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This project is about exploring the depth of studio photography through the advertising industry. Creating an image to a target audience to influence and be relatable. I am interested in the small details within a picture/video that makes a great ad. The ability to hint an idea or effect the viewer by coding a message in the picture/video is amusing to me.  I hope this project can ask or answer some questions around the ability of people to think critically. I want people to question themselves and what they see. To wonder around the intentions of the ad and their own perspective and thoughts about the idea.

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Working title is a high fashion exploration into how clothing is displayed as a marketing product for advertisement, by focusing on scale, colour, texture, and line to create styles.

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Vulnerability & Power - also not finished lol

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Vulnerability & Power - also not finished lol

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Reclaiming the body. This project explores the body, specifically the photographer’s relationship with her own body. The photographer, Yasmin Marrow allows herself to be vulnerable to then become powerful. Her work focused on her own body is challenging the “norm” and representing a body that she didn’t see much of growing up. Marrow is using the thing she loves, to fall in love with the thing she hates.

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Morgan Young

The everyday and the ordinary are often ignored, although at night these everyday scenes become more visually pleasing, making the ordinary become interesting, my work explores this shift from day to night through photographing subliminal, solitary spaces in a suburban environment. The images are created using both film and digital way of working with a cinematic aesthetic using complimentary and neon colours to make the images appear more striking. The images give a sense of paranoia and uncertainty expressing how the shift from day to night has a contrasting range of aesthetic and emotions

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The project focuses on the quotidian and the explorations of quiet moments captured within domestic spaces. A diaristic series composed of a mixture of portraiture and still life, with a personal approach to intimacy. Revealing the momentary bliss laid by natural light at different times throughout the day.

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my project is about having to ware glasses and the vision people have to ware glasses see like without them, and how people feel having to ware them. mixed in with the fact that glasses have become a massive fashion statement and some people ware them because they think the look good with them on.

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This projects is about the product Dr martens, the history and who wears them. Though my project began with Nike and the sports imagery included by those who wore them, i moved onto Dr Martens and what the company represents through their advertisements. i found myself photographing street style photography with a mixture of product shoots highlighting the brands key aspects.

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This project work is primarily concerned with the temporality of urban environments, where the aesthetics of material specificity meet the metaphorical abstractions associated with photography, representation and the passage of time. The work presented here uses the sequential presentation of time through photography to investigate one methodology to analyse these concepts.   The purpose is to explore how space, as well as meaning, is produced once enlivened by actors within an intentionally constucted/constricted frame.  These moments, or murmurs/rumeurs (Lefebvre 2004; 19), represent the flow of time intercepted into fragments and temporalities through a mediation of bodily instinct, anticipation and the mechanics of the camera.  Inspired by the diptych images presented in Eve Sonnemann’s ‘Real Time’ and informed by the concepts of Henri Lefebvre in Rhythmanalysis and The Production of Space, the techniques and impulses developed in making these images service as a means to assimilate a broader personal approach to the presentation of the passage of time in space.

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This project explores expanding and challenging skills within a studio setting. With this the exploration with different male and female products were experimented with to expand my professional portfolio. Furthermore, with this experimentation the testing of challenging the female and male gaze was developed in this work, photographing male products in a stereotypical female way. However, working alongside commercial stereotypes and understanding of branding resulted in more impactful work.

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ہماری لڑکیوں کا وقت                        ~Women Of Our Time 

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ہماری لڑکیوں کا وقت                        ~Women Of Our Time 

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The portrayal of my work is a series of portraits which shows the lives of Muslim women who are searching for their cultural identity. This Project shows a wider purpose of personal difficulty as a woman of a strong religious and cultural background. Its to show the ideas around what it takes to depict a strong woman through representation of a woman’s ability to take a stand for who she is in this dictating world. At the end of this project, I decided to focus my subjects on my two sisters who portrayed their strong views on womanhood and feminism.

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This project is a small insight into how the apparatus of a camera is able to capture the relationship between a subject and a photographer. The additional media and artefacts in the imagery aid in embellishing ever-growing curiosity of the viewer as to what the photograph truly means, both ostensibly and subjectively. Is it just an empty image or is there an underlying relationship ensuing beyond the confines of the lens?

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This project explores the juxtaposition between landscapes of grandeur and landscape of the banal/barren.

By travelling to specific locations at certain times of day and certainly weather conditions, the aim is to allow nature to light the landscape and allow me to place a frame around it.

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My project is about the education system in China. At the same time, it is also the education system that I have experienced. When I was a high school student, I often wondered how I could hold so many textbooks in an ordinary schoolbag that I often used. So this project shows that I dumped everything out my school bag. I hope this work reflects a machine learning process that I experienced and led to a deep-rooted problem in China's education system that has affected generations————Should we study for ourselves? Or should we study for "the future of our country and the development of our economy" as the authorities say?

Ziggy

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My intention for this project is to document my journey of processing the passing of my grandfather, whilst exploring how I felt throughout his illness as I watched him turn into someone unrecognisable. During this project as I go about my daily life, I come across moments that remind me of the emotional pain I felt throughout his two month journey with terminal cancer. When encountering these moments, I have been utilising any equipment I have on hand, often my phone, to capture them.

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Untitled is a series of photographs based around my hometown. Through using Psychogeography.  I have allowed myself to go down alleyways, and routes that  I wouldn't have normally gone down  and taken photographs of whatever is their in the space without thinking about  why I am photographing it.

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This project is about the possibility of magic in the mundane