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Carol Vernallis analysed the editing and camerawork in music videos. These are her main points:

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Continuity editing rules are broken to draw attention to the subject of the shot.

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Continuity editing rules are broken to draw attention to the subject of the shot.

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Wipes and special effects etc. are used to draw attention to a shot.

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Wipes and special effects etc. are used to draw attention to a shot.

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Giving video a structure is achieved by a master shot (base track).

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Giving video a structure is achieved by a master shot (base track).

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Camera movement can work in time with music, and the same is possible with cuts.

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Camera movement can work in time with music, and the same is possible with cuts.

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Shots are cut in time with the beat, to emphasise the pace of the story in the video and create an alignment between the song and the visuals.

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This video is very centred around colours and a visual aesthetic. There are lots of close-ups of the lead singer's face to show A) that her hair and makeup matches this aesthetic and B) the music and video is from her perspective.

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Emperor's New Clothes - Panic! At the Disco

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Emperor's New Clothes - Panic! At the Disco

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This video is composed of a mastershot, and the camera moves with the melody of the song and the movement of the singer in the video, as the two are in sync. The jerky movements of the camera reflect the tone of the song and help to create an atmosphere of panic among the visuals.

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As described below in the screencast I created, this is a perfect example of jump cuts being used to jump forward in time and further the plot in the video

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I explained in this screencast why continuity editing is broken. Switching between different locations and scenes is common in music videos, often to make them visually interesting.

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A cross fade is used here to attract the viewer's attention and make the video visually unique. It also adds a mysterious air to this particular example.