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In Chapter 18 Part 2, the theme of individuality continues to unfold as Alice faces external obstacles that threaten to stifle her true self. Despite societal pressures to conform, Alice stays true to her convictions and refuses to compromise her individuality. As she encounters resistance, Alice muses, "I will not be diminished by the fear of others; my uniqueness is my strength." Through her unwavering determination, Alice inspires others to embrace their own individuality, creating a ripple effect that empowers those around her to break free from the shackles of conformity and celebrate their authentic selves.

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This chapter delves into the theme of individuality as the protagonist, Alice, embarks on a journey of self-discovery. The chapter opens with Alice pondering her place in the world, reflecting, "Who am I, if not a reflection of those around me?" As she explores her unique interests, challenges societal expectations, and embraces her authentic self, Alice realizes that true fulfillment lies in embracing her individuality rather than conforming to external pressures.

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In this chapter, poor poor Savage, as that's what the "civilized" people would call him. Poor John is harassed in this chapter by the people of the new world. He is being given sexual hormone chewing gum via thrown at him. They circle him and make fun of him. They wish to see him whip himself.
A lack of consumption is shown when Lenina appears and is somewhat emotional, she crys and is unconsumed by the sociatal norms.

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In this chapter, as John is literally just trying to mind his own business, he becomes bombarded by a mass of reporters, who attempt to convert him. Technology is shown when the first reporter arrives, and he uses a head device to broadcast. "touched a spring on the crown -- and antennae shot up into the air; touched another spring on the peak of the brim -- and, like a jack-in-the-box, out jumped a microphone and hung there" (249). Control is shown when the masses of reporters arrive, and they decide that it's a good idea to harass him by throwing things like sex hormone chewing gum and products that they know he wouldn't use, but they wanted him to assimilate with the group.

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After being hounded by photographers and newsreporter, "twelve days later The Savage of Surrey had been released and could be seen, heard and felt in every first-class feely-palace in Western Europe."  The World State's control exerted over the media and entertainment industry, further solidifying the regime's grip on power and the absence of genuine freedom of thought or expression.

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John isolation was constantly disrupted by people from the World State trying to publicize him. On page 254, "John's rustic solitude was suddenly broken by the arrival of overhead of a great swarm of helicopters." It highlights the contrast between the manufactured happiness and superficial pleasures offered by the society and the more complex, challenging, and meaningful experiences that John seeks.

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On page 244, John, "had decided to live.." in the lighthouse "because the view was so beautiful, because, from his vantage point, he seemed to be looking out on to the incarnation of a divine being." The lighthouse represents a connection to nature and the natural world, which is absent from the highly artificial and controlled society of the World State. Overall, John's choice to live in the lighthouse reflects his rejection of the superficial and controlled happiness.

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Dystopia, more so the lack thereof, is shown with Johns escape from civilization by living alone he gets to experience life by his own terms rather than everyone elses.

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In this part of the chapter we see John leave, he ventures out and lives in an abandoned light house.

The example of consumption is how John is consumed by his own ideas of how society should work. He hates the new world and he loves his own ideas.

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In this chapter, control, moreso the lack thereof, is shown with John. Unlike Helmholtz and Bernard, he's unable to go to the island with them, and chooses to settle in an abandoned lighthouse. He goes through various cleansing rituals to rid himself of the civilized world from within, but some things he cannot escape. "During the first days the Savage lived alone and undisturbed" (246). Him being alone and unbothered, doing his own thing on his own, was his calling, and he didn't have to worry about the other people bothering him.

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John, is taken to the World Controller's office where he engages in a debate about the society's principles and values. The chapter explores the conflict between individuality and conformity, as John passionately argues for the importance of suffering and freedom of choice, while the World Controller defends the stability and happiness achieved through the conditioning and consumption-driven culture of their dystopian society.

One particular portion highlights the Controller's argument, emphasizing the significance of consumption as a means to maintain social order and keep citizens content. The Controller explains that the society is designed to fulfill people's desires and ensure their constant consumption, offering a wide range of material goods and entertainment, thereby keeping them distracted from any potential dissatisfaction or rebellion. By satisfying their needs and wants, consumption becomes an integral part of their lives, reinforcing the stability and control of the World State.

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In the first sentence to chapter 17 on page 230, John said, "Art, science-you seem to have paid a fairly high price for your happiness." John's remark implies that the World State's emphasis on happiness has come at the expense of genuine human experiences, including the richness of art and the pursuit of scientific knowledge. The quote highlights the theme that true happiness cannot be achieved by eliminating the challenges, complexities, and meaningful aspects of life.

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Totalitarianism is shown with the government control of religious texts. They try to limit human experience as much as possible, and Mond, the maker of laws, makes it his objective to do so. "You got rid of them. Yes, that's just like you. Getting rid of everything unpleasant instead of learning to put up with it" (238). In a world with basically no problems, there's no need for people to turn to anything else besides things they can feel and sensory entertainment, which eliminated the need to religion as a whole.

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The theme of dystopia and totalitarianism is vividly portrayed as John, the Savage, confronts the disturbing realities of the World State. He witnesses the dehumanizing effects of the society's conditioning and genetic engineering, where individuals are reduced to mere objects. As he exclaims, "I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin," John's passionate plea serves as a poignant critique of the oppressive regime that suppresses individuality and authentic human experiences.

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In this chapter, control is shown with Mond talking about the banning of religion. The world state controls what texts are allowed to be accessible to the people. In a soceity that stays forever youthful, there is no need for people to turn to religion, as religion is is usually used as the answer to the unknown. This is shown as he says, "we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses" (233). The government bans religion to keep the masses from taking that leap of faith towards religion, which would point the other way and leave room for more thoughts to occur.

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In this chapter, individuality takes center stage as John continues to rebel against the homogenized society. Despite the lure of conformity, he passionately defends his right to be an individual, rejecting the World State's attempt to control and suppress his emotions and desires. As John defiantly declares, "I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin," his words serve as a powerful testament to the human need for autonomy and the preservation of one's unique identity in the face of a repressive society.

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Bernard Marx, accompanies John the Savage to a meeting with Mustapha Mond, one of the World Controllers. Mond engages in a conversation with Bernard and John, discussing various topics such as art, religion, and the flaws of the World State. Mond shares his knowledge and explains the reasons behind the World State's suppression of individuality and the pursuit of happiness. He defends the system's reliance on consumerism and industrialization, arguing that they are necessary for stability and social control. The chapter ends with John rejecting Mond's arguments and expressing his desire for freedom and individuality.

An example of Industrilaism is,
as they delved into a discussion about the World State's societal structure, Bernard listened intently to Mustapha Mond's eloquent defense of industrialism and consumption. The World Controller explained, "You see, we don't want to change. Every change is a menace to stability. That's another reason why we're so chary of applying new inventions. Every discovery in pure science is potentially subversive; even science must sometimes be treated as a possible enemy. Yes, even science."

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John the Savage is brought to meet Mustapha Mond, one of the World Controllers. During their conversation, John expresses his desire for freedom and individuality, while Mond defends the stability and happiness that the society provides. Mond explains that the society has sacrificed truth, beauty, and art for the sake of maintaining social order, saying, "The world's stable now. People are happy; they get what they want, and they never want what they can't get."

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On page 220, Mustapha Mond explained that in the World State, "people are happy; they get what they want, and they never want what they can't get." People in this society have their basic needs fulfilled, and they are provided with material comforts and distractions to keep them satisfied. This implies that their desires are deliberately restricted and controlled, and they are conditioned not to have any unfulfilled desires or aspirations.

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In this chapter John struggles with his own identity and the pressure to conform. He resents the conditioning and uniformity of the World State, refusing to participate in the shallow and artificial activities of the society. In a poignant quote, he passionately exclaims, "I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin."

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John, the Savage, grapples with his desire for personal freedom within the confines of a conformist society. Despite being hailed as a spectacle, John feels isolated and yearns for authentic human connections. In a poignant quote, he declares, "I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin."

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John continues to rebel against the society's conditioning and seeks to assert his own identity. When asked to conform to the society's standards, John responds, "I am not a machine. I feel disgust at the mere thought of them". His rejection of the World State's values and his desire for authenticity highlight the importance of individuality and personal agency in a dystopian society.

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In this chapter it explores the theme of individuality as John, a character from outside the World State, struggles to come to terms with the society's lack of uniqueness and personal identity. John states, "I want to feel the same things as you feel", highlighting his desire for genuine connection and empathy, which is stifled by the society's emphasis on conformity and sameness.

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After getting caught, the three are sent straight to Mustapha Mond's office, where they talk. John clicks with him because he's read Shakespeare, and Mond talks about how he, as one of the world controllers, is able to read things the masses can't, since he makes laws. His control is shown then, and the government control is shown with the Alpha island experiment and the post 9 years war. "That was when science first began to be controlled - after the Nine Years War. ... Anything for a quiet life. We've gone on controlling since then" (228). No matter how unethical, the happiness of society is what Mond advocates for, which is how he keeps his leash on the masses.

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In chapter 15, page 209, Deltas lined up for "soma distribution."  The cost of this happiness is the suppression of true human emotions and experiences. Soma numbs individuals and prevents them from feeling any negative emotions, such as sadness, anger, or despair.

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In chapter 15, page 209, Deltas lined up for "soma distribution." Soma acts as a means of escape from the harsh realities of life and any negative emotions that might arise. The concept of soma distribution reflects the overall theme of control and manipulation in a dystopian society.

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In this chapter we a lot of industrialism. A riot occurs caused by Johns anger and fall to the darkside like Anakin Skywalker. To defuse the riot we see a riot squad come in with soma water guns and the spray everyone. Pretty genious. Industrilaism is shown through the breakdown of the controlled society and the rebellion of the citizens. It reveals the limitations and inherent flaws of an industrialized and controlled society, where human nature and individual desires cannot be fully suppressed or controlled.

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In this chapter, Linda is on her Death bed, she is overdosing on soma. John is tearing up and is beat. He is not consumed from the emotionless virtues that the New world enforces. on page 201, "He felt the hot tears welling up behind his eyelids as he recalled the words and Linda's voice" He doesn't get consumed he stands tall and full of emotion.

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In this chapter, the control, rather the lack thereof, is shown in John as he tries to go against one of the fundamental parts of life in the World State. "Throw it all away ... I come to bring you freedom' said the Savage" (211). The death of his mom affected him to the point where he saw that the Deltas were being controlled by the soma, yet in the end he couldn't do anything about it. Technology is also shown in this chapter with the equipment that the police use: hoses with anesthesia and gas.

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In terms of Dystopia for this chapter, we see emphasizing the dehumanization, loss of freedom, hedonistic culture, lack of individuality, and emotional suppression prevalent in the society. It serves as a powerful critique of a world where individuality and authentic human experience are sacrificed in the pursuit of stability and control.

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On page 201, John express great sorrow over Linda's condition on her deathbed. "He felt the hot tears welling up behind his eyelids as he recalled the words and Linda's voice as she repeated them." John, as a character, stands in contrast to the controlled society. John experiences genuine emotions, including sadness and longing, which are considered undesirable and disruptive in the World State.

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This chapter shows control with the death conditioning of the Bokanovsky group. When Linda dies, the head nurse prioritizes the rest of the group over dying Linda. She says, "no, the risk was too great; the whole group might be put back six or seven month in its conditioning" (207). The conditioning is the one thing that cannot be messed up in this society because it's such a backbone of their morality.

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In this chapter we see John and Lenina get a little intimate. John tells her he loves her.

An example of consumption is how Lenina is consumed by the societal norms. She only thinks about sex, when John wanted it to be deep love. "You silly boy! I wanted you so much" (in a sex way)

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The themes of technology are shown when John tries to explain his chivalry and values to her. She doesn't understand the customs of skinning wild animals to be worthy of marriage, and John agrees with how different their worlds are. "There aren't any lions in England ... and even if there were, the savage added, with sudden contemptuous resentment, people would kill them out of helicopters, I suppose" (190). She doesn't understand and gets angry because to her, love is physical and only physical.

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On page 190, John declared to Lenina that he'd, "sweep the floor if..." she wanted him too, but she didn't understand his intentions. The only love she has received is through sex. Lenina can't grasp an understatement of the joy and fulfillment that one may gain from loving that's beyond physical.

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In this chapter, themes of dystopia are shown with how Lenina acts towards John. The government control of what she thinks love is, and the importance of her malthusian belt all demonstrate the different lives they've lived and how truly, they can never really connect, "Damned whore! 'A gra-amme is be-etter...' she began" (194). They both repeat the poems and rhymes they've learned in their lives, but it will never bring them together.

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In this chapter we see Bernard be consumed by popularity. He throws a party, and invites a popular person to try and you know be cool and all. The cool kid only will come though to see John. But John doesn't come out, so Bernard looks like an idiot.
On page 173, "To play such a joke on me," says the popular person. Bernard is having shade thrown at him.

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On page 177, Mustapha Mond decided that the book "A New Theory of Biology" should, "not be published." In the World State, happiness is achieved through strict social conditioning, genetic engineering, and the suppression of individuality and personal freedom. The citizens are programmed to be content and satisfied with their predetermined roles in society. Any knowledge or ideas that might challenge or complicate this carefully constructed happiness are suppressed and controlled.

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In this chapter, control is shown with how Bernard is so affected by John not showing up to his function. Since the Arch Community Songster was so upset, Bernard lashes out on John, who doesn't quite understand why he's so upset. "I'd rather be unhappy than have the sort of false, lying happiness you were having here. I like that, said Bernard bitterly" (179). It shows how the government control on Bernard kept his leash on him, while John could care less about important people in the world state, because they have no effect on him.

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In chapter 12 of "Brave New World", the theme of dystopia and totalitarianism is prominent as the character John is introduced to the World State's ideology. John expresses his shock and disgust at the society's lack of individuality and emotions, stating, "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin." However, he is met with confusion and disbelief from the citizens who are conditioned to value stability and conformity above all else. This highlights the oppressive nature of the World State and their manipulation of their citizens to maintain control over their society.

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On page 164, John learns that kids at a young age, "learn to take dying as a matter of course." Death is treated as a normal subject, and people are conditioned to accept it as a natural but inconsequential part of life. The society's approach to death and its implications for its lack of authenticity of human experience.

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On page 162, John learnt that a, "a savage reservation is a place which, owing to unfavorable climatic or geological conditions, or poverty of natural resources, has not been worth the expense of civilizing." In these societies, the ruling powers determine what is considered valuable or worthy. This attitude reflects the utilitarian and dehumanizing nature of dystopian societies, where human worth is measured solely by utility or usefulness to the ruling regime.

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In this chapter, Bernard and Lenina go to a Solidarity Service. Bernard loses himself and gets even further into his thinking about the way his society configures.
In this chapter, we see consumption when Lenina is consumed into the nature of the World State society. She is consumed by sexual actions. Pg.166 'Hug me till you drug me, honesy;...".

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In this chapter, John is introduced to the ways of life in the World State. Like previous chapters, Lenina is shown as the cookie cutter model citizen when she goes out with John. "He's terribly good looking. No need for him to be shy ... any other man would have done it long ago" (170). Technology is shown when Huxley described the various instruments and tunes that go into the movie, and how, even though Lenina knows that John is an outsider, she still questions why he doesn't act like those in the world state.

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John struggles to understand the values of the society he finds himself in, which prioritizes conformity and stability over individuality. He argues with the Controller, who defends the society's practices, stating, "the world’s stable now. People are happy; they get what they want, and they never want what they can’t get." Despite the Controller's defense, John refuses to accept the society's values and seeks to assert his individuality. He says, "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin." However, he realizes that his desire for individuality is incompatible with the society he finds himself in, leading to feelings of isolation and despair.

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Bernard's desire to be an individual in a world where conformity is expected. Bernard is struggling to find his place and is ultimately rejected, leading him to contemplate suicide. As he says, "The horror of the thought was not of death, but of loneliness; the horror of an eternal and mindless unanimity" (87).

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In this part of the chapter we see Linda adapting back into the crazy things of the world state. Like soma. Her little john is bored. And now the Bernard is getting all da b**ches its getting to his head.Dystopian nature is present is how they are tryna OD linda because shes too outside of their social norms. "You are shortening her life... yes, ;Dr. Shaw admitted"

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In chapter 11 part 1, Bernard sent a report to Mustapha Mond regarding Linda and John. In the report he stated, "that I agree with the Savage in finding civilized infantility too easy or, as he put it, not expensive enough..." which infuriated Mond. Bernard criticizes the citizens of the World State for their lack of challenge and difficulty in life. The citizens of the World State experience superficial happiness and pleasure.

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In this part of the chapter we see Linda adapting back into the crazy things of the world state. Like soma. Her little john is bored. And now the Bernard is getting all da b**ches its getting to his head.

An example of consumption is how Linda is all up on the soma again, "The return... return to soma."

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Control is shown in the way that the ways of living that Linda experienced before her refuge with the savages is still her desire. In addition, Bernard's ego skyrockets because he's now getting women and it's really going to his head. "For the act of criticizing heightened his sense of importance, making him feel larger" (157). Once he feels like the society that he previously hated is now valuing him, he feel like he's winning, which making him unfriend Helmholtz.

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On the last page of chapter 10, John proclaim to the room that the Director is, "My father!" By uttering "my father," John is grappling with the absence of familial relationships. John emphasizes the importance of personal and familial connections, suggesting that true happiness cannot be achieved without genuine relationships and a sense of belonging.

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This dystopian nature of this chapter is indicated in the way that everybody's viewpoint on the Director drastically shifts after learning about Linda and John. The social taboos of this society are severe, and even the mention of words like father are literally the worst of the worst. Father is seen as "merely gross, a scatological rather than a pornographic impropriety, the comically smutty word" (151). It's because of the dystopian nature and the control that the government has exercised on its citizens that they are quick to kick him out.

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In this chapter Foster plans to confront Bernard and transfer him. Bernard doesn't seem very worried, instead he brings Linda out. Linda immediately calls him her Tomakin and says that he's the reason she had a baby. Because Bernard brought Linda, the tables turned. They get Bernard in trouble and plan to transfer Foster.

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In this chapter/movie, we see Bernard put the Director on blast. In the beginning we see Bernard getting talked down upon, but now Bernard having the evidence he has, they put the director on blast.
An example of consumption is how the staff and everyone is consumed by the "rather lack of morals" that Bernard shows, and the craziness surrounding the director.

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The theme of individuality is again explored through John's struggles to fit in with the World State's society. John's desire for individuality and his rejection of the World State's ways lead to his isolation and eventual breakdown. The chapter ends with John's exclamation, "I am I, and I wish I wasn't," which highlights the struggle between individuality and the desire for acceptance in the World State's society.

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The theme is highlighted through the character of John, an outsider from the "Savage Reservation" who is brought into the highly controlled and programmed society of the World State. John's struggle to understand and reconcile his own values with those of the World State is a reflection of the oppressive nature of the society. "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin."

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In this chapter we read about the feelings of John and how he is seen. We see John going through Leninas bag and kinda obsessing over sleeping body. A little weird but any how... Examples of consumption is how John is consumed by curiosity and his noisiness and looks through Leninas stuff.

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In this chapter, Bernard shows Linda and John to the Director and the staff, essentially embarrassing him in front of everyone he knew. The control portion of this is interesting because the Director gets kicked out no matter what his record was previously from seeing Linda. The fact that he had a previous woman who birthed a child was enough for him to become exiled on his own, and the fact that he is referred to as father really rubs salt in the wound, as " for father was not so much obscene as - with its connotation of something at one remove from the loathesomeness and moral obliquity of childbearing" (151).

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Same as chapter 8, John feels happiness in the simple things that the people from the World State can't. During his breaking of Lenina's house, he played with, "Lenina's spare pair of viscose velveteen shorts were at first a puzzle, then solved, a delight. Zip, and then zip..." Although the citizens of the World State have access to constant pleasure, their happiness is shallow and superficial, lacking depth and true fulfillment.

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The lack of technology on the reserve is shown when John goes through Lenina's suitcase, discovering all of her scented perfumes and clothes that looked like puzzles. "He wiped them on his chest, on his shoulders, on his bare arms. Delicious perfume!" (143). It just goes to show how his upbringing made him insecure when discovering the commodities of products in the World State. While she may see them as normal, her belongings, along with Lenina being very pretty, excite him.

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In one of John's stories for Bernard, John states that, "to fashion, to give form, to feel his fingers gaining skill and power- this gave him an extraordinary pleasure." (pg. 134) This quote reflects the theme of sacrificing individuality and personal fulfillment for the sake of societal stability. Bernard seeks a deeper, more meaningful form of happiness that goes beyond the shallow pleasures, which is what John felt.

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In this chapter the theme of individuality is further explored through the character of John. As John's fame grows, he is invited to meet with Mustapha, one of the World State's leaders who explains the cost of individuality in their society. Mond argues that the price of individuality is stability, and he encourages John to conform to the World State's ways, stating, "You've got to choose between happiness and what people used to call high art." This quote highlights the conflict between individuality and conformity in the World State.

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In chapter 7 the theme of individuality is explored through the character of John, the Savage. John, who was raised outside of the World State's conditioning, struggles to fit in with the society's lack of individuality and constant pleasure-seeking. He finds solace in reading Shakespeare and expressing his emotions, which is seen as abnormal by the World State citizens. The chapter ends with John exclaiming, "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin," highlighting his desire for individuality and a life beyond the confines of the World State's conditioning.

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In this chapter, we see the story of little John being told to Bernard. He is neglected, beaten and unloved. His mom is a filthy drunk whore who sleeps around, the kids hate him because of his mom, and the other women hate him and his mom.
An example of consumption is how Linda drinks tons and tons of alcohol instead of her soma, she is a drunk full of alcohol consumption.

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As John tells Bernard about his hard life's story, it is very evident how different the lifestyles are in the reservation vs in the world state. As Linda tells John stories about her life in the world state and how wonderful it is, he begins to dream of things like bottled embryos and cleanliness and boxed scent refreshers. It becomes even more apparent when he is gifted books from Linda since she literally had nothing else to pass onto him. His curious mind questions her, "But how do you make chemicals, Linda? Where do they come from?" (130). It just goes to show the technological difference of Linda's old lifestyle and John's harsh upbringing on the reservation.

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Bernard perception of John's life and his own is as though they are, "living on different planets, in different centuries." (pg. 123) This quote reflects the stark contrast between the dystopian, totalitarian society of the World State and John's "savage" world. It emphasizes the dehumanizing effects of the World State's totalitarian control, where individuality and human connection have been sacrificed for stability and uniformity.

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In this chapter, we have Lenina and Bernard in the Savage reservation (A Native American Reservation) The see them perfrom a rain dance/ceromoney and Lenina goes crazy, until they realize some things they do is like the things they do back at home. Crazy things happen, we learn more about Thomas, the DHC and Linda, they had a kid...

An example of Dystopia is how lacking this idea is in the Savage reservcations, they do things how they do them and to other people it is completely abnormal.

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This chapter follows Bernard and Lenina at the reservation while a ritual is performed, and they find the Director's son and his lady that he thought died when he went to the reservation years ago. In this chapter Lenina complains about the lack of things she's used to, like her helicopter, and her soma. Once Lenina ends up speaking with Linda, Linda rants to her about how mad the lifestyle is here, and how even after living in the reservation for like 2 decades, the government still has a grip on her. "Mad, I tell you, absolutely mad. Everybody belongs to every one else -- don't they? Don't they?" (121). Even after her time spent with "savages," she still utters the sleep learning phrases she learnt in her youth, and it shows how deep the government control actually is on her psyche.

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On page 112, Bernard told Lenina that he often thinks, "one may have missed something in not having had a mother." Lenina may have also, "...missed something in not being a mother." (pg. 112) The citizens are conditioned to prioritize pleasure, stability, and conformity, which comes at the cost of familial bonds and deep emotional connections. They are unable to fully understand the depth of love, sacrifice, and responsibility that comes with being a parent.

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In this chapter, we have Lenina and Bernard in the Savage reservation (A Native American Reservation) The see them perfrom a rain dance/ceromoney and Lenina goes crazy, until they realize some things they do is like the things they do back at home. Crazy things happen, we learn more about Thomas, the DHC and Linda, they had a kid...

Examples of consumption is how there is a huge lack of consumption of soma. Lenia is cracked out of her mind trying to get some soma, pg 116, "Oh I wish I had my soma..."

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This chapter goes on to talk about Lenina and Bernard's plan of going to the Savage reservation. Notably, the lack of technology present in this area hinder Lenina and Bernard warns her, "they're perfectly tame; savages won't do you any harm" (106). In addition, the conditioning about soma that they've received still stays present, as Lenina takes it and even Bernard, who is less conditioned, succumbs to the soma.

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In this chapter, Lenina and Bernard go to the savage reservations.
There is lots of consumption, Lenina seems like she cant hop off the drugzz.
There is tons of lack of industrialism in the savage reservation, they have no technology, and they have nothing compared to the civilized land. "No communication what so ever with the civilized world"

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In this chapter, Bernard and Lenina go to a reservation in New Mexico. When they were there, they found out that the Reservation is surrounded by an electric fence so no one can escape. In the reservations children are still born there, marriage still occurs, old religions and extinct languages survive, and no conditioning takes place. They are there own individuals, not conditioned.
“Ford, we are twelve; oh, make us one, Like drops within the Social River; Oh, make us now together run As swiftly as thy shining Flivver."

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"They've got enough experience of gas bombs to know that they mustn't play any tricks." (pg. 106) The use of gas bombs as a reference highlights the violent means that were used in the past to suppress dissent and maintain social order. The pursuit of happiness is achieved through the suppression of individuality and the complete control of the citizens' lives. This cost of happiness is ultimately the loss of personal freedom and the ability to choose one's own destiny.

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This chapter goes through the human zoo that is the Savage Reservation with Bernard and Lenina. The dystopia is shown by the fact that living in the way that we see normal is seen as savagery, and used as a source of entertainment. Lenina and Bernard's lifestyle is so "perfect" and high class compared to the natives in New Mexico that their sense of superiority is striked when they say, "They never learn ... and they never will learn" (105). The government who so carefully controlled their lives reaps their rewards when they see how deep the conditioning is when they see people with different lifestyles.

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"She was appalled by the rushing emptiness of the night, by the black foam-flecked water heaving beneath them, by the pale face of the moon, so haggard and distracted among the hastening clouds. 'Let's turn on the radio. Quick!' " (90)
Lenina is so heavily conditioned to always be doing something that she couldn't even look at the sea in peace without needing music. She breaks out in a cry when Bernard mentions that he no longer wants to feel like a cell in a social body.

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"as though I were more me, if you see what I mean. More on my own, not so completely a part of something else. Not just a cell in the social body." (90) Bernard attempts to decondition Lenina and takes her on a romantic date to help her see that there is much more to people than sex / hook-ups. Lenina doesn't see Bernard's points and continues to be "a part of the social body" because that's what she's been trained to do.

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In this chapter/s, we see Bernard try and be romantic with Lenina, we see him be himself and differnt. But Leninas conditioning prevents her from forming a proper relationship.
An example of consumption is how Lenina is consumed of the conditioning and control that the government has on her. page 91, "Its horrible, its horrible, ... After all, every one wokrs for ever one else. We cant do without any one."

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Bernard told Lenina that he would rather be, "myself and nasty. Not somebody else, however jolly." (pg. 89) Bernard demonstrates a level of self-awareness that is uncommon in this world of conditioning and conformity. The cost of happiness in this world is the sacrifice of individuality and personal growth, which ultimately leads to a sense of emptiness and dissatisfaction.

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Control is shown in this chapter with Bernard trying to do something remotely out of the norm, and Lenina simply not understanding him. Bernard tries to be romantic and meaningful, but since it's not the things that Lenina is accustomed to, she can only regurgitate the words that have been sleep taught to her. "I don'd understand anything' she said with decision" (92). They bicker back and forth about being happy versus finding meaning in their lives, but in the end Bernard forfeits and ends up taking the soma and sleeping with her. There's also a lack of control with the Director when he accidentally spills a story about how 20 years ago one of the girls he was with died, and he lets out that she meant more to him than she should have.

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"Orgy-porgy, Ford and fun,
Kiss the girls and make them One.
Boys at one with girls at peace;
Orgy-porgy gives release." (pg. 84)
The song "Orgy-porgy" is used to promote the idea of sexual promiscuity and communal living as a means of achieving happiness and social cohesion. The quote reflects the dystopian and totalitarian nature of the society depicted in the book, as it shows how the ruling class uses propaganda and mind control techniques to manipulate the masses into accepting a way of life that ultimately serves the interests of the ruling class. The "Orgy-porgy" song is a tool of control that reinforces the societal norms and values that are imposed on the people, rather than allowing them to think and act for themselves.

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"Feeling that it was time for him to do something, Bernard also jumped up and shouted: 'I hear him; He's coming.' But it wasn't true." (84) In this chapter, Bernard attends a "Solidarity Service day". He arrives and sits in a circle of a group of people. They have a ritualistic ceremony, they take soma to enhance their sexual feelings. The orgy causes Bernard to fake his feelings and feel more isolated than ever.

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In this chapter... well... Yeah they do some weird stuff. They take soma, they get nasty and they reach the top. Except for Bernard, he was busy counting eyebrow hairs.

An example of consumption is how they all sing and pass the cup of soma around. Page 80, "The dedicated soma tablets were place in the centre of the table."

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"Separate and unatoned, while the others were being fused into the Greater Being; alone even in Morgana's embrace- much more, indeed, more hopelessly himself than he had ever been in his life before." (pg. 86) The quote suggests that even when Bernard finally has a moment of happiness and intimacy with the character Morgana, he is still unable to fully join the collective unity of the society he lives in, and therefore cannot experience the kind of happiness that the other characters do. Bernard's inability to fully integrate into society comes at the cost of his own happiness.

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This chapter shows the true amount of control the government exercises on its people. By being required to attend this Solidarity Service every other week, it pushes even lone wolves like Bernard to have to interact with others and give up his individualism. Even Bernard who, on the inside is just getting peer pressured into agreeing with everyone, on the outside, he's an active participant of the ritual. "Feeling that it was time for him to do something Bernard also jumped up and shouted" (84). It's him being uncomfortable but has to go along with everybody while they get like possessed by the spirit of Ford.

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In this chapter we have Henry Lenina are about to get freaky after golfing.
Dystopia and totalitarianism is an example when the Government makes lenina bring the fanny pack of condoms everywhere she goes.

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In this chapter we have Lenina and Henry went clubbing and are about to get nasty ykyk. Henry is probably very happy man.
An example of consumption is how they take lots of soma. They take soma in order to stay happy. page 77 they speak about a soma holiday.

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In this chapter, we have Bernard and Helmholtz who are opposite people, but also similar because they both are individual people.
An example of industrialism is how different building floors they are in do different things. How each floor is made for different tasks.

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"On their way up the chimney the gases go through four separate treatments. P2O5 used to go right out of circulation every time they cremated some one." (73) They make use of people dying by taking the adult corpses and burning them without ritual, and phosphorus is recovered from burnt remains to help make plants. Foster tells Lenina that all individual men are equal physio-chemically, so even Epsilons are useful. Lenina is glad she's not an Epsilon, but Henry reminds her that, if she were, she'd be happy about it.

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This chapter follows Henry and Lenina's date after golfing, which was dancing to synthetic music and part one ends with them about to have sex. The control in this part is shown when Lenina whips out her contraceptive bag. "Years of intensive hypnopaedia and, from twelve to seventeen, Malthusian drill three times a week had made the taking of these precautions almost as automatic and inevitable as blinking" (77). It's because the government controlled all aspects of how she views sex that she is able to do this without even thinking because she's so conditioned to do so by the government.

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During a conversation with Lenina, Henry told her that the Epsilon, "conditioning would have made you no less thankful that you weren't a Beta or Alpha." (pg. 74) Ignorance is bliss. No matter the caste, they are conditioned and brainwashed to be content and grateful. Even though, the lower castes lives are inhuman and laborious they still believe they are genuinely happy. The lower caste can only experience simple happiness, nothing more.

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In chapter 4 part 2, Bernard and his friend Helmholtz express their feelings of constraint and insecurity produced by the society they live in. Bernard, "self consciousness was acute and distressing" to him (pg. 64) Bernard's sense of insecurity and self-consciousness relate to the cost of happiness in this society because the only way that people in this world can achieve happiness is by conforming to a strict set of societal norms and values. Those who deviate from these norms, even in small ways, are seen as abnormal and potentially dangerous to the stability of the society as a whole.

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In this chapter, the true colors of this society are shown between the conversation between Bernard and Helmholtz. Their conversations are so taboo that Bernard becomes paranoid about somebody being behind the door, "Hush! (...) I believe there's somebody at the door' he whispered" (70). It shows how dystopian this society is because they really can't afford to be caught having deep conversations and critically think about themselves.

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This chapter follows Bernard and Helmholtz, two very close friends. They are close because they are the ones who are not as conditioned as the other two in part one of the chapter, Henry and Lenina. They break the bonds of the government, and this chapter demonstrates the lack of control that has reached these Alpha Plus men. Helmholtz talks about his true emotions, which is against the law in this society when he says, "Can you say something about nothing? That's what it finally boils down to" (70). They aren't allowed to talk about anything emotional, and if they start to feel anything, they're meant to take soma to suppress them instead.

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"Bernard started and looked around. The chubby red face of Benito Hoover was beaming down at him" (p 60). In this chapter, Bernard faces individuality forcefully due to his small size. Bernard is an individual because of his size and loneliness while Helmholtz is an individual because he senses his own self-worth.

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In this chapter we have a little conversation between Bernard and Lenina, she talks to him and says that they are going to do stuff. But Bernard being Bernard, he gets a little uncomfortable. An example of industrialism is how they all fly helicopters rather than cars. On page 61, "Henry Foster had had his machine wheeled out of its lockup and, when Lenina arrived, was already seated in the cockpit, waiting.

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As Lenina and Henry go about to get to their date, the lifestyle of people of other classes is shown. They see a Television Corporation's factory with Gamma and Epsilon workers. Lenina's immediate response to them was to regurgitate what was being repeated to her as she slept, and it was "I'm glad I'm not a Gamma" (63). Sleep learning is such a crucial part to the operation of this society, and it's one of the ways that the exercise control since day one. Additionally, the fact that her and Henry get their own helicopter while the factory workers have to use monorails (public transportation), further pushes the government's agenda of superiority and inferiority.

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While Bernard and Lenina were in the lift, the Episilon-Minus Semi-Moron liftman, "...suddenly and joyfully awakened from a dark annihilating stupor" to announce, "roof!" (pg. 59) This simple pleasure is a stark contrast to the more complex forms of happiness pursued by the upper classes in the novel. The lower castes, like the Epsilon-Minus-Semi-Morons, are designed to perform menial labor and have limited cognitive abilities. As a result, they are unable to experience the same level of happiness and fulfillment as the higher castes.

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During a conversation between Mond and the Director, Mond talked about the bad old days and how "old men in the bad old days used to renounce, retire, take to religion, spend their time reading, thinking-- thinking!" (pg. 55) The quote implies that the old men of the past could find happiness through a simpler way of life that was not all about consumption. People back then were allowed to focus on intellectual pursuits and spiritual growth. In the dystopian world, materialism comes at the cost of people's inner well-being and happiness.