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On these three remaining days of work in the studio, I decided to make a scale drawing of my wall. The wall is 2.50 inches wide and 2.35 inches high.

Within this space, I organized the display for the 3 outcomes.

1- The quote from Sartre with my font
2- A shelf that will contain my Zines
3- The display space of the chair parts.

1- The quote from Sartre I decided to put it because it is a good use of my font, thus creating something that the viewer can face and think. I want to make the impact that when first seen it is a typography and then the reader realizes that it was a chair. I thought about how to put the phrase, whether it will be sticker or lambe-lambe. I made a budget in two graphs to know how much I would be left to make a sticker of this sentence with three words, the result was much higher than expected they charged an average of $ 250-300 for everything. I made a budget of how much to leave if I did in lambe-lambe, with 24 A4's in black and white sulphite paper, the budget was R $ 26. With that in mind, I decided to do it on lambe-lambe.

2- The shelf I found is a little larger than the scale drawing, it is 90 centimetres wide and a little more than 10 centimetres deep, and it is black. It will be 1.10 meters from the ground because it is a time that everyone can get the zines.

3- The display space of the pieces will be 1.60 m high and 1 meter wide, this measurement is still being evaluated, I will only know how the display space will stay when I see the wall Thursday 22/11. I will attach the pieces with a re-engineered frame fastener on nails that I will put on the wall.

For the time being this is what I set out to present my work for the exhibition. The parts that I am most concerned with are those of the "Lambe-Lambe", since I have to leave it straight and with the spacing of the correct letters, and the part of holding the pieces on the display, since I have to organize exactly according to the size of each piece. better position of being.

What is good is that I will have a helper with me helping me and maybe she can give me some tips on how to do some of the work.

I think I'll be able to finish until Tuesday 27/11.

Action Plan of EXPO:
1- Lambe-Lambes (22/11)
2- Shelf (22 / 11-23 / 11)
3- Parts display (23 / 11-26 / 11-27 / 11).

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This week I finished drawing my zine and sent to print, only the Black part because the yellow part will be in serigraphy.

Some things I'm taking into consideration while in this week's zine-making process:

1- The type/weight of paper
2- How many zines will I do
3- The yellow ink.
4- If the zine will be sewn or stapled

1- The type of paper and the weight are important for when to pass the yellow ink on top it does not get wavy, the weight has to be  type 120g, but not so hard because I will bend the zine when finished. The colour is white if I do not find white I can test in pastel beige tones, but preferably white, to follow my graphic style.

2- The amount of zine is important because this will influence the amount of yellow paint I will do, and that at the time of exposure more than one person can read zine without waiting for another to finish reading. I was analyzing and decided that I will do 5 zines to stay on the display of the exhibition. 5 because I do not spend a lot of money on prints and that is a reasonable number of zines to get exposed. (One thing I just thought about after doing the zine was that at the time of the show I have a risk assessment if my zine is stolen from exposure? I have no reserve to replace, but I think it's a risk I have to take in exhibitions of this type).

3- The yellow ink that I will use is not any ink of screen printing of paper, it is called vinyl ink, this ink opens me the possibility to make the colour more transparent and brighter, and creating a harmony with the matte black of the impression. (a risk assessment of this ink is that at the time of making the screenprint the smell of it is very strong, leaving the room of print studio with a strong smell of vinyl, but it is not so harmful to health).

4 - The zine initially, in my head, would be stapled, because it leaves with a more industrial and mechanical style that I like, but after doing a test with the staples, I realized that it is a not so professional finish, that's when Joyce gave me the idea of ​​sewing, with a black waxed line. I liked this idea because it combined with zine style, the black of the line matched with the black of the print and with the white of the paper, Leaving the work with a more elegant appearance than the staples. This was an experiment that helped me select something I did not know would work and sacrifice an aspect that was familiar as staples.

In the end, the zine got better than expected, with a clean and elegant look, now the work has a professional finish.

One thing I forgot to mention was the choice of typography I used to write the title, texts and quotations from my zine.
I chose to use a bold and serif font because I like this style, and it takes a look more past and a half that "historical" the publication. The typography I used is called Beas Neue, it is an All-Caps font, that is, it does not have lowercase letters, leaving more limiting the use of typography in zine, another point of why I chose this font is because its style is not flashy, that is, if it is placed on a page with other images, it does not take attention of the other elements, it works more like a complementary typography.

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https://www.instagram.com/method_essence/?hl=pt-br

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This week I focused on making the letters of my alphabet. For that, I needed to take pictures of the pieces. While I was doing my "action plan" of the photos I was going to take. Always thinking about how I could use these photos in my zine.

I thought about how to create a narrative in my zine, leaving my method explicit so that people could understand.

That's why I thought about doing a narrative in which the chair is deconstructing, and that in a part of the zine, we could see all the pieces scattered. Thus creating a context and re-signification of the object from the disassembly of it.

The images I had in mind would all be black and white, leaving a simplicity of only two colours, and that if I wanted to put another colour would combine, since all other colours match with black and/or white.

The style I developed was a style similar to that of screen printing and old newspapers, with the Halftone effect. But this is just an illusion because the zine is going to be printed at leisure, due to the time of the project.

Another idea I had halfway while doing zine was to put a colour to make it graphically beautiful, in my opinion.
I decided to put the yellow because black white and yellow create a very interesting graphic style, which I like a lot. Printing black, over-position yellow with flat shapes, and the colour white of the paper that will be printed.

One thing I have to make clear is that at the beginning the initial idea of ​​my zine was to be all in screen printing, but when I went to do the yellow overlap test the overlap area of ​​the screen-printed black with the yellow screen-printed over it became a green, and I did not like this result, so I decided to change from screen printing to printing, but only the black part, because the screen printing yellow was very good, with a transparent and shiny style, a result that I liked that ink.

Now for the composition of the zine I thought about having 12 pages (front and back), the first would be the cover with the title of the project "Method Essence" and an image of Sartre; the second page will have a photo of the backrest of the chair, and with the definition of Passive Object; the third page is just the whole chair seen from a diagonal angle; the fourth and fifth pages are 4 photos of the chair being disassembled, one without a foot, another without two feet, another without a seat and another with only one foot, creating the narrative I want; the sixth and seventh page is the photo of the pieces scattered on the floor; the eighth and ninth page is the alphabet of the chair; the tenth page is a letter (I think I'll put the letter A) big, creating a detailed aspect; The eleventh page is a quotation from Sartre's "Existence precedes Essence," with the other part of the chair's backrest; the twelfth page is the phrase "Everything is nothing until we give a meaning to it" and an image of a pile of pieces of wood.

Finally creating a narrative from showing the entire chair to deconstruct it and showing the result of my method, typography. Also leaving space for the reader to create their own conclusions, but following a path, therefore the citations and the meaning of Passive Object.

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This week I used to start doing my Zine. I decided to do 3 outcomes: A publication (zine, book, posters, etc), a 3D installation (sculpture, parts display) and a quote using my source I created (lambe-lambe, or sticker).

This week was to focus on part 1 of my outcomes, the publication. I have been researching types of publications that have already done in a foundation end of the year show, and I discovered that the style of Fanzine appears a lot, and since I am familiar with doing zines I decided to make one for my project.

I want my zine to present my project, and explain it but without using many words, because in the presentation not everyone can speak English, then it has to be a self-explanatory zine, but the reader is curious to interpret any way he wants.

What is missing is only one topic in which to follow and put context in the publication. What I mean by theme is, for example, an author who talks about resignification, a book, a philosopher, etc.

It was when I was watching a youtube video of artists working with objects, that a video of a learning channel appeared, and talked about this philosopher who did not know called Jean-Paul Sartre.

He was a philosopher of the Existentialism movement. His philosophy defended important points that in a way connected with my theme of the redetermination work.

Sartre said that reality/world was more absurd than it seems. We give names to objects to feel organized and secure. We create objects and give a predefined function to it, leaving it "unique", as if we could not change this pre-set "configuration". And if by chance, or by artistic impulse we change this preconception is considered strange, bizarre and/or even scary.

In a book he wrote called "Nausea," there is a point where the main character, while on a train, when leaning on the chair to lean against, quickly draws his hand and totally loses the notion that it was a simple chair , looked at the strange object with anguish and strangely and forced the realization that this was just a simple object that we gave the name of chair and that people sit on it.

For a moment the meaning of chair for the character deconstructed and became meaningless, so a simple chair could be something else, with a different function, with even a different name.

It was this part that had a lot to do with my project. the re-signification of an ordinary object, with a pre-configuration given by society, can be anything if we look at it with different looks or even deconstruct it whole.

That was when I realized that my Zine would be contextualized in Jean-Paul Sartre's philosophy of existentialism.

Sartre also says that "Essence precedes Existence," that is, the act/existence that the human being, as an active being and not as a thinking being, is directly related to the essence of it.

With this phrase, I reflected on how I can relate to my work, and I came to the conclusion that the essence of a chair is only the harmony of all the parts together forming an object made with the primary and exclusively ordinary function of a human being the ass in the seat and for some moments to rest, to read, to study, etc. (This paragraph was like a Satriani would face the absurd reality).

If I were to continue this idea of ​​existentialism by Sartre, I must regard reality as absurd, with these two slogans in my head:
1- "Essence precedes Existence"
2 - "Everything is nothing until we give a meaning to it"

The last sentence is valid for sexual sex until objects, a subject well open but that is real, and, absurd at the same time. At least for me.

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In this Progress tutorial, I had to present to my tutor Ana my project and the ideas I have had so far. I explained to her all my ideas and showed the objects I bought at the antiques fair. But one thing Ana told me was that she did not see me at work. She asked me, "What do you want to do?" And I answered that I wanted to do something 3D, something that would be mechanical, build something, or even deconstruct something, I did not want to do a dummy heads exposition, I wanted to do something totally different from this.
I wrote down this question and made a list of ideas:
-Build-it?
- Take a day-to-day object and disassemble it and reassemble it in another way.
"How much?" "It depends on the object."
-What object? -Telephone, chair, camera lenses, glasses, beer cans, trumpet, guitar, bullet.30; cart (Hotwheels); real car; motorcycle

"Does it have to be industrial?"

It needs to be time-based, that is, it needs to be something that would take time to disassemble and reassemble.

What kind of materials would work if you were to make a sculpture?
-Bronze
-Resin
-Plastic
-Wood
Ana told me to read about the types of objects; passive objects and active objects.

A text she read in Leo Steinberg's book "Other Critiques", in which, in a section of the book written by Jasper Johns, it is speculated that passive objects are those that undergo an action, and active objects are those that propose an action.

With that in mind, I began to think about which object to use for deconstructing and reassembling.
After a day of reflection on the subject, I decided to talk to Leopoldo about it. It would help me with the methods part and the part related to Graphic Design.

In my conversation with him, I explained everything I had said to Ana and he told me that it would be easier if I created a method for my work.
We also think about which object to use, I decided to take a passive object, in which the function is only to propose an action and re-signify it to be an active object. I chose the Chair because besides being a passive object whose main function is just to sit, was an object that wanted to work from the beginning of the project.

The chair should be made of wood because it had written that the material should be Time-Based, and an iron or metal chair would not be very easy to disassemble, so wood because it is easy to saw and disassemble.

So what was missing was only to create a Method for the production to leave with an industrial style. (production line)

Method:

object ---- dismantle (spread the pieces on the floor) ---- reassemble (sculpture, another object, product, anything that refers to an active object, something that proposes an action).

It was there that Leopoldo helped me a lot, he showed me the Design side of the project, he told me that I could take a chair, disassemble it and with the pieces create a Typography. I found the idea brilliant because now it's a job that I was really willing to do and leave in the best way possible.

Why Typography? The typography, in addition to being linked with the graphic design side, is an active object, which according to means it proposes an action, the action of communication.

With the Method created only needed to find the ideal chair

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This week was Research week.
I've been travelling all week and thinking of new ideas for my dummy heads.
Ideas like a head full of lay people, showing the creative process;
A head with a boxing glove pounding and head melting;
A head with taps;
One with only typography pasted on it, or written;
One with tire tracks from a toy cart (example Hotwheels);
One with barbed wire around it, as if it was something protected;
A head with tacks; one with knobs, to form a harmony with the head of taps;
A head with crossed pipes;
A head with a gun bullet going through it, as a criticism of the lost bullets;
A head with pantyhose as thieves;
A head with pieces of potato head toy.
I had a lot of ideas, and I think this is the keyword for what I'm doing, I'm having a lot of ideas and I'm not pinning on one to go forward and actually do something.
On Sunday I went to the Bixiga (antiquities fair) to buy materials to make the various heads.
I bought several old glasses to make the head of glasses, I found a keyring of a .30 bullet and I can make the head with the lost bullet, I also bought a mask of Venice made of clay, I think it can be used to make a mask head. I bought small camera lenses and a filter for the small lens, I think I can make a pair of glasses with these lenses and this filter, I would tie the lenses with a hard band and tie it on the mannequin head.
The next step is to start making those heads because I have little time to complete the work, and I want to finish at least a week before delivering from the time to give the finishing touches.

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This week I prepared a sequence of ideas that made my thinking work on what to do with this design of the mannequins.
This exercise set some limits and also new ideas. Like for example: A head I would only work with her limitations, without adding anything (image of the upper left corner), just cutting, re-stuttering, taking parts and re-aligning them in another way, sometimes just sanding the head whole and leave the dust, the idea was to work with the limitations.
Other ideas I had was that of the concrete in the head as if it were dripping, leaving a texture different from the others.
In this exercise, it was important to make notes and small sketches to make clear my vision about each of the ideas

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Today I set an idea for my final work. The idea was of the mannequin heads. I chose it because it is the one that most translates my area of ​​graphic design and shows my personal style. The idea is several mannequin heads with different interferences: glue-on posters, pipes, frames(glasses), cut the head and rearrange it in a different way, collage, drawing, etc.
To help me develop ideas better I have printed several A4 sheets with a mannequin head so I can draw on top, so in the end, I will have several options to work on and see which ones work the most.
I also researched mannequins' stores and decided, for now, that the heads should be made of Fiber and not made of wood because it is very cheap and easy to handle if I am going to cut it.

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I had another idea today. I looked at the works of Alexander Calder and learning from his biography I discovered objects called "Mobile", these are objects that move on their own account because it is assembled according to the balance. Some are simple to make and others can be too complex, depending on the size and material you use. It was then that when I went to lunch I had this idea, which I believe to be the definitive one and that most suits my theme and personal style.
Idea:
- The Neo-dada movement has opened wings for me to think about how an object can be re-signify. Be the work of the artist Cornelia Parker who puts a bomb inside a house and explodes, then picks up the wreckage and installs an installation with them. My idea is similar but instead of exploding I will dismount. Disassemble a chair, watch, several pens, maybe a car and make a sculpture with the pieces. The process of dismantling has a beauty for me, disassemble and do the reverse process that an engineer did, is what catches my attention. Also putting on a sculpture or even making a "Mobile" with the pieces is a job that I believe will look very good when exposed. To give the viewer a feeling that a predefined object can be redefined by disassembling it and assembling it in another way is what fascinates me. That is why the sculptures of Duchamp and Jean-Paul Sartre's philosophy of Existentialism are my starting point in this project.

Image below:
unknown, (2016), Mobile [ONLINE]. Available at: http://culturafm.cmais.com.br/radiometropolis/exposicao-evidencia-relacao-entre-alexander-calder-e-artistas-neoconcretos-brasileiros [Accessed 20 November 2018].
Calder`s Mobile

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Today I had a new idea while studying more about the materials that I can make masks. I hid an artist named Alexander Calder who makes simple black wire sculptures. I thought I could make pictures of people's wires, making a series of portraits of people. But just getting a picture and doing it with wire is very easy, I want to do something that is a portrait but at the same time abstract, that's when I remember drawing classes with Solange, about drawings of a line without looking at the paper. This type of drawing is still a portrait but as a consequence of not looking at the drawing creates a more abstract image that can be interpreted in different ways.
Now it is to think of which idea you would like to continue and begin the creative process of right and wrong with the experimentation of various techniques. Next week I NEED to have this clear idea to start developing.

unknown, (2016), Alexander Calder [ONLINE]. Available at: http://culturafm.cmais.com.br/radiometropolis/exposicao-evidencia-relacao-entre-alexander-calder-e-artistas-neoconcretos-brasileiros [Accessed 20 November 2018].

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Today I had to present my brief to a group of people. At the time of presenting I had to explain what was in my mind, this was difficult for me, it is necessary to be careful with the words and be clear on what to explain. For many, it is easier to explain with words because they think with words, but for me, I see my project with images, and explaining from the drawing is easier. Because of that writing, the brief was difficult for me because I had to be careful what to write, to be clear to the readers.
In the end, I managed to get everyone to understand my theme and what I intend to do in this project.

New Idea:
- This idea I had was on Sunday (9/23): A series of mannequin heads, some 6 or 7, all aligned on pedestals. All with different masks, as if it were several personalities, ahead with makeup, another with pieces of gear, pipes, flowers, broken mirrors glued to the head, etc. These ideas are more achievable than the others of making a chair or complex objects. This idea also relates to the theme of my project that is "OBJECT RE-SIGNIFICATION", which in the case I am re-signifying a series of things: personality, the concept of beauty, makeup, etc.

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-VISITING WEEK-
Place: "BIXIGA"

I was on a street fair in a famous neighbourhood in downtown SP. These chairs were in a store and my first impression was the Legs.
The Legs/structure made out of wood really got me thinking woodcraft like a method and creative way to make an object.
I could search more about the types of wood and the technique of making a wood object, if it is difficult or achievable for the time of this project.

Image below:
Pedro Fabra, (2018), Chairs of "BIXIGA" [ONLINE]. Available at: unknown [Accessed 9 September 2018].

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-VISITING WEEK-
Place: "SESC POMPÉIA"

One of the highlights of the exhibition are the pieces of porcelain created by Kazimir Maliévitch, Iliá Tcháchnik and Nikolai Suiétin between 1923 and 1924.

They are plates and complete tea sets with suprematist motifs designed for the State Petrograd Porcelain Factory.

There are also some furniture, such as changing tables, modular washbasin, adjustable armchairs and school furniture - projects that bring sustainability proposals.

This part of the exhibition showed me how the furniture can relate to the space where it is. Creating different atmospheres and emotions just by design or function. This helped me to see furniture differently and not for the purpose of occupying a space but rather of changing a space.

In the area of ​​tiles, projects developed in an interdisciplinary proposal between students of the Faculty of Wood and Metal in exchange with the Faculty of Ceramics, composes another pedagogical innovation of the school.

The result ranges from an immense mural, the "Air Fleet", to a bathhouse in Moscow, to a floor designed for hydraulics

Image below:
Malevich, K. (1923-1924). Pieces of Porcelain. [ink on porcelain]. Sâo Paulo: Sesc Pompéia.

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-VISITING WEEK-
Place: "CARLOS MOTTA ATELIER"

Carlos Motta's atelier was my visit today. There he shows several designs and various materials that he uses to build, especially, of chairs. Projects and execution of furniture, architecture, utilitarian objects, sculptures, are the main works that perform there. The Atelier is made up of an architecture office, a project development group and prototypes - a very well-equipped joinery. All the prototypes are made there in the Atelier, but they follow different destinations. Some go to another workshop, outside of São Paulo, where small lines of handcrafted furniture will be executed. Others go on to industries that have concepts aligned with those in the atelier, and there they will be produced in series. Still, others continue to super joinery for the execution of sophisticated, expensive and with high craftsmanship. They also produce special requests here at Atelier.
The concept that the atelier follows is the search for the obvious, the simple, the respectful and long-lived. What makes people think that besides being great furniture producers they follow a method that applies to all work. Wood is the main structure that they use, always creating an environment of "ecology and respect for nature. It is in the genesis and DNA of the Atelier the environmental and social responsibility. Cause the least possible impact on our planet and know how to divide the financial result with all those who are part of the productive chain, motivate us to exist and to work in the pursuit of excellence. "- as Carlos Motta says.

unknown, (2018), Atelier do arquiteto e designer Carlos Motta. [ONLINE]. Available at: http://casadsonho.blogspot.com/2010/12/atelier-do-arquiteto-e-designer-carlos.html [Accessed 20 November 2018].

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-VISITING WEEK-
Place: "33 BIENAL-SP"

Today he had a visit at the 33rd Biennial here in SP. We met there and headed straight for the guided tour. Our guide Rafael before starting the visit he explained the theme of the biennial "affective affinities", he said that the biennial now did not have a curator for the entire exhibition but invited the idea of ​​curators, leaving the biennial without a specific theme. Also when I started the guided tour I realized that the works were related, what they had in common was the idea of ​​the presence of the human in space. How important is this relationship to understand the work of this Biennial.
At the beginning of the visit, we went through an artist named Friedrich Fröbel (1782-1852), a German pedagogue who was the founder of the first kindergarten. In this sample was being exhibited the children's toys he called "Gifts", these toys were used to help in the construction of children's creativity, the use of simple shapes to form different patterns and shapes is very similar to the method of great Bauhaus artists. So I talked to Rafael and he said that I was correct and that the great artists like Kandinsky, Walter Gropius, Gunta Stölzl among many others grew up playing with these toys. I realized that the experiences we have as a child, like playing, can affect the way of thinking and solving problems, I wonder if I like a more mechanical and industrial style because as a child had more connection with it.
I keep wondering?

Image below:
twoodtoy. 2018. Froebel Gifts. [ONLINE] Available at: https://www.twoodtoy.com/product/froebel-gifts-set-2-5cm/. [Accessed 20 September 2018].

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-VISITING WEEK-
Place: "CEARA VENDE TUDO"

Today I went to the CEARA store, she is in Fidalga 1042.
I decided to go to this old scrap and materials store because I need an inspiration for what I will do. I still did not decide right, but when I went there and realized that with junk and the "trash of others" may be something that increases in my research. Ceara was very nice to receive me, I explained my project to him and he gave me some tips:
Tip 1- "If you want to make a chair, you need to think about the basics, how proficient it is for you to understand how it works."
Tip 2- "Think of a material that is sturdy when you sit down. You can not reach the end of the project, when everything is built, and when you sit down or use any object you want it to break or not."

This has left me thinking that it is not only the physical work that is the difficult part but the elaboration of Design.

ps: today also I'm leaning more towards the chair idea. Making a chair out of tubes of ventilation is what I'm thinking.

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Today I started writing in my Sketchbook about my research. This process helps me in the brainstorming process because I read and reflect on all the searches and then I can know if I'm more connected to one or if I have to keep searching.
During this process I began to realize that I am more connected to 3D printing, to do something with this technique, but on the other hand, I want to make a large scale result, as a sculpture and a series of furniture.
I spoke with Marcelo, the tutor of the Printroom, and he advised me that the most important phase is to find references because from then on you start to see what you like the most. He pointed out to me Brother Campana, two Brazilian brothers who make various types of materials. This research has helped me to look more at materials as key actors rather than at the object itself.
That's when I thought of two new ideas for my work:
1- I would like to make a series of mini chairs or objects with 3D printing. The chairs would have the same identity, which I would create, they would be minimalists. But there is one thing I do not like about this idea, is that I would limit myself to making only small objects, and would like to do something on a grand scale.
2- I wanted to make a series of 3 or more Chairs or another object so that I would just use his basic structure as a base and then do the rest of the design with different materials. For example, a chair mounted only with street wiring, another only with pipes and valves, another with rubber and tires. I think this idea is the one I'm most anxious, but I need to be careful because I can not exaggerate and do something so time-consuming because after all, we have 8 weeks of work.

This was my day today, it was very productive, I had new ideas and more research to accomplish.

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By doing my Research process with Mind Map, I was able to get my ideas fixed on paper. In this exercise, I discovered new areas to explore in my project. One is the 3D Printing alternative for producing small results or for making a prototype. Cost-benefit is very good and the alternatives to various creative results and processes you did not know before.
What motivated me in the last few days was the idea of ​​creating an object that is creatively "reinvented", an object that we are accustomed in a way and give another meaning to it. This was one of the reasons I continued and moved forward with my project.
Talking with Monique about places to visit, she gave me several places of materials and object suppliers, this will help me in the Research process because it is necessary to know the materials first and study the objects already created and later to achieve, with the experience, make the first prototype.
Another thing I need to decide next week or next week is what object or product I would like to do and why I would like to do it, write the Brief to have the ideas and references in one place just to keep referring to any time you want.

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Today, on the first day of the project, I decided to change the specification and the certainty I had yesterday about creating a chair. I spoke to Leopoldo and he helped me to leave my broader theme. Leaving the theme more open I have more chances of experimenting with different objects and different ideas. With that in mind, I did the Research Framework which helps put ideas on paper and have a broader view of what to do in the project.
The three pillars that I decided to put of Research Area are about style, technology and material. In the Style part, I put Avant-Guard and as Bauhaus sub-themes; Art Nouveau; Dadaism, Cubism, Futurism, etc.
In the second Research Area Industrial Design I put that it will learn to design products and study anatomy and ergonomics, key factors to understand how a product fits in human structures.
The third topic is Materials why it is necessary to always have the right material for a product or object before producing it. In this, it fits to study carpentry, how to deal with metals and also to learn about the textures that it is possible to do with each material. Also, 3D printing can be a good technique when it comes to small objects. Having thus a variety of proposals of how to objectify/produce the final outcome.

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In this project, I want to do something that comes out of the paper, that is useful and, in a way, that the people can interact and use in the day-to-day.
Researching other people's projects and looking at my past projects, I tried to find my style. Being this the last project of the year, I want to show my style in the final result.
I have discovered that I am connected to the most industrial area of ​​things, always discovering how they behave and where the inspiration came from making a certain functional and useful object the way it is. I then decided on making a product, and the way I found it to represent it was from Industrial Design.
The idea of ​​the end result, what was going to be at the end, was not clear in my head. It was then that when I decided to take Industrial Design books and follow designers and industrial designers in social networks, my idea began to unfold.
I realized that when I entered the world of furniture design, I was delighted with the various creative possibilities and how creative the result could be. The chairs were mainly what attracted me more attention, due to the practicality of being such a common furniture but that could unroll a creative process in creation.
Then my idea has finally made clear in my head, as the final design of the Foundation 2018 course I will create and make a chair. My Chair.