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Această lecție este dedicată lucrării Liebestraum Nr.3 DE Franz Liszt - una dintre cele mai expresive lucrări ale romantismului pianistic. Vei analiza, interpreta și reflecta asupra mesajului acestei lucrări despre dragostea idealizată și visată, descoperind elementele de limbaj tehnic și stilistic romantic.

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La finalul lecției, vei putea:

Recunoaște trăsături romantice în lucrarea studiată

Aplica tehnici de pedalizare și rubato

Interpreta expresiv temele întâlnite în lucrare

Argumenta o viziune interpretativă proprie

Evalua critic propriul progres

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Caută ediția Henle Urtext

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Liebesträume, S.541 (Liszt, Franz) - IMSLP

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1 Performances 1.1 Recordings 1.1.1 Complete 1.1.1.1 For Guitar (León Egea) 1.1.2 Seliger Tod (No.2)
1.1.3 Oh Lieb, so lang du lieben kannst (No.3) 1.1.3.1 For Guitar (León Egea)
1.1.3.2 For Piano (León Egea) 1.2 Naxos 2 Sheet Music 2.1 Scores 2.1.1 Complete
2.1.2 Hohe Liebe (No.1)
2.1.3 Seliger Tod (No.2) 2.1.3.1 1st Version (S.540a)
2.1.3.2 2nd Version 2.1.4 O lieb, so lang du lieben kannst (No.3) 2.2 Arrangements and Transcriptions 2.2.1 Complete 2.2.1.1 For 2 Pianos (Wille)
2.2.1.2 For Guitar (León Egea)
2.2.1.3 For Harp (Posse) 2.2.2 Hohe Liebe (No.1) 2.2.2.1 For Guitar, 2 Mandolins and Mandola (Munier) 2.2.3 O lieb, so lang du lieben kannst (No.3) 2.2.3.1 For Theater Orchestra (Tobani)
2.2.3.2 For Wind Band (Safranek)
2.2.3.3 For Clarinet, Cello and Piano (Meige)
2.2.3.4 For Violin, Cello and Piano (Klugescheid)
2.2.3.5 For Violin and Piano (Achron)
2.2.3.6 For Violin and Piano (Fuentes)
2.2.3.7 For Violin and Piano (Saenger)
2.2.3.8 For Violin and Piano (Wier) - in D major
2.2.3.9 For Cello and Piano (Cassadó)
2.2.3.10 For Cello and Piano (Skalmer)
2.2.3.11 For Harp (Jungnickel)
2.2.3.12 For Guitar (Jokela)
2.2.3.13 For Guitar (Apke)
2.2.3.14 For Guitar (León Egea)
2.2.3.15 For Organ (Falk)
2.2.3.16 For Organ (Nevin)
2.2.3.17 For Piano (Mareo)
2.2.3.18 For Piano (León Egea)
2.2.3.19 For Piano Left Hand (Zichy) 3 General Information
4 Navigation etc. Performances [show] Sheet Music Scores Complete Editor First edition Publisher. Info. Leipzig: Fr. Kistner, n.d.[1850]. Plate 1751. Copyright Public Domain Misc. Notes From the Ruth Dana Collection of Liszt Editions. Purchase Printed copy of this file (UK & EU) Publisher. Info. Leipzig: Fr. Kistner, n.d.[1850]. Plate 1751 6819. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Publisher. Info. Boston: B.F. Wood Music Co., 1904. Plate B.F.W. 1783-17. Copyright Public Domain Misc. Notes From the uploader’s mother’s library. Purchase Printed copy of this file (UK & EU) Editor C. Beving Publisher. Info. Leipzig: Fr. Kistner, n.d.[1903]. Plate K.E. 31. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Publisher. Info. Ashdown Collection, No.103London: Edwin Ashdown, n.d.[1910]. Copyright Public Domain Purchase Printed copy of this file (UK & EU) Editor Emil von Sauer (1862–1942) Publisher. Info. Klavierwerke, Band 6:Original Kompositionen für Klavier zu zwei Händen (pp.165-81)Leipzig: Edition Peters, No.3601b, n.d.[1918]. Plate 9880. Copyright Public Domain Misc. Notes scan: score scanned at 600dpifilter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version. Purchase Printed copy of this file (UK & EU) Editor Imre Mező (b. 1932)Imre Sulyok (1912–2008) Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 15 (pp.51-64)Budapest: Editio Musica, 1982. Plate Z.8253. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Misc. Notes scan: score scanned at 600dpifilter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version. Hohe Liebe (No.1) Editor Yakov Milstein (1911–1981) Publisher. Info. Sochineniia dlia fortepiano (pp.28-33)Moscow: Muzgiz, n.d.(ca.1955-67). Copyright Public Domain Seliger Tod (No.2) 1st Version (S.540a) Editor Imre Mező (b. 1932)Imre Sulyok (1912–200) Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 15 (pp.166-83)Budapest: Editio Musica, 1982. Plate Z.8253. URTEXT EDITION [more...]
This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.
In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).
You may need to check the publication date and details of the work’s first publication in order to determine the work’s copyright status, especially for the United States, as the copyright on the original work may not have expired. More information can be found here. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Copyright Public Domain - See notes on copyright status for urtext editions Misc. Notes scan: score scanned at 600dpifilter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version. 2nd Version Editor Emil von Sauer (1862–1942) Publisher. Info. Klavierwerke, Band 6:Original Kompositionen für Klavier zu zwei Händen Leipzig: Edition Peters, No.3601b, n.d.[1913-17]. Plate 9880. Copyright Public Domain Purchase Printed copy of this file (UK & EU) O lieb, so lang du lieben kannst (No.3) Editor J. O. von Prochaźka (1854–ca.1910) Publisher. Info. Cincinnati: John Church Co., 1890. Plate 8033. Copyright Public Domain Misc. Notes This file is part of the Gaylord Library Mirroring Project. Washington University’s Scan edited for a Print-Ready Version, Lossless & High Quality. Purchase Printed copy of this file (UK & EU) Publisher. Info. Unidentified collection (pp.221-24)New York: The University Society, n.d.(ca.1910). Copyright Public Domain Editor A. Pero Publisher. Info. Unidentified collection (pp.255-60)New York: University Society, 1917. Plate 215-6-CB. Copyright Public Domain Editor Isidor Philipp (1863–1958) Publisher. Info. Paris: Costallat, 1917. Plate 2023. Copyright Public Domain - Non-PD EU Editor Stanisław Szpinalski (1901–1957) Publisher. Info. Krakow: Polskie Wydawnictwo Muzyczne, n.d. Plate PWM 3026. Copyright Public Domain - Non-PD EU Editor Yakov Milstein (1911–1981) Publisher. Info. Sochineniia dlia fortepiano (pp.38-43)Moscow: Muzgiz, n.d.(ca.1955-67). Copyright Public Domain Editor RSB Publisher. Info. RSB Copyright Creative Commons Attribution 3.0 Misc. Notes Missing many articulations, etc. Editor Dimitris Thomopoulos (b. 1997) Publisher. Info. Dimitris Thomopoulos Copyright Creative Commons Attribution 3.0 Arrangements and Transcriptions Complete For 2 Pianos (Wille) Arranger Rolf-Peter Wille (b. 1954) Publisher. Info. Rolf-Peter Wille, 2010. Copyright Creative Commons Attribution-ShareAlike 4.0 Misc. Notes This is a single fantasy comprising all 3 Liebesträume For Guitar (León Egea) Arranger Ramón León Egea (b. 1975) Publisher. Info. Ramón León Egea, 2024. Copyright Creative Commons Attribution-ShareAlike 4.0 For Harp (Posse) Arranger Wilhelm Posse (1852–1925) Publisher. Info. Leipzig: Wilhelm Zimmermann, n.d.(ca.1917). Plate Z. 1036. Copyright Public Domain Misc. Notes From the International Harp Archives at Brigham Young University(as digitally mirrored at archive.org). From Pratt Harp Collection. Purchase Printed copy of this file (UK & EU) Hohe Liebe (No.1) For Guitar, 2 Mandolins and Mandola (Munier) Arranger Carlo Munier (1859–1911) Editor Yasuhiko Nakamura Publisher. Info. Yasuhiko Nakamura Copyright Creative Commons Zero 1.0 Arranger Carlo Munier (1859–1911) Publisher. Info. Firenze: A. Forlivesi, 1904. Plate 9184a85, 9185, 9186, 9190a95. Copyright Public Domain Purchase Printed copy of this file (UK & EU) O lieb, so lang du lieben kannst (No.3) For Theater Orchestra (Tobani) Arranger Theodore Moses Tobani (1855–1933) Publisher. Info. Carl Fischer’s Theatre Orchestra Edition, No.1330New York: Carl Fischer, 1908. Plate 12090-23. Copyright Public Domain Misc. Notes This file is part of the Submission Project. Purchase Printed copy of this file (UK & EU) For Wind Band (Safranek)
⇒ 26 more: Flute 1 • Oboe 1 • Bassoon 1 • Piccolo Clarinet 1 (E♭) • Clarinet Solo 1/2 (B♭) • Clarinet 1 (B♭) • Clarinet 2/3 (B♭) • Soprano Saxophone (B♭) • Alto Saxophone (E♭) • Tenor Saxophone (B♭) • Baritone Saxophone (E♭) • Cornet Solo (B♭) • Cornet 1 (B♭) • Cornet 2 (B♭) • Trumpet 1 (B♭) • Trumpet 2 (B♭) • Horn 1 (E♭) • Horn 2 (E♭) • Horn 3/4 (E♭) • Trombone 1/2 (Bass Clef) • Euphonium or Trombone 1/2 (B♭, Treble Clef) • Baritone 1 (B♭, Treble Clef) • Baritone 2 (B♭, Treble Clef) • Baritone 1 (B♭, Bass Clef) • Tuba 1/2 • Timpani/Snare Drum/Bells/Bass Drum/Cymbals Arranger Vincent Frank Safranek (1867–1955) Publisher. Info. New York: Carl Fischer, 1911. Plate 13980-145. Copyright Public Domain Misc. Notes Originally contained Valse Caprice in trumpet and percussion parts, removed in Adobe Acrobat. For Clarinet, Cello and Piano (Meige) Arranger Olivier Meige Publisher. Info. Olivier Meige, 2024. Copyright Creative Commons Attribution-ShareAlike 4.0 Misc. Notes Nocturne n°3, arrangement de R. Klugescheid : transcription de la partie de violon pour clarinette (violoncelle et piano inchangés) For Violin, Cello and Piano (Klugescheid) Arranger Richard Klugescheid (1889–1968) Publisher. Info. New York: Carl Fischer, 1909. Plate 12160-18. Copyright Public Domain Misc. Notes This arrangement can apparently be played also with 2 violins and piano or violin, harmonium and piano - but those parts are missing here.This file is part of the Submission Project. For Violin and Piano (Achron) Arranger Joseph Achron (1886–1943) Publisher. Info. Wien: Universal-Edition, 1925. Plate U.E. 7718. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Violin and Piano (Fuentes) Arranger Adrián Fuentes Flores (b. 1998) Publisher. Info. Adrián Fuentes Flores, 2015. Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Misc. Notes Both Complete Score and Parts and Complete Score are prepared for printing in both sides of a page. For Violin and Piano (Saenger) Arranger Gustav Saenger (1865–1935) Publisher. Info. New York: Carl Fischer, 1904. Plate 8032-8. Copyright Public Domain Purchase Printed copy of this file (UK & EU) For Violin and Piano (Wier) - in D major See: The Most Popular Violin Solos For Cello and Piano (Cassadó) Arranger Gaspar Cassadó (1897–1966) Publisher. Info. New York: International Music Company, 1947. Plate 926. Copyright Public Domain - Non-PD US, Non-PD EU For Cello and Piano (Skalmer) Arranger Mark Skalmer Publisher. Info. New York: Carl Fischer, 1912. Plate C.R. 15675-9. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. For Harp (Jungnickel) Arranger Ross Jungnickel (1875–1962) Publisher. Info. New York: Ross Jungnickel, n.d. Plate 62-49. Copyright Public Domain - Non-PD EU Misc. Notes From the International Harp Archives at Brigham Young University(as digitally mirrored at archive.org)., From Pratt Harp Collection;
The harp part is only an accompaniment which needs a melody. For Guitar (Jokela) Arranger Joonatan Jokela Publisher. Info. Joonatan Jokela, 2018. Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 For Guitar (Apke) Arranger Stefan Apke (b. 1963) Publisher. Info. Vlotho: Stefan Apke, 1995/2024. Copyright Creative Commons Attribution-ShareAlike 4.0 For Guitar (León Egea) Arranger Ramón León Egea (b. 1975) Publisher. Info. Ramón León Egea, 2025. Copyright Creative Commons Attribution-ShareAlike 4.0 Misc. Notes Love Dream Theme arranged for guitar For Organ (Falk) Arranger Louis Falk (1848-1925) Publisher. Info. Chicago: Summy Co., 1899. Plate C.F.S.Co. 486. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. Purchase Printed copy of this file (UK & EU) For Organ (Nevin) Arranger Gordon Balch Nevin (1892-1943) Publisher. Info. New York: H.W. Gray Co., 1916. Plate St. Cecilia No. 74. Copyright Public Domain Misc. Notes This file is part of the Sibley Mirroring Project. For Piano (Mareo) Arranger Eric Mareo (1891–1960) Publisher. Info. London: W. Paxton & Co., 1929. Plate 1988. Copyright Public Domain - Non-PD EU Misc. Notes Simplified arrangement for piano. For Piano (León Egea) Arranger Ramón León Egea (b. 1975) Publisher. Info. Ramón León Egea, 2025. Copyright Creative Commons Attribution-ShareAlike 4.0 Misc. Notes Love Dream Theme arranged for piano For Piano Left Hand (Zichy) Arranger Géza Zichy (1849–1924) Editor Varun Athilat Publisher. Info. Varun Athilat, 2022. Copyright Public Domain (dedicated) Misc. Notes This is an Urtext adapted from Géza Zichy’s manuscript of this arrangement.

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Gama cromatică - pentru pasajele în tempo rapid

Pedalizare fracționată - pentru claritate armonică

Exersează doar mâna stângă, apoi doar dreapta, apoi împreună

Acorda studiului individual zilnic minim 1 oră pentru această lucrare

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Realizează scurte video-uri în timpul studiului individual cu diferite secțiuni, pentru feedback

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Ascultă 3 interpretări diferite:

1. Lang Lang

2. Claudio Arrau

3. Vladimir Horowitz

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Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

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Răspunde în jurnalul tău sau ca postare pe Padlet:

1. Ce diferențe observi în tempo, dinamică, expresivitate?

2. Care versiune îți place cel mai mult si de ce?

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1. Analiza temelor: identifică și notează în partitură tema A și tema B

2. Studiu practic: Cântă prima frază cu accent pe pedalizare și legato

3. Înregistrare: Înregistrează 32 de măsuri și trimite fișierul sau postează pe Padlet

4. Scrie 3-5 fraze despre cum ai ales să interpretezi piesa

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Franz Liszt ( 1811 - 1886 ) a fost unul dintre cei mai mari pianiști ai secolului al XIX-lea și un compozitor romantic de excepție.

Liebestraum înseamnă Vis de dragoste - iar această lucrare evocă o iubire idealizată și pură.

Stilul romantic este caracterizat prin:

rubato(libertate în tempo)

frazare expresivă

emoție intensă

armonii bogate și colori sonore variate