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The Trainspotting Cast Recreate Their Famous Movie  Poster - The Graham Norton Show

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You have explained Multi Camera productions with some reference to illustrated examples and use of subject terminology

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Weather? is this ok with wires? Can BBC control what happens on stage or when filming the crowd?

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Weather? is this ok with wires? Can BBC control what happens on stage or when filming the crowd?

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Need to be more detailed in your examples. Pick an  actual video or image and discuss it

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Need to be more detailed in your examples. Pick an  actual video or image and discuss it

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is the performance area limited in comparison to X factor?

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is the performance area limited in comparison to X factor?

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Visual styles and meanings explained with examples

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Visual styles and meanings explained with examples

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Need to refer to an example from the show

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Need to refer to an example from the show

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Tom Hanks' Amazing Clint Eastwood Impression - The Graham Norton Show

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This is also a pre-production aspect in which there is a visit to a location to help determine whether it is suitable or not to be  used for filming purposes. This could be things like: facilities, being used or l the assessments for lighting and sound issues.
From this it allows the production team to evaluate and assess the location; also this allows more time for you to plan the scripts and the filming schedules.

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The process of evaluating the possible risks and hazards that is potentially involved on the location of a production.
Overall using this would help guarantee the health and safety of the crew working on the production; this could be any equipment being used or areas of the location being used. Also, it helps to structure out the overall production as this is done before filming takes place to reassure that everything is fine and that there will be no concerns on the set.

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The uses of pictures/ stills for the show, almost have to be something that can appeal towards an environment that is suitable for children; the show is intended to be a news programme for kids. For this episode they are discussing the Catalan protests, and the only stills used in the show only uses pictures of people standing around the protest (not doing anything) and the picture of some of the armed police at the scene. Despite there being no graphic images, the fact of there being a photo of a policeman carrying a loaded machine rifle would definitely be an issue in which Newsround would have to appeal around.
This is mainly due to the companies such as : Ofcom, who will look at this broadcast, if any complaints have been registered towards it. If there are a lot of issues related to it, it could face being censored or overall taken down.

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From watching the end credits of the show, it only shows the main editor (Lewis James) and two deputy editors (Kirsti Adair and Georgina Bowman). Looking at this I was very surprised about how small the roles in the show were detailed through the credits. In particular, the other roles I would have expected to see in the credits would have been: the presenter themself, the director and the floor manager on set.

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Provision is a company owned by ITV studios,  is the highest leading supplier of equipment that is used on TV sets all over the UK; this can be equipment such as: cameras, lighting, sound and key grip equipment. These are normally hired from bases situated in Leeds, London and Manchester. This company mainly gets its equipment from brands such as: Arri, Cooke ,Canon, Sony and Panasonic. The most significant piece of equipment that they hire out has to be cameras. Specific examples of cameras they hire out are the : Amira Alex SXT, Amira, Go Pros and a Sony PMW-200.

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It is the most recognised television facility, it is based in Media City and by using the best post production services, in order to make popular TV shows. These can include awards winning shows like: Happy Valley, The Voice and Match Of The Day. The facility even is used for VFX based commercials and corporate videos for popular brands. Overall there are 10 purpose-built studios within it, specifically designed to be used for any type of show. It can be said that it is the biggest TV studio in the UK.
Speaking of the post production aspect of doc10, it also has parts in the building in which footage is edited; this can be through editing the video, or adding VFX onto the footage itself. Also, after this footage is edited, it can then be colour graded - this technique can further enhance what is seen, making a bright shot, to a dark and gloomy shot. And also the other part of editing is the audio; making each individual sound extremely accurate for the listener; this can be from the sound of a pin dropping to a huge explosion.

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Newsround can be funded with equipment supplied to doc10 from companies such as: Arri. These helps to supply the studio with cameras and lighting/ sound equipment; this also allows footage from the show to be edited easier. Overall, BBC is funded by an annual Television license fee which is British homes, companies and other organisations which have received broadcasts or recorded them. It can also make extra money from selling programmes to other broadcasters.

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Many cranes would be used to give the long shots and high angles of the crowds and stage. But next to the stage a small jib would pan around the stage, for a tracking shot.
A hand-held camera (steadicam) is used backstage to give out the backstage view of the artists performing. For the stationary cameras, many are positioned around the stage, all giving different angles of artists or individual members of the bands/ orchestra. Many stationary cameras would be positioned facing the crowds, and some would use either close-ups and the others would use long shots.

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There aren't many constraints of the festival as there are more than enough space to film the event itself. But there is less cover if it were to begin raining if you are in the crowds. This could lead to some hazards with electrical equipment if there were no assistance with them. I believe that the BBC would use water proof equipment, or cover them up. Overall, there is less likelihood of a prevention of any incidents concerning most filming.

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Based upon the crowd that attends the festival, there is a massive range; this mainly contributes towards the specific acts who are performing. If a more mainstream artist is performing, it would be expected that a more younger audience would tune in to listen to them, for example: Ed Sheeran or Kanye West.
However, if the artist were to be Barry Gibb, you would then expect to see a more older viewership. It is a fact that from most Glastonbury festivals around a quarter of the attendance is people over the age of 50.
Due to the fact that this is a music festival, the sort of genres can appeal towards a specific set of people as well - they would uses genres like: pop, rock and EDM. The sort of social classes that would watch this programme would consist of any of them; as long as they like the artists who are performing.

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The visual looks this show presents to us are almost always looking at the acts who are performing. Not much emotion is evoked from the shots the programme uses; they are only used to help gives us a lot of angles of the artists performing. The only emotion shown through the shots used can be the passion from the performing artists,  using small close-ups to show their concentration and effort to their art. Other perspectives used can be through some shots of the crowds who are listening to the music; if the music is supposed to make you dance, you will see the crowd jumping up and down. To keep this adrenaline fuelled tempo, the vision mixer would then include a lot of fast paced jump cuts from the artists to the crowd. And if the song choice is at quite a slow tempo, or somber the shots would be held longer, and the shots of the crowd would show them more calmer. This should reflect the sort of feeling the viewers at home should be experiencing when they listen to the music. However, there are many establishing shots used to give out a more dramatic fee; to it and show the amount of energy given out by the festival. To add to the visual style of the show, some of the lighting changes between acts; the colours from the lighting can give out the emotions being portrayed from the performer. If it is a sad song the lighting could potentially be blue, or if it is a rock song, the lighting could be orange to show the fiery approach from the artist. And like the X Factor, there is a big screen positioned behind the performer which can also detail out the meaning and theme of the song being played, but also are parallel to the lighting as well.
A very good example highlighting all of this can be from the Foo Fighters' performance from the last Glastonbury festival this year. In the background on the stage,there isn't any screens but only specific colored lighting; however the screens are mainly positioned next to the stage which normally broadcasts out the live feed of the performance to the people attending to give them a better look of the show altogether. Between shots there is a lot of fast paced cutting to again give out the adrenaline feel of anticipation for the act to begin. These shots include closeups on the festival goers faces - to show the pure emotions of what is taking place - to then go to an establishing shot of the stage and the huge crowds together; this could show how united everything is and shows that people are there for the artists, positioned in the center of the screen.

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Foo Fighters Glastonbury Festival 2017 full set - use link below

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https://mediafiremp3.wistia.com/projects/nq55lz910m mp4 - https://www.mediafire.com/?8pe1ze9oxlbz687 bbc took down my video and striked me ,use link to watch

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The format of this show is that it is can be a music programme -unlike a radio station - it gives us the visual look of the musical artists performing throughout the course of the show. This also can be said about the genre of this show as well; it is music television. But focusing on the format of the show is simple, in that artists have a set, and then it moves to the next artist. These can be broadcasted on particular stages seen at the festival.
The conventions that are displayed from this programme is that it includes music; this is the main purpose of the show and the sub-genre in which it is in. But also, it uses graphics/ popups to tell the audience which artist is performing, which stage they are located at and what song they are playing. This allows the audience at home to know which act they want to listen to. Within the structure as well, at the beginning of the show and at other points in the broadcast, a couple of presenters in a small studio would then introduce the next act who will be performing.

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To show the stage, there are around 3-5 cameras positioned to show the host, the whole couch of guests (2 cameras) and the others shows close-ups of the guests. To give the show's establishing shot, a jib/cane was used; this can also be used to show the audience as a whole as well. But some stationary cameras are also positioned to show a couple angles of the audience as well. Another couple of cameras are then positioned where the performing stage is to then give different angles of the artists. For the backstage cameras, the segment of the red chair a camera is positioned in front of the chair.

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The constraints of the studio is that the space is quite restricting, because the overall studio is quite small and crowded in. Compared to the X Factor, the stage for performances on Graham's show is very limited; which makes it more than unlikely for guests to have backup dancers, or large visual boards behind them to depict the nature of the song in pictures. Normally, it fits in lighting equipment, and possibly a fog machine to give extra resources for the performance in hand.

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The show uses a variety of cameras in the show to show us different perspectives. About 5 cameras are positioned in front of the judges: one shows all of them together, but the rest shows all of them as an individual. Also, for the backstage their is around 2 handheld cameras to show the Dermet O'Leary with the family members of the contestants, or if a contestant storms off. To give us the views of the audience members, a lot more cameras are used - possibly around 10 or more. But to show us the contestant there are around 4 looking a them - 3 are stationary and another is on a jib.

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The main emotion given out from this show is happy and moment that makes you laugh; this can be through the stories the guests tell. But, the way this is visually done for the people watching at home, can be the facial expressions on people's faces. If the story is rude and unexpected you'll see some guests looking shocked and confused, meanwhile another shot would show Graham laughing, along with the audience members. This adds to the comedic style of this show. Between this, there are sort of fast paced cuts between some shots, giving many reactions to the story or situation in hand. The shots to give these views can be from close ups to wider shots - in order to show all the guests laughing at once. But, these wide shots shows 2 people in frame: one person telling the story and the other listening and then reacting to the story.
Furthermore, when the host asks the questions the shots (from the vision mixer) are focused on him, which then cuts to the guest he's talking to, and then they answer it.
During other aspects of the show - in particular and random segments - specific graphics are used to convey the theme of the segment this can be using the 'Trainspotting' poster graphic in the show, when T2 Trainspotting was being promoted by: Ewan McGregor, Danny Boyle and Robert Carlyle. In these segments the colour grading, can also be changed to fit these subject as well; if they were replicating an old film, they would change the shot to black and white. And when the guests are talking about experiences or their promotions, the vision mixer would add in a still of what the guests are talking about; this allows the viewer to understand the situation and what they are talking about better.
To give off the effect that this is a sophisticated show however, can be the placements of champagne down for the guests and that that everyone on the show all are wearing smart clothing - cocktail dresses and suits, basically very formal clothing. This shows the ironic nature of the show; its presented formally but the content tends to be very informal.

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Miriam Margolyes Shocks With Story About Laurence Olivier - The Graham Norton Show

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Jaws drop when Miriam Margolyes reveals what happened when she met Laurence Olivier many years ago. Subscribe for weekly updates: http://www.youtube.com/subscription_center?add_user=officialgrahamnorton

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The format of this show is that it is a chat show, in which we have the host (Graham) and his guests on the show - who are all celebrities, mainly promoting new material/ projects they have worked on. The sub-genre of this can however be a sort of comedic reality show, as the show gives us perspectives into the personal lives and stories of the celebrities that come onto the show. Not only this, but the show also allows the people on the show to also directly have connections to the audience; this can be through segments like the 'red chair'. But, also in some parts of the show the celebrities can get up a move around the audience which is watching the show in the studio.
Many conventions of a chat show can be seen in this show; the presenter asks many questions to the celebrities - not only about their work, but what they have done outside that work. This adds towards the reality aspect of the show, allowing the audience to relate more to the people in hand on the show. Another conventions the show follows is that before the full show begins, it always begins with a small comedic monologue by the presenter; this mainly talks about recent news stories or trends.

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The main constraint of the studios used in the production of this show, is that in many of the shots used you can always see cameras; in my opinion this can be quite distracting for the viewers - both at home and in the audience. So the constraint is that there isn't enough space to conceal particular cameras. And for the auditions the studio is quite cramped to fit all the cameras and lighting.

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This style is used a lot in the show, mainly to create emotions - either happy or sympathetic. This can be through the many close-ups on the faces of the judges, contestants and audience members. These shots include the many facial expressions shown by these people; if the contestant has just be kicked off the show, the shot shows tear going down their face, meanwhile - in another shot - the judge who's decided this can also be seen showing a look of guilt and sorrow. But, these shots can be seen through different contexts when it comes to this kind of show, because these camera shots can detail out tears of joy. This can be when the contestants has just progressed to the next round, and then you see the shot of the judges all looking happy. Most of the these shots are what the broadcasters intend to emotionally drive the audience to feel the same way of what the people on the show are feeling.
To add to this, the show also in its soundtrack also adds music that matches these emotional responses; when there is a sad and depressing subject, a sad song then begins to play in the background; also the shots are held longer and the editing cuts are slower. However if it is a happy moment, upbeat and dance genre music then begins to play, and the shots are more statically cut.
Other techniques used by the show, particularly in the shots they use as well, can be that when a shocking moment takes place, such as : a surprise decision by a judge or a rude contestants, the camera uses a quick push in on to the judges or audience member's face, always showing a surprised look on their face. This conveys to the audience that something has happened in the show which was unexpected, and should be a good source of entertainment for them.
Another addition is that in the live shows it tries to present itself more as a concert itself. This can be through the many lighting effects used; this can shine down many different colours, brightness and flashes. The colour added can also be seen from the screens displayed around the performers, this can be pictures based around the themes of the song. For example: if it is a rap song, it could show a more urban styled background showing graffiti on walls. This sort of style can be seen in this episode of X Factor, in which the background and costume relates to the genre of the song. The background includes chained fences, barbed wire, and graffiti on walls; meanwhile the costumes for the singer and backup dancers, all match the sort of urban styled approach.

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Rai-Elle Williams does her thing at the Live Shows! | Live Shows | The X Factor 2017

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Visit the official site: http://itv.com/xfactor Rai-Elle Williams is first to take to the stage, with Sharon's Girl bringing a medley of Doo Wop (That Thing) and Lost Ones by Lauryn Hill and No by Meghan Trainor.

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The format of this show, can be a mix of a game show and reality TV; this can be due to the prize given at the end of the series - £1 million. Despite this - unlike game-shows, the show covers more personal aspects of the contestants' lives; the programme sometimes shows footage or stills of the contestants at their home, or when they were younger. But overall the sub-genre of this show is mainly reality TV because of these reasons.
The other genre conventions that are portrayed from the show, is that in the setting (studio) people at home can see some of the cameras from the show being operated. This shows the audience how the show is made as well, whilst giving us different perspectives. In many shots from the show, cameras are positioned directly at the audience, giving us their perspectives; mainly mirroring our reaction to some of the contestants performing; this helps us to relate to other people watching the show

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For the terms of this show, it can be said that the main social class that would watch this can be a mix of middle class (upper and lower) and some lower classes . This is due to the guests that Graham tends to have on the show; high caliber and posh celebrities appears on the show, in which some people looks up to, or, can relate to. Age-wise this show will definitely not appeal towards children; the time slot is past 9pm and there are more mature themes throughout the course of the show - this can be from the profanity and sexual references made. This would then appeal mainly towards the ages of 18 to around 75; 18 is that there are more adult humour, and 75 years for when older guests appears on the show, such as: Dame Judi Dench.

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The social classes in which this show appeals mainly towards a lower middle class or a lower class in society. This would involve people among the lines of 'strivers' and 'achievers' watching it; they would feel like they would like to achieve as well as the contestants on the show - who normally tend to be from the same social class as well. Due to the premise of the show - which is singing - the show can appeal to a lot of ages. This can be people from the ages of 5 up to around the ages 70; the younger generation would understand the pop culture references, meanwhile the older generation would know more about vintage songs being sung. The reason it can also appeal for people under the age of 15 is that it is broadcasted at around 7pm/ 8pm - both before the 9pm slot where more mature shows are slotted into. The concept of the show can also show that it appeals to both genders and every sexual orientation; almost every contestant can represent the target audience. This can be through the different ethnicities/ races, genders and sexual orientations of people whom have been on the show.