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STANDING IN POSITION OF POWER - "AND YOU CAN'T BRING ME DOWN, I'M ON CLOUD 9"

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"WE ARE FAMILY STOP THE JEALOUSY"- CLOUD 9

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"STEP BACK, FEEL THE POWER OF MY BLACKNESS' - CLOUD 9

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BONDING WITH THE RED EARTH ON WHICH ABORIGINAL CULTURE WAS BUILT UPON

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THE RAW RELATIONSHIP BETWEEN BODY AND LAND

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"CAPTURING THE AUTHENTIC CONNECTION OF THE LAND AND PEOPLE USING SILHOUETTES AND REFLECTIONS"

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As you can see from this image, we were blessed with such a beautiful day! A little sneaky shot of me in the sunflowers, looking back I am so grateful for this experience.

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The sun is a key component in Aboriginal culture, the nourishment of life. In Australia we are so lucky to have the sun shine brightly throughout the year. In this photo we were playing around with the idea of silhouettes in an everpowerful morning sun.

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Stills from places we visited on our travels to create this photo series...

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Creative Response To Baker Boy's 'Cloud 9'.

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Creative Response To Baker Boy's 'Cloud 9'.

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Our creative response is to Musician Baker Boy’s song ‘Cloud 9’. Our main response relies on (being profoundly moved) as non-indigenous Australians to the history and culture of the land we stand on.

Our response took form as a photo-series which we shoot, directed and part-took in, after our group embarked on weekend road-trip down the coast to Indigenous sites we were given permission to visit.  As a group we focused on learning, acknowledging, and immersing ourselves in these sacred spaces – integrating meaning into our photographs through the use of colour symbolism, using the beauty of the flora and fauna around us.

Our intended idea was to create a respectful homage to Aboriginal culture. Keeping in mind to be culturally sensitive, respectful and avoid cultural appropriation of any sorts. As the youth of Australia, we collectively went out to learn in real life, to respectfully investigate and immerse ourselves in the land, similarly as Baker Boy expresses in his song.

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Our idea here was to develop an image that showed the beautiful landscape of the sunflower fields in kingslcliff with reference to the red earth represented in the Aboriginal flag.

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Little pic before we embarked on our 4 hour trip down the coast

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Little pic before we embarked on our 4 hour trip down the coast

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This is a copy of the email I received from a Brisbane-based Aboriginal and Torres Strait Islander community group

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This is a copy of the email I received from a Brisbane-based Aboriginal and Torres Strait Islander community group

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Hello Kimmy and team,

Thank you for getting in contact with us at Kurbingui youth development. As you may have seen on our website our vision is to “Be a deadly organisation that supports our mob on their journey.”. What this means really connects with your team's aim for your assessment, such as bringing a modern take and feeling to our 21st century Aboriginal and Torres Strait Islander youth community whilst still growing in our traditional culture.

We appreciate you reaching out and getting a sort of approval/permission to explore our culture in an appropriate manner. Everyone at Kurbingui supports your goal and is very keen to see the final product, wishing you the very best with your assessment and total learning experience. We understand that you want to take a respectful approach to your photography/video work and find this considerate action of asking for consent, a very heartwarming and mindful activity especially coming from the younger generations.

Our Kurbingui team loves to display photos in our head office at Zillmere of anything that connects with Aboriginal and Torres Strait Islander culture and would enjoy putting your completed work around our office space.

Please let us know how you go.

Thank you for your considerate email, Kimmy and team.

Kind Regards,

Phone: 07 3156 4800

Address: 425 Zillmere Road, Zillmere QLD 4034

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We could do the five slides and break it down into, like

1. Our response/ Intended Idea.

2. The progress.

3. Permission.

4. The Shoot.

5. Reflection.

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- Working in a group to produce and capture a creative response to an existing creative work, with an individual short written rationale.

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Questions to consider when writing rationale:

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Questions to consider when writing rationale:

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1. Which original creative work did your group respond to and why?

2. What aspect of the work did you respond to and why?

3. What skills or areas of interest were represented in your group?

4. How did this shape the development of your creative response?

5. What were the main stages of creative development that you went through?

6. What did you learn about the creative development process through this exercise?

7. What did you learn about navigating collaboration through this exercise?

8. What surprised you about this process of creative collaboration?

9. How would you apply what you have learned in this exercise in future?

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- LOCATION:
All shots taken on natural and local Australian land

- COLOUR IMAGERY: Specifically coloured clothing and smoke flares used to create meaning

- SUBJECTS IN PHOTOS:
All Australian youths from different cultures and backgrounds, representing diversity and collaboration

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Focusing on responding to the themes and emotional elements of the song through our photography, rather than direct links to lyrics or the music itself.

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Sunflower fields at Kingscliff.

The colour yellow is a key component in the Aboriginal flag and we could use the sunflowers as a symbol of this.

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Another idea:

Perhaps incorporating the use of Native Flora could be a beautiful symbol within our work?

This is my friend Nambi - how gorgeous is this shot.

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Things everyone needs to bring to filming day:

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Things everyone needs to bring to filming day:

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- Block coloured clothes: All whites, all blacks, all reds, all yellows

- Smoke flares (Hunna)

- Technological devices

- Makeup

Am I missing anything else?

Anything to add?

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A really important distinction to make in our work is making it really clear we're focused on a respectful, homage and ode to the Traditional Custodians of the land, and that we aren't intending cultural appropriation of any sorts.

Rather, through the use of symbolism, the use of natural, indigenous land and our careful/respectful interaction with it : we can show our respect for the history and culture of the land which we were born into, and that of which Baker Boy sings about.

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Hunna - Loved this shot By Solange. Thought it could be amazing inspiration to be remade / as I feel it embodies this quote

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Hunna - Loved this shot By Solange. Thought it could be amazing inspiration to be remade / as I feel it embodies this quote

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“The bigger the crowd, the bigger we are”

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Here's a sketched draft of an idea for a photo:

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Here's a sketched draft of an idea for a photo:

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It's drawing inspiration from the line 'Cause the internet changes the line.

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Capturing visual doc. of your work:

Use neutral lighting wherever possible, unless deliberate
lighting is part of the work. Indirect daylight is usually easiest.

Use a tripod whenever you are capturing a still image, or if
camera movement isn't a deliberate aspect of your moving
image documentation.

Use the highest resolution camera you can access for good
image quality.

To avoid lens distortion, move your camera back and zoom in to your desired framing (this only works with a physical zoom. digital zoom will give you lower resolution images).

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"When documenting make choices about which parts of the work are more important/ deserve more attention. In visual documentation; which angle/view is preferable."

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After experiencing the work, the participants work through a series of steps:

1. Statements of Meaning: Responders state what was meaningful, evocative,
interesting, exciting, or striking in the work they have just witnessed.

2. Artist as Questioner: The artist asks questions about the work. After each question,
the responders answer. Responders may express opinions if they are in direct
response to the question asked and do not contain suggestions for changes.

3. Neutral Questions: Responders ask neutral questions about the work. The artist
responds. Questions are neutral when they do not have an opinion couched in
them. For example, if you are discussing the lighting of a scene, “Why was it so
dark?” is not a neutral question. “What ideas guided your choices about lighting?”
is.

4. Opinion Time: Responders state opinions, subject to permission from the artist.
The usual form is “I have an opinion about ______, would you like to hear it?” The
artist has the option to say no.

This process should be thoughtful and considered.

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Choose powerful concepts from the song (3) that we can translate to a photo to display the meaning. Other 2 can be more general.

Each member focus on an idea for an individual photo ????
5 images / 5 members

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- Camera Equipment
- Prop collection
- Outfit organiser
- Location orangniser

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Quotes from the song I think are powerful - Alex

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Quotes from the song I think are powerful - Alex

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Verse 1:
"We are family stop the jealousy"

Pre-Chorus:
"You wanna be as good as me? Boy, you better practice
Step back, feel the power of my blackness"

Chorus:
"Can't stop me now (Can't stop me)
And you can't bring me down (Bring me down)
I'm on cloud 9"

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In our justification 800 words we can possibly say how - considering none of us are Indigenous and if we are used as the subjects of our creative work (like the pictures will be taken of us) - the reason behind not using Indigenous subjects is to demonstrate other cultures embracing and acknowledging centuries worth of Indigenous history and culture, that has otherwise been ignored. Which is what Baker Boy is trying to do in his song, spreading a cultural awareness to the mainstream Australia.

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Availability to shoot after 14th MAY (due 1st June)

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Availability to shoot after 14th MAY (due 1st June)

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Alex: 15th, 16th, 18th, 19th, 20th
Sarah: Possibly 15th, 18th, 19th, 20th
Waihanea:

Kimberly:

Jenae: 15th, 17th, Possibly 18th, 20th

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These are in QLD. Have a look and see if any catch your eyes!

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Pack those swimmers and hop in the car - nature's waiting!

by Candice Jackson and Tegan Atkins
Hold up! We've updated this article with a bunch of new and exciting swimming holes to discover around Brisbane. Check out the new edit here!
Running low on friends who have pools? Really sick of blowing up that plastic pool only to sit in a puddle of water that is barely enough to cover your whole body (without kicking the face of the other two people crammed within said blow-up pool)? You're in luck! We've put together the best natural pools to visit. Lagoons, swimming holes, rock pools and creeks - we've got it all.

You know what they say - our land abounds in nature's gifts of beauty rich and rare. And we can all agree that these FREE swimming holes are great for a refreshing adventurer's fix as well as being ridiculously Insta-worthy! #nofilter

1. Lower Portals, Mount Barney

If you're willing to hike more than seven kilometres, you'll be rewarded with a refreshing cool-down at the beautiful pool along a gorge on Mount Barney Creek. There's plenty of room to splash around, and large rocks to climb on for a better view of the swimming hole.

From Brisbane: The journey along Mount Lindesay Highway through Beaudesert to Rathdowney will take you a little under two hours.

2. The Gorge, Lake Moogerah

Looking for a quiet, hidden and shady swimming hole? Lake Moogerah's Gorge has you covered, with plenty of rocks and overhanging trees to make you feel like you've found your own private natural pool. There's also a camping site nearby that people often frequent for stargazing!

From Brisbane: Head out to the countryside on the National Highway for around an hour and a half.

3. Cedar Creek, Samford

Cedar Creek is ideal for those wanting to escape the crowded beaches this summer. This area has rock pools of varying depths, watering holes, trickling stream, and no sand to get stuck in your toes - win!

From Brisbane: Take a scenic 45-minute drive north-west.

4. Kondalilla Falls, Montville

This one is for when you're feeling adventurous. You'll need to walk through a forest, trek across a gully and wander down a hilly terrain to find this slice of paradise. Kondalilla literally translates to "place of rushing water", so it makes sense that this is where you'd find a tranquil, deep swimming natural lagoon fed by a beautiful waterfall.

From Brisbane: Put Kondalilla Falls Road, Montville into your GPS and enjoy the hour and a half drive.

5. Gardners Falls, Maleny

While there are a lot of rock pools in the area, you don't want to miss the main swimming area near the gorgeous waterfall. This playful swimming hole also has two rope swings, so you can harness your inner Tarzan or Mowgli (thumping on your chest and screaming ooo-ah-ah-ah is not a prerequisite, but we're sure it's not frowned upon).

From Brisbane: A little more than an hour's drive north of the city.

6. Currumbin Rock Pools, Currumbin

This spot is very popular among younger generations and families, with plenty of grassy knolls for picnics, rock ledges for climbing, and shallow rock pools and a main pool for relaxing as the sound of a trickling waterfall takes you away.

From Brisbane: Head for the nearby Currumbin Beach and let your GPS do the rest.

7. Twin Falls, Springbrook National Park

Double the waterfalls = double the fun! A four-kilometre circuit will take you behind two waterfalls and through rock caves in a shaded forest-like landscape, with plenty of places to cool off along the hike. And if you stay until the sun goes down, the nearby Natural Bridge has an amazing display of glow worms.

From Brisbane: Less than an hour's drive south!

8. Box Forest Circuit, Lamington National Park

Please note, this trek is not for the fitness phobic, with an 11-kilometre circuit (that's about three and a half hours of walking) taking you from O'Reilly's to this lush sub-tropical rainforest. Along the walk there are watering holes, cascading streams, waterfalls and plenty of photo opps. If you want to make a day off it, you can have lunch at O'Reilly's, try the tree top walk 30 metres above the ground or zip down the 180-metre cable flying fox to the forest floor below.

From Brisbane: Just under a two-hour drive south.

9. Rocky Hole, Mt Mee (D'Aguilar National Park)

If you don't own a four-wheel drive, you might need to invite your mate that does: the terrain on the way to this Broadwater swimming hole can be a little rough. The Rocky Hole rock pools are mostly shallow and are surrounded by dry bush, rocky platforms and carved-rock stairs and caves. And look at that swing!

From Brisbane: Take the Mt Mee tourist drive through Dayboro out of Brisbane.

Hero image at top of article: Kondalilla Falls, Montville | Image: Tourism and Events Queensland
Like this? You'll love these. 7 Must-Dos Before 7am; Brisbane Winter Sunrise Spots Signs You Need a Holiday Pronto 5 of Australia's Most Luxurious Airbnbs

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9 Secret Swimming Holes to Escape Brisbane's Heat

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Pack those swimmers and hop in the car - nature's waiting! by Candice Jackson and Tegan Atkins Hold up! We've updated this article with a bunch of new and exciting swimming holes to discover around Brisbane. Check out the new edit here! Running low on friends who have pools?

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Possibile conceptual avenues:

as Baker Boy asks to bring tradition to modernity, we can bring modernity to tradition.

a respectful homage to Aboriginal Culture. (As non-indigenous Australians.)

as youth of australia, interacting with history and bringing an essence of our own current worlds : perhaps interacting / making a film within sacred spaces with modern music (chill beats). To the music of our generation. Interacting with our Country's culture.

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Minnippi Parklands - 276 Meadowlands Rd, Carina QLD 4152

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This could be an awesome effect to use in the video.

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This could be an awesome effect to use in the video.

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Thoughts?

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Thought: We could make it a site specific response. Where we find a traditional piece of Aboriginal Land to respectfully and artfully interact with.

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Thought: We could make it a site specific response. Where we find a traditional piece of Aboriginal Land to respectfully and artfully interact with.

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Somewhere beautiful + Aesthetic. Like this, or perhaps a local waterfall?

(Note: We will need to contact local Aboriginal Elders and ensure we are allowed to access the space.)

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Some cool pics I found that could inspire elements of our film?

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Some cool pics I found that could inspire elements of our film?

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(Pictured Above: Source: @Oceana.Pearl)

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- figure out our concept
- what will we do to respectfully react to this work

- Ask ourselves, 'how has this work effected us. And further whats our response?'

- how to articulate this response into a conceptual manner

Link: About working with Sacred spaces, Aboriginal people and community.

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This article is super cool to get some background on him as an artist!

Thought: We could maybe find more information on his own area's culture, and then even look at the Aboriginal Land we are on today and find information to incorporate into our piece!

Like their use of symbolism of colour, special grounds, special words, practices, dream time stories and incorporate that into our film. Little cookies to thread into a bigger conceptual meaning in our work?

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On stage, Baker Boy is the kind of rapper who can get a crowd airborne within seconds. He's all ego, gold chains and boundless energy, flitting between his native Yolngu Matha and English, imploring the audience to "step back, feel the power of my blackness". He commands the mic and didgeridoo as if they're extensions of his tall, agile frame, and inverts himself mid-flow with audacious breakdancing moves.

He is the first Indigenous artist to have mainstream success rapping in the Yolngu Matha language, his singles Cloud 9 and Marryuna receiving solid Triple J airplay. In the past few months he has swept the National Indigenous Music awards, inked a record deal with Select Music (home to the Preatures and Amy Shark), been rostered on the summer music festival circuit, was handpicked by Dizzee Rascal to be his Australian support act, and recorded a remix of Treaty with Yothu Yindi.

But today, as the artist - real name Danzal Baker - swaggers solo out of Melbourne's Brunswick train station in a fluorescent rainbow hoodie and ripped jeans, introducing himself with a warm hug, he is channelling more of his totem animal, the olive python.

"The olive python is humble and it's beautiful," says Baker. "It's not poisonous and it's really long and huge. When you see the light shine on it you can see its rainbow reflection and it catches your eye."

Baker, who grew up in the remote Indigenous communities of Milingimbi and Maningrida in north-east Arnhem Land, says he once had an olive python as a pet. "I let it go back to the bush to live in the environment. I have to show respect for my totem by giving it space, by making sure no one hurts it, by trying to guide it in a different direction so it doesn't get hurt."

He's just 21, but the now Melbourne-based rapper has already devoted a solid chunk of his life to guiding others in the right direction. He uses his position as a mentor and teacher for the outreach group Indigenous Hip-Hop Projects to usher wayward youngsters in remote communities towards reconnecting with their culture using music, language and video.

Despite his home region giving Australia such music greats as Yothu Yindi, Saltwater Band, Gurrumul Yunupingu, Garruwa and Yirrmal (the latter two are Baker's cousins), Baker says some young people are embarrassed by their roots and fearful of the wider world. "When I was a kid I saw a lot of my cousins, a lot of family members who had so much talent, but just got pulled away. And kind of being afraid to step into that [western] world or something."

Baker - who is also a dancer, actor and graffiti artist - is unequivocal about his purpose on the planet: "Building the bridge for two worlds to come together." Still, the level of success that has come along with that has taken him by surprise.

"Sometimes I think I'm just dreaming," he says. "I'm living the dream. It's like the best time of my life. It's the best feeling that I've had. This is my first time experiencing something that's way beyond from remote community and it's pretty cool."

That's pretty much what I was aiming at - inspiring young kids from remote communities to do something better

It's even more impressive considering Baker only began rapping a year ago. As an original member of the Yolngu dance troupe Djuki Mala (formerly known as the Chooky Dancers), Baker was no stranger to the stage, nor to creativity. "Yolngu people have been dancing and singing and playing instruments for centuries," he says. "It's in our blood and it keeps repeating in the next generation and next generation. We learn quick, too, from listening to elders, and when we watch music video clips, dancing films, we learn and we teach ourselves."

Yet despite growing up listening to his father's records of 2Pac, NWA, Grandmaster Flash, LL Cool J and Afrika Bambaataa, Baker clammed up when his beatboxing "brotherboys" first urged him to freestyle.

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'I'm living the dream,' Baker Boy says

Then he heard the Puerto Rican reggaeton star Don Omar rap in Spanish. It dawned on trilingual Baker he could try freestyling in the language he hopes one day to become a professor in. The result was his first single, Cloud 9. Like reggaeton, Baker Boy's brand of hip-hop is upbeat, fast-paced, danceable and melodious - but minus the smutty lyrics.

He's not as fiercely political as his Indigenous hip-hop counterparts AB Original, but his songs carry social messages and touch on issues such as substance abuse in the Top End and racism. For Baker, fun is also at the forefront of everything he does. His latest single, Marryuna, featuring a cameo from Yirrmal, means to dance for the pure joy of it (as distinct from ceremonial dance) and Baker says the music video is shaping up to be a Gangnam Style-esque danceathon, complete with try-this-at-home hip-hop and Yolgnu moves.

Thematically, the song is Baker's My Island Home moment, where he raps about living in Melbourne and catching the early morning train while imagining his parallel coastal life in Arnhem Land. "Back home at 6am I'm teaching my little brothers, going out fishing and spearing for crab and stingray and just going barefoot and having no noise," he says before quoting a line from Marryuna: "City lights the sound too much for my mind / I need the quiet I need the nature sound."

Fans can get a glimpse of Baker's former life in Milingimbi in his video for Cloud 9, which is packed with his family members dancing their way around the coastal community.

Together with his Indigenous spirituality and Christian faith, Baker says his family keep him grounded.. "They pretty much just tease me," he says, laughing, when asked how they're reacting to his sudden popularity. "They say, 'Hey, you're famous now. Any money? Give me some money. Hey superstar, can I get a photo, an autograph?' Just humbug, just teasing me. They're really proud of me and they're really happy I'm doing something really good for the community.

"All the kids just wanna be like me which is a good thing, because that's pretty much what I was aiming at - inspiring young kids from remote communities to do something better."

By flitting between English and Yolgnu Matha in his lyrics, he hopes "Balanda [white people] will be curious about it and then learn the language so they can understand what I'm saying. Then they'll want to learn more language and try and connect to the community - it's like my secret way of pulling everyone together, I guess."

He isn't surprised so much contemporary Indigenous music is lit by a social and political fuse. "I think we just want to be heard - we've got something to say."

Baker says 26 January has always been a "weird and uncomfortable" day for him, one where he bunkers down at home and "feels the pain of people from this land". In November, when Triple J announced it was changing the date of the annual Hottest 100 music countdown so that it no longer falls on Australia Day, Baker posted a sequence of victory symbols and heart emojis to his Facebook page.

"I was really happy because otherwise I wasn't going to celebrate that day - I wasn't going to listen to [the Hottest 100] until probably two days after to hear who won," he says, despite both his singles being tipped for high spots in the radio station poll.

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Baker Boy rising: from Arnhem Land to sharing a stage with Dizzee Rascal

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On stage, Baker Boy is the kind of rapper who can get a crowd airborne within seconds. He's all ego, gold chains and boundless energy, flitting between his native Yolngu Matha and English, imploring the audience to "step back, feel the power of my blackness".

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Subjective: After listening to the song, I got the impression of some key themes. Food for thought? - Hunna

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Subjective: After listening to the song, I got the impression of some key themes. Food for thought? - Hunna

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- The power of the internet to give a voice to the hushed demographics such as Indigenous Australians.
- Celebrating Indigenous Pride
- Communication to greater audiences about inclusion, acceptance, cultural pride and understanding history.

How is this achieved:

Through the conceptual use of music (as a medium) to connect both Aboriginal and Non-Aboriginal people together (in such an inclusive medium such as song) to understand the continued struggle of POC. To further pay respect through understanding the meaning behind the music, but also to enjoy and be engaged together.

Summarised: To be informed, connected, to feel empathy and to empower those often unheard voices.

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Found some quotes from the English Translation of the Second Verse that seem super powerful. A potential focus of our response?

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Found some quotes from the English Translation of the Second Verse that seem super powerful. A potential focus of our response?

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[Verse 2: Baker Boy]
(Yolngu Matha – English translation)
Whenever the truth comes out, your heart is ripping out
You gotta stay strong, no doubt
The bigger the crowd, the bigger we are
'Cause the internet changes the line
'Cause they they don't want us too divine
From the human race, always on the case
Ending up getting chased, now we're standing in chains
Flash back, being black, reality hits back
Your system is whack
Trying to find a way to change the track
(Yolngu Matha – English translation)

Also:
"Step back, feel the power of my blackness"
"I'm a human being, just like you and me"

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Milestone 1:
agree on the work you will respond to

Milestone 2:
agree on the approach you want to take (which aspect of the work you want to respond to), and divide up the roles and tasks

Milestone 3:
provide tutor with draft work for feedback

Milestone 4:
first revision of work

Milestone 5:
second revision of work for all class critique

Milestone 6:
final revision of work and submission of documentation, reflective document and peer assessment

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"Baker Boy is the freshest new Yolngu hiphop talent from Northern Territory Australia who is proudly rapping in Yolngu Matha language representing his Arnhem Land families. This song is an example of the real Aussie Hip-hop!"