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TASK: Choose one of the writing tasks below for the level that suits you.

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Through Nora and Torvald’s dialogue, the playwright Ibsen reveals that their marriage has an oppressive atmosphere. For instance, when Helmer questions Nora about buying macarons and she claims that"(she) wouldn't do anything that (Torvald does not) like" to which he replies "you've given me your word" accentuates gender roles. This instance conveys that Nora must obey her husband by depicting that Nora is restrained by him even for eating her favourite sweets. Torvald's attitude follows the patriarchal ideal in the 1870s in Norway where women's autonomy is restricted in their marriage . Furthermore, Ibsen utilises a stage direction where Torvald is "wagging a finger at Nora" during their conversation about macarons, implying Torvald's language towards Nora which is as if Nora is his pet. Additionally, Torvald calls Nora by animal names like "skylark" and "squirrel" which establishes his dominating treatment towards Nora. As such, Ibsen invites the audience to consider the chauvinistic environment in the 1870s that was defining the role of women in the family ,shaping the sexist norms of the society.

Aram

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Through Nora and Torvald's dialogue, the playwright Ibsen reveals that the patriarchal ideology is common in men's head, which leads to the unfair treatment towards women in marriage. For instance, as Nora is begging Torvald about giving her more private money, He describes Nora as a "little song bird" which "get through a terrible amount of money" of him.

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Through Nora and Torvald's dialogue, regarding " I wouldn't do anything that you don't like," the playwright Ibsen reveals the theme of gender roles from Nora's submissive tone to expose the truth that she doesn't even have the fundamental human right to eat a tiny piece of macaron only because his husband forbids that, which tells us the humble family status of women in 19th century Norway. A vital stage direction is "Nora goes cautiously to her husband's door and listens". Through the sneaky action of Nora out of his husband Torvard's door, Ibsen invites the audience to consider gender roles as very unbalanced, and the patriarchal idea was hard-stuck in the opinion of attachment to the family of Norway, which is embodied in the Torvard family.

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In Act1 of the play, the playwright introduces the characters when Helmer said " is that my little skylark twittering out there?

in the section we red today , First Helmer begins the action by Nora on Christmas eve by discussing about money and Christmas presents with her husband Helmer, Then Krogstad starts talking to Helmer, Next he threated Nora by saying she's not good with her job, he will tell out the secret even thought she forgot about her dads signature

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In Act 1 of the play, the playwright introduces the character Nora.

In the section we read today, first Nora Helmer arrives home with her Christmas shopping. Then Nora and her husband, Torvald, discuss houshold expenses. Nest Torvald tease Nora about eating sweets as visitors arrive

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In Act 1, the playwright’s stage directions suggest that Nora is childlike and submissive. This is evident through the description that she moves “cautiouslyg,” which portrays her as almost tiptoeing around her own home, reflecting her lack of authority in the household. The audience also learns that the protagonist’s husband, Torvald, is someone who exerts control over Nora. This characteristic is notable when he calls her “my little skylark” and “my little squirrel” in the dialogue, terms that reduce her to a pet-like status, reinforcing the power imbalance in their marriage. The mise-en-scene of the well-furnished yet confining room further emphasizes Nora’s entrapment within her domestic life, both physically and emotionally.

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Through Nora’s dialogue in response to Krogstad's request, the playwright Ibsen reveals the superficial nature of their marriage. For instance, when Nora says, “Years from now, when I’m no longer pretty… when it no longer amuses him to see me dance and dress up and play the fool for him,” she shows that she is aware Torvald’s love is based on her appearance and charm. An important stage direction is Nora’s breaking out, which reveals she is too afraid to imagine that one day her husband will not love her anymore just because of Nora's being old. Through this, Ibsen invites the audience to consider how love in their marriage is conditional and tied to superficial qualities, rather than genuine mutual respect and affection.

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Through Nora and Torvald’s dialogue, the playwright Ibsen reveals that the abnormal and distorted relationship of Nora and Torvald, as Torvald plays a dominant role who treats Nora like his little sweet pet, whereas Nora has to cautiously maintain her dependent, obedient house-wife image.

For instance, as soon as Torvald goes back home, he immediately teases Nora and nicknames her as "little skylark", "little squirrel" and "little featherbrain". These "romantic nicknames" depicts Torvald's strong control and manipulation over Nora, reflecting Nora's relatively disadvantaged domestic position, On the other hand, the audience is swayed to perceive the bliss and joy within their marriage during the first part of the play.

An important stage direction is when Nora goes "cautiously to her husband's door", just to be aware of his actions, in order to act or behave accordingly in a submissive way.---This stage direction showcases her uncomfortableness towards her husband throughout their daily interactions.

Through this, Ibsen invites the audience to consider the unequal societal roles played by men and women in the 1870s, where the deep-seated patriarchal norms and wives' domesticity were prevailing among Norway communities.

Julie

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In Act 1, the playwright's stage directions suggest that Nora is frustrated because of her husband . This evident through the description that "she starts humming again as she goes over to the table on the right"

The audience also learns that the protagonist's husband Torvald is someone who follow the patriarchal line. This character is notable when Tovarld views Nora as a pet by calling her "little skylark"/ "a little squirrel"

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Through Nora and Torvald's dialogue, the playwright Ibsen displays Helmer's disrespect to Nora revealing that the marriage between Nora and Helmer is unequal, unhealthy and restrained. By a juxtaposition of a series of question, Helmer blames Nora that she "bought" things for Christmas is a "wasting" of "money", the calling "featherbrain" indicates that Nora has not be treated with respect in her marriage. Because in 1870s, the patriarchal ideal of society was supported where women were more powerless than their husband in the family. Otherwise, even Helmer nicknames Nora "skylark" and "squirrel" suggesting that they have a happy relationship, actually revealing Helmer's disrespect towards Nora as he treats her as a pet rather than a real wife.

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In Act 1 of the play, the playwright introduces the character Torvald, Nora, DR Rank, Krogstad Mrs Linde, and three children

In the section we read today first The play opens with Nora and Torvald in their home, preparing for Christmas. Torvald is a bank manager, and Nora is portrayed as a cheerful, somewhat frivolous wife who has been secretly saving money to buy Christmas presents and to pay for a trip that she and her husband had planned. Than Nora Borrowing money and lie to her husband

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In Act 1, the playwright illustrates women like Nora must obey to their husband, this is evident through the diologue between Nora and Helmer that Nora said "I wouldn't do anything that you don't like." and then Helmer said "You have given me your word." Moreover, through the diologue between Mrs Linde and Nora, Mrs Linde said " A wife can't borrow without her husband's consent.", the playwright Ibsen highlights husband is the most main part in the marriage. Through this, it is easy to associate with the context of the society in 1870s Norway, which was a patriarchal society, woman was under men's control. With the connect with the historical context, Ibsen is intend to position the audience the consider the gender role in that society that different genders are beening treated unfairly.

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Through Nora and Torvald's dialogue, the playwright Ibsen reveals that Torvald is belittling towards Nora, for instance, he always uses animal names to call Nora, like "skylark", "little squirrel". Ibsen links this to the theme of gender roles, and demonstrates that in 1978s society, men are predominant, and women have law status in a family. An important stage direction is Nora "goes cautiously to her husband's door", Through this, Ibsen invites the audience to consider Nora is very careful, she afraid of disturbing her husband. This also relate to the theme of gender role, reveals that Torvald is condescending, and Nora despite live in her house, she steal needs to be cautious. Ibsen implies that Nora is submissive towards Torvald.

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The playwright's stage directions suggest that Nora is not be respected by her husband. This is evident through the description that her husband wanted she not be any different from what you are ,it iss about gender roles, her husband not wanted she to do some outside of her job, just in a gender roles' cage.

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Through Nora and Torvald's dialogue, the playwright lbsen reveals that complexities of their marriage, particularly the power expectations and gender roles where in the context of the 1870s Norwgian soceity. For instance, when Nora arrives home with her Christmas shopping. Torvald immediately begins teasing her about her spending and eating habits, which illustrates his condescending and controlling nature which calls "little skylark” and “little squirrel,”. An important stage direction is when Nora "goes cautiously to her husband's door and listens" ,The combination of non-verbal cues on stage brings the controlling aspects of their relationship to the forefront, making the power imbalance palpable to the audience.

alan

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In Act 1, the playwright's stage directions suggests that Nora is a little happy housewife. This is evident through the description that "laughing quietly and happily to herself" This suggests that Nora is absorbed in the role of the cheerful housewife, a role expected of her within the trap of a patriarchal society. This reveals Nora's attempt to present herself as the ideal wife for her husband, and relying on her husband for everything.

The audience also learns that the protagonist's husband Torvald is someone who's controlling. This characteristics is notable when he questions "not even to nibble a macaroon or two?" This moment introduces the theme of deception in the play. Nora lies to Torvald about the macaroons, which seems harmless at first, but it hints at the deeper deceptions that lie at the heart of their marriage.

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A vital stage direction is when Nora "slips the bag of macaroons in her pocket and wipes her mouth" out of her husband Torvald's study. Through this, Ibsen invited the audience to consider 19th-century Norway under the domesticity of a man in a family; their wife's submissiveness was seen as the essential value, and they didn't have any freedom to do anything their husband forbids, which also reveals to the unbalance gender role in a marriage at that period.

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DALL·E 2024-09-04 10.49.48 - The word 'SLAY' in shiny, metallic letters, with a clear and accurate spelling. The design should feature sleek, polished letters with a reflective su