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What productions did you try to do and/or worked digitally for you, and what works would you keep "sacred" as live theatre only?

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Not being able to enjoy online shows (and the guilt of that)

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Loss of talent in the industry - how can we make the scene conducive for their return?

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The labour of making works during this time

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The place of theatre criticism in a pandemic  - Nabilah Said

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All those panel discussions - did they help? - Nabilah Said

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How does this year change what we think of as an archival recording?

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The Digital Presentation Grant - did it help or hurt the artform? -  Nabilah Said

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The blurring of boundaries between artforms, with the marrying of digital, led to new and innovative offerings for audiences

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How do we deal with the inevitable reduction in audience's attention spans for watch-at-home theatre pieces? - Ke Weiliang

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how are companies coping with planning a show given that theres much that's uncertain in the coming months?
- Denise Dolendo

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Can we come out with new ways of delivering theatrical experiences without requiring people to congregate in a physical/digital space at the same time?

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what were some of the most innovative ways that people have presented their works this year

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i would be interested to hear from people who've put out digital works this year on how audience engagement was - ie. audience profile, numbers, feedback. and if there were any learning points/challenges they could share wrt marketing, getting audiences that would be helpful to know.

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where do people get their budget for digital

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How have you maintained your regular theatre-going patrons while venturing into new demographics by going online?

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Mental Health and The Lost Freelancer: What Now? 

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Mental Health and The Lost Freelancer: What Now? 

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As an individual about to enter the workforce and inundated by the amount of arts & culture, as well as political updates that "needs" to be "kept track of", it feels like an impossible time to start a job/career/passion in the arts community. Is this really true, and how can we form a community in the midst of this "Age of the Pandemic"? - Phil

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The artform of theatre has evolved, shifted, grown as a result of a pandemic. Was it an exploration long overdue? What do we want to keep? What aspects can we let go?

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Did anyone have to take a job outside of the arts industry to make ends meet? I want to feel less lonely. What do you feel abt the distance that you now find between yourselves and the arts scene? - Ke Weiliang

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What does 'watching theatre digitally' tell you about the definition or meaning of theatre (to you)?

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Did anyone else struggle to set prices for the digital theatre productions they offered? Did you feel like you were charging too little / too much for the experience? Did you feel that your labour was, in a sense, compensated?

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how has your mental health been affected due to the loss of jobs this year? what have you done, or are trying to do, to heal?

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What are some of the new / evolved terms about theatre-making that have emerged in this period

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RUMAH'S SOLIDARITY PROJECT was also part of the NAC digital project.

Started on 20th April to 2nd September.

https://youtube.com/playlist?list=PLGhHWpi027Id-LDRz4t7-K9k72sQ9wg90

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Panggung Digital SG, started on 11 June

https://youtube.com/c/PanggungDigitalSG

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Playwrights' Bootcamp (18, 20 & 22 August) by The Theatre Practice / Online

Poppy (13 December) by the Poppy team / Online

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Is 'theatre' still a suitable term to describe what we make/consume/experience today? Or, the use/definition of 'theatre' has been or can be expanded to include more types of performing arts? Or, just use 'theatre' for the 'theatre theatre', and something else for everything else? Or, this is a meaningless question, coz categorisation is meaningless?

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A.R. Gurney's Love Letters
by Wag the Dog Theatre Company
February 13, 2020
at Idlewild at Intercontinental Singapore

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@theoachen on Instagram, continuing workshopping of my solo one-on-one piece at the Substation in January.

I run and am part of @playwrightscommune a playwriting collective - always open to more connections with people interested in any aspect of developing new work for the stage.

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WTD Radio Christmas Comedy Hour - The Dog's Baubles
by Wag the Dog Theatre Company
December 12, 2020 to January 3, 2021
Pre-recorded

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Happened at Capitol Theatre 14th Feb 2020