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Having life experiences or true stories that happened to you and just getting out there and doing whatever is the fuel for great ideas. They dont come from absolutely nowhere.

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Great writers all have different ways of coming up with different stories and characters. There is no right way to do it.

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If you get an idea. Write it down. Likewise if you have a story then being formless in how you start can open the door to having resources for writing a full script.

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A complex web of who acts like what, who wants the part, and who was the part written for.

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Can sometimes be much more than just actors. They can help support the movie in more ways than one.

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Be a trustable one or find one you can trust.

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If it seems to close to home to write about then it's probably the best thing you could write.

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When writing a script a lot of what is written is a mix of all the influences the writer has had. Variety. The spice of life.

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The ominous "studio" seems to indirectly control a lot of the production. If producers are honest with directors it doesn't have to be that way.

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Seems like Directors get hired because they have a particular style that they have become synonymous with over their career.

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It took nine years from concept to final product to make Moneyball and longer for Tree of Life. That's an insane commitment!

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Don't bring your giant camera to a small set. Communication is huge when dealing with large productions such as Hugo.

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Sticking to one is one of the hardest goals in filmmaking.

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The expanse of the story isn't limited by the vision but by the budget.

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Seems like producers will only drop lots of money on big name directors. The question is how do you get that big in the first place?

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Not really sure what makes them, but it seems like you're going to have to pick one.

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The US isn't the only place to make or release your stuff.

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Probably the best thing to have to pitch your idea.

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Takes a lot of it for a movie.