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5. Similar to conceptual photography and surrealism, symbolic photography uses objects, colors, and themes to convey specific ideas and intentionally evoke emotions.

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4. In photography, flash synchronization or flash sync is the synchronizing the firing of a photographic flash with the opening of the shutter admitting light to photographic film or electronic image sensor.

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3. The term Tonalism describes a style of American art focused primarily on depicting landscape, emphasizing tonal values to express mood or poetic feeling.

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2. a style of art and sculpture characterized by the highly detailed depiction of ordinary life with the impersonality of a photograph.

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1. the Russian abstract art movement developed by Kazimir Malevich c. 1915, characterized by simple geometric shapes and associated with ideas of spiritual purity.

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5. Conceptual photography uses images to transmit abstract ideas. Conceptual art emerged at the end of the sixties, bringing a new meaning to photography that transcends its use for portraiture, landscapes and snapshots.

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4. An ornamental, dynamic, and even sensual style of art characterized by long, sinuous lines and asymmetrical structure, often depicting objects in nature such as vines, insect wings, and flower stalks.

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3. art in which the image of reality is distorted in order to make it expressive of the artist's inner feelings or ideas.

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2. a style of photography that utilizes long exposures to add blur to a photo, creating a dreamy look to the image reminiscent of the impressionist art of the 19th century.

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1. The aesthetic movement was a late nineteenth century movement that championed pure beauty and 'art for art's sake' emphasising the visual and sensual qualities of art and design over practical, moral or narrative considerations. James Abbott McNeill Whistler.

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5.  photographs that are not manipulated, either in the taking of the image or by darkroom or digital processes, but sharply depict the scene or subject as the camera sees it.

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4. a group of American artists who came of age in the early 1970s and who were known for their critical analysis of media culture.

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3. loose association of California photographers who promoted a style of sharply detailed, purist photography.

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2. The Dusseldorf School of Photography refers to a group of photographers who studied at the Kunstakademie Dusseldorf in the mid 1970s under the influential photographers Bernd and Hilla Becher. Thomas Struth. Shinju-ku (Skyscrapers), Tokyo 1986 (1986)

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1.  placing objects from completely different contexts together in one composition.

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5. a description of the geometric relationship between the orientation of the plane of focus, the lens plane, and the image plane ...

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4. the recording of what the world looks like, with a social and/or environmental focus.

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3. decreasing the f-number or f-stops

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2. "with a small aperture"

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1. light modifiers that shape and direct light.

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5. Giclee is a French term meaning “to spray”, referring to how an inkjet printer works and how giclee prints are usually produced.

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4. halftone reproduction of an image

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3.  la prise d'image en face d'une lumière forte, émanant la plupart du temps du soleil qui rentre directement, ou presque, dans l'objectif de votre appareil.

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2. the photographic technique of using the negatives of two or more images in conjunction with one another to create a single image.

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1.  a photographic filter that is attached to a lens in order to cut down glare and reflections as well as darken a blue sky.

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5. when you rate your film at a different speed from the one written on the box.

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4. film developing technique that increases the effective sensitivity of the film being processed.

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3. what your camera uses to measure available light.

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2. reading the intensity of the light that falls onto the subject

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1.  a unique form of photography that uses lo-fi methods and quirky equipment to create interesting and unpredictable results.

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5. a technique for recording the propagation of ultrashort pulses of light through a scene at a very high speed

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4. an approach to photography that emphasizes beauty of subject matter, tonality, and composition rather than the documentation of reality.

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3. a phenomenon in photography in which the image recorded on a negative or on a photographic print is wholly or partially reversed in tone.

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2. The style typically features apparently banal everyday subject matter and off-centered framing.

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1. a simple, inexpensive film camera

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5. to have your camera set up in a fast burst mode, shooting several photos per second, and then to simply hold down the shutter button, hoping to capture the perfect image within the sequence.

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4. the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organisation of forms which give that event its proper expression.

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3.  any non-traditional photographic printing process

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2. on sunny days, at an aperture of f/16, your shutter speed is the inverse of your ISO value

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1. shooting the same composition multiple times with various focal points

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5. a scale or a series of successive changes, stages, or degrees.

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4.  All The Gear, No Idea.

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3. designed with additional glass elements that squeeze the image horizontally, allowing filmmakers to capture a wider field of view than the film or digital sensor would ordinarily allow.

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2. in-plane switching. An in-plane switching (IPS) monitor is a type of LCD (liquid-crystal display) monitor. It's made up of backlighting or a mirror behind a polarizer.

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1. the process by which a beam of light or other system of waves is spread out as a result of passing through a narrow aperture or across an edge, typically accompanied by interference between the wave forms produced.

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5. The key light can be "hard" (focused) or "soft" (diffused), and depending on the desired setup can be placed at different angles relative to the subject

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4. a type of lighting style used in photography, film, and television that accentuates shadows, high contrast, and dark tones.

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3. results in brightly lit subjects with more fill light and softer shadows

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2. The lighting set up gives an effect of a badger shaped face

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1.  when the photographer uses two frontal light sources to illuminate the subject, helping to minimize shadows and often giving a glowing effect.

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5. a faint design made in some paper during manufacture that is visible when held against the light and typically identifies the maker.

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4. capture images without the use of a mirror in the camera body

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3. the material effect produced by the refraction of different wavelengths of electromagnetic radiation through slightly different angles, resulting in a failure to focus. It causes colored fringes in the images produced by uncorrected lenses.

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2. a glass attachment that can reduce the glare from reflected surfaces.

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1. a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition.

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5. the photography of stars and other celestial objects.

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4. exploring the urban habitat and the countless exciting places within it.

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3. a style of portrait/people photography which aims to capture and document real-life events, situations, or milestones in an artistic manner and the art of the everyday

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2. A composite combines two (or more) photographs to create one - rather convincing - final image.

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1. the film or image sensor used is sensitive to infrared light

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5. the process of capturing images while your camera is connected to your computer

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4. is the primary light source for your scene.

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3. It is the secondary light in the traditional 3 point lighting setup. The fill light is typically positioned opposite of the key light to literally fill in the shadows that the key light creates. The strength of the fill in is a determining factor to the lighting style and mood of a shot.

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2.  allows you to create a new segment of a larger video or audio file

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1. Specks of dirt stuck to the sensor of a digital camera.

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5.  Appearance of print in which tone reproduction is low in contrast, lacking deep blacks or brilliant whites.

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4. When a photoshop file has hundreds of unnamed layers

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3. short for a photographer.

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2. a group of 50 large-cap stocks on the New York Stock Exchange that were most favored by institutional investors in the 1960s and 1970s.

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1. Chimping is a colloquial term used in digital photography to describe the habit of checking every photo on the camera display immediately after capture.

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5. even front lighting of a subject, producing little contrast, no shadows, and no modeling.

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4. a set of data that characterizes a color input or output device, or a color space, according to standards promulgated by the International Color Consortium (ICC).

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3. the comparison of key light (the main source of light from which shadows fall) to the fill light (the light that fills in the shadow areas)

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2.  removing light or, in essence, creating shadows to achieve a more dimensional portrait.

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1.  represents the temperature of light directly correlated with the color of the burning carbon at that temperature.

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5. a specialised form of pinhole photography. It consists of applying long exposure times, from one or more days up to months or even years, thereby recording sun trails and other objects.

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4.  whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape.

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3. a single photograph or more commonly a body of photographic work, that shares a high level of consistency.

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2. the process of capturing digitized images of objects for the purpose of creating printable art using a flatbed "photo" scanner with a CCD (charge-coupled device) array capturing device.

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1.the first completely abstract kind of photograph, composed of kaleidoscopic repetitions of forms achieved by photographing objects through a triangular arrangement of three mirrors.

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5.  a quick way to show space represented on a surface -

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4. provide or give (a service, help, etc.).

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3.  a measure of the force that an element exerts to attract the eye.

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2. lacking in movement, action, or change, especially in a way viewed as undesirable or uninteresting.

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1. a photograph taken as a positive on a thin tin plate.

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6. a lighting technique used primarily in portrait photography in which the far side of a subject's face is lit relative to the camera.

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5. a type of lighting photographers use primarily for portrait photography.

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4. a lighting pattern used in portrait photography where the key light is placed above and pointing down on the subject's face.

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3. a lighting pattern that creates a circular shadow on the subject's face just under the nose.

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2.  a technique utilizing one light and one reflector or two separate lights

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1.  a lighting technique that lights up half of a subject's face while leaving the other half in a shadow, essentially “splitting” the face

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5. the process by which light energy is converted to chemical energy through the synthesis of organic compounds

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4. a 170 year old photographic printing process that produces prints in a distinctive dark greenish-blue.

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3. an image produced from a photographic negative transferred to a metal plate and etched in.

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2. an image manipulation technique in which you transfer the image from a Polaroid instant print onto paper, wood, or other substrate.

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1. an underexposed, underdeveloped, wet-collodion negative on glass that, when viewed with a dark background, appears as a positive image

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5.  a creative and unique type of photography in which the camera is manipulated so that a life-sized location or subject looks like a miniature-scale model

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4. a circular light or flash with a hole in the center for a lens or phone

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3. Graphical representation showing which brightness levels have the greater or lesser numbers of pixels

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2. a remapping of image tonality, specified as a function from input level to output level, used as a way to emphasize colours or other elements in a picture.