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This book was one of my sources to get knowledge and critically analyse lately aspects of Audiences and how to approach them

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Caroline Heim - Audience as Performer_ The changing role of theatre audiences in the twenty-first century-Routledge (2016 (1)

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Self-evaluation about my learning in the singing lesson as well as how were developed last performances for the final half-term

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Self evaluation about our final performance and how the process was in favour to think about improvement

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My honest self evaluation and general review of our teamwork performing Inside Out

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My research about this great director and his methods  in performance, mentioned by Neil in one lesson in order to research his work

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Who was he, and what his acting system is about.... ?

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This guideline helped to elaborate the actions in my secene

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Researches and different info sources

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Performance of our duologue INSIDE OUT

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Progress during the half-term and reflection about the staging of our two musical pieces

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This is the evidence of other version that we were working and isn't finish because the phone turned off    11/ 10/2018

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This is the evidence of our work, we couldn't finish the video because the phone turned off
11/10/2018

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We worked with Ecaterine, she saw us first and then we saw her, unfortunately she didn't have pair because wasn't there, but  we could saw the Michael and Georgia's duet and we saw a relationship of a mother with a son where they were choosing who had the control and power because Georgia always looked like a mother giving orders and Michaels tried to disobey her to take the control but he couldn't.
After see then we talked to them and our opinion was correct  band because the things that I saw personally Georgia told me that I was right, and to give a tips to them to maybe make clear the relationship in making more eye contact because it will show that they are arguing an issue
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Having said that Ekaterina saw our performance, we talked to her about it after that and I could record some of the thing she said and she almost was right as an audience with the relation that we wanted to communicate .... and this was their opinion

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Self-Evaluation of the development of our performance as a pair and about my character independently

(video evidence in final performance shelf)

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This is the final rehearsal of our duologue of the play INSIDE OUT

I am the one with curly hair and leggings with lines

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Progress After second feedback and reading of the book  11/10/2018

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Progress After second feedback and reading of the book  11/10/2018

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We had the chance to receive the feedback of Neil in Tuesday's lesson and he said tat we were working better than the last time and gave us some corrections about  smoking actions and some tips to improve it, and the. my partner decided to buy the book and allowed me to read it entirely,and I can say that before our final assessment it made me realize more things about my character and also gave me a feeling of confident knowing some details more of her emotions and attitude and the same happened with Ekaterine she improved a lot in her character and it made us created a better relation between both character on stage because we tried to go into the skin of our character as much as possible

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Performance of out Chait Duet

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L3 Skills Toolkit Chair Duets Performance 7

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Into the wood "Children will Listen" staging final one

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Coffee Break staging final one

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These are the final performances of our first units for each one of our subjects, the evaluation was the during the week from 15 to 19 of october and all the evidence of the development of our work weeks before is attaching to the all three toolkits with the written work

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From my research of some periods of The history of Theatre and the analysis about audiences I made an essay

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          Performing Arts            REFLECTIONS

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          Performing Arts            REFLECTIONS

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Here is  all my diary reflections for each one of my three subjects, thanks to reflect almost three times a week, I have improved immensely my own analysis and self evaluation of my work and progress and I hope to keep it up.

Acting--Movement--Musical Theatre

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Assessment Day (units 1 and 2)
Last rehearsal of our duet with some corrections and details and finally the main evaluation of our chair duets
Date: 18/10/2018
Teacher: Stephen Mason

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Assessment Day (unit 1 and 2)
Performance of our Duologues with all the costumes, set and staging to the final evaluation
Date: 18/10/2018
Teaacher: Darren Madsley

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Assessment Day (unit 1 and 2)
Coffee Break staging and Into the wood piece, last rehearsals and final evaluation for the first units
Date: 16/10/2018
Teacher: James Hall

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All my lines are highlighted in blue, the script is divided in units, my  partner and me created a key name for each unit, in total there are 11 units, also there are a different and small objective for each unit apart of the general objective of my character and the super-objective of my scene.
All the actions for each line are highlighted in pink with the appropriate verb, besides the script has some underlined words, because we did some activities in Neil classes about key words, direction of the line (heart, stomach, head) and basically all this notes have helped a lot to be aware of each line and each issue of my scene to a successful performance then

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This is part of the work that i did in my script, about my objective and my actions for each lines, besides I add a extra point about how will I play this actions with my non-verbal communication and body language

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I made a research about the status of a character to have the knowledge and being able to apply it in my work

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Status refers to the power and control of a character over or under of other character in their relationship
Having spoken before about my play, specially my scene....

All is about a sisters relationship that see each other after 5 years in which they have lost the contact, my character, Di, came out of prison with the objective of getting closer with her sister again no matter what she abandoned her before, and Di in an act of self-defence she killed her mother,  and now Di is in her sister’s house having a conversation about actual life situations and family

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L3 Skills Toolkit 27/9/18 Chair Duets Rehearsal

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Points to consider and firsts developments.

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Rehearsal of "Children will listen" 09/10/2018

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Rehearsal of "Children will listen" 09/10/2018

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This performance was the example of how it's going to be the final evaluation the next week

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"Children will Listen" from Into the Wood Musical- Video Evidence CWC

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Entire Staging of Coffee Break 02/10/2018

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Entire Staging of Coffee Break 02/10/2018

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In today's class the teacher finished the musical number to be ready of our final evaluation

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 The development of the                  practical classes

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 The development of the                  practical classes

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We don't have just theory lessons, the second hour each Tuesday is about practising,training and staging of the songs to our evaluation

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Children will listen/singing song by us 

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Children will listen/singing song by us 

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Finale/Children Will Listen (Part 1) (From “Into the Woods”) (Audio)

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Our new singing piece "No-one is alone & Children will listen" from...

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Our new singing piece "No-one is alone & Children will listen" from...

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"Into the woods" musical. Is the final number of the show and just represent a deep meaning about growing up, about the childhood because a person is also basically what he listened and what he learnt of everyone in his environment while he was growing, is a song very emotional with a very pleasant lyrics that shake the audience

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A musical in two acts: Book by James Lapine: Music and lyrics by Stephen Sondheim
The main characters are taken from ",Little Red Ridding Road "Jack and The Beanstalk", "Rapunzel", and "Cinderella"", as well as several others. The musical is tied together by a story involving a childless baker and his wife and their quest to begin a family , their interaction with a witch who has placed a curse on them, and their interaction with other storybook characters during their journey.
CAST AND PLOT

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Important Process in Acting       (Lesson 04-10-2018)   

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Important Process in Acting       (Lesson 04-10-2018)   

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In the Darren and Neil classes of today, we saw some acting techniques very important in the actor's process. It was about  Objectives: what the character wants & Actions: the tactic for chasing the objective , also we learnt a technique that requires the division of the script in units: the section for the different purposes in the drama exploration and the objective for each transition during the scene, as well as the super objective: in the general situation, and as a performer we had the homework of put into practice these techniques, in a way that working with our script we can put into stage all the actions that can help us to develop the character much better

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Evidence of our entire singing rehearsals before starting the staging of the piece
25/09/2018

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The material that we recorded during the lessons to practice and get use to with the melody 25/09/2018

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Frank Loesser ....The composer of How to Succeed in business ...  

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Frank Loesser ....The composer of How to Succeed in business ...  

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He was based in 1955 Shepherd Mead's book to create the musical

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In 1955, when Shepherd Mead's book "How To Succeed In Business Without Really Trying" became a huge success, playwright Willie Gilbert and neurosurgeon Jack Weinstock created a dramatic adaptation. But the play remained unproduced until 1960, when theatrical agent Abe Newborn brought it to the attention of producers, Cy Feuer and Ernest Martin, who thought it could work as a Broadway musical.

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Lyric of the song Coffee Break and one of the first rehearsals of the song

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Lyric of the song Coffee Break and one of the first rehearsals of the song

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Date 18/09/2018

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Our singing piece "Coffee Break" from the musical ..... 

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Our singing piece "Coffee Break" from the musical ..... 

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"How to Succeed in Business without really Trying"  the purpose of these song is show basically the importance of the coffee break in the business life, because, is like an habit something that any worker in the company have in their daily routine and when people in the office realise that there is no coffee at all, they shock they feel it like something inside of them is missing they can't just let it pass they internally dying without coffee. The Coffee during the break is part of their life properly

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Actives warming ups and final development of the duologue + Neil feedback in ours
Date: 11/10/2018
Teachers: Darren Madsley and Neil Duggan

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Progress of the three version of the chair duet with choreographic techniques and lifts
Date: 11/10/2018
Teacher: Stephen Mason

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Final staging of coffee break and almost the last rehearsals of the independent piece Into the Wood
DATE: 09/10/2018
Teacher: James Hall

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    The 10 Ingredients to a           successful scene 

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    The 10 Ingredients to a           successful scene 

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These are the answers of each ingredient that will be able to help us to develop and succeed in our scene

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The document presents the back story of Di, as one of the main characters in the play Inside out

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Resources that helped me to my character biography

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Resources that helped me to my character biography

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These worksheets with additional information to complete and also imagine, about my roll were very helpful to create my biography because allowed me to think more about the normal things that my character as a person has and remained me aspects I didn't realise before

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Stanislavsky's Six Questions For Actors, The Stanislavsky method  is a set of techniques used by actors to portray emotions on stage by putting themselves in the place of the character . I analysed the text that Darren gave us and I tried to answer the 6 question focus in my character and my play

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 "How to succeed in Business      without really trying"

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 "How to succeed in Business      without really trying"

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Is a musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 .

The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
CAST AND PLOT

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Basically we repeated the sequence of movements of the last class and we practice different exercises like the plank and sequence of jumping side to side....
27/09/2018

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Why should we warm-up before each class ? what do we usually do in our lessons for the warm up?.....

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Role of audience by the point of view of Tim Crouch, he talk about something very interesting because he tries to explain audience process and how they are part of the creation of the actions and make themselves believers of the situation

Audience process from minute 3:45

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Tim Crouch - Interview | Role of Audience | Contemporary Performance Practice | Digital Theatre+

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The notes of my classes

How the voice work

homework of the musical

Breath Support and Voice Qualities

Vibrator,Pitch,Resonator and Volume

Good singing and psychology

Voice Types and Troubles and Problems of the vocal folds

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     RESEARCH OF MY   PLAY ..."INSIDE OUT"  

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     RESEARCH OF MY   PLAY ..."INSIDE OUT"  

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This is my deep research into the play Inside Out. I have been weeks investigating the entire story plot of my duologue. Deepening my character and getting more given circumstances of that, it has helped me a lot to explore many different emotions and attitudes, but also ways to relate with my partner as well to be able to connect with the drama. Besides I researched many content about the playwright and how was developing the play when it was done in 2002

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The Work of my partner                         Profiling Affy Character 

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The Work of my partner                         Profiling Affy Character 

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Affy : Ecaterine
Is very important in our duologues work like team, giving support each others and have the knowledge about the entire play and both characters , reason why my partner and me have been sharing all our ideas and different aspects about our characters and this is basically the main profile of Affy's character done by Ecaterine

Also there is a write down example of the main idea of our improvisation

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I'm the one with the hair tied and the shorts

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Off text Improvisation_ CWC -Play: Inside Out-

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Off text improvisation is a great way to learn new things about our characters because it takes down the barrier of having a script and lets you take on your character more and live as them
(Below there is video evidence of our off text Improvisation)
REFLECTION  & Feedback

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The presentation that we have been seeing in each class for a clear explication of the entire content in our singing lessons

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Steps to create a chair duet and feedback about the relationship and story that we want to tell
Date: 04/10/2018
Teacher: Stephen Mason

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Objectives & Actions, units ad basically the hole process to build our characters and scenes
Date: 04/10/2018
Teachers: Darren and Neil

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Theory class & Beginning of the staging of "coffee break" and "into the wood" rehearsal
Date: 02/10/2018
Teacher: James Hall

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        My notes in Voice                               Theory lessons 

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        My notes in Voice                               Theory lessons 

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Basically each class start with a lesson of theory about voice and singing....... so my reflection and learning of these weeks ...

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During each second musical theatre lesson, we take time to warming up our voices before rehearsing "coffee break" performance and the new one "into the wood",
Vocal warm up consists of a series of body, breathing, and vocal exercises to heat the vocal folds and the muscles involved in breathing, articulation and resonance before more intense activity, we start always relaxing the upper body and exercises to release the tension in the face, in the mouth... and after that we make a variety of vocalisation exercises  :

Notes in different tones, vocal fry, tongue twister, lips buzz, the siren

These are some recordings of our vocal exercises in the last 2 classes

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Given circumstances + Things I don't know + IMAGINATION   (Q&A)

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Given circumstances + Things I don't know + IMAGINATION   (Q&A)

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Play: Inside Out (duologue)
This documents contains part of the exploration of my character and also with my partner we did a list of questions about our character and about the scene, from those question we imagined the answers to get better into our characters and in this way going forward to build our character

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Approaching Script 1: Given Circumstances & questions of the play  

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Approaching Script 1: Given Circumstances & questions of the play  

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(Activity sheet) Our list of given circumstances and fundamental question from my research join to the different contexts that the drama shows
My Character: Di

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By Tanika Gupta  (Plot and script)
Performers
DI:  Natasha         AFFY:  Ecaterina

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Material to make a good scene and more about the exploration of our character through some exercises
Date: 27/09/2018
Teachers: Darren Mawdsley & Neil Duggan

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Find a partner and realise the relation created by chance in our movements to create then our chair duets
Date: 27/09/2018
Teacher: Stephen Mason

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They use visual contact, lifts (body contact), upper body contact (require balance), synchronisation make them create contact, and they really reflect emotional  connection through a story

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They use a lot hand contact basically all the time, contact by touching different extremities, auditive contact by the music, the relationship require a quite of emotional contact as well

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The introductions of a new song       " Into the Woods" and the explication about a god singing and son aspects of singing
Date: 25/09/2018
Teacher: James Hall

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Task 3. Frantic Assembly's Chair Duets and Company Chameleon's 'Push'

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Task 3. Frantic Assembly's Chair Duets and Company Chameleon's 'Push'

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General context of the performances below
20/09/18

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Frantic Assembly's Chair Duets and Company Chameleon's 'Push'

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5 ways of make contact between performers that I could use in your own work Frantic Assembly's Chair Duets and Company Chameleon's 'Push' 20/09/2018 Making Eye- contact Making eye contact In the performing arts make eye contact is not just a way to make a visual connection with

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Variety of warming ups join to sequences and physical fitness practices with the introduction of how can we understand our body with just sitting down and standing ups in different ways
Date: 20/09/2018
Teacher: Stephen Mason

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Out first warming up and the first presentation of coffee break with the theory class about the basic things of our voice
Date: 18/09/2017
Teacher:  James Hall

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OFF-Text improvisation scene lesson using the resources that we have, to imagine a situation and make it into a scene
Date: 17/09/2018
Teacher: Darren Mawdsley

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Task 2. Our Chair Duets         (relationship)

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Task 2. Our Chair Duets         (relationship)

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20/09/2018

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In the lesson we practice a sequence of movements through the music to warm up our bodies to the next activities.20/09/18

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It was our fist induction to our next evaluation about Chair Duets Performance .20/09/18

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L3 Toolkit 20/9/2018 Chair Duets Performances

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20/09/18