# data[].attributes.body
Subject movement and action are essential to the concepts of cinema and cinematography. The human experience identified with dramatic movement and action - a cinematic moment - also became increasingly paired with publicity stills or movie stills. In addition to multiple or composite photographs evoking cinematic recognition, a single image - a film still - would serve that purpose. In Cindy Sherman came one of the first cross-overs from publicity photography to fine art photography, and her work drew international attention from a three year project called Film Stills

# data[].attributes.body
The American photographer W. Eugene Smith sets off on a trip to Spain for the renowned weekly magazine Life. However, his position within international politics is precarious. The Second World War ended with the defeat of his fellow dictators Hitler and Mussolini and the Spanish dictator narrowly escaped being unseated by the Allies. Since 1945, Spain finds itself in diplomatic isolation. Reluctantly, the regime is reaching out, initially to the United States of America. The Cold War has led to a climate that isn’t unfavorable for this. Apart from this, it seems a good idea to do something about Spain’s image, which in the public opinion is still associated with Nazi Germany and fascist Italy.

# data[].attributes.body
De Meyer photographed the dancer Nijinsky and other members of Diaghilev's troupe when "L'Après-midi dun Faun" was presented in Paris in 1912. It has been suggested that this photograph, the only nude by DE Meyer.

# data[].attributes.body
This image shows a man's head at the upper left as an arm reaching at a diagonal from the lower right extends its fingers to grip into the man's eye sockets, while the thumb grabbing his chin, holds his lips shut. The arm, accentuated by a gold armband, reminiscent of those worn by Roman soldiers, becomes symbolic of anonymous power and the impact that abuses of power can have on individuals. The inclusion of the title on the piece reinforces this message. Mortensen's work reflected his interest in psychology and the darker aspects of human behavior. As he wrote, "When the world of the grotesque is known and appreciated, the real world becomes vastly more significant".