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o   Red, Black and whites topsy turvy- Tutus, corsets, checkered, stripped, red coats

o   Alice- Blue dress and black jazz shoes

o   Black jazz shoes

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o   Smart Casual wear (trainers can be worn on stage)

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Hip-Hop & Commercial Dance: Written Portfolio Tasks

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Hip-Hop & Commercial Dance: Written Portfolio Tasks

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Each task is suitable for a short written portfolio entry or voice recordings (approx. 200–300 words) including Harvard References. Use annotated images and video stills, quotes, or video links where appropriate.

🔹 1. Breaking (B-boying/B-girling)

Task: Research the origins of Breaking and describe its four foundational elements: toprock, footwork, power moves, and freezes.- Provide examples and videos

Focus: Where and why did Breaking begin? What social or cultural needs did it respond to? How has this Progressed?

🔹 2. Locking & Popping

Task: Compare and contrast the techniques of Locking and Popping.

Focus: What are the key movement features of each? Who were the pioneers, and what music supported these styles?

🔹 3. House Dance

Task: Explain the origins and evolution of House Dance.

Focus: What makes House movement distinctive? Explore footwork, fluidity, and musical connection. How does it relate to club culture?

🔹 4. Waacking & Voguing

Task: Explore the cultural and social roots of Waacking and Voguing.

Focus: How did these styles emerge from LGBTQ+ and POC communities? What is the relationship between identity, fashion, and movement in these forms?

🔹 5. Commercial Dance

Task: Define Commercial Dance and discuss where it's commonly seen (e.g. music videos, tours, TikTok, TV).

Focus: How does Commercial Dance differ from traditional Hip-Hop forms in style, intention, and setting?

🔹 6. Style Comparison Task

Task: Choose two styles from the above list and compare them.

Focus: How do they differ in technique, musicality, and cultural origin? How are they similar or connected?

🔹 7. Movement & Identity

Task: Reflect on how any one style expresses identity (e.g. gender, race, sexuality, class, community).

Focus: Use one choreographer or performer as a case study.

🔹 8. Modern Fusion & Evolution

Task: Identify a recent artist or choreographer who blends multiple Hip-Hop/Commercial styles.

Focus: How are traditional foundations preserved or changed in modern fusion?

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Share your videos with friends, family, and the world

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Week 5- Introduction to Danceworks Performance

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Week 5- Introduction to Danceworks Performance

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Share your videos with friends, family, and the world

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L. R

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BCAF jazz planning and contemporary anouncement 

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38 Planes — Come From Away (Lyric Video) [OBC]

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[BEVERLEY, spoken]
On final approach
We're coming in runway two-two
And I think "Where am I gonna park this thing?"
There are planes lined up like sardines
And as far as I can see, there's cars lined up too
It looks like everybody in Newfoundland is here

[COMPANY, sung]
One plane then another
And then another
And then another

[JANICE, spoken & (COMPANY, sung)]
Is this on? Sorry, I'm new. This is Rogers TV, Channel 9
My name's Janice Mosher
And I'm reporting live from Gander Airport
Where the nineteenth plane has just touched down
I'm here with...
(And then thirteen planes then another
And then another
And then another
And then another
And then nineteen planes then another
And then another)

[BONNIE, spoken & (COMPANY, sung)]
...Bonnie Harris. On a normal day, we get a half dozen flights
Now we already got three times that many landing
In two hours
It's a lot of noise
You can smell the fuel, you can smell the exhaust
(And then another
And then twenty-six planes then another
And then another
And then another
And then twenty-nine, twenty-nine planes)

[OZ, spoken & (COMPANY, sung)]
Jaysus, that's a jumbo
There's gotta be two-fifty or three-hundred on her
That's a fairly large one
There's gotta be two-hundred on her
And now I'm adding this up
We got thirty-eight planes
We've got two, three-hundred people on the average...
...holy shit!
(And then another
And then another
And then thirty-two, thirty-two planes
And then another
And then another
And then thirty-eight, thirty-eight
Thirty-eight, thirty-eight, thirty-eight, thirty-eight planes)

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Welcome to wonderland example and costume suggestion

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Welcome to wonderland example and costume suggestion

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Starbound 21 - Welcome to Wonderland (Wonderland the Musical) Cover