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Acrylic on canvas
60 x 40 cm

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Seniwati was a sanggar or studio initiated by Mary Northmore in 1991 that provided a platform for female artists in Bali who were often overlooked. These artists were able to showcase their work both within and outside of Indonesia.

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Heri Dono (l. / b. Indonesia, 1960)
Acrylic paint and collage on canvas
Acrylic and collage on canvas
150 x 200 cm

The artwork shows two people, who are visualized as deformed soldiers such as Petruk (wayang), playing chess that depicts the political pawns  are replaced with humans.

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Murniasih's first solo exhibition at Seniwati Gallery, Bali. Murniasih is an artist who worked in linear and figurative painting genres, who also explored contemporary themes of gender politics and place. She felt the depiction of sex was natural and saw no limit in her creative process. Murniasih described the body as "a kind of caricature that recorded and reflected her own personal experience, and which were direct responses to particular events including her experiences of travel."

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Galeri Cermeti organized a group exhibition that featured 23 artists a few weeks before the general election. The title 'Slot in the Box' referred to the election ballot box and issues surrounding Indonesian democracy, to response to the tense political response at that time.

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FX Harsono (I. / b. Indonesia 1949)
Single channel video, duration 6:28
intention: the artist paint his face as a Rahwana (The Demon King of Alenka), then he destroy the Javanese mask on a wooden stool. The artist action in the artwork (destroying the mask) symbolize  power struggle, and the ambition to maintain their authority that leads to the act of violence, and the chair symbolize the authority.

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Operasi Pengendalian Pikiran (1999) Operation Mind Control. Heri Dono

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Operasi Pengendalian Pikiran (1999) Operation Mind Control. Heri Dono

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Barbed Wire, adaptor, drinking glass, wire plate, cable, automatic timer ±104 x 50 x50 cm

This artwork is created by Heri Dono during the New Order times, where the government was monitoring the mass media. The pedal that activates the installation and makes the 'head' moves around, which makes the feeling of being watched and monitored.

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Visit Indonesian Years (1999) oleh Tisna Sanjaya

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Visit Indonesian Years (1999) oleh Tisna Sanjaya

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visit indonesian years presents a satirical  observation of the changing socio-political situation in Indonesia soon after the end of the New Order administration. it symbolizes and criticizes the political leadership in indonesia.

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by: I Nyoman Masriadi
Acrylic on canvas
145 x 200 cm

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Mixed media on canvas
145 x 145 cm

This artwork depicts a boy witnessing a bully but is unaffected as he just stands there holding a decapitated cat. The artwork is about power abuse, hypocrisy, unethical behaviour and perfidy, where by showing the influence of other's bad behaviour to others living around them. In this case the others bad behaviour causing the kids to be sadistic which is shown in holding the decapitated cat and smiling.