. We used turbulence fields in Blender to animate the strands with clumping and grouping hair groom nets applied.

Then we applied lighting replacement and bloom and film emulation before lens replacement

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One of the recurring themes of the film was that people with Aphantasia can't see the faces of their loved ones.

One of the ways we approached it was through this. I started with a model, and then used volumetric shaders in tandem with NPR emission shaders and fractal noise to create the naimation all inside blender 5.0

Then in resolve film emulation and bloom was applied before completion

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One of the diagnostic tests for Aphantasia involves asking subjects to imagine an apple. Many describe not being able to see it, rather seeing an outline of an apple, but not being able to touch it.

We settled on this. The initial rendering took place in Blender before any lighting tweaks were made, prior to the final rendering.

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The glitter shot required extensive VFX work. Starting with reducing the bit depth to two, to reduce the background noise, bloom was added alongside shimmering and lens replacement. Additional particles were added in for art direction

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Shot count:

110 VFX-affected shots out of 290 total; My highest shot count on a single project yet.

These shots included lighting augmentation, focus manipulation, environment extension, particle simulation, VHS, CRT and 8mm emulation, CGI takeovers, Volumetric rendering, particle swarms and more.

Software used:

- Blender 4.5 / 5.0 — CGI takeover work, particle simulation, and GPU-accelerated workflows

- DaVinci Resolve — editorial integration, grading, and compositing

- Fab: asset sourcing and rapid environment prototyping

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The brain was a particularly fun VFX shot to work on. It's based on a real MRI scan of the brain. It was a great experience to pull that data into Blender and to work with it with our standard tools.

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The particle swarm shots are the aspect of the film I’m most proud of. Particle simulations are usually extremely CPU-intensive, and my personal render setup relies on a relatively low-power CPU. Rather than compromising the idea, I adapted the workflow to fit the new requirements.

Advances in Vulkan integration in Blender 5.0 allowed me to offload the majority of the workload to the GPU, making these simulations far more efficient than in previous versions. This enabled real-time iteration and practical use within a student production pipeline.

A key technical learning was scale. By working with particles at approximately a thousand nanometers in size, I was able to achieve the desired visual density while keeping simulation costs manageable. This approach significantly reduced compute overhead without compromising visual complexity. This reduction in compute allowed for us to add in lens simulation and bloom effects in a single render pass, reducing time even further

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Since Adam Zeeman has a really busy schedule, we could only conduct the interview over Zoom. We wanted to make the interview fit into the world of the picture this in an organic way, rather than cutting from stylised footage to a Zoom call. So we decided to use visual effects to project Adam Zeeman onto the CRT TV.

We shot a clean plate of a white screen for lighting and reflections, and then composited Adam Zeeman using Adobe After Effects or similar software. We then used plugins to emulate an early '90s VHS look, ensuring optical accuracy. Then we animated the flickering and the CRT look because we could and so ti had animation

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This was a really tough VFX sequence to pull off as it required full lighting replacement and reconstruction of the cinema to make it look dark. The screen also needed to be replaced. We combind this with custom lens simulations to ensure optical accuracy

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The overall idea for the grade for the cinema was that it was meant to feel the idea of a cinema rather than any specific one. Since at this part of the documentary, erin describes it as in her mind we settled on softer rich tones, with bloom, lens artefacts additional lighting and lens replacements added in post to resemble 8mm film stock

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Explore a hand-picked collection of Pins about Aphantasia Visual Post on Pinterest.

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Missing dialouge was discussed on mutiple occasions and had been cut from the opening cinema sequence voice over. This has not been put back into the final lock.

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Overall I think the sound design is amazing and brings the film to life, extenuating the visuals and helping to tell the story.

HOWEVER

I do feel the mix could still do with some refining even in the final locked film for submission. The dialogue in the first section with the interviewees isn't clear because the design is too loud and occasionally throughout the design is too high in volume compared to the voices which takes away from their impact.

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I think the music/ design needs to mellow at the interveewees part Whwre we see their faces

Ending feels a little too echoey for my voice? End maybe needs to sound a little more positive when I’m speaking. And then I want silence and just my voice “so I ask you again to close your eyes…”

OVERALL IM SO HAPPY THO LIKE THIS IS AMAZING!

I’m just trying to be as detailed/ clear in my feedback as possible but it is not a criticism of you or your work it’s just to make sure i give you enough information to work with!

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Ezra you have cooked this is amazing! A minute in and I already love it!!

- I think there’s too big a gap between “even know when I try to visualise what this film will look like, I can’t see it” and me begining to talk about they guy working away in the back? I think this dialouge should start after a few moments in the projection room do there isnt as big a gap? Maybe around 01:01:13:00.

- ⁠I think the end of this speech is cut off “and I’m just sitting there” then goes right onto “and it’s just on the tip of my fingers” but the line isnt over yet, it should say “watching nothing happen, no matter where I look or turn my head I just can’t see it”.

- ⁠it feels a little abrupt between reaching for hand then Zeman?

- ⁠I think less sound design when I’m speaking directly to the audience may may the dialoge more impactful at those moments like “ I can’t picture my mums face can you?” Maybe a sort of swelling up of ambience as a built to these moments? Not an extreme one but subtly.

- ⁠I’m finding the ‘background voices’ etc a little distracting when Zeman is speaking, it’s quite hard to take in the heavy info he is saying with subtle design underneath, maybe there’s too much going on there?

- ⁠slightly more of a build in begining of memories section.

- ⁠I think the sound at 01.04.47.00 is a little creepy, I like the concept but not the way this specific part sounds.

- ⁠I like that’s it’s becoming chaotic here

- ⁠omg when we see the moniter the sound design made my jaw drop!!!! I want more moments like this.

- ⁠perhaps in memories section we could have sounds of laughter, archival sounds if that makes sense like the type of audio that would be in home movies or recording that you would hear playing back in your mind? Not constantly throughout this section but a little bit of this would be nice to hear.

I think the key thing is that I LOVE the design, I think it’s just playing about a little with when we hear it? Like I enjoy it during the interviewee aphantasia stuff but I think having quite absent design in areas may also be jusy as impactful if that makes sense just so the film isnt so ‘busy’ all the time.

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I found out that my dad is still paying for a Microsoft family subscription, so I have a personal OneDrive and was able to successfully upload the files to this OneDrive, as it has 1TB of storage.

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Picture This Final Draft High Resolution with Surround Sound

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Picture This Final Draft High Resolution with Surround Sound

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Picture This Final Draft Low Resolution With Stereo Sound

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Picture This Final Draft Low Resolution With Stereo Sound

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Picture This Final Film Low Resolution Stereo

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Picture This Final Draft High Resolution with Stereo Sound 

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Picture This Final Draft High Resolution with Stereo Sound 

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Here are youtube links to our final film in a PDF incase of any issues with accessing the files on onedrive. These files are also backed up on the Nexus, in the BA3 Work Drive in a Folder called Picture This

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Uploading to OneDrive ended up being more of a challenge than expected. I have honestly barely used the one drive the university has provided us because it is so tiny - only 10GB. It was just a backup storage for essays, which I obviously had to back up elsewhere and delete to have space for our film. I attempted 7 times to upload this film. From some research, this seems to be a common issue - OneDrive often struggles with files bigger than 3GB and our film was just under 9.5GB. I will definitely be sticking with Google Drive in the future, as it is so much less clunky, and I've never had issues like this with it. This served as a good reminder that the software you choose to use has a serious impact on efficiency. I spent an evening uploading a file that should have taken 20 minutes; that is a significant loss of time for freelancers. When choosing software packages, it is important to think seriously before cutting corners.

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Here is some screen skills e- learning in preparation for teamwork, thankfully this training wasn’t relevant to this team as it was about navigating negative situations but i think it is good to be prepared for them.

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Susan's feedback on the film, this is on the picture locked film with no sound post and partically graded due to nexus going down. She likes the film and finds it a really interesting topic that she's not heard about before. She really likes the apples flashing at the start. She liked how the disappearing memories section had a slower pace. She thought the black ink was a great metaphor. She found the hoarding section really interesting, very unexpected. She found the grandad section strong & surprising. She's happy we took out the apples at the end. Her only negatives were she doesn't like the hand metaphor and she felt like 2 interviewees said very similar things about memories and we could have cut one. Susan was also able to give helpful feedback on why we found that clips were moved about when exporting to Da Vinci, this is a common issue with avid and there is nothing the editor can do to stop this. However sometimes camera settings can cause this, so the camera department should make sure the timecode settings are correct. To stop this issue causing problems in the grade, a guide video export should be made for the colour grader to compare each shot to. Avid also just doesn't export effects, so it shows the grader what this should look like. This is very important as cropping, zooming in ect are all effects in Avid.

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Here is the picture locked film with some grading but no audio post as hasn't been completed yet.

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Lena created helpful camera reports onset.

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Here is the video export of picturelock for Ezra with burnt in timecode & shot name.

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My Notes from my first viewing of the footage:

Spinning Film 1 - beautiful footage, lots of continuous movement

Spinning Film 2 - camera shaky, not much continuous movement of the reel, the projectionists face & beard often appear in frame

Spinning Film 3 - Nice shot but quite short, projectionists tattoos are very visible

Spinning Film 4 - wonderful angle, leaver is the focus of the shot, continous movement, part of the way through it is zoomed in a bit, tattoo is slightly visible but in background

Spinning film 5 - multiple angles in one, the first angle is across from the projectionist, slow non continues movement as he finds the frames he wants, slightly shaky. angle 2 is looking down the reel as it spins, again slow non continous movement, focus off occasionally.

Spinning film 6 - beautiful angle, continuous spinning during the whole shot, no shaking

Spinning film 7 - very interesting shot, the film reel is spinned backwards and forwards while the camera pans up and down, could be useful for a segment about how confusing it can be to experience aphantasia

Spinning film 8 - film spinning from over shoulder, quite fast continous movement, zooms in and out, stays closer in

Spinning film 9 - film is spun at a continuous pace, focus is on projectionists hand holding the passing through film rather than the reel, tattoos are visible but not prominent

spinning film 10 - similar to 9 but from the opposite side, i prefer the angle but it is more shaky

spinning film 11 - film is continuous being spun quite fast, close up shot of part of the reel with hand holding in background, moves in closer throughout shot, there are long enough segments to use at a couple angles

spinning film 12 - continuous spinning, the handle is at the centre of the shot, very steady

spinning film 13 - a segment of the spinning reel takes up the whole screen, continous movement, beautiful shot

spinning film 14 - shot from above, camera doesn’t stay still

spinning film 15 - the reel being spun takes up most of the shot, bit shaky to start with, it is being moved forwards and backwards

spinning film 16 - shot from above & to the side, reel is not in focus - the focus is on the hand holding the passing through film, nice continous movement, camera isn’t shaky but the reel is quite shaky making the shot feel shaky

spinning film 17 - the focus is on the hand holding the film, the reel is in the bottom left corner, bit shaky

spinning film 18 - like 13 just a slightly different angle

Film Cut 1 - projectionists body often gets in the way of the short, there are usable segments but quite tiny ones

Film cut 2 - very intimate angle, really nice shot, shaky to start with but steadys as shot goes on

Marking film 1 - focus is great, slightly shaky

marking film 2 - film is moved through contraption in prep of marking , goes out of focus as the film is moved into the contaption but the rest of the shot is usable, the 5,4,3,2,1 countdown is visible

marking film 3 - very similar to 2 but the movement is more continous, there is a some panning

marking film 4 - projectionists hand gets in the way of us seeing the marking

marking film 5 - film is spun to find point then pressed down, initially focus on hand & spinning film, then to the side of the reel when the film is marked

marking film 6 - projectionist marks the side of the film as he spins, his hand holding the marker is in focus - not the spinning reel. the later part of the shot is just film being spun.

Film 1 - focus of the shot moves about a lot, don’t think this is a usable take

Film 2 - shot as film moves through the projectionists hand, bugonia logo is pretty visible in a lot of the shot so probably unusable

Film 3 - film is dangling and being shook

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Really cool to see how much of a difference Jamie's colourgrading makes to the film.

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Here is some of my personal archival footage that was used as a placeholder for Erin's archive, i tried to find videos of common experiences that Erin would likely have experienced so that they could also be used in the film if needed.

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Many phone calls were exchanged to discuss the edit, every day of post. Verbal feedback was also given.

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I don’t like the basket ball on the table in the faces section maybe have a flash on an interviewe here? I think the glitchy section of photos can that be applied to videos or no? If not that okay, I almost feel that little part should be videos like starting to play then stopping and freezing and the audio keeps going and then black flashes then the video continues etc?? The video memories section is sooooo good mahbe a few more black flashes would be helpful tho?! I like the interview stuff at the end, mahbe it is nice to see their faces so we know who has been speaking etc? I do think mahbe a few flashes of actual faces of intwrerviewees or like a photo of someone’s face cropped in to just show parts of their face in a flash would be better?? < For the faces section. But overall this is insane like woah I love it I feel like there’s not much to change now?

I’m so so so so impressed with this

You have worked so hard and it’s really paid off

Let me know if there is any of this you don’t understand and we can talk about it. We are so close to being

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I think maybe have some faster flashes and then some that hold on the video slightly longer? May also be interesting to hear some of the videos playing ans jusy see black as a way to make it more interesting??

Maybe some of the videos could play then stop and glitch like when a dvd is scratched?? Jusy a thought? The audio would continue but not the video???

Little box of clues for pinboard and tv longer with a pause before my dad, his audio should still be on the next clip of the stuff falling

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- [ ] Is there a shot of me in the middle to end on the cinema firsy part before we go to then end? Or can we repeat the shot of blank screen from behind again? Just the end to this feels a little awkward but I love the mowing around seats faster

- [ ] Also maybe we don’t cut back to Zeman between, apple, friend, kitchen?

- [ ] Love love love the flashes section!!!

- [ ] I think faces wxtion looks better but maybe having flashes of faces? Like flashes of interviews faces? Or cropped in elements of a fsce? And also end on the jigsaw panning doen for this section as it’s nice

- [ ] Waiting on memories strip tk put into start of memories bit

- [ ] I like memories but way more

- [ ] Maybe playing about with ehat videos are used a little?

- [ ] I feel like motives eduction becomes repetitive, maybe bring back some flashes stuff from earlier and maybe we have a video section and a photo section?????? Defo needs somethibf tk break it up as it’s quite chunky rn

- [ ] I wonder if it’s better to have the faces of interviewee in faces section and use some of the footage from faces section currently in memory???

- [ ] Right now I’m not liking the faces at the last section like seeing the interviewees?? Idk

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Me and Jamie just watched it again, we think there needs to be some more breathing room between each persons lie like it doesn’t need to be continuous talking all the time

We think the jigsaw but should come in at rhe piecing thingd together and have more flashy stuff before it, like moving osilscoped etc and the section ends on the jigsaw? Gives it more of a build up!

Also we think you should see faces at the last section about advantages and disadvantages

Also only videos not photos because it feels a little janky when we use both at same time?

Also film can be 11 mins with the extra 10%

So focus on breathing room between words too

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- [ ] Like the pacing of flashing apples more, but still more rapid from 2D like make it get so fast we can’t really even see it? Like a tiny blip?

- [ ] Maybe try slightly less of the glitter falling/ flashing? But it’s looking amzong sk don’t change it too much maybe jusy a tiny tiny bit less

- [ ] I want the first shot in the move theatre to be me from henind sayint the image doesn’t make it tk the screen, can you get rid of the shot before of me sitting watching?

- [ ] Maybe more rapid moving around seats? Can repeat seats? Play around with pace here

- [ ] Like the pacing of the hand reaching good job

- [ ] Yeah maybe we don’t cut to an apple? Or we cut to all three of the things mentioned?

- [ ] @jamie is the background of the morphine apple gonna be black? Not blue?

- [ ] I don’t like the flash of this image see below and the orange be glitter before it I don’t like as much either can this be changed?

- [ ] Pacing here is perfect tho!

- [ ] Can you try to find a bubble that pops right infront of the camera?

- [ ] Red thibg thag looks like backward bubble wrap can this go, see photo below, maybe just replace it with an apple or something? A different visual? A ball on a table?

- [ ] Don’t like the lava one either but couldnt get a photo?

- [ ] Love the rest of this section with the pacing etc! And the hand, perfecr! Mainly just swapping out some visuals

- [ ] Maybe need to have some flashed of faces of faces in this faces section, I like the pan of the jigsaw but this section is the only one that doesn’t really have any flickering or flashes?

- [ ] Also can we use the shot whith movement in it for the osiliscppes? Like either the push or pull in or out or the tracking side to side?

- [ ] I think balls like all of them being dropped on the table should be in this section about memory?

- [ ] I prefer how the memory section was last time, I was wrong I do not like comjng back to the words and memory board so often but I do like it when they pulled focus doen the memory board and the initial shot of the words on string use both of those but make it more similar to last time! Also only use videos in this section and only photos when it’s my grandad please!

- [ ] I love the fairy lights

- [ ] Yeah I prefer memory section last time, I take back what I said about inserting the memory board more!

- [ ] Balls all of them being dropped on table shot when “ there are so many things I wish I coudl remeber”? Maybe????

- [ ] Memories section shoudl be faster and maybe focus on videos and then you can try some photos when it’s “I wanna rember them how they were, that’s a machines pov” part

- [ ] Liking the grandad section but maybe Finnish on the ohoto of me hugging him!

- [ ] Or just the photo of him now without me in it?

- [ ] If we see the interviewee faces in the last section about advantages then we need to have everyone say a line so we see them all?

- [ ] LOVE THE ENDING!!!!!

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Responding to questions regarding feedback

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Responding to questions regarding feedback

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I agree with not having apples at rhe end, black is a stronger Finnish!

Ahhh yes I will work on a voice over tonight as I’m just about to head back through to Edinburgh, would be good to introduce me in a simple way

Adam Zeman refers to it as being on the tip of his tounge but I really like the on the tip of the fingers as it’s how I often describe it

I will look at the bit about “that’s just life”, I get what she means maybe there is a way I can refine it that will make the point better! Will let you know once I’m back in edi and have another look at it!

All good feedback tho thanks for passing it along

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- [ ] Have the last two beeps for 2… 1.. of projector when it goes black ( yes it’s a sound thing but leave space for it)

- [ ] More rapid build of flashes, should speed up more obvious pace increase and less time on screen

- [ ] Do you have the glitter footage Jamie sent? Maybe a very shot flashes of this and the rest is black for intro? Potentially a flash or two of the white line stuff Jamie made but might be more impactful with minimum tk no image in this beginning section

- [ ] Do you have Filmhouse projection booth stuff too?

- [ ] Don’t use me with my feet up on the seats if that’s possible as I don’t like that shot

- [ ] More breathing room before we first hear adam zeman

- [ ] See apple on “see the apple” that’s is

- [ ] Bubbles popping can this be slowed down and be a shot of a bubbble popping infront of the camera? Like not on screen for long more flashing throughout section

- [ ] Jamie also has some other cool stuff for flashes like the white lines stuff

- [ ] For flashes section can you

more of Jamie’s glitter footage and white line footage

- [ ] More breathing room aftwr “ I can’t picture my mums fsce can you”

- [ ] Don’t use bubbles in firsy section only on flashes section

Loving the memories section, this is how I want the whole film to feel! More flashes throughout the firsy section.

- [ ] I don’t like the second shot of the board with words cos u can see the pin board in it

- [ ] Hold on the throwing stuff a little longer till it drops

- [ ] “Lots of pictures and little box of clues” can this be more of the pinboard of memeoires

- [ ] Yeah defo play around with order of the archive

- [ ] Slow don’t with the grandad stuff this is a good time for pace to slow down and start with older photos and then newer ones? I can help with this

- [ ] Maybe we see interviewee faces during faces section but only little flashes ans not of them actually speaking what’s on screen?

- [ ] Or maybe try them in tv section and move tv to beginning about flashes section?

- [ ] Don’t cut to me in cinema until

- [ ] Don’t go to black until I say the “ black” of “dor me it will always be black”

- [ ] No flashing hand this time? Or not flashing of hand firsy time?

- [ ] Also there is new footage of the hand

- [ ] Shoudl we jusy end on black and no more apples?

- [ ] Defo room for breathing room

- [ ] Could the memories strip Jamie is making go over me saying about how it feels like all my memories have been lived by someone else etc. like that section of me speaking

- [ ]

Notes from 2nd watch

- [ ] When zeman talks about memory, I don’t think we need to see him, just keep flashes of memeories etc otherwise it gets confusing

- [ ] Hoarder bit- slow down footage or hold on it longer for stuff falling and then when ela is saying about a wee box of memeories stay on the memories board and keep coming back to it a few times for short moments

- [ ] More breathing room aftwr grandad bit