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This piece of media is designed to create hype and excitement in the individual for the mix its promoting while relating it to whats popular currently and designed to connect with as many people as possible.

https://www.facebook.com/infktiousofficial/videos/2028921244029026/

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My influences and my influences  influences have been listed in the chart under "Inspirations of my inspirations"

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(Me in 3) iNexus - Legends (How I want to produce) 

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(Me in 3) iNexus - Legends (How I want to produce) 

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This along with anything by the artist CHIME are good examples of how I want to produce. I'm a massive gaming nerd and I love to use vocal samples to make characters talk to each other in music to portray them in a new light u may not have seen before and I feel this song demonstrates this very well. The combination of melodic segments and crazy growls as well as heavy character sample use is how I wish to make my music.

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INEXUS - LEGENDS (FREE DOWNLOAD) by INEXUS

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Stream INEXUS - LEGENDS (FREE DOWNLOAD) by INEXUS from desktop or your mobile device

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(Me in 3) KillBot (The first track that got me invested in the genre) 

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(Me in 3) KillBot (The first track that got me invested in the genre) 

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This is one of the very first tracks that I can remember that got me invested in the Dubstep/Bass music genre and really started my obsession. The combination of instrumental into heavy screams I thought was really cool and creative as well as the flexibility of what you can do with the genre and how its made. Its evolved so much since I got involved and it makes me afraid to die because of what Ill miss.

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(Me in 3) Mega Chop (My DJing influence) 

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(Me in 3) Mega Chop (My DJing influence) 

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This is called chopping an it involves taking between 2 - 8 tracks and chopping them all together into one live performance. This style of performance amazed me in the beginning and so I decided to start doing it and recording it. I hate traditional mixing I think its boring and unoriginal so with the use of this I try and make my sets as live and interesting as possible...

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With this task I tried to relate it to something I think is cool so I become inspired to complete it. Action movies typically have pretty cool sound design however Transformers in particular is interesting because one of the pioneering artists that helped shape the genre to what it is today was heavily involved in the sound dinginess for one of the movies in the series

"Though lowly-publicized, it should come as no surprise to Skrillex’s fans that the producer provided sound design for Transformers: Age of Extinction. In “Transformers 4: The Final Touches,” a 2014 documentary on the making of the film, composer Steve Jablonsky recalls how Skrillex came to become involved in the project’s sound design. “I got a call saying “Skrillex is a huge Transformers fan. He wants to come over to your studio,'” Jablonsky notes. “I’m a huge Skrillex fan because the guy makes sounds that you’ve never heard before. He kind of just moved into my studio for the week…creating a library of these cool ‘Skrillex’ sounds that we’ve been using throughout the score. You won’t know, necessarily, that you’re listening to Skrillex’s creations, but they’re in there.”

Dancing Astronaut. (2018). Watch Skrillex design sounds for 'Transformers: Age of Extinction' (skip to 13:30) - Dancing Astronaut. [online] Available at: https://dancingastronaut.com/2016/07/watch-skrillex-design-sounds-transformers-age-extinction/

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DUBSTEP, the U.K.'s fledgling dance music, is an elusive sound for Stateside music fans. The bassobsessed genre can be heard properly only through a club's megawatt sound system, and if you're in New York, that opportunity comes once a month at Dub War, the first dubstep club night to emerge in North America.

Hammond, B. (2008). How low can it go? the evolution of dubstep. New York, 41(27), 76.

From: https://search-proquest-com.saeezproxy.idm.oclc.org/docview/205116800?OpenUrlRefId=info:xri/sid:wcdiscovery&accountid=145504

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"I love melody, aggression and rhythm," says Skrillex (born Sonny Moore in Los Angeles) a few weeks later, before an appearance at the Creamfields festival in Australia. "That's what I can make on my laptop, so that's what happens."

Mason, K. (2011). Blame it on the bassline: Skrillex and dubstep step up.(DANCE). Billboard, 123(18), 55.

From: https://search-proquest-com.saeezproxy.idm.oclc.org/docview/878609275/4CA9C73AE66446FEPQ/1?accountid=145504

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𝐌𝐞𝐝𝐢𝐞𝐯𝐚𝐥
𝐈𝐧𝐭𝐞𝐫𝐧𝐞𝐭
𝐈𝐧𝐝𝐮𝐬𝐭𝐫𝐢𝐚𝐥

The Idea
Create a website that manufactures and sells Medieval catapults that you can use to launch stuff with the might of Zeus. Say you don't like your neighbours and u have a dog. You can launch his poop over the fence into the neighbours yard with this Medieval catapult. These catapults will cost $150 per unit and will come in multi strength depended on your sadistic or experiential uses. The website will be formatted the same way that your standed shopping site would be.

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A dark, moody, bass-heavy take on U.K. garage, dubstep was originally tagged "sub-low" or "dark garage" when it emerged in London clubs eight to nine years ago. Now, "dubstep's in an amazing place," says BBC lXtra/Radio 1 host Peter Daiton, who broadcasts as Mistajam. "It's a bit of everything - equal parts dance and urban . . . grime and drum'n'bass. So the sky's the limit in terms of audience."

Smirke, R. (2010). Dubstep by step: Underground u.K. dance genre emerges as commercial force.(GLOBAL). Billboard, 122(44), 12.

From: https://search-proquest-com.saeezproxy.idm.oclc.org/docview/820998129/B6B3FAE35CE498DPQ/1?accountid=145504