# data[].attributes.headline
If you understand the author’s intention in writing a text, you will understand the meaning of the text. 

# data[].attributes.subject
If you understand the author’s intention in writing a text, you will understand the meaning of the text. 

# data[].attributes.body
This voice note serves as the answer to 3.1 of the ENGV311 holiday assignment.

# data[].attributes.body
Intentional fallacy is a term that describes the belief that the meaning of a certain work of literature corresponds with the author's intention. According to New Criticism, one cannot consider this to be true and one must view texts as independent art works.

Based on this comparison between movie and book, it is evident that certain facts and characters have been excluded from the movie, while in the book, these events and characters played some part in the story. However, I am of the belief that 'intentional fallacy' is a hard concept to consider. Even though minor differences exist between the two mediums, the overall intention stayed the same: to show the inter-relatedness of all things. Furthermore, the same themes are prevalent in both mediums, which include slavery,freedom and love, to name a few.

# data[].attributes.headline
Why are the different versions better adapted for different mediums?

# data[].attributes.subject
Why are the different versions better adapted for different mediums?

# data[].attributes.body
Yoona-939 abducts a child consumer and ascends up the elevator. She, however, does not make it out at the top since she is gunned down and killed.

# data[].attributes.body
Yoona-939 does not abduct a child to ascend up the elevator, instead, she grabs a sort of remote that operates it. Furthermore, Yoona does not get shot, but is rather killed by Papa Song by means of a remote-controlled trigger in the band around her neck.

# data[].attributes.body
Hae-Joo and Sonmi are not exactly 'in love'. They have "joyless, graceless" sex, but it was not an act of love or passion.

# data[].attributes.body
Hae-Joo and Sonmi are instantly lovers trying to escape the wrath of the government of their society.

# data[].attributes.body
Hae-Joo Im and Chang are combined into one character: Hae-Joo Chang, which acts as a skilled fighter, thereby filling Sonmi's story with action. Hae-Joo dies protecting Sonmi.

# data[].attributes.body
Hae-Joo Im serves as a friend and brief lover for Sonmi. He also helps her to hide and stay undercover as he is a spy for Union.

Chang serves as a driver for both Mephi and Sonmi.

# data[].attributes.body
Corporate control is not as evident, but is rather replaced by an emphasis on an evil government which does not tolerate alternative viewpoints (i.e. those that expose the truth of the society).

# data[].attributes.body
Sonmi's world is controlled by corporations and human ranking (e.g. epstrata and downstrata. For example, instead of referring to vehicles as cars, they refer to them as Fords.

# data[].attributes.body
Not the whole of Sonmi's adventure is a lie/charade; only a part of it is. Sonmi is still captured to help spread the word of rebellion.

# data[].attributes.body
Sonmi-451's whole adventure was intentionally planned by Unanimity and Hae-Joo is an agent for a totalitarian governmet. Sonmi hopes that even though her whole adventure was an epic charade it will still help her to help her influence the world.

# data[].attributes.body
Hae-Joo Chang is Sonmi's saviour from the restaurant as well as her educator, in the sense that he provides her with sources of information (sony and movie of The Ghastly Ordeal of Timothy Cavendish). We do not get to see/experience Sonmi's time at the university.

# data[].attributes.body
Sonmi's story is quite lengthy, going into detail about her life at the diner and as well as her stay as Boon-Sook's subject at Mount Taemosan University.

Mephi is Sonmi's savior from the diner and introduces her to Hae-Joo.