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The following panel is one of a collection on the first page of the book, establishing the environment and setting to the reader. Through the form of a blaring speech balloon, officers are circulating the streets and in turn setting demanding regulations for the people of the city to quarantine. They claim it is a health and safety policy, however it plants reader speculations of the novel’s core theme involving the government’s political dominance to regain control over society. It sets a very dystopian feel as it is hinted that those who disobey the quarantine policies will be punished by one of the many men in uniform roaming the streets.

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At this point in chapter 3, Evey had just told V about her checkered past with the fascist group named, "Norsefire" and how astray she feels now that this right-winged political party has taken control. The dialogue, proxemics, actions, and camera angles all work cohesively to establish V's characterization in response to the nature of the newly polished society. Moore has elevated V compared to Evey to paint him in an authoritative and nurturing role for Evey who has labeled herself as a helpless child. This paves way for the readers to understand V's intentions as he mentions how "we can start again" and this along with many keywords such as "victim" and "cruelty" have been italicized which implies Norsefire had victimized the governed and demolished their individuality by perceiving them as statistics. V intends on opening Evey's eyes which can be reflected in his physical actions in wiping her tears and hopefully everyone else's to a morally justified anarchism. The close-up in the second panel shows the close proxemics of the two which establishes inevitable alignment and there is a contrast between the two as Evey is painted as a victim while V is painted as a reformer/rebel with his mask on which symbolizes opposition.

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There isn't much color in this panel. It is almost only black, white, and shades of grey. The dark theme of the story is represented through the dark theme of the setting in the panel. It provides a dystopian setting.

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Even though at first glance this may seem to be an image of a normal London Underground train, the previous panels showing Anarchy about to kill his victims establishes what we know of Anarchy so far. As we have no idea what his motivations are, we can only assume he is a villain.

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The visual imagery shown within this picture is very radiating, and sort of shows us Anarchy's introduction. We have no idea who he is at this point but he had performed one heroic deed by saving Evey with the usage of killing, which sorts of puts him at an anti-hero status. Him blowing up the parliament lowers our opinion, as we haven't assumed what his motivations were in this scene.

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This panel is the first of the entire book and establishes the setting and a few other important contextual clues to the reader. The speech bubble denotes that this is some kind of broadcast, or radio, due to its jagged shape. Moreover, the speech bubble tells the reader that this is set in London, November 5th, 1997. Moreover, the italicized words "The Voice of Fate" give an impression of authority, with the speaker literally personifying themselves as Fate. The use of colour - with a majority of black/ dark tones contrasted with the cold colour in the background gives a sense of foreboding.