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12 YEARS A SLAVE - Official Trailer (HD)

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Read and write 300 words about this article/ record a 3 minutes podcast/ record a 3 minutes video or create a PowerPoint presentation relating the article, the story of Solomon and your personal opinion. Gain up to 15 points for the next exam.

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Steve McQueen's devastating new movie, 12 Years a Slave, begins with the words "based on a true story" and ends with a description of what happened to Solomon Northup and his assailants after he was restored to freedom. What happens in between, as Northup is kidnapped into 12 years of slavery in the South, frequently beggars the imagination. Should you believe even the most incredible details of its story?

With a few rare exceptions, yes. 12 Years a Slave is based on the book of the same name, which was written by Northup with the help of his "amanuensis" and ghostwriter, David Wilson. Aspects of the story's telling have been questioned by some historians for matching the conventions of the slave narrative genre a little too neatly, but its salient facts were authenticated by the historian Sue Eakin and Joseph Logsdon for their landmark 1968 edition of the book. (They were also reported at the time of the book's release- in the New York Times and elsewhere.)

As adapted by screenwriter John Ridley from Northup's book and Eakin and Logsdon's footnotes, the film adaptation hews very closely to Northup's telling. While much of the story is condensed, and a few small scenes are invented, nearly all of the most unbelievable details come straight from the book, and many lines are taken verbatim. As Frederick Douglass wrote of the book upon its release in 1853, " Its truth is stranger than fiction."

Northup in New York

Solomon Northup was the son of Mintus Northup, who was a slave in Rhode Island and New York until his master freed him in his will. Solomon was born a free man and received an unusually good education for a black man of his time, eventually coming to work as a violinist and a carpenter. As in the movie, he was married to Anne Hampton, who was of mixed race, and they had three children-Elizabeth, Margaret, and Alonzo. His wife and children were away when he was offered an unusually profitable gig from his eventual kidnappers, who called themselves Hamilton and Brown.

The movie prefaces its scenes of Northup in New York with a flash-forward that is McQueen and Ridley's invention: Solomon, while enslaved, turns to find an unidentified woman in bed with him. She grabs his hand and uses it to bring herself to orgasm. McQueen has said of the scene: "I just wanted a bit of tenderness-the idea of this woman reaching out for sexual healing in a way, to quote Marvin Gaye. She takes control of her own body. Then after she's climaxed, she's back where she was. She's back in hell, and that's when she turns and cries."

The Kidnappers "Hamilton" and "Brown" (Scoot McNairy and Taran Killam)

In his book, Northup refused to say whether Hamilton and Brown were guilty of his kidnapping. He notes that he got extraordinary headaches after having a drink with them one night, and became sick and delirious soon afterward, but cannot conclude with assurety that he was poisoned. "Though suspicions of Brown and Hamilton were not unfrequent," he writes, " I could not reconcile myself to the idea that they were instrumental to my imprisonment."

Northup came around to accepting their role in his kidnapping and unlawful sale-an unusual occurrence, but not unique to Northup-soon after the book was published. "Hamilton" and "Brown" weren't even their real names. A judge, Thaddeus St. John of New York, read the book soon after its release, and realized that he himself had run into the two kidnappers when they were with Northup. Their real names were Alexander Merrill and Joseph Russell, but they asked that St. John, who knew them, not use their real names around Northup. The next time St. John saw them, they had come into some newfound wealth: They carried ivory canes and sported gold watches. Northup and St. John eventually met up, recognized each other immediately, and brought their case against Merrill and Russell. ( A note about the case appeared in the New York Times.) Merrill and Russell apparently got off unpunished, after their case was dropped on technicalities.

The Journey Into Slavery

The movie's telling of Northup's journey into slavery in Louisiana matches Northup's account almost exactly. Northup says he was beaten with a paddle until the paddle broke, only to be whipped after that, all just for asserting his true identity. We see this in the movie. But an attempted mutiny by Northup and others ends much differently in the film than it does in his own account.

Northup did hatch an elaborate plan to take over a ship with a freeman named Arthur and a slave named Robert (played in the movie by Michael K. Williams). But that plan did not end with Robert coming to the defense of Eliza (Adepero Oduye) against an apparent rape attempt by a sailor, and then being stabbed by that sailor. What foiled their plans was simpler: Robert got smallpox and died.

William Ford (Benedict Cumberbatch)

Northup gives a more charitable account of his onetime master, William Ford, than the movie does. " There never was a more kind, noble, candid, Christian man than William Ford," Northup writes, adding that Ford's circumstances " blinded [Ford] to the inherent wrong at the bottom of the system of Slavery." The movie, on the other hand, frequently undermines Ford, highlighting his hypocrisy by, for example, overlaying his sermons with the mournful screams of his slave Eliza.

Tibeats (Paul Dano)

Northup actually had two violent encounters with Tibeats. The first scuffle, over a set of nails, is shown in the movie: According to Northup, Tibeats tried to whip him, Northup resisted, and eventually Northup grabbed Tibeats' whip and beat his aggressor. Afterward, Northup was left bound and on the point of hanging for several hours, before Ford rescued him.

In the book, there is a second brawl over another of Tibeats' unreasonable demands. According to Northup, he again prevailed, but was afraid of the repercussions, and so this time attempted to run away. Unable to survive on his own in the surrounding swamps, he eventually returned in tatters to Ford, who had mercy on him.

Edwin Epps (Michael Fassbender)

Judging from Northup's book, Epps was even more villainous and repulsive than the movie suggests. In addition to his cruel " dancing moods"-during which he would force the exhausted slaves to dance, screaming " Dance, niggers, dance," and whipping them if they tried to rest-Epps also had his " whipping moods." When he would come home drunk and overcome with one of these moods, he would drive the slaves around the yard, whipping them for fun.

There's another small change. The scene that introduces Epps-his reading of Luke 12:47 as a warning to slaves-is actually borrowed from another of the book's characters: Ford's brother-in-law, Peter Tanner. In the movie, Northup's time with Tanner-with whom he lived after his first fight with Tibeats-is omitted.

Patsey (Lupita Nyong'o)

Northup does not portray the relationship between Epps and Patsey as explicitly as the movie does, but he does refer to Epps' " lewd intentions" toward her. As we see in the film, Mistress Epps encourages Master Epps to whip her, out of her own jealousy. This culminates in the horrible whipping shown in the movie, which Northup describes as " the most cruel whipping that ever I was doomed to witness," saying she was " literally flayed." Her request afterward that Northup kill her, to put her out of her misery, is the movie's own invention, but it's a logical one: Patsey is described as falling into a deep depression and, it's implied, dreaming of the relief death would offer her.*
Mistress Shaw (Alfre Woodard)
As in the book, Mistress Shaw is the black wife of a plantation owner. However, Patsey's conversation with Shaw is invented. McQueen and Ridley said they wanted to give Woodard's character a voice.

As unlikely as his character is-an abolitionist in Louisiana, and a contrarian who everyone likes-Bass is drawn straight from the book's account. His argument with Epps (" but begging the law's pardon, it lies," " There will be a reckoning yet") is reproduced almost verbatim.

The real Bass, in fact, did more for Northup, sending multiple letters on his behalf, meeting with him in the middle of the night to hear his story, and-when they initially got no response from their letters-vowing to travel up to New York himself, to secure Northup's freedom. The process took months, and Northup's freedom eventually came from Bass's first letter after all, so the movie understandably chooses to elide all this.

The Return Home

Northup's return home is much as it is in the book, including Solomon's learning that his daughter Margaret (who was 7 years old when he last saw her) now had a child of her own, named Solomon Northup. One devastating detail is left out: After 12 years apart, Margaret did not recognize her father.
Correction, Nov. 4, 2013: This post was corrected to suggest a scene from the movie 12 Years a Slave was drawn from the book. The original article was accurate: Patsey's plea for Northup to kill her was an invention of the movie. The original language has been restored.

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How Accurate Is 12 Years a Slave? Here's What's Fact and What's Fiction.

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Steve McQueen's devastating new movie, 12 Years a Slave, begins with the words "based on a true story" and ends with a description of what happened to Solomon Northup and his assailants after he was restored to freedom. What happens in between, as Northup is kidnapped into 12 years of slavery in the South, frequently beggars the imagination.

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The History of Slavery in America:

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The History of Slavery In America (part 1 of 3)

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Who was Solomon Northup?

Link to the original book: http://docsouth.unc.edu/fpn/northup/northup.html

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With 10 Bafta and seven Golden Globe nominations, 12 Years a Slave looks set to triumph this awards season. The film is based on a 150-year-old account of how Solomon Northup, born a free man, was kidnapped into slavery. But who was Northup and why, until recently, was he virtually forgotten?

"I thought I knew a fair amount about American history," says John Ridley, "yet only a few years ago I hadn't even heard of Solomon Northup."

Ridley is a highly successful 48-year-old African-American writer, whose credits range from The Fresh Prince of Bel Air to the Iraq war satire Three Kings.

He's also the Bafta-nominated screenwriter of 12 Years a Slave.

"The fact that a well-educated guy like me didn't know Solomon's story says a lot about how ignorant America can be of parts of its past. I'm delighted to help return him to our nation's culture."

The book Twelve Years a Slave was published in 1853 by the American firm of Derby and Miller. It had been written very quickly, emerging only months after Solomon Northup escaped from a Louisiana plantation. Published in London at the same time, the book sold well at first - but by the end of the century was little read.

Ridley says the movie came about in part because he and director Steve McQueen share an agent.

"Steve and I sat down to talk one day and we quickly realised we were both keen to explore slavery as an idea. But it was Steve's wife Bianca (cultural critic Bianca Stigter) who gave him Solomon's book - otherwise I doubt we would have come across it.

"Steve loved the book and passed it to me. I thought it was a singular and evocative document. It's not long but I was overwhelmed by its scope and scale."

The narrative is straightforward: in 1841, Solomon Northup is living a settled and fairly prosperous life in Saratoga, near New York. He is a free man but is tricked into going to Washington DC, where he is drugged, kidnapped and sent south as a slave. Twelve years later, he gets word out to friends and is rescued.

Perhaps the real interest is the detail of slave life - both the harsh cruelty and the periods of domesticity. Relations with the owners who purchase Solomon along the way are crucial, especially with Edwin Epps (played in the film by Michael Fassbender).

The middle of the 19th Century saw the publication of many slave narratives in America, designed mainly to support the cause of abolition. The best-known (though much criticised since) was Uncle Tom's Cabin, which appeared in 1852.

That Twelve Years a Slave didn't slip into total obscurity was partly the work of Louisiana historian Sue Eakin. She died three years ago, aged 90, but her daughter Sara recalls years of helping with the research.

The fact that a well-educated guy like me didn't know his story says a lot about how ignorant America can be of parts of its past. I'm delighted to help return him to our nation's culture.
John Ridley , Screenwriter 12 Years a Slave

"When she was 11 or so, a neighbour gave Mom the book to read. She grew up near where Solomon had been a slave, so she was astonished and excited to find reference to plantations and even to families she knew well.

"Later, at college, Mom bought an old copy for 25 cents in Baton Rouge and the bookstore owner told her it was a worthless old potboiler and was probably all made up. That annoyed her so much she set out to discover more about Solomon and his life. I guess in those days no-one else was interested in him at all.

"Then, in 1968, she co-edited a new edition of the book. It was no bestseller but it was the beginning of it coming back into some sort of circulation. By then, it was more than a century old but Mom felt Solomon had written a fair account of how life in central Louisiana must have been. She felt it should be better known - though she'd be surprised to see that Solomon's suddenly world-famous."

There were always those who claimed Northup's tale was an exaggeration, or even a total fabrication written as anti-slavery propaganda. Sara is proud that her mother was one of the first to find detailed corroboration of his story.

"After he was freed, there is documentation of his attempt to secure legal redress against his kidnappers," she says. "It was a bitter experience for him because in the nation's capital, Washington DC, Solomon's colour meant he wasn't allowed to testify. So the court case got nowhere but the paperwork is now a big help to historians."

Professor Clifford Brown co-wrote a recent biography of Northup. He says that in the last 20 years, some of the detail of his life has become clearer.

"It's been a matter of looking carefully at census records and at maps of the time, or whatever. We have more detail now of how his father had been freed in 1798 and of the life Solomon and his wife Anne led in Saratoga before the kidnapping.

"The manifest of the ship which carried him to New Orleans exists in the US National Archives. That manifest contains names of people Solomon mentioned. There are also hospital records in New Orleans which feature his name.

"And, in January 1853, the New York Times had published a detailed account of Solomon's adventures which preceded the book and which tells the same basic story. So evidence of the book's accuracy is convincing."

A question long debated is the contribution of David Wilson, credited in 1853 as the book's editor. Some have claimed Wilson in effect wrote Twelve Years a Slave.

Professor Brown says it's clear the work was created by Solomon Northup relating his experiences to Wilson, who then knocked them into shape for publication.

"It's the equivalent today of a celebrity putting out a book 'as told to' a professional writer or journalist," he says. "Perhaps there are parts of the book where the tone is slightly more Wilson than Northup but that doesn't invalidate the tale he's telling."

Like Sue Eakin before him, Professor Brown has had to accept the fact that, a few years after his release in 1853, Solomon Northup simply disappears from the pages of history.

"It's a big frustration," he says. "We have no real idea where he spent his final years or what he was doing or where he died. Perhaps there's a gravestone somewhere with his name on it and we just haven't found it yet."

It has been suggested that after his escape from captivity, Solomon worked for the Underground Railroad which helped other slaves escape from the southern states, mainly to Canada, but as yet there is no conclusive evidence.

Professor Brown concedes that, even now, aspects of Solomon's life remain hard to pin down.

"For instance, the engraving of Solomon in the book's first edition I believe probably is a likeness of him, though no one can be sure. And it's even possible a photograph existed - photography was just starting in the 1850s. It's something we're actively trying to track down."

Perhaps if there were more visual evidence for Solomon's life, he wouldn't have disappeared into the shadows the way he did for most of the 20th Century.

Screenwriter John Ridley laments that currently we can't write the last act of Solomon Northup's extraordinary life-story. "He died invisibly and anonymously. That's kind of a sad irony: to disappear for 12 years, to be liberated and indeed become a bit of a celebrity... And then just vanish again.

"Hopefully with all the new interest in him, someone will be able to discover exactly what did happen to Solomon. That would be wonderful."

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With 10 Bafta and seven Golden Globe nominations, 12 Years a Slave looks set to triumph in awards season - but who was Solomon Northup on whose diary the film was based and why, until recently, was he virtually forgotten?

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The following expressions are used to express your opinion about something. Use three of them during the movie discussion. To learn more: http://learnenglishteens.britishcouncil.org/exams/speaking-exams/agreeing-and-disagreeing

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ONLY DISTANCE STUDENTS: Complete the following questions while watching the movie

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ONLY DISTANCE STUDENTS: Complete the following questions while watching the movie