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ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO’S FAILURE.

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I enjoyed the movie. I thought it was paced well. That acting was good. The plot kept you wondering

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I thought it was interesting that the movie was not initially called vertigo. The producers came up with many names such as Darkling I listen and Face in the Shadow.

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The main guy looked like mr. rogers

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One interesting thing I read about the movie is that Edith Head, the costume designer for the movie, used color in Kim Novak's costume to highlight the character's state of mind. "When having costume disagreements with Kim Novak about her famous gray suit, Head “explained to her that Hitch paints a picture in his films, that color is as important to him as any artist,” the costume designer says in Vertigo: The Making of a Hitchcock Classic. After a discussion with the director when Head wouldn’t relent, Novak finally understood their creative choices, telling The Telegraph, “I thought, ‘He knows my point of view, he must see a reason why that would work. He wants me to feel that discomfort as Madeleine. And, of course, she should feel that way because she’s actually Judy, playing the part of somebody, so that edge of discomfort will help me.’” http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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The plan Johns friend had to kill his wife and use a cover up was pretty smart because it gave him time because he used johns vertigo

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Vertigo” was responsible for the popularization of the so-called “Vertigo effect” — the trademark shot that creates the effect of Scottie’s acrophobia (falling away from yourself)

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The ending sucks it was to predictable but the fact that it was the nun that made her jump is so ironic and funny.

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Few films are important enough to have a particular kind of shot named after them, but “Vertigo” was responsible for the popularization of the so-called “Vertigo effect” — the trademark shot that creates the effect of Scottie’s acrophobia (falling away from yourself)

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4. The bell tower that’s so crucial to the plot had to be added in through matte painting after the real version was demolished before filming began.
“Vertigo” displays some of Hitchcock’s most memorable location photography, with one of cinema’s most indelible portraits of San Francisco, and cinephiles often hit the tourist trail to visit locations (indeed, the Empire Hotel, where Scottie tracks down Judy, was renamed the Hotel Vertigo in 2009). But don’t go looking for the bell tower of the Mission San Juan Bautista, from which Madeleine and Judy fall. The mission is real, and it did once have a bell tower, but in between scouting the location and filming the scene, the tower was torn down because of dry rot. Hitchcock was forced to add a new tower, taller than the real one, via matte paintings. Don’t look for the grave of Madeleine’s great-grandmother Carlotta Valdes either: it was left after filming at the Mission Dolores, but then removed for fear that a tourist attraction grave for a fictional character (and one who committed suicide, no less) would be disrespectful to the dead.

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The Bell tower had to be recon
The iconic scene where Madeleine falls from the tower was filmed at Mission San Juan Bautista, which was a Spanish mission in California. It was associate producer Herbert Coleman’s daughter who suggested the beautiful bell tower. However, the steeple, which was added after the original construction of the mission, had burned down in a fire.

According to Auiler, Hitchcock had no choice but to add a bell tower using scale models, matte paintings, and trick photography, all within the Paramount studio lot in Los Angeles. The real tower was smaller than the film's version, and the staircase was also built inside a studio, where Hitchcock preferred to film. He shot only what was necessary on location, then recreated things in the studio so that he could totally control the environment.

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The story moved so incredibly slowly that it was difficult to follow... I did like the scenery of San Fransisco, however the pace killed my interest in the film entirely.
http://birthmoviesdeath.com/2015/03/16/the-critical-transformation-of-alfred-hitchcocks-vertigo

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Why was the nun

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Kim Novak was already being considered to replace Vera Miles, Hitchcock’s first-choice leading lady, before Miles dropped out due to pregnancy.  (MSN.com)

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The bell tower had to be added through matte painting after the real version was demolished before filming began.

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Vertigo is number 61 on the American Film Institutes top 100 movies of all time.
Source: http://m.sparknotes.com/film/vertigo/facts.html

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It is interesting that one of the main girl characters was supposedly dead but we later found out she was still alive

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The film was based of off a novel by “Les Diaboliques” authors Pierre Boileau and Thomas Narcejac. Hitchcock tried to buy the rights to it but someone else got to it first.

https://www.google.com/amp/www.indiewire.com/2012/05/5-things-you-might-not-know-about-alfred-hitchcocks-masterpiece-vertigo-110734/amp/

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One interesting fact I found is Alfred Hitchcock blamed Jimmy Stewart for Vertigo's failure.

http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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In one of the most renowned polls for movie rankings, the Sight and Sound poll is under way for voting on Vertigo as the greatest movie ever made. The movie wasn't given good reviews at all upon release, but when re-released in 1984, it got a lot of attention and is now one of the most examined, deconstructed and written about films ever to date.

Source: http://www.indiewire.com/2012/05/5-things-you-might-not-know-about-alfred-hitchcocks-masterpiece-vertigo-110734/

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THE INFAMOUS BELL TOWER HAD TO BE RECONSTRUCTED BECAUSE THE ORIGINAL ONE WAS IN RUINS.

The iconic scene where Madeleine falls from the tower was filmed at Mission San Juan Bautista, which was a Spanish mission in California. It was associate producer Herbert Coleman’s daughter who suggested the beautiful bell tower. However, the steeple, which was added after the original construction of the mission, had burned down in a fire.

According to Auiler, Hitchcock had no choice but to add a bell tower using scale models, matte paintings, and trick photography, all within the Paramount studio lot in Los Angeles. The real tower was smaller than the film's version, and the staircase was also built inside a studio, where Hitchcock preferred to film. He shot only what was necessary on location, then recreated things in the studio so that he could totally control the environment.

http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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KIM NOVAK WAS ALREADY BEING CONSIDERED TO REPLACE VERA MILES, HITCHCOCK’S FIRST-CHOICE LEADING LADY, BEFORE MILES DROPPED OUT DUE TO A PREGNANCY.
Source: http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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Hitchcock explored necrophilia while shooting the film.

Source: http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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One Interesting fact I found in the movie Vertigo is that they went through several movie title options. Some of the movie titles were A Matter of Fact, The Mad Carlotta, Face in the Shadow. I think the final movie title is the best.

http://www.msn.com/en-us/movies/news/11-dizzying-facts-about-vertigo/ar-AAeTJdF#page=2

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Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock’s previous movies, and was widely recognized as a failure . Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart’s aging appearance. At the time of filming, Stewart—who had starred in Hitchcock’s three previous films—was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak’s love interest.

http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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Though it was a box office dud upon its release, in the 57 years since its premiere, Alfred Hitchcock's Vertigo has slowly become one of the director's most revered films. (In 2012, it even managed to snag the title of Greatest Film of All Time from Citizen Kane, which had boasted the accolade for more than 50 years.)

Starring Jimmy Stewart and Kim Novak, the thriller tells the story of an injured cop (Stewart) suffering extreme acrophobia who's hired by an acquaintance to investigate his distant wife (Novak). What ensues is a twisted tale of death and romantic delusion that would make any on-the-fence Hitchcock fan a true believer. If that's you, let us feed your frenzy: here are a few things you might not know about Vertigo.

1. ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO'S FAILURE.

Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock's previous movies, and was widely recognized as a failure. Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart's aging appearance. At the time of filming, Stewart-who had starred in Hitchcock's three previous films-was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak's love interest.

2. EDITH HEAD USED COLOR TO HIGHLIGHT THE CHARACTERS' STATE OF MIND.

When having costume disagreements with Kim Novak about her famous gray suit, Head "explained to her that Hitch paints a picture in his films, that color is as important to him as any artist," the costume designer says in Vertigo: The Making of a Hitchcock Classic. After a discussion with the director when Head wouldn't relent, Novak finally understood their creative choices, telling The Telegraph, "I thought, 'He knows my point of view, he must see a reason why that would work. He wants me to feel that discomfort as Madeleine. And, of course, she should feel that way because she's actually Judy, playing the part of somebody, so that edge of discomfort will help me.'"

3. KIM NOVAK WAS ALREADY BEING CONSIDERED TO REPLACE VERA MILES, HITCHCOCK'S FIRST-CHOICE LEADING LADY, BEFORE MILES DROPPED OUT DUE TO A PREGNANCY.

According to Vertigo: The Making of a Hitchcock Classic, Hitchcock began to have doubts about Miles's ability to be a breakout star when she showed signs of reluctance to be shaped by the director. Thus, Hitchcock sought a possible substitute. Author Dan Aulier writes, "A few weeks before Miles reported to Stage 5 at Paramount for hair, costume, and makeup tests, Hitchcock screened The Eddy Duchin Story, a biopic featuring an actress [Kim Novak] who was being molded by one of Hitchcock's crosstown rivals [Harry Cohn]."

4. HITCHCOCK EXPLORED NECROPHILIA WHILE SHOOTING THE FILM.

In a series of 1962 interviews between Hitchcock and Truffaut, restored by director Kent Jones for his 2015 documentary Hitchcock/Truffaut, Hitchcock elaborated on the most perverse scene of Vertigo: the part in which Novak's Judy dresses up as the dead woman with whom Stewart's Scottie is obsessed. "I indulged in a form of necrophilia," said Hitchcock. In the scene, Scottie can't bring himself to have sex with Judy until every detail matches his former lover, Madeleine.

5. AN UNCREDITED CAMERAMAN CAME UP WITH THE FAMOUS "VERTIGO EFFECT."

According to associate producer Herbert Coleman, it wasn't Hitchcock who came up with the film's famous camera technique (which essentially involves zooming forward while pulling the camera backward); rather, it was an uncredited second unit cameraman, Irwin Roberts. "He didn't get screen credit on Vertigo because they gave the screen credit to another close friend of ours [Wallace Kelley] who did all the process work on the stage," Coleman said.

6. THE PRODUCTION CODE ADMINISTRATION POLICED THE MORALS OF THE FILM'S CHARACTERS.

Considering this was the 1950s, any kind of sexual activity was scrutinized. According to Auiler's book on the making of Vertigo, the Production Code Administration, under the leadership of Geoffrey Shurlock, wanted to eliminate several scenes that contained illicit sex. This included, but was not limited to, discussions between Scottie and Midge (Barbara Bel Geddes) about her bra and her love life, and any underwear pictured during Madeleine's suicide attempt.

7. THE FILM WENT THROUGH SEVERAL TITLE OPTIONS.

While the source novel's literal translation was From Among the Dead, which is the title under which the film was cast and shot, it didn't stick. According to Auiler, a few Paramount execs weighed in with their suggestions, which included A Matter of Fact, The Mad Carlotta, Face in the Shadow, and Possessed by a Stranger. As a title for the first draft of the script, original writer Maxwell Anderson submitted Darkling I Listen.

8. A MUSICIANS GUILD STRIKE AFFECTED THE FINAL CUT.

In 1958, the same year Vertigo was in post-production, Hollywood's musical status quo changed drastically. Studios were dissolving their in-house music departments, so the industry's composers, orchestra members, and musicians had to start working freelance or were out of jobs. According to a 1996 interview with Hitchcock's daughter, Patricia, the union had a lot of things working against them: a leader who didn't look out for them, Hollywood using cheaper old recordings from Europe, and a tense intra-union split amongst members.

"Bernard Herrmann didn't conduct himself," said Patricia. "It couldn't be done in Hollywood, so it was taken to London with Muir Mathieson conducting, and they did about a day and a half there, then the London orchestra went out in sympathy with the Los Angeles musicians. And the entire unit had to move to Vienna." During the film's restoration in the 1990s, each country's recording ultimately aged differently, leaving the folks at Universal to remaster its sound.

9. ALFRED HITCHCOCK CHANGED THE SETTING FROM PARIS TO SAN FRANCISCO.

The French source novel, D'entre les Morts, was set in Paris, but Hitchcock believed that San Francisco was more interesting. As noted by Auiler, with the city's vertiginous streets and hilly landscape, the location perfectly matched the film's themes. In a city where there were such extreme physical highs and lows, awful for anyone with acrophobia, Scottie's vertigo became a character in and of itself.

10. THE INFAMOUS BELL TOWER HAD TO BE RECONSTRUCTED BECAUSE THE ORIGINAL ONE WAS IN RUINS.

The iconic scene where Madeleine falls from the tower was filmed at Mission San Juan Bautista, which was a Spanish mission in California. It was associate producer Herbert Coleman's daughter who suggested the beautiful bell tower. However, the steeple, which was added after the original construction of the mission, had burned down in a fire.

According to Auiler, Hitchcock had no choice but to add a bell tower using scale models, matte paintings, and trick photography, all within the Paramount studio lot in Los Angeles. The real tower was smaller than the film's version, and the staircase was also built inside a studio, where Hitchcock preferred to film. He shot only what was necessary on location, then recreated things in the studio so that he could totally control the environment.

11. DESPITE HITCHCOCK'S TASKMASTER REPUTATION, KIM NOVAK GOT ALONG WITH HER DIRECTOR.

Happy to be on loan from Columbia, the Harry Cohn-run studio under which Novak was contracted, Novak reveled in her experience with Hitchcock. "I didn't find him controlling whatsoever," she told The Telegraph. "I found him a joy." In a 2003 interview with MacGuffin, she elaborated saying, "[Hitchcock] didn't make me feel 'less than.' He never said, 'You're not doing it right...' What I would do after a take is to look in Jimmy Stewart's eyes ... I used Jimmy to give me what I needed to keep going and to know that I was on the right path with it ... So, Hitchcock wouldn't say anything about my work in the movie but, on the other hand, he wouldn't complain, either."

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Though it was a box office dud upon its release, in the 57 years since its premiere, Alfred Hitchcock's Vertigo has slowly become one of the director's most revered films. (In 2012, it even managed to snag the title of Greatest Film of All Time from Citizen Kane, which had boasted the accolade for more than 50 years.)

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Though it was a box office dud upon its release, in the 57 years since its premiere, Alfred Hitchcock's Vertigo has slowly become one of the director's most revered films. (In 2012, it even managed to snag the title of Greatest Film of All Time from Citizen Kane, which had boasted the accolade for more than 50 years.)

Starring Jimmy Stewart and Kim Novak, the thriller tells the story of an injured cop (Stewart) suffering extreme acrophobia who's hired by an acquaintance to investigate his distant wife (Novak). What ensues is a twisted tale of death and romantic delusion that would make any on-the-fence Hitchcock fan a true believer. If that's you, let us feed your frenzy: here are a few things you might not know about Vertigo.

1. ALFRED HITCHCOCK BLAMED JIMMY STEWART FOR VERTIGO'S FAILURE.

Marred by mixed reviews, the $2.5 million Vertigo did comparatively less than Hitchcock's previous movies, and was widely recognized as a failure. Frustrated with its reception, Hitchcock partly blamed star Jimmy Stewart's aging appearance. At the time of filming, Stewart-who had starred in Hitchcock's three previous films-was 50 years old which, according to the director, was too old to convincingly play then-25-year-old Kim Novak's love interest.

2. EDITH HEAD USED COLOR TO HIGHLIGHT THE CHARACTERS' STATE OF MIND.

When having costume disagreements with Kim Novak about her famous gray suit, Head "explained to her that Hitch paints a picture in his films, that color is as important to him as any artist," the costume designer says in Vertigo: The Making of a Hitchcock Classic. After a discussion with the director when Head wouldn't relent, Novak finally understood their creative choices, telling The Telegraph, "I thought, 'He knows my point of view, he must see a reason why that would work. He wants me to feel that discomfort as Madeleine. And, of course, she should feel that way because she's actually Judy, playing the part of somebody, so that edge of discomfort will help me.'"

3. KIM NOVAK WAS ALREADY BEING CONSIDERED TO REPLACE VERA MILES, HITCHCOCK'S FIRST-CHOICE LEADING LADY, BEFORE MILES DROPPED OUT DUE TO A PREGNANCY.

According to Vertigo: The Making of a Hitchcock Classic, Hitchcock began to have doubts about Miles's ability to be a breakout star when she showed signs of reluctance to be shaped by the director. Thus, Hitchcock sought a possible substitute. Author Dan Aulier writes, "A few weeks before Miles reported to Stage 5 at Paramount for hair, costume, and makeup tests, Hitchcock screened The Eddy Duchin Story, a biopic featuring an actress [Kim Novak] who was being molded by one of Hitchcock's crosstown rivals [Harry Cohn]."

4. HITCHCOCK EXPLORED NECROPHILIA WHILE SHOOTING THE FILM.

In a series of 1962 interviews between Hitchcock and Truffaut, restored by director Kent Jones for his 2015 documentary Hitchcock/Truffaut, Hitchcock elaborated on the most perverse scene of Vertigo: the part in which Novak's Judy dresses up as the dead woman with whom Stewart's Scottie is obsessed. "I indulged in a form of necrophilia," said Hitchcock. In the scene, Scottie can't bring himself to have sex with Judy until every detail matches his former lover, Madeleine.

5. AN UNCREDITED CAMERAMAN CAME UP WITH THE FAMOUS "VERTIGO EFFECT."

According to associate producer Herbert Coleman, it wasn't Hitchcock who came up with the film's famous camera technique (which essentially involves zooming forward while pulling the camera backward); rather, it was an uncredited second unit cameraman, Irwin Roberts. "He didn't get screen credit on Vertigo because they gave the screen credit to another close friend of ours [Wallace Kelley] who did all the process work on the stage," Coleman said.

6. THE PRODUCTION CODE ADMINISTRATION POLICED THE MORALS OF THE FILM'S CHARACTERS.

Considering this was the 1950s, any kind of sexual activity was scrutinized. According to Auiler's book on the making of Vertigo, the Production Code Administration, under the leadership of Geoffrey Shurlock, wanted to eliminate several scenes that contained illicit sex. This included, but was not limited to, discussions between Scottie and Midge (Barbara Bel Geddes) about her bra and her love life, and any underwear pictured during Madeleine's suicide attempt.

7. THE FILM WENT THROUGH SEVERAL TITLE OPTIONS.

While the source novel's literal translation was From Among the Dead, which is the title under which the film was cast and shot, it didn't stick. According to Auiler, a few Paramount execs weighed in with their suggestions, which included A Matter of Fact, The Mad Carlotta, Face in the Shadow, and Possessed by a Stranger. As a title for the first draft of the script, original writer Maxwell Anderson submitted Darkling I Listen.

8. A MUSICIANS GUILD STRIKE AFFECTED THE FINAL CUT.

In 1958, the same year Vertigo was in post-production, Hollywood's musical status quo changed drastically. Studios were dissolving their in-house music departments, so the industry's composers, orchestra members, and musicians had to start working freelance or were out of jobs. According to a 1996 interview with Hitchcock's daughter, Patricia, the union had a lot of things working against them: a leader who didn't look out for them, Hollywood using cheaper old recordings from Europe, and a tense intra-union split amongst members.

"Bernard Herrmann didn't conduct himself," said Patricia. "It couldn't be done in Hollywood, so it was taken to London with Muir Mathieson conducting, and they did about a day and a half there, then the London orchestra went out in sympathy with the Los Angeles musicians. And the entire unit had to move to Vienna." During the film's restoration in the 1990s, each country's recording ultimately aged differently, leaving the folks at Universal to remaster its sound.

9. ALFRED HITCHCOCK CHANGED THE SETTING FROM PARIS TO SAN FRANCISCO.

The French source novel, D'entre les Morts, was set in Paris, but Hitchcock believed that San Francisco was more interesting. As noted by Auiler, with the city's vertiginous streets and hilly landscape, the location perfectly matched the film's themes. In a city where there were such extreme physical highs and lows, awful for anyone with acrophobia, Scottie's vertigo became a character in and of itself.

10. THE INFAMOUS BELL TOWER HAD TO BE RECONSTRUCTED BECAUSE THE ORIGINAL ONE WAS IN RUINS.

The iconic scene where Madeleine falls from the tower was filmed at Mission San Juan Bautista, which was a Spanish mission in California. It was associate producer Herbert Coleman's daughter who suggested the beautiful bell tower. However, the steeple, which was added after the original construction of the mission, had burned down in a fire.

According to Auiler, Hitchcock had no choice but to add a bell tower using scale models, matte paintings, and trick photography, all within the Paramount studio lot in Los Angeles. The real tower was smaller than the film's version, and the staircase was also built inside a studio, where Hitchcock preferred to film. He shot only what was necessary on location, then recreated things in the studio so that he could totally control the environment.

11. DESPITE HITCHCOCK'S TASKMASTER REPUTATION, KIM NOVAK GOT ALONG WITH HER DIRECTOR.

Happy to be on loan from Columbia, the Harry Cohn-run studio under which Novak was contracted, Novak reveled in her experience with Hitchcock. "I didn't find him controlling whatsoever," she told The Telegraph. "I found him a joy." In a 2003 interview with MacGuffin, she elaborated saying, "[Hitchcock] didn't make me feel 'less than.' He never said, 'You're not doing it right...' What I would do after a take is to look in Jimmy Stewart's eyes ... I used Jimmy to give me what I needed to keep going and to know that I was on the right path with it ... So, Hitchcock wouldn't say anything about my work in the movie but, on the other hand, he wouldn't complain, either."

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Though it was a box office dud upon its release, in the 57 years since its premiere, Alfred Hitchcock's Vertigo has slowly become one of the director's most revered films. (In 2012, it even managed to snag the title of Greatest Film of All Time from Citizen Kane, which had boasted the accolade for more than 50 years.)

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It seemed kind of strange how easily Judy let John change her to look like Madeleine after her death, and then let him take her take him to the scene of the crime, leading to her actual death soon after.

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Originally the movie was supposed to take place in Paris but Hitchcock changed it to San Francisco because he thought it would be more interesting
source:
http://mentalfloss.com/article/69070/11-dizzying-facts-about-vertigo

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This movie has some very long shots in it that would normally get quite boring in other movies. For example, the scene where Jimmy Stewart is tailing her in the car. The view and music work well to create a good shot.

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The word 'Vertigo' is only spoken once in the beginning of the movie. Which I found very interesting about the movie, and didn't think about throughout the movie. I focused more on the phase of vertigo.

Source
http://www.imdb.com/title/tt0052357/trivia

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"There is a 25 year age difference between James Stewart and Kim Novak, who were 49 and 24 respectively when the film was shot in 1957."

Source:

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Vertigo (1958) Trivia on IMDb: Cameos, Mistakes, Spoilers and more...

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I thought it was interesting that in the beginning of the movie the main guy got Vertigo from a traumatic experience and they said it could go away again if he experienced another traumatic event.

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Every ten years, Sight and Sound, a British film magazine, conducts worldwide polls to determine the top 50 films of all time. The last poll, conducted in 2012, placed Vertigo on the top of the list.

Source: "5 Things You Might Not Know About Alfred Hitchcock’s Masterpiece ‘Vertigo’"