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The representation of Chernobyl in film 

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The representation of Chernobyl in film 

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HBO series 'Chernobyl' (2019) - created and written by Craig Mazin and directed by Johan Renck

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HBO series 'Chernobyl' (2019) - created and written by Craig Mazin and directed by Johan Renck

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'Chernobyl Abyss' (2021) - Danila Kozlovsky

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'Chernobyl Abyss' (2021) - Danila Kozlovsky

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Themes of - patriotism, national pride, heroism 

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Themes of - patriotism, national pride, heroism 

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Themes of - truth and deception, lack of transparency, distrust of governement, villainization of the state 

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Themes of - truth and deception, lack of transparency, distrust of governement, villainization of the state 

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the reconstruction of the narrative of events 

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the reconstruction of the narrative of events 

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'Chernobyl: Inseparable' (2014) - Vitaly Vorobyov

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'Chernobyl: Inseparable' (2014) - Vitaly Vorobyov

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human cost of the disaster and the resilience and bravery of the soviet people 

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human cost of the disaster and the resilience and bravery of the soviet people 

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Chernobyl: Chronicle of Difficult Weeks (1987) - Volodymyr Shevchenko

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Chernobyl: Chronicle of Difficult Weeks (1987) - Volodymyr Shevchenko

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'Chernobyl: The Final Warning' (1991) - Anthony Page

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'Chernobyl: The Final Warning' (1991) - Anthony Page

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15 1991 ‧ Drama/Drama ‧ 1h 35m

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American specialist doctor travels to Moscow to treat victims with radiation burns - depicts the heroism of American people 

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American specialist doctor travels to Moscow to treat victims with radiation burns - depicts the heroism of American people 

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Nuclear Payouts: Knowledge and Compensation in the Chernobyl Aftermath (Adriana Petryna) (2009)

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Nuclear Payouts: Knowledge and Compensation in the Chernobyl Aftermath (Adriana Petryna) (2009)

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Petryna explores the interaction had with Dr Robert Gale, who is depicted in 'Chernobyl: The Final Warning.' There is discussion of the types of compensation given to the victims and the incompetence of the state in helping victims in the aftermath of the disaster

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Nuclear Weapons: The Suicidal Defense (Dean Babst and Margo Schulter) (1989)

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Nuclear Weapons: The Suicidal Defense (Dean Babst and Margo Schulter) (1989)

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Discusses the immediate aftermath of the Chernobyl disaster and its effects on people in europe and around the world. Includes a short quote by Dr Robert Gale. - From the American journal (Earth Island Journal)

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Reviews of HBO’s Chernobyl (Kate Brown, Yuliya Komska, Alex Wellerstein) (2019)

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Reviews of HBO’s Chernobyl (Kate Brown, Yuliya Komska, Alex Wellerstein) (2019)

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From the 'American Historical Review' - Discusses the misrepresentation of the disaster within HBO's miniseries - being represented as historical non-fiction. Brown describes it as 'a Soviet propaganda victory delivered thirty-three years late.'

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From Chernobyl to Ceausescu (MARK ELLIOTT) (1991) 

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From Chernobyl to Ceausescu (MARK ELLIOTT) (1991) 

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Discusses the process in which Vladimir Shevchenko was able to film the aftermath of the disaster in order to create the documentary

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filmed weeks after the Chernobyl disaster - Shevchenko suffered radiation issues after being so close to the fallout. 

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filmed weeks after the Chernobyl disaster - Shevchenko suffered radiation issues after being so close to the fallout. 

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Representations of the Chernobyl catastrophe in Soviet and post-Soviet cinema: the narratives of apocalypse (Johanna Lindbladh) (2019)

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Representations of the Chernobyl catastrophe in Soviet and post-Soviet cinema: the narratives of apocalypse (Johanna Lindbladh) (2019)

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P246-248 - explores the themes of 'inseparable', including a 'mythical perception of Chernobyl' and the themes of self sacrifice and heroism.

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The Moscow times - Putin’s media struggle to deal with HBO’s Chernobyl - Ilya Shepelin 

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The Moscow times - Putin’s media struggle to deal with HBO’s Chernobyl - Ilya Shepelin 

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Discusses the Russian reaction to the HBO series

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The Empire Strikes Back - Russian National Cinema After 2005 (Tomasz Rawski) (2017)

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The Empire Strikes Back - Russian National Cinema After 2005 (Tomasz Rawski) (2017)

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explores the new wave of Russian film, placing emphasis on nation building and overcoming the soviet identity crisis

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Intended to capture the human side of the disaster 

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Intended to capture the human side of the disaster 

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centers around a reactor fire inspector who volunteered to be apart of the emergency response team - focuses on a love story with humanity at the centre - does not criticise the soviet government as much as the HBO series