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Oppressed Peoples of the Whole World (...), 1924  •  Gustav Klutsis

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. Bold

.hidden meanings

.Powerful

.Subjective

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El Lissitzky  •  Beat the Whites with the Red Wedge, 1919-1920

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.represents Russian civil war

.reds beating the whites

.red wedge impaling white circle - symbolism

.powerful yet simple

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Alexander Rodchenko, Books (Please)! In All Branches of Knowledge, 1924

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.symbolises peasent classes

.abstract shapes

.simple colour palete

.subjective yet simple

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John Maeda, Florada, courtesy of the artist

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.flowing colours

.pattern like style

. repetitive yet effective

.generative

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John Maeda, soupnewest, courtesy of the artist

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.simplistic

.creative, unique and unseen

.simple effect developed and created effectively

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John Maeda, Sketch 0000574 / Nature Series, NFT

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.aggressive feel

.angular and sharp

.powerful and intimidating

.natural style

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.British rail inspired

.effective and simple

.angular and to the point

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My thoughts on constructivism

constructivism is a well used design idea by soviet designers in the past, specifically around the 1920s the designs are bold, strong and powerful, using strong colours and typography to convey a subjective and powerful message through its design

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My thoughts on generative design

generative design is a very digital and thinking outside the the box style of design in my opinion. i like how simplistic yet interesting these designs are and i think these might be useful in my designs

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.creative, depicts airline in interesting and unique way

.uses sleek and digital processes for cleaner look

.consistent colour scheme

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.bold and to the point

.depicts plane taking off at vast speeds

.subtly shows efficiency and speed

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My thoughts on Swiss/international design

International design as a whole is a important piece of graphic design, oversees designers can communicate with other designers to help inspire and create designs as if it was lime a flowing web of design. Swiss designers show effectiveness, skill and an interest in creating designs that work with their countries colours hand in hand with its ideas

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Raoul Hausmann
The Art Critic (1919–20)
Tate

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.interesting and unique style

.out of the box, unimaginable

.scrapbook type feel (cut and pasted images overlaying)

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Georges Braque
Bottle and Fishes (c.1910–12)
Tate

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.architecture type design feel

.abstract, deconstructed design

.surrealist feel

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While the design firm Roman & Williams doesn’t label itself “maximalist,” the spaces it designs are filled with visual interest, like the seating area in RW Guild, a boutique and cafe, (left) and the bar area in the French restaurant Le Coucou (right). Photo-Illustration: Courtesy of Roman and Williams

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The Los Angeles-based design studio Reath creates spaces that deeply personal for its clients. “People should trust their instincts and go for what they like and not worry what it might look like in the end, or what it might look like compared to someone else’s house,” says founder Frances Merrill. The background image is artist Joyce Kozloff’s c. 2015 If I Were an Astronomer: Boston. Photo-Illustration: Brett Bulthuis; Douglas Friedman; Dabito; Kehinde Wiley, Courtesy of ICA Boston; Heidi’s Bridge; Shutterstock

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Hannah Waldron finds weaving a much more complicated process than drawing. “Narrative, form, colour and structure have to all go together in a way that works well on the loom,” she explains.

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.Natural looking

.soft textures and colour pallet

.hand crafted

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Still-life photographer Dan Tobin Smith began his series of letter-based installations in 2005; the letter ‘T’ was conceived as a moving image piece featuring 10 precision-timed explosions.

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.Bold and interesting

.creative and out of the box

.dull colours yet powerful image

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Behind the scenes on the set of the shoot for Sagmeister & Walsh’s 2012 campaign for Lebanese retailer Aizone

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.shows use of physical media/process of

.displays creative process

.design is intuitive and interesting

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n it a protagonist known only as "K." arrives in a village and struggles to gain access to the mysterious authorities who govern it from a castle supposedly owned by Graf Westwest.

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“You misinterpret everything, even the silence.”

“How suicidal happiness can be!”

“Illusions are more common than changes in fortune”

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Set in a futuristic society where natural reproduction is replaced by artificial methods and people are conditioned for predetermined roles, the novel explores themes of individuality, freedom, and the dehumanizing effects of a highly controlled and pleasure-driven culture. The story centers around Bernard Marx, an outsider in the conformist society, and John “the Savage,”

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“I am I, and I wish I weren't.”

“If one's different, one's bound to be lonely.”
“No social stability without individual stability.”

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The Outsiders is a novel about Ponyboy Curtis, a fourteen-year-old who lives with his two brothers, Darry and Soda. It focuses on the class conflict between the Greasers and the Socs. The Outsiders is ostensibly about the animosity that exists between the greasers and the Socs. Almost all of the major incidents in the novel, minus the church fire, are altercations between the two rival groups. Superficially, the novel is a story of rich versus poor with Ponyboy and his friends positioned as the protagonists and the Socs as the antagonists. However, on closer inspection, the major conflict of the story is not necessarily that of the greasers versus the Socs. Rather the major conflict is how the greasers and the Socs resist or respond to the social and economic elements that keep their groups separate

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“Things are rough all over.”

“Get smart and nothing can touch you.”

“I liked my books and clouds and sunsets.”