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an international style that appreciates beauty of the subject matter, tonality, composition instead of documentation of reality.It introduced photography to the world of art, adding your own style.

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First started pictorialism and In 1924 he debuted his Equivalents series. Also was added into the International Photography Hall of Fame and Museum in 1971. He created the photo-secession group of photgraphers that accept fine art:Edward Steichen, Clarence H. White, Gertrude Käsebier, and Alvin Langdon Coburn.

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One of Alfreds famous pieces, Alfred and his family were boarding ship to travel to Europe. Found in the Whitney Museum of American Art

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Was taken outside the window of Alfred's avantgarde gallery. Found in the Museum of Modern Art-New York

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Steichen began his artistic career at the age of 16, working as a design apprentice in a Milwaukee lithographic firm, where he created photographs that were used as models for illustrated advertisements, he claimed that his “first real effort in photography was to make photographs that were useful,” an approach to which he would return later in his career.

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Steichen added color to the platinum print that forms the foundation of this photograph by using layers of pigment suspended in a light-sensitive solution of gum arabic and potassium bichromate. Together with two variant prints in other colors, this picture is a prime example of the conscious effort of photographers in the circle of Alfred Stieglitz to assert the artistic potential of their medium.

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Clarence Hudson White was an American photographer, teacher and a founding member of the photo-session movement. He grew up in small towns in Ohio, where his primary influences were his family and the social life of rural America. After visiting the Worlds Columbian exposition in Chicago in 1893, he took up photography. Although he was completely self-taught, within a few years he was internationally known for his pictorial photographs that captured the spirit and sentimentality of America in the early twentieth century.

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"Ring Toss" by Clarence H White is a vision of youthful feminine energy in a domestic setting. It signals a remove from the modern urban world and demonstrates White's ability to find sentiment even in the commonplace.

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An american photographer known for her photos of motherhood, portraits of native americans, and the promotion of photography as a career for women.

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Became the first major photographer to emphasize the visual potential of elevated viewpoints and later made some of the first completely abstract photographs.

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A photograph Alvin took of Marius de Zayas, using a certian mirrot to distort the image

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American Pictorialism became less involved with atmospheric effects and beautiful subject matter, but for some years after world war 1, the older ideals of pictorial beauty were retained by the group called Pictorial Photographers of America. By the late 1920s, as the aesthetics of Modernism took hold, the term Pictorialism came to describe a tired convention.

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The Family of Man was composed of 503 photographs grouped thematically around subjects pertinent to all cultures, such as love, children, and death. After its initial showing at The Museum of Modern Art in 1955, the exhibition toured the world for eight years, making stops in thirty-seven countries on six continents. In this photograph, Edward Steichen, former Director of the Museum’s Department of Photography, leads a group of visitors through The Family of Man at the Hochschule für Bildende Künste (Academy for Creative Arts) in Berlin in 1955. The photographs included in the exhibition focused on the commonalties that bind people and cultures around the world and the exhibition served as an expression of humanism in the decade following World War II.

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An American painter and graphic artist. He would take pictures from newspapers and magazine dousing them in lighter fluid to transfer the ink onto a blank paper to create a new piece of art. His work was often criticized but is now recognized for pioneering the Pop art movement.

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This piece is one of his most recognized works. It belonged to one a series of silkscreen paintings. It was new form of art. https://www.rauschenbergfoundation.org/art/art-in-context/retroactive-i

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An artist and photographer. He would take photographs, drop its detail to give them a new abstract look. With the use of silk screens he was able to create more than one painting with slight differences. His abstract creations helped change people's perspectives regarding photography and fine art. His works influenced the Pop art movement.

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In 1967 Andy Warhol had created his business, Factory Additions. One of his first releases was Marilyn Monroe. These images belonged to one of his most popular series of screenprint portfolios.
https://www.moma.org/collection/works/61240

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American photographer and filmmaker who portrayed glamorous characters and was interested in the grotesque. Pictures focused on identity and playing with the visual and cultural codes of art

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Taken by Cindy Sherman which helped giver her a widespread reputation as a witty commentator on the female role models of her youth.From a film by Sherman's Epic.

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Simmons was a photographer known for her photographs of staged scenes using dolls, ventriloquist dummies, etc.

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This was one of her many photographs. Through this series of images, she depicted how life can be so secondhand that even a plastic figurine could represent it.

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A painter and photographer who investigated the role of masculinity in American life.

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He is known for rephotographing Malbro ads removing of its original text. By doing so, we got a beautiful photograph of the west that had once been an advertisement.