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Weber's work slightly makes me of Andy Warhol, mostly because the documentary seemingly links the two together (their competition/rivalry around the earlier portions of their careers). And, as the documentary notes, Warhol comments on her Munchkins work--how to make the squares in the background of the work: hand creating them vs. doing them with a template/stencil and roller.

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"This is about society as this big, quite oppressive, machine, like this grid system stamping itself on people and turning them into these kind of stereotypes." --documentary host/commentator

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Weber's depiction of women showed them in the stereotypical roles of the time, like a secretary, and visually showed them "squeezed into corners" (from the documentary) to a small location.

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She depicted/visualized the mundane-ness of working in an office building and the seemingly disappearance of individuality with each person, as in Lever Building 1.

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When she would meet her husband after work, Weber would look at the skyscrapers of New York City and see all the various people working in them, doing various office related tasks.

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In 1956, at the age of twenty-four, Weber took her first trip to New York City and was featured in a MoMA exhbition.

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Munchkins I, II, and III, 1964

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Lever Building 1, 1970