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1/ What's an idea that really resonated with your experience of collaborative processes and why did it resonate?

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1/ What's an idea that really resonated with your experience of collaborative processes and why did it resonate?

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I think the idea of being professional being equal to not showing emotions or putting yourself in the work really resonated with me because of some experiences I had throughout my high school experience. The lighting designer that trained me really instilled a notion that lighting was more technical than emotional and artistic, he did not do this on purpose, but it definitely made an impact that took some time to unteach myself. It is important to always express your creative side in every format!

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2/ What's something that was discussed in the podcast that you know is a challenge for you and why is it a challenge?

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2/ What's something that was discussed in the podcast that you know is a challenge for you and why is it a challenge?

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Being vulnerable is very hard for me. Not so much because I am afraid of people judging me or another negative situation, but it reflects more of how I was raised.

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3/ Have you ever had an experience where collaboration has gone really well/badly? What elements that this podcast discusses were present that made it fly/bomb as an experience?

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3/ Have you ever had an experience where collaboration has gone really well/badly? What elements that this podcast discusses were present that made it fly/bomb as an experience?

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I think back on some performances or projects I had with people, even this semester that I think went extremely well. I think this is honestly due to there being a larger understanding and importance put on being vulnerable and trusting each other. (I especially think our group contracts to create safe spaces definitely help outline it)

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4/ Share a memory of a time that you got into a state of "flow" (as the podcast describes) while working with a creative collaborator. What did it feel like? How do you think it happened?

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4/ Share a memory of a time that you got into a state of "flow" (as the podcast describes) while working with a creative collaborator. What did it feel like? How do you think it happened?

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I remember one of the first times I got into a state of flow and it was back when I was in a student-directed combo for a jazz competition. We ended up staying at the school until 11 PM working. Being in a state of "flow" is a feeling like none other where everything melts away and you and all your collaborator's minds are completely present in what you are working on. I think it happened since it was towards the end of the process and we had bonded quite a bit and understood how each other worked at that point.

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5/ Imagine you are talking to a new collaborator: tell them briefly about your relationship with trust in your personal relationships in life and/or in creative projects, and how that might affect how you will work together.

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5/ Imagine you are talking to a new collaborator: tell them briefly about your relationship with trust in your personal relationships in life and/or in creative projects, and how that might affect how you will work together.

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"Yea, I definitely have some issues with opening myself up and being vulnerable, but once I trust you, I truly trust you. And don't worry it doesn't take too long ;). I think it won't affect our project together, but maybe we will gain more artistic synch and flow slightly later on in the process. However, I am super trustworthy and I hope you feel comfortable to put your trust in me, because I will cherish it forever."

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6/ How can you imagine a creative project could include the audience in the collaborative process somehow (differently than the one described in the podcast)? Why might this be important to consider?

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6/ How can you imagine a creative project could include the audience in the collaborative process somehow (differently than the one described in the podcast)? Why might this be important to consider?

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I think an interesting way to use an audience in a collaborative process is through creative individual responses, such as, improv comedy sketches or call and response in music. I think it is important to consider the power of the audience in creating a new bond between the artist and them where everyone can be proud and invested in the final result.