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The color, lighting,mood and temperature will all be centered around my main character. As the play starts off it will be dark and there will be a spotlight on the center of the teepee and it highlights what goes on to the main character. As she progresses, the light that is just focused on her gets brighter in order to show her progression through her trials she has been through. Finally to become the brightest light possible to show her change and celebrate her marriage to Strong Wind.

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A native chief does role the entire village so I feel as if he would be in charge with making sure the village is running smoothly.

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Below are examples of what I would imagine as costumes if this was to be an actual play. Just because I do want to keep it traditional.

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So the conflict come from basically family drama and the younger sister being the outcast, and how she is mistreated and is an outcast in her family only to become married to someone who truly sees her for her in the end .

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I think I would cast Julia Jones as my main character the story is centered around and cast the others acts based off their knowledge of Native American History as well as if they are decedents of Native American heritage. Also, how well they can insert themselves into the parts of the other characters I have included in my story.

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The location would be the teepee of the chief just because I think it is the center of where most of the action happens and the major setting would be out in nature since this is where I want to set the location, that way as she leaves the tent to go meet Strong Wind's sister it is a cohesive set.

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She has married Strong Wind and now is in a happier place than she was at the start of the story, which helps lead the story to an end.

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She has stepped outside of the box, and obtained something she never thought she would have the chance of having. This is her true chance to find love, and have someone to care for her who isn't her family.

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Beat Three - Looking shocked and astonished; speaking happily

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Beat Three - Looking shocked and astonished; speaking happily

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Even though she has always told the truth, I think its the simple fact that even though she has seen him, she is finally seen for the first time in what might have been forever.

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She knows she has always been honesty and truthful so there is no reason as to why she would have to lie if she knows she has never seen him.

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She sees him and feels like some part of her life has become complete when she sees him.

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She understand that this is why most of the girls who tried before her didn't make it, but with her character she has always been honest.

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This is the part in the play where I think she finally changes and experiences her ideals of where she shouldn't quite based of off other people's judgement of her.

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Beat Three - Appeal to empathy; speaking sadly

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Beat Three - Appeal to empathy; speaking sadly

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Here she enters the same cycle as before where she is torn down, so people get to see how she is tormented and dragged no matter how positive she is about the situation.

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This is the first time she sees her way out of her current situation.

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Not much to say really about this one but I just wanted to try and show how forgiving she is and show how positive she tries to be given her situation.

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I am choosing to change the music from section one to this music choice below because this is where a shift in the play begins to start, and I feel as if this shift is important to note music wise.

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The previous beat helps to lead into this beat because she has told the audience how wrong she has been treated, but she questions them about forgiveness and forgetting even after being put through so much by ones family. This give the audience something to think about as the rest of the play goes on.

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This is where she begins to question the audience and their personal intentions with their own family, to help prepare them for the next beat.

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This is the music choice I would feel represent the type of vibe I would want the audience to feel.

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R. Carlos Nakai - Ancestral Home (Canyon Trilogy Track 3)

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Beat Three - Appear to be on the verge of tears

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Beat Three - Appear to be on the verge of tears

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In a sense I only want her to be able to shed on tear because I want it to seem like she is tested way beyond her means, but has so much strength she doesn't know about.

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This is how tired I imagine her to look. Defeated from the pressure of what she has to bear for being a part of this family.

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Beat One - Appeal to Emotion; speaking reminiscently

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Beat One - Appeal to Emotion; speaking reminiscently

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In a sense she is drowning in emotion due to the fact she is reminiscing on what her life used to be like. She is overcome with emotion.

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In order to appeal to sympathy in this first section I would like this music to play after beat two softly but get intense as we get to section two of the beats.

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She is wounded by the fact her family really does not treat her like family. At this part I would like her to shed one tear so the audience can see her pain, but her family ignore her like they always do.

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When she begins to talk about her family this is the type of emotion I assume she portrays to convey her hurt to the audience, but I wouldn't imagine she cries during this part of the play yet.

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When she is sitting in the corner to begin the story off, this is how I imagine her peacefu