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“Camouflage Outside of Reality” -Vivian Geilim

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“Camouflage Outside of Reality” -Vivian Geilim

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Using my body as a canvas and gesso and white paint as a my mediums, I myself achieve invisibility to the eye, however I am very much still a person, still matter that takes up space. This makes me question the very definition of what invisibility is - what is it to blend in with your enviroment, only to not be visible to the naked eye but very much still take up the physicality of the space.

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Made with fabric. Middle eye part is popped out but can’t really see that from the photo.

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Wanted to make the eyelid open and closable but was unable to find an efficient and practical way.

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Ink on paper, paint on canvas

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Robyn Miller “piece me back together” foggy mirror 

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Robyn Miller “piece me back together” foggy mirror 

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I painted a pomegranate on cardboard and left it outside on my porch during the break to see what would happen. When I came back, the cardboard had separated, but the painting was still there. I forgot to bring it in last night, but I think it being rained on was a fortunate accident. I wanted to see how the painting would change or if it would vanish if I left it to the elements for a week. It was hard to spend so much time rendering something without knowing if it would be intact when I returned, but it was a good exercise in not being precious about my work.

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Acrylic on paper bag and acrylic paint paper, pencil, and acrylic paint pen

This is about comfort women (korean women (ages 11-25) forced to being sex slaves for Japanese soldiers during colonial Japanese era). An issue where Japan and other countries are either trying to get rid of this part of history or accusing the comfort women as prostitutes. The first piece shown is a comfort woman crying with all the negative comments that people have said. Then the next piece is the comfort women statue, located in South Korea, surrounded by yellow butterflies as that is the symbolism for comfort women. Placed these behind a trash bag to show that people are treating this issue poorly and try to erase that it has happened.

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The words in the piece are reflective, so when it is placed in different lighting and settings they will always look different to the viewer. 

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One during the Woolsey Fire. One, years later, during the rebirth of spring. Digitally sliced as triangles to represent change. 

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Charlie Hoberman

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This piece was inspired by the reading we did which mentioned creating invisible spells through artwork.

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Your comfort lingers in absence - Jordan Whitehead

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Your comfort lingers in absence - Jordan Whitehead

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Acrylic on canvas w/LED light frame

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“The Browning”  Shayla Procanik. Coffee and paper on paper. 

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“The Browning”  Shayla Procanik. Coffee and paper on paper. 