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프리다 칼로(멕시코와 미국의 국경에 있는 자화상)

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프리다 칼로(멕시코와 미국의 국경에 있는 자화상)

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Kahlo's intellectual and artistic interests hinged on examining her personal experiences and asserting her own identity. She wanted to return to Mexico, where her sense of self was rooted. In this painting, Kahlo depicted herself on the border between two worlds. On the right, we see the industrialized United States represented by the Ford River Rouge plant, sky scrapers, and modern inventions; and on the left, ancient Mexico is represented with verdant plant life, examples of indigenous art, and Aztec iconography. Kahlo stands defiantly between the two countries, perhaps asserting herself as a product of both the modern world and ancient heritage.

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Self-portrait on the Borderline between Mexico and the United States - Frida Kahlo - Google Arts & Culture

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Kahlo's intellectual and artistic interests hinged on examining her personal experiences and asserting her own identity. She wanted to return to Mexico, where her sense of self was rooted. In this painting, Kahlo depicted herself on the border between two worlds.

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빈센트 반 고흐(해바라기)

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빈센트 반 고흐(해바라기)

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow 'and nothing else'. In this way, he demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence. The sunflower paintings had a special significance for Van Gogh: they communicated 'gratitude', he wrote. He hung the first two in the room of his friend, the painter Paul Gauguin, who came to live with him for a while in the Yellow House. Gauguin was impressed by the sunflowers, which he thought were 'completely Vincent'. Van Gogh had already painted a new version during his friend's stay and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.

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Sunflowers - Vincent van Gogh - Google Arts & Culture

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow 'and nothing else'.

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클로드 모네(수련 연못)

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클로드 모네(수련 연못)

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The Water-Lily Pond - Claude Monet - Google Arts & Culture

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In 1883 Monet moved to Giverny where he lived until his death. There, on the grounds of his property, he created a water garden ’for the purpose of cultiva…

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폴 세잔(사과가 있는 정물)

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폴 세잔(사과가 있는 정물)

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Throughout his life, the French painter Paul Cézanne returned again and again to the still life. Encompassing small-scale domestic scenes rather than grand public ones, still life was considered the lowliest of genres by the French Royal Academy, the official arbiter of great art in the nineteenth century. Yet in Still Life with Apples, Cézanne proved that this modest genre could be a vehicle for thinking through the Impressionist project of faithfully representing the appearance of light and space. "Painting from nature is not copying the object," he wrote, "it is realizing one's sensations."

Cézanne consistently draws our attention to the quality of the paint and canvas, and we never lose ourselves in illusion. For example, the edges of the fruit in the bowl are hard to define, appearing to shift before our eyes. Cézanne's scene defies the rules of linear perspective (a system for creating the illusion of space on a flat surface, wherein every object is seen from a single, fixed point of view) and instead gives us shifting views. The right corner of the table tilts forward, and fails to align with the left side; the pitcher, the bowl, and the glass all tilt to the left, as if magnetically drawn to the curtain. Even though the artist worked on this painting for a number of years, some areas of canvas are left bare, and others, like the drape of the tablecloth on the right edge of the table, appear unfinished. Still Life with Apples is more than an imitation of life-it is an exploration of seeing and the very nature of painting.

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Still Life with Apples - Paul Cézanne - Google Arts & Culture

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Throughout his life, the French painter Paul Cézanne returned again and again to the still life. Encompassing small-scale domestic scenes rather than grand...

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구스타프 클림트(키스)

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구스타프 클림트(키스)

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The Kiss - Gustav Klimt - Google Arts & Culture

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“The Kiss”, probably the most popular work by Gustav Klimt, was first exhibited in 1908 at the Kunstschau art exhibition on the site of today’s Konzerthaus…

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에드가 드가(초록옷을 입은 댄서)

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에드가 드가(초록옷을 입은 댄서)

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Swaying Dancer (Dancer in Green) - Edgar Degas - Google Arts & Culture

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Degas was fascinated by the world of ballet; hence, it figured prominently in many of his paintings. Here, the group of dancers is depicted in mid-performance, as viewed from an upper side box. Only one of the girls in green is shown full-length, captured as she executes a swift, complicated turn. The other figures are cropped, leaving the viewer to imagine the rest. In the background, a number of ballerinas dressed in orange stand against the landscape scenery, awaiting their turn. Degas’ use of a cropped, off-centred pictorial space was influenced by photography and by Japanese prints. He felt that the unfinished, transitory nature of reality could only be conveyed using a fragmented technique. Here, the fleeting nature of the movements is captured with rapid pastel strokes, applied with immense skill.

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페르난도 보테로(12세의 모나리자)

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페르난도 보테로(12세의 모나리자)

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Monalisa - Fernando Botero - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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조르주 쇠라(그랑드 자트 섬의 일요일 오후)

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조르주 쇠라(그랑드 자트 섬의 일요일 오후)

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A Sunday on La Grande Jatte - Georges Seurat - Google Arts & Culture

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. ...

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장프랑수아 밀레(이삭 줍는 사람들)

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장프랑수아 밀레(이삭 줍는 사람들)

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True to one of Millet's favourite subjects - peasant life - this painting is the culmination of ten years of research on the theme of the gleaners. These women incarnate the rural working-class. They were authorised to go quickly through the fields at sunset to pick up, one by one, the ears of corn missed by the harvesters.

The painter shows three of them in the foreground, bent double, their eyes raking the ground. He thus juxtaposes the three phases of the back-breaking repetitive movement imposed by this thankless task: bending over, picking up the ears of corn and straightening up again.

Their austerity contrasts with the abundant harvest in the distance: haystacks, sheaves of wheat, a cart and a busy crowd of harvesters. The festive, brightly lit bustle is further distanced by the abrupt change of scale. The slanting light of the setting sun accentuates the volumes in the foreground and gives the gleaners a sculptural look. It picks out their hands, necks, shoulders and backs and brightens the colours of their clothing.

Then Millet slowly smudges the distance into a powdery golden haze, accentuating the bucolic impression of the scene in the background. The man on horseback, isolated on the right, is probably a steward. In charge of supervising the work on the estate, he also makes sure that the gleaners respect the rules governing their task. His presence adds social distance by bringing a reminder of the landlords he represents.

Without using picturesque anecdotes, merely through simple, sober pictorial procedures, Millet gives these certainly poor but no less dignified gleaners an emblematic value free of any hint of miserabilism.

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Gleaners - Jean-François Millet - Google Arts & Culture

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True to one of Millet's favourite subjects - peasant life - this painting is the culmination of ten years of research on the theme of the gleaners. These w...

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Retrospect - Keith Haring - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world’s treasures online.

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카미유 피사로(바쟁쿠르의 풍경, 일몰)

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카미유 피사로(바쟁쿠르의 풍경, 일몰)

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After a short period dedicated to Pointillism, Camille Pissarro gave up this time-consuming technique around 1890. He returned to a freer style of painting that enabled him to capture impressions of light and weather conditions more quickly. Here the intense brightness of the setting sun lends a celebratory atmosphere to the evening scene.

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

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View of Bazincourt, Sunset - Camille Pissarro - Google Arts & Culture

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After a short period dedicated to Pointillism, Camille Pissarro gave up this time-consuming technique around 1890. He returned to a freer style of painting...

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A Bull - Lee Jung-seob - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world’s treasures online.