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As you read the start of Girl in Hyacinth Blue, pay attention to the descriptions of Johannes Vermeer's paintings on pages 5-7.

For Homework due Monday, September 15 by class time. Search the Vermeer Websites posted on Google Classroom and our Padlet.

Choose a painting that embodies some or many of the characteristics described in the passages.

Save and post on Padlet in image of that painting and write a short commentary of of three to four sentences pointing out what elements from the paragraphs in the book you also have found in the painting.

PLEASE REMEMBER TO PUT YOUR NAME ON IT. Also see the posted assignment on Google Classroom.

Challange: No one can post a painting that another person already posted. Everyone must post a different Vermeer painting. So pay attention to the padlet. He didn't paint that many, but most of them have these elements in some way.

Start here.

http://www.essentialvermeer.com/vermeer_painting_part_one.html

and try this.

https://en.wikipedia.org/wiki/List_of_paintings_by_Johannes_Vermeer

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Vermeer Connection Between "Love Enough Chapter" 

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Vermeer Connection Between "Love Enough Chapter" 

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In the beginning of A Girl In Hyacinth Blue, written by Shannon Vreeland, a mysterious and tense tone was consistently repeated throughout pages 5-7. The picture "The Glass of Wine" highlights the suspense from the man's hat shading his face, creating a gothic nature. Also, the dark, gloomy picture on the wall could represent the hidden and shady way Cornelius attained the art. In contrast to the picture, the glass-stained window emphasizes the light from the left side, as explained in the book. The light provides a peaceful touch, but is contradicted by the mystery of the man with the hat.

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In Girl in Hyacinth Blue, the painting of the music lesson is described as simple and full of gentle light. Vermeer's The Music Lesson exhibits many similar aspects in this work - a sense of quiet and a calm moment between the subjects. Both the book and the painting show how ordinary life can be beautiful, reminding us that even small, simple moments can feel special in everyday life. Vermeer's expert mastery of light through the stained glass window in this painting, the contrast of the floor tiles, and the detail in the beautiful tapestry-draped table are typical of his work and highlight the beauty of life during this time.

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In the first chapter of A Girl In Hyancinth Blue, Vermeer's paintings are characterized by having an open window always on the left, and in this painting, there is light coming in from the left side, suggesting there is a window there even though it is not in the frame. Additionally, the recognizable tile floors are depicted and are slightly distorted, just as it is described in the book. Everything painted has very soft edges, and the objects in the background are blurry and not in focus. Also, the table with the cloths on it is more focused in this painting, and it almost obstructs the view of the figures in the back because of how it is sharper than everything else.

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In Girl in Hyacinth Blue, the image of "The Guitar Player" relates to some of the common themes across Vermeer's paintings. In this particular image, the girl is in a yellow, fur trimmed jacket, which the color of the "yellow" light was depicted in Cornelius' painting. The girl is also wearing a pearl necklace and her wearing the pearls signifies her higher status, reflecting he traditionally paints the upper class. The light shining on her signifies moderate incoming light and, possibly, to shield against prying eyes on the outside world.,

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On page 6 of Girl in Hyacinth Blue, by Susan Vreeland, the painting "Girl with the Wineglass" (1960) was mentioned. It is described as having visible distortion in the floor tiles that Vermeer had in his earlier work. The window opening inward at the left, the light sides in the brushstrokes, and the light spilling onto the woman's forehead from the window also indicate the authenticity of Vermeer's art style.

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Mary Ellen Dolan - The Woman with a Pearl Necklace

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Mary Ellen Dolan - The Woman with a Pearl Necklace

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In Shannon Vreeland's, Girl in Hyacinth Blue, Vermeer's paintings are characterized by having an open window inward at the left with a splash of pale yellow light. Although this piece, "Woman with a Pearl Necklace," does not clearly show a window, it can be inferred it is present due to the brightness entering the room and delicately hitting the front of the woman's face. The sun on her face highlights her beauty and creates a sharp focus to her emotions. Additionally, throughout the painting, there are more hints of yellow like on her coat, curtains and other small or hidden designs suggesting the color may represent simple joy or happiness. Vermeer's paintings are also characterized by the depiction of wealth, which this woman's pearl earrings, fur and bow illustrate. This image may reveal a lovely life and peace, however, it is interesting to see this image compared to the mysterious man keeping the artwork, Cornelius.

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In Girl In Hyacinth Blue, the painting of the girl with a water jug this painting is described as light, quite, and simple. Vermeer's the women with the water jug reflects this with its qualities such as soft window light and a domestic act. This painting shows how even small acts like these can be seen as timeless and beautiful and how ordinary everyday tasks can be romanticized. Vermeer's use of color and and the contrast between the light and the shadows on the wall make for a timeless piece. The women's main focus is on the jug which shows both grace and dignity which can be found in everyday life. This art piece helps to remind us that human life is cherished and fleeting and to be present in our everyday lives.

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In Girl in Hyacinth Blue, Vermeers famous signatures in his paintings are described in detail mainly in the first few pages. His paintings were characterized as simple, gentle, and soft which are seen in this painting. One of his signatures that was described was open windows always on the left side of the painting. The Officer and Laughing Girl has an open window on the left hand side of the canvas, making the painting reveal a joyful or light- hearted message. While the laughing girl is holding a jug her focus is fully on the officer, demonstrating honor and respect torward admirable figures.

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Ashley Muccia- Girl Reading a Letter at an Open Window

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Ashley Muccia- Girl Reading a Letter at an Open Window

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In Girl in Hyacinth Blue, the first chapter, especially pages 5-7 describes Vermeers potent signatures. A girl reading a letter at an open window showcases many similar aspects in his work. A Vermeer signature would be a girl standing with an open window on the left, setting a tone of peacefulness and concentration to the letter she is reading. Also the light shining through the window beautifully illuminates her face, and even in the way her hands are delicately holding the letter. In the back left corner there seems to be a leather chair with stud on it, this is actually a simple and random addition but a Vermeer classic, showing his precise and gorgeous details.

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liv walker - The Girl With The Wine Glass 

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liv walker - The Girl With The Wine Glass 

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In Girl In Hyacinth Blue, on page 6, Susan Vreeland mentions "The Girl With The Wine Glass". He mentioned the distortion of tiles which was a characteristic of Vermeer's paintings. Additionally, he added a vibrant stained glass window which seems to look expensive and fragile. With the girl wearing a vibrat colored dress it makes her stand out rather than the people behind her wearing gloomy clothes. His prestigious and eye catching work reveals his strong attention too detail.

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Vivianna Chin - The Girl Interrupted at Her Music

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Vivianna Chin - The Girl Interrupted at Her Music

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In Girl in Hyacinth Blue by Susan Vreeland, Vermeer's paintings are described as having a window to the left with soft, yellow light seeping through. Another characteristic of Vermeer's paintings were the black and white distortion of tiles on the floor, as well as the Spanish chair the figures are always positioned on. The Girl Interrupted at Her Music by Vermeer contains all of the characteristics described in pages 5-7. Many components of the painting are realistically detailed, with the mixture of soft shadow edges and hard edges. The glass window has a detailed bright light to it, almost as if it is the focal point of the painting. It looks delicate, as if it could break suddenly at any point. The woman and window both contrast the man and the total environment of the painting. The woman and the window are bright with more color, while the man and the environment feels gloomy, like something unfortunate is to come. The contradicting elements of art come together well in this painting, showing Vermeer's mastery of his skills.

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Madeline Heissan - Lady Writing a Letter with her Maid

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Madeline Heissan - Lady Writing a Letter with her Maid

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In the book Girl in Hyacinth Blue by Susan Vreeland, different tendencies of Vermeer’s art work are described during conversations between Cornelius and Richard on pages 5-7. During the exchange, the reader learns that Vermeer often paints a “window opening inward at the left”(5), and uses "black and white titles placed diagonally on the floor”(6).  In addition, the “Lady Writing a Letter with her Maid” depicts a women in the process of writing a love letter, while another women is waiting to deliver the message. This scene also follows the same pattern of the window and tiles of Vermeer's art work as described above.  My interpretation of the open window is a metaphor for hope and a better for the messenger.

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Ellie O'Hara- Woman in Blue Reading a Letter 

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Ellie O'Hara- Woman in Blue Reading a Letter 

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In A Girl In Hyacinth Blue, pages 4 to 7 describe Vermeer's specific art style. The paintings are described to have pale yellow lighting and have windows to the left to the paintings, and in this painting, there is light coming from the left side, indicating there is a window there. The blue of the women's top reflects her peaceful and calm demeanor she has while reading the letter, and the map on the wall is used to make it seem less bare, giving the room more life. This painting also has simular chairs that were described in the book as Spanish chairs with brass studs in the leather. Even with not a lot of color used, this painting really depicts a calming early morning feeling and the use of blue to make the woman stand out shows his precision and understanding of art.

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In Girl in Hyacinth Blue by Susan Vreeland, it is understood in the early pages of chapter one that Vermeer painted his work with windows on the left side of the canvas. In this painting, "Officer and Laughing Girl," our attention is drawn to the laughing girl, as an open window on the left side shines a cool toned light on her. This bright light also embodies her mood, as she is joyful and laughing. The officer's position seems stern, considering a hand at his hip, and his side of the window not being open, preventing the light to reach him.

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In Vermeer's painting The Lacemaker, a woman is deeply focused on the work of lacemaking. Like the descriptions on pages 5-7 of Girl in Hyacinth Blue, the painting illustrates soft light that shines on her yellow dress and highlights details in her hands and face. The color yellow was chosen to symbolize warmth and light. Vermeer’s use of color, texture, and form captures the peaceful nature of this scene. Vermeer made the painting blurry to create a realistic sense of how people see the world daily. This painting demonstrates the beauty of everyday life through a woman's small task.

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In Girl in Hyacinth Blue by Susan Vreeland, the very beginning of the book has a quiet, reflective tone, much like Vermeer’s painting Woman Holding a Balance. In this painting, a woman stands still, weighing something in a tiny balance, while light streams gently through the window on her left side. This matches the moment when Cornelius reveals the paintings in his living room. Everything feels silenced , suspended, and full of meaning. The balance also symbolizes judgment or reasoning, which connects to how Cornelius and Richard silently “weigh” the value and history of the painting. The calm lighting and soft colors in the painting reflect the reverence and stillness of this scene, making it a strong visual representation of the book’s opening mood.

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In Girl in Hyacinth Blue, Vermeer’s paintings were characterized and founded to have common themes in them. These same characteristic of “ pale yellow light” was featured in Vermeer’s The Art of Painting, where the natural light fills up the studio, drawing attention to textures, details, and the fabrics in the painting. Both paintings that were described have the “same black and white tiles placed diagonally on the floor” as said in the book (pg 6). Another common factor between the Vermeer paintings is how “the girl’s face is sharply in focus” which is represented in this painting by the girl posing as she gets a portrait of her made.