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A tool that allows the user to move further in or out of an image.

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The section / theme behind a photo or series of photos
Ex. Portrait, Landscape, Wedding...

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A role, canister, sheet or strip of film that older cameras used to capture pictures.

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A camera which uses two lenses; one as a "taking lens" which captures the image and the other as a range finding lens.

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A darkened room with a small hole or lens and an image projected oposite the hole or lens.

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The chemical process of developing older black and white film.

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Shifting through a large amount of images to select pictures around a certain theme.

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A showing of art work in hopes of attracting positive attention.

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A building or section of the internet where photographs are displayed.

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Where famous aged art pieces are on display in hopes to enrich and educate it's visitors in the culture of art.

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A place where photographic business is often times done, typically accompanied by artificial lighting and back drops.

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Illustrating a sense of depth on a flat, surface, or defining positive and negative areas.

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Describes the way things feel or look. Texture can be real or perceived.

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Lightness or darkness of colors and tones that range from white to black.

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Is created when depth is added to a two-Dimensional shape making it three dimensional.

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A two-dimensional element created from line, and can be positive or negative.

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A point that's described by its place in space. Lines can be thick, thin, vertical, diagonal, or squiggly.

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Produced by various rays of light and is made up of hue, value, and intensity.

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The weight of an image based on what features it has, balance consists of symmetry and asymmetry.

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Capturing the movement or predicted movement of a object or thing guiding the viewer's eyes to or from the vocal point of the image.

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The use of multiple elements and principles of design in harmony to create the "perfect image". This is often by chance and is subjective to everyone.

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Showing the true size of an object through the use of another object everyone knows the size of (ex: pennies) and comparing it to the object in frame.

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Purposefully making an object stand out in an image through the use of different color values, tones, or shapes within that object.

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Mental Contrasting: The Master Key to Achieve Your Goals

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Mental contrasting, a science-backed way to achieve your goals. How to visualize success, identify obstacles & create effective strategies

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A repeating series of lines, shapes, or figures.

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Multiple different shapes or values in a picture.

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Symmetry around a central axis

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An object or shape that is made up of the same components across an axis.

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A lack of symmetry across any axis.

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The ability for one object to be viewed in multiple different ways.

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Existing in thought without any physical existence.

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The transition between two or more colors with a wide range of colors between.

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Colors with a relaxed mood.They can make the viewer see an image as temperature cool or cold. They mainly consisting of blues, greens, and purples or products of them.

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Colors with more of a hyper feeling. They can make the viewer see the image temperature warm or hot. They mainly consist of reds, oranges, and yellows or products of them.

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Colors like white and grey that don't pop out of the image but add tone and mood to the image.

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The colors opposite each other on the color wheel that bring each other out.

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The use of light to change a tone of an image rather than changing the color of an image.

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A way of providing feed back to someone or something in the hopes to better the their work.

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The action of taking someone's ideas or work and passing it off as your own.

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The idea relating to or involving an individuals morals or principles.

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Subjective is the influence of a subjects feelings, opinions, ect. on their thoughts about a certain piece while objective is a persons unbiased thoughts about a certain piece.

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Copyright protects original work while Trademark protects  branding / crediting for the creation of something.

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The composition of an image where the image is split up into three sections (left, right and center) that determine how much space is left open and what space is taken up by the subject of the image.

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Lines within an image that the photographer uses to move the viewer's eyes along an image.

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A commonly used system that photographers have used over many years to create art pieces such as architecture, paintings, ect. This ratio is universal and makes up or can be related to all existing matter.

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The space surrounding a subject that is left blank / empty.

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Any part of the photo, most times the subject of the photo, that jumps out from the back ground.

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Natural Light, Light that already exists in the world

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Lighting from behind the subject that creates a silhouette.

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Lighting that is cast through an object that spreads the light evenly over a surface. (example: putting a bed sheet up to a window and using it as a light source).

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The backlighting of a subject creating a dark outline of it's figure into the camera.

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The use of lighting in a painting to cast shadows and create a real to life feel of the painting.

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Two images combined into a single frame, presented together.

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Three images combined into a single frame, presented together.

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Capturing one side of a 3d object so that it appears as a 2d shape.

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A type of distortion in which objects of an image seem to curve inwards.

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A type of distortion in which objects of an image seem to curve outwards.

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The setting that determines the sensitivity of your camera to light, resulting in exposure and noise values.

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The sensitivity of film to light, by how much a piece of film is exposed to light. ISO of film.

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The part of a camera that intakes light when the shutter opens and converts into a storage electronic signal (digital image).

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The spec in an image made by a higher ISO or ASA value that causes for a grainy feeling in an image.

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Digital Noise is the level of grain in an image causing for the distortion of an image. Caused by a high ISO.

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The opening size of the optic, with its range varying on the lens and focal length. Aperture controls the amount of light let into the camera and as a byproduct a lower aperture number creates a greater bokeh.

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The value of aperture that controls the opening of the camera. The greater the number the smaller the opening and the smaller the number the greater the opening.

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Controls the angle of view (how much of the scene is captured)and the magnification.

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The distance between the closest and farthest objects that are in extreme focus.

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The artistic blurring of the background of a subject to isolate it, making it more important to the image.

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The photo mode in which the camera chooses all the settings for you.

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The photo mode in which all the settings of the camera are in your control.

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The photo mode in which you control everything but shutter speed.

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The photo mode in which you choose everything but the aperture.

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The photo mode in which you control ISO and White Balance and the camera controls the rest.

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The variable that controls how long your camera is exposed to light. changing exposure and definition.

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The mode in which you control how long your shutter is open.

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The blurring of a subject or its background to give it motion.

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A attachment to a camera that allows you to prop up the camera and minimize motion blur.

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The unintentional movement of a camera while taking a photo.

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When a camera's shutter is open for a long period of time, capturing motion blur and letting more light in.

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Used to capture a shift or movement over a long period of time.

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The use of a long exposure, dark background and a light source to paint an object in a 3d space.

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The capturing of a moving object, standing still against a blurred background.

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The capturing of a set amount of pictures after one press of the shutter button.

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The perfect brightness

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The metering mode in which the camera uses a specific point in the middle of the view finder to measure the exposure.

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The metering mode in which the camera finds the exposure value of the circular area around the center of the view finder.

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The metering mode in which the camera takes the mean value of exposure across the viewfinder but puts more weight on the points towards the center.

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The metering mode in which the camera takes the mean value of exposure across the viewfinder with no points having more weight.

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When an object blocks light creating a dark silhouette casted upon something.

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Tones that aren't dark or light.

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The lightest elements in an image.

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A darker border at the periphery of a photograph.

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The chemical process that changes black and white images into shades of brown.

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The points around which your camera focuses.

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The technique in which someone takes multiple photos of the same scene with different settings.

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Measured in stops, it determines how under or over exposed an image is.

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The function of a camera in which you can adjust the settings to account for a lighter or darker scene.

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A card that helps adjust your white balance to a specific scene.

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A icon in the top right corner of photoshop that changes the photoshop interface.

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The area of photoshop in which most of your tools are stored.

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Groupings of various tools used to modify your image on the right side of the photoshop interface.

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The section of the photoshop interface in which you may save, insert, ect.