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Central Intelligence - Official Trailer [HD]

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The reign of the self-proclaimed King of the Teens is over. At 20, Lil Yachty has aged-out of that constituency and there are a host of contenders already eager to replace him. In his quest to conquer the whole yung demo, he discovered teens are fickle and manifold, creatures of varying interests prone to unpredictable changes of heart. After being heralded as the harbinger of a new era in rap, the metrics didn't bear out his impact. His debut, Teenage Emotions, was streamed considerably less in its first week (24,000) than records by the significantly less hyped a Boogie Wit da Hoodie ( 54,000), the younger XXXtentacion ( 67,000), or Yachty's self-professed rival, Lil Uzi Vert (100,000). He reckoned with the unimpressive showing by saying, "I disconnected with my fans because I tried to do this other stuff," the other stuff being his straight-faced struggle raps. Based on those comments, it seemed his next release would surely return to his original model of pure, unadulterated song.

At this point, with his royal status in question, Yachty is at a crossroads. His label, Quality Control, is quietly rebranding him as a Migos understudy, a bit player in their streaming rap empire. But Yachty has other ideas, and he plans to soak up as much bandwidth as possible by fanning his own flames. On Lil Boat 2, it's like he's daring you not to like him. And so his sophomore album is a sequel in name only, a far cry from the candy-coated, bittersweet melodies that made him a viral sensation on the original. He's a bruiser now, you see, trading in earworms and weightlessness for gravity and outlandish braggadocio. Maybe it's a masterful troll that thrives off the misdirection. Maybe the most subversive thing he can do at this point is to dismantle his playhouse entirely, becoming the thing no one said he could be. It certainly is one of modern rap's more bizarre, and fascinating, heel turns.

After opening with the on-brand crooner "Self-Made," Lil Boat 2 becomes decidedly bar-heavy and grey. It's made up of nearly 70 percent tuneless rap flexers with dark, creeping synths; "Boom!" embodies its title, and the Pi'erre Bourne-produced "Count Me In" is all muffled low end. This shift in tone is purposeful, almost forceful. It demands that the listener accept Yachty on his terms and shamelessly argues that he can be anything he wants to be.

The issue is that an album reliant on Yachty's ability to rap can't hold up to scrutiny. He is a rather spiritless writer. He only has a couple of rough song ideas. He is incapable of fitting his outsized personality into his pedestrian bars. But the sheer gall of this gambit is occasionally enough to tickle one's curiosity: Attempted reinventions can be mesmerizing, even when they fail spectacularly. In this instance, he really goes for it. He does triplet flows. He splits punches. He packs cadences and stacks phonetic sounds. Take that, Funk Flex.

Yachty has definitely improved as a technician, making his raps more mobile and structurally sound, but most times the rhymes pass by as if on a conveyor belt. They seemingly have the same function, and the same constructions, and once they happen they're forgotten almost instantly. His big, showy rap boasts are unimaginative, sometimes predictable, often bafflingly plain in their presentation: "Running to the money like I'm Frank Gore/This ring costs more than a Honda Accord." He knows how to spend but not how to sell.

The central theme of Lil Boat 2 is simply how rich Yachty is and how broke you are by comparison. He is money-obsessed and really quite bratty about it. "These niggas hate 'cause I'm too rich," he spits on "Mickey," the implication being no one actually dislikes him or his music; they're simply jealous. "I was buying diamonds, you was waiting for tax refunds," he raps on "Flex," a song that also works as a nominal diss of his longtime radio nemesis. "Tell your baby daddy I'm richer," he raps on "Baby Daddy." You can guess what "Whole Lotta Guap" is about. It isn't even off-putting that he's constantly haranguing you about the wealth gap; the real insult is that he flaunts his money in the most mundane of ways.

Duets with PnB Rock and Trippie Redd show that Yachty is still capable of flourishing in a more melodic space, but his refusal to lean into that mode is what makes Lil Boat 2 sound so leaden. Songwriting isn't his strong suit, and while he's taken great strides in that area, it was a mistake to build an album out of his raps. It can be entertaining to watch the gears turning, though. There aren't any moments where he's noticeably outpaced by his more gifted guests, as he holds his own with NBA YoungBoy, Tee Grizzley, 2 Chainz, and Offset. His best rapping gets packed into "FWM," a free-flowing outlier that's as natural and fun as the more whimsical songs in his catalog. His grill-bearing, chain-swinging performances on Lil Boat 2 make me a bit wistful for those-and maybe that was the point. We must suffer through the new Yachty to reassess the old one.

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The reign of the self-proclaimed King of the Teens is over. At 20, Lil Yachty has aged-out of that constituency and there are a host of contenders already eager to replace him. In his quest to conquer the whole yung demo, he discovered teens are fickle and manifold, creatures of varying interests prone to unpredictable changes of heart.

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College football has become a fortress of immediate gratification. Long gone are the days when a coach would take over a program and grind out solid seasons before one day catching lightning in a bottle for that one special campaign the alums talk about for years.

No, in major college football you win now or you watch the next guy try to do it while you wait by the mailbox for your monthly buyout payment. You get your best players for three seasons. Your top assistants are subject to annual poaching. And scandals of the academic, criminal, and personal variety are no longer quietly kept out of the public eye. Everything every college fan loves about his or her favorite college football program could be swept away in the metaphorical blink of an eye.

So maybe It seems a little strange to be forecasting what UGA football might look like in five years. Because really there are no guarantees. But it is an interesting thought experiment while we wait for actual football to return in three months. So here are four things I believe you may be seeing out of UGA football in the year 2022.

1. A new AD. By 2022 Greg McGarity would have passed 70 years of age and have been on the job in his second stint in Athens for a dozen years. I expect he will have left to do what retired athletic directors do: collect state retirement, play golf with alumni, and attend cocktail parties. Which looks a lot like what active athletic directors do, but without having to answer questions about their various mediocre coaching hires.

2. A new kind of UGA quarterback. Though it's still not taken root in Athens, the move to more mobile QBs has become established elsewhere. Regardless of who is calling the plays in Sanford Stadium by then, I expect that Georgia will have moved away from the diminishing ranks of true pro style signal callers and will be led by a guy who is dangerous with his feet as well. Given the number of excellent mobile QBs who continue to leave the state to play where their talents are appreciated, this counts as good news.

3. Red pants. We gotta bring them back eventually, right?

4. Kirby Smart. This one may be the only real controversy on the list. But here's my guess. With Jacob Eason a steady hand at quarterback and the talent from the class of 2017 Smart would have to be pretty dumb not to have a good 2018. Even if junior Jake Fromm takes over in 2019 the Red and Black should still be reaping the benefits of Smart's first full class. And there should be a strong 2019 class emerging into playing roles.

Smart isn't leaving Athens voluntarily. You don't take the job at your alma mater as a stepping stone. So I expect that in 2022 we'll either be seeing Kirby Smart trying to recapture the glory of strong second, third, and fourth seasons in Athens, or we'll see him in the midst of a years-long streak of good football fueled by a mix of veteran talent and youthful immediate contributors under a veteran coach who understands the nuances of his job far better than when he started it.

Florida will be hitting an upswing after hiring a new coach for the 2019 season (losing football or debilitating sunburn, the details of Jim McElwain's demise are of no consequence to me). Nick Saban will be playing golf and working part time (only 9 hours per day) as a consultant in the NFL, and Auburn will remain a yearly alternating mix of hot garbage and creditable football. Kentucky will be Kentucky and Vanderbilt will be Northwestern with a drawl. And there's a very good chance Will Muschamp will be continuing his life of not-so-quiet 8 win desperation in Columbia.

So the SEC East may remain Georgia's to lose on a nearly yearly basis. If Kirby Smart does lose it in 2022, I'd hate to hear what SB Nation TV analyst Mark Richt has to say about it. Until later......

Go 'Dawgs!!!

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Forecasting the future: What might UGA football look like in five years?

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College football has become a fortress of immediate gratification. Long gone are the days when a coach would take over a program and grind out solid seasons before one day catching lightning in a bottle for that one special campaign the alums talk about for years.

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Fortnite is now the largest free-to-play console game of all time in terms of revenue generated and monthly active users.

It is the fifth largest on PC behind the likes of League of Legends, Korean shooter Crossfire, and Dungeon Fighter Online.

That's according to research firm Superdata's latest monthly report, which has the battle royale sensation's revenue up a staggering 73 percent from February to US$223 million across all platforms.

No doubt the game's mobile release contributed heavily to this upsurge, alongside the game's Season 3 Battle Pass, and a number of endorsements from heavy weight celebrities, including Drake and many pro athletes.

Meanwhile, a 13-year-old Londoner has been signed to Team Secret's new Fortnite squad.

As ESPN reports, Kyle "Mongraal" Jackson is much younger than his 21, 20 and 17-year-old teammates.

"I actually had no idea he was 13 until the team told me," Team Secret CEO John Yao said.

"Because when we looked at some of the videos and we looked at their game play, it was not apparent. What immediately stood out to me was how mature he was, and he sounded just like one of the other guys."

Yao is putting together a Fortnite pro squad even though the game doesn't yet have an established pro scene.

"Our guess is that Epic Games [publisher of Fortnite] is also going to announce something and get behind the esports scene," he said.

"And so, before everybody else jumps in and all the good players get signed up, we wanted to make a pre-emptive strike."

That does leave one looming question though: when Epic launches a Fortnite professional league, will they allow minors to participate?

The Overwatch League, for example, doesn't allow players under the age of 18 to compete.

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Fortnite is the biggest F2P console release ever

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Fortnite is now the largest free-to-play console game of all time in terms of revenue generated and monthly active users. It is the fifth largest on PC behind the likes of League of Legends, Korean shooter Crossfire, and Dungeon Fighter Online.

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children's / teenage fiction: fantasy & magical realism

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fantasy & magical realism (children's / teenage)

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historical - united states - 19th century

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juvenile fiction / mysteries & detective stories

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young adult fiction / action & adventure / general

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young adult fiction / fantasy / historical

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young adult fiction / mysteries & detective stories

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young adult fiction / historical / united states / 19th century

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young adult fiction/action & adventure - general

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young adult fiction/mysteries & detective stories

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historical - united states - 19th century

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juvenile fiction / mysteries & detective stories

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young adult fiction / action & adventure / general

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young adult fiction / fantasy / historical

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young adult fiction / mysteries & detective stories

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young adult fiction / historical / united states / 19th century

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young adult fiction/action & adventure - general

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young adult fiction/mysteries & detective stories

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children's / teenage fiction: fantasy & magical realism

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fantasy & magical realism (children's / teenage)

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"Sherlock Holmes crossed with Buffy the Vampire Slayer." -Chicago Tribune Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural ...

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SpongeBob SquarePants (often referred to simply as SpongeBob) is an American animated comedy television series created by marine science educator and animator Stephen Hillenburg for Nickelodeon. It chronicles the adventures of the title character and his aquatic friends in the underwater city of Bikini Bottom. Nickelodeon aired a preview for the series in the United States on May 1, 1999, after the airing of the 1999 Kids’ Choice Awards. The series officially premiered on July 17, 1999. It gained popularity by its second season, and has received worldwide critical acclaim. As of 2019, the series was the fifth-longest-running American animated series. Its popularity made it a media franchise, the highest rated Nickelodeon series, and the most profitable property for Paramount Consumer Products. By 2019, it had generated over $13 billion in merchandising revenue.[4]

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wizards of waverly place - Google Search

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Wizards of Waverly Place is an American fantasy teen sitcom which ran from October 12, 2007 to January 6, 2012 on Disney Channel. The series was created by Todd J. Greenwald, and stars Selena Gomez, David Henrie and Jake T. Austin as three wizard siblings with magical abilities competing to win sole custody of the ...

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The Adobe Flash Player runtime lets you effortlessly reach over 1.3 billion people across browsers and OS versions with no install - 11 times more people than the best-selling hardware game console. ... To submit your app to the Adobe Flash and AIR platforms Showcase Gallery, post a ...

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