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Jacques-Louis David. The Oath of the Horatti. 1784

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Jacques-Louis David. The Oath of the Horatti. 1784

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Neoclassical Art

How does it look different from Bouches

-Brushwork is a lot tighter
-Less whimsical
-Photographic quality within the image, it's very crisp
-Goal was to read the painting very clearly
-No distracting details in the paintings

-More renaissance references:
-through anatomy
-classical theme
-Linear perspective
-Everything is on one plane
-Basic Tuscan columns
-Nothing fancy or decorative, it is serious

Story:
-Early story about Roman times
-Father is in the middle, the three on the left are brothers. They are taking an oath to fight to the death over Rome. It's a boarder dispute. Instead of having a big battle with all the people of both cities they chose 3 people from each city and they happened to be brothers.
-Why are the women sad, they are sad because they are either going to lose  brother or lose a husband (that is on the other side of the fight)

-Serious dramatic
-Renaissance calmness
-Good composition, each group is highlighted by each column
-

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Jacques-Louis David. The Death of Marat. 1793

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Jacques-Louis David. The Death of Marat. 1793

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Romanticism or Neoclassicism

-Fighting for equality
-Fighting for the rights of the man
-What is he writing?
-It's was an entrance to his bathroom, she was a revolutionary. She brings a letter that she wants to discuss matters with him and she stabs him while he is reading

Why is it Neoclassical?
-Tightness of the brushstrokes
-Very simplistic, not a friviouslic background
-Strong obvious hero 90% of the time it's neoclassical
-A few things that aren't realistic:
-The bathroom was originally very decorated
-his face would've been covered in scars and other things because he had a skin disease
-Who was Marat? -He was a jaquoban, the woman that killed him was possibly from the other side and she came with the letter and killed him. They were both different revolutionists

Romanticism:
-Kinda looks like a Tombstone

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-Reaction against frivolity of Rococo art
-Planarity
-Linearity
-Tight Brushwork
-Even Lighting
-Sculptural Forms
-Classical Architecture, figures, dress, and themes
-Serious, moralistic subjects
-Strong hero figures
-Austerity and reduction of form
-Enlightenment philosophy
-Nationalism expressed through patriotism

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John Wood the Younger, Royal Crescent, Bath, England, 1767-1775

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John Wood the Younger, Royal Crescent, Bath, England, 1767-1775

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Neoclassical Architecture

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Jean-Baptiste-Camille Corot. Souvenir de Mortefontaine (pose). 1864

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Jean-Baptiste-Camille Corot. Souvenir de Mortefontaine (pose). 1864

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Romanticism

-Very fantastical
-Power of nature
-Loose brushstroke
-Color scheme- Very muted but very dreamy and poetic, not just straight nature

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Jean-Baptiste-Camille Corot. View of Rome: View of Rome: The Bridge and castle Sant'Angelo with the cupola of St. Peter's. 1826-27

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Jean-Baptiste-Camille Corot. View of Rome: View of Rome: The Bridge and castle Sant'Angelo with the cupola of St. Peter's. 1826-27

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Neoclassical
-Did lot's of paintings outside and viewing paintings more true to life
-Very horizontal -Neoclassical charactistic
-Perspective
-Roman and classical architecture

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Thomas Gainsborough. Portrait of Mrs. Richard 

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Thomas Gainsborough. Portrait of Mrs. Richard 

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Romantic

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Joshua Reynolds. Lady Sarah Bunbury Sacrificing to the Graces. 1765

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Joshua Reynolds. Lady Sarah Bunbury Sacrificing to the Graces. 1765

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More Neoclassical
-Greek statues and roman architecture which makes it more Neoclassical
-She's dressed as a classical person

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Vigee-Lebrun. Self-portrait with Daughter. 1789

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Vigee-Lebrun. Self-portrait with Daughter. 1789

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-Neoclassical
Her style has changed a lot, it now looks very Neoclassical
-Why did she change styles so drastically
-She matured
-She wanted to focus more on the meaning of the subject matter rather than the frills and everything.
-French Revolution started
-Trying to prove that she isn't one of the aristocrats

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-Marie Denise Villers
-Vigee-Lebrun
-Angelica Kauffmann

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Marie Denies Villers, Portrait of a Young Woman (Marie Josephine Charlotte du Val d'Ognes, 1801

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Marie Denies Villers, Portrait of a Young Woman (Marie Josephine Charlotte du Val d'Ognes, 1801

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Neoclassical

-This piece was thought to be painted by Davede but was then discovered that it was painted by a woman.
-This is a painting by a woman painting another woman.
-This location is in the Louve
-Portrait painting

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Angelica Kauffmann, Self-portrait with Minerva, 1773

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Angelica Kauffmann, Self-portrait with Minerva, 1773

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Neoclassical

-She placed herself with Minerva, who is a goddess

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Angelica Kauffmann, Cornelia Presenting Her Children as Her Treasures, C. 1785

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Angelica Kauffmann, Cornelia Presenting Her Children as Her Treasures, C. 1785

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Neoclassical

-What makes this piece Neoclassical?
-Looks like classical people
-attention to detail
-Planarity
-Roman Profile
-Has Roman story

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Neoclassical pieces will have a traditional hero character in the pieces

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Neoclassical pieces will have a traditional hero character in the pieces

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-A Hero is a character who is admired or idealized for courage, outstanding achievements, or noble qualities; one who is willing to sacrifice personal needs for the greater good

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Neoclassical

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Johann Zoffany, The Academicians of the Royal Academy. 1772

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Johann Zoffany, The Academicians of the Royal Academy. 1772

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Neoclassical

-The royal academy and all it's members
-What's wrong with the picture? The one women in the group weren't added in person, but they are in the paintings on the wall
-Angelica Kauffmann

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Jean-Auguste-Dominique Ingres, The Apotheosis of Homer, 1827

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Jean-Auguste-Dominique Ingres, The Apotheosis of Homer, 1827

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Neoclassical
-Classical dress
-Becoming a God
-Lots of references from Homer

People:
-Rafael
-Posen
-Mozart
-Appelize
-Lots of Greek Philophsors
-Shakespeare
-Plato
-Socrates
-Phidias
-

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Seems to be Rococo but is more Romanticism
-Soft colors, fancy dress,

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Francisco Goya. The Third of May, 1808. 1814 

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Francisco Goya. The Third of May, 1808. 1814 

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Romanticism in Spain

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Joseph Wright of Derby. The Old Man and Death. ca. 1773

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Joseph Wright of Derby. The Old Man and Death. ca. 1773

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Romantic

-Showing historical architecture
-A story from Esops Fables

What looks a bit Neoclassical?
-The man is a bit because of the tight brush stroke

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Fascination with:
-Power of nature, the sublime
-Exotic, Orientalism
-Supernatural elements, fantacy, dreams
-

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Constable, The Hay Wain (landscape: Noon) 1821

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Constable, The Hay Wain (landscape: Noon) 1821

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Romanticism in England

-One of Constables 6 footer paintings
-View of the place where Constable grew up
-What is he heroicising? His Father
-Capturing time of day
-opposite of the idealization of most past landscape paintings
-Farmers become one with nature, there is no separation
-Making the normal beautiful
-Something that was different was his loose brushstroke, it being "finished"
-Nostalgia piece

-Reference from artists like Rosedale

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John Constable, View on the Stour near Dedham, 1822

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John Constable, View on the Stour near Dedham, 1822

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Romanticism in England

-Another 6 footer painting
-Landscape painting
-Showing the importance of landscape paintings
-First artist that took weather seriously and really took it seriously
-Has lots of vignettes
-Men are doing the labor
-Lots of figures that are working in different ways
-Sense of timelessness, moment in time
-longing for the past

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Romanticism in England

-At first glance the painting is very beautiful, but then when you look you see people dead and being thrown overboard and the painting becomes a lot darker and more serious
-The captain wanted money for the slaves and if they died he would get more
-Power of nature, we have no control over it
-

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Turner: Rain, steam, and speed- The great western railway, 1844

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Turner: Rain, steam, and speed- The great western railway, 1844

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Romanticism in England

-Showing the speed of the train, the weather, and industrialization
-Showing the first time that people were able to transport mechanically
-Shows a farmer on the right
-Left side you see and old stone brick bridge
-Turner used a lot of atmospheric perspective,
-So abstract that the painting is almost hard to read
- Cycles of nature or civilization
He loved the idea of progress

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Romanticism in England

-Used to show natures power
-Was a piece that was shown with "Monk by the sea"
-Funeral shown that is supposed to be the Monk in the last painting
-Nature is eternal and man is transient
-Oak trees that reference Christian traditions
-Crescent mon that is symbolic of mans efforts
-Sense of Human time, nature time, and Gods time
-Suggestion of resurrection from the Moon
-There are lots of crosses which also represent resurrection
-Trained in Copenhagen
- Studying ideas of the eternal

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Romanticism in Germany

-This piece was a studio painting, he didn't paint this outside
-He would do studies outside, but did the final indoors
-Symbolic landscape
-Lone tree,
-Meant to look at the top of the tree, shows a bit of reference to the cross
-There is a small church that you can see in the background
-Some classical elements

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Romanticism in America? or England

-American artist
- Emphasizes the supernatural
-Story from the Book of Kings, Allston was interested in biblical stories
-Elevating landscape to a higher position by adding history to the context
-Inspo from Titian and venetains in his paintings

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Romanticism in America

-Founding of landscape painting
-American artist
-5-6 feet
-Tried to use landscape to show and say something big
-Showing time, transformation, and showing America and what it's going to become
-The Sublime
-Hebrew letters in the mountain that mean "Noah"
-Form of nationalism in American art
-In the painting there is a really small painting of himself

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Lane, Owls Head, Penobscot Bay, Maine. 1862

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Lane, Owls Head, Penobscot Bay, Maine. 1862

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Romanticism in England/America?

-Luminism
-American painter
-Calmness, tranquility
-Dawn
-Light is able to take the careful rendering and make the painting poetic
-Still room for a painting that is emotional
-House on the little island,

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Lane, Owl's Head, Penobscot Bay, Maine, 1862

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George Caleb Bingham, Fur Traders Descending the Missouri, 1845

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George Caleb Bingham, Fur Traders Descending the Missouri, 1845

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Romanticism in America
Luminism
-Has a bit of nostalgia
-Trappers, not a cat it's actually a bear cub

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Carleton Watkins, Yosemite Valley from the Best General View, 1865-66

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Carleton Watkins, Yosemite Valley from the Best General View, 1865-66

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American art

-Photography
-Wanted to bring back documentation
-Makes stereoscopes
-He used photography not as documentation, but also as a form of art as you can see by how he created the composition
-His photographs made Abraham Lincoln make Yosemite a state park
Yellowstone is the first national park

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Albert Bierstadt, Sunrise, Yosemite Valley, C. 1870

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Albert Bierstadt, Sunrise, Yosemite Valley, C. 1870

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American Art -Appears romantic
Luminism

-The sun feels as if it's coming in naturally

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Thomas Moran, The Grand Canyon of the Yellowstone, 1872

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Thomas Moran, The Grand Canyon of the Yellowstone, 1872

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American artist

-Mountain named after him in Idaho
-He did lots of sketches and then took them home and finished them in his studio

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American art

-This painting is in the White House

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Albert Bierstadt: Hetch Hetchy, Yosemite, and the battle for National Parks. 1874-80

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Albert Bierstadt: Hetch Hetchy, Yosemite, and the battle for National Parks. 1874-80

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Romanticism in England/America?

-Artists were aware to the increased interest to the West
-There is detail in the foreground
-Grand landscape garden,

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Claude Lorrain, Seaport with the Embarkation of the Queen of Sheba, 1648

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Claude Lorrain, Seaport with the Embarkation of the Queen of Sheba, 1648

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Romanticism in England

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Richard Dadd, The Fairy Feller's Master-Stroke, 18

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Richard Dadd, The Fairy Feller's Master-Stroke, 18

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Philipp Otto Runge, Portrait of the Hulsenbeck Children, 1806

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Philipp Otto Runge, Portrait of the Hulsenbeck Children, 1806

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Romanticism in Germany

-Sort of a wild look of the children not like the cupids, not cherubic
-The children are in charge
-Feels like we are in the child's world
-Importance of childhood is a romantic characteristic

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Romanticism in Germany

-Thought that the primary colors were very symbolic
-Studied lots of color
-Gesamtkunstwerk- Total works of art ex. paintings with music and poetry so that it is an entire and whole experience

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Romanticism in England

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Caspar David Friedrich, Monk by the Sea, c. 1810

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Caspar David Friedrich, Monk by the Sea, c. 1810

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Romanticism in Germany

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Caspar David Friedrich, Winter Landscape, c. 1811

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Caspar David Friedrich, Winter Landscape, c. 1811

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Romanticism in Germany

-He puts nature with religious symbols
-There is a man praying before a cross that is in the trees and he has crutches
-The building might be a symbol of life after death

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Friedrich, Wanderer above the sea of fog, 1818

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Friedrich, Wanderer above the sea of fog, 1818

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Romanticism in Germany

-Friedrich often puts his characters back towards us It makes us feel like we are looking at the same scene as they are

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Romanticism in Germany

-The figure looks very old
-He appears to be praying
-The rock structure is a reminder of an old stone altar and also a megalith

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Romanticism in America

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Thomas Cole, The Course of Empire, 1833-36

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Thomas Cole, The Course of Empire, 1833-36

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Romanticism in America

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Romanticism in France
-Looks more natural
-The softness of her skin, she is very idealized
-Her body is very long
-Everything is very exotic in the painting
-All is very fanaticized
-Western Idea of what a harem would be like
-Not normal for a woman to be Nude that wasn't Venus
-She fills the whole canvas

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Antoine Jean Gros, Napoleon in the Presthouse at Jaffa, March 11. 1799-1804

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Antoine Jean Gros, Napoleon in the Presthouse at Jaffa, March 11. 1799-1804

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Romanticism in France

Info:
-Has features of baroque a little bit
-The image is very dramatic and shows lots of death. It's very gruesome
-He was rude to his soldiers. He is shown as a powerful and nice figure but in reality he was disgusted and even poisoned his soldiers. He had this painting solely done for propaganda.
-The painting has Islamic architecture
-He is a fake hero figure

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Romanticism in France

Info:
-Ship was the Medusa and it was heading to Africa
-The ship crashed and all the higher-ups got in the rafts and left everyone else as they let those on the on the ship to die. They lasted about 18 days. Eventually a ship came and picked up the survivors.
-This is a true story
-The king at the time was thought to be very corrupt
-The artist wanted to be very accurate on the raft so he made models based off of interviews of survivors that were on the ship.
-He got real info from survivors
-He would look at dead bodies as reference for the decayed bodies
-He is borrowing ideas from the Baroque period
-Pyramid composition
-No clear heroic figure even though it looks like it does a bit, it's not a traditional hero figure
-Raft comes into our space which involves the viewer which is Baroque
-Blamed the new king for what had happened. Only 15 survived and once they got to land 10 more died

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Eugene Delacroix, Scenes from the Massacre at Chios, 1824

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Eugene Delacroix, Scenes from the Massacre at Chios, 1824

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Romanticism in France

Info:
-Another revolution but in Greece against the Turks
-Took the people into slavery or hurt them
-Shows the suffering Greek citizens. They are all suffering in a different unique way
-No hero figure, just suffering
-the Greeks were Christian
-There is a sense of exotic which was very appealing at the time

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Eugene Delacroix. Death of Sardanapalus. 1827

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Eugene Delacroix. Death of Sardanapalus. 1827

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Romanticism In France

Info:
-Story is based off of a poem by Lord Byron
-Very Exotic
-Everything is very imagined in the image
-Nothing classical in the painting
-Everything is very emotional and dramatic, lots of "s" curves
-Purely horrific event
-shows the king as evil not heroic

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Delacroix, Liberty leading the people, 1830

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Delacroix, Liberty leading the people, 1830

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Romanticism in France

Info:
-A new revolution in France
-Upper class with other classes as well all in the painting
-This is the revolution that is referenced for Les Misérables
-The woman isn't supposed to stand as a real person, but as an allegory person
-People of both side are in the painting both naked and alive
-Freedom, Equality, and Liberty, that's what the colors of the flag stand for

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Realism:
-Sought truth through ordinary, everyday, modern experience; neither idealized nor dramatized
-championed laborers and common people (Communist manifesto y Karl Marx & Friedrich Engles)
-New tin tubes of oil paint
-Started having individual art exhibits (Independent of art academies)

Realism vs. Naturalism:
Naturalism is accurate to what's going on and is more about style
Realism is true to life
-Realism is more about content than style

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Louis-Napoleon Bonaparte (Nephew of Napoleon Bonaparte) -What's going on in France

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Louis-Napoleon Bonaparte (Nephew of Napoleon Bonaparte) -What's going on in France

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-Elected President in France's first ever popular vote in 1848 (after Revolution of 1848)
-Initiated a coup d'etat in 1851, before ascending the throne as Napoleon III on 2 Dec in 1852, the forty-eighth anniversary of Napoleon I's coronation
-Ruled as Emperor of the French until Sep 4th 1870. He holds the distinction of being both the first titular president and the last monarch of France

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Gustave Courbet. The Stone Breakers. 1849

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Gustave Courbet. The Stone Breakers. 1849

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Realism

-was  very large painting
-Courbet was walking and came across men breaking rock to create gravel
-nothing is dramatic about this piece, it's very ordinary with no drama at all,
-message: a social message that a young man will probably be doing this same job forever

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Gustave Courbet. Burial at Ornans. 1849–50

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Gustave Courbet. Burial at Ornans. 1849–50

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Realism

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Gustave Courbet,The Meeting (Bonjour Monsieur Courbet), 1854

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Gustave Courbet,The Meeting (Bonjour Monsieur Courbet), 1854

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Realism

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Gustave Courbet, The Artist's studio, A real allegory summing up seven years of my artistic and moral life, 1854-55

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Gustave Courbet, The Artist's studio, A real allegory summing up seven years of my artistic and moral life, 1854-55

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Realism

-Artist martar ,
-Illusions to landscape and figure painting
-illusion of what could be a landscape
-his life in a painting
-all the characters are significant, like his patron, friend, writer and critique, illusion of Napoleon the III,

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Jean-François Millet, The Gleaners, 1857

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Jean-François Millet, The Gleaners, 1857

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Realism

-Being a gleaner wasn't a great job and you can see that those are working hard because they need the money
-This piece wasn't enjoyed by the upper class, they didn't enjoy the piece at all

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Jean-François Millet, The Angelus, 1857-59

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Jean-François Millet, The Angelus, 1857-59

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Realism

- This is people stopping to pray as they heard the church bells playing (you can see a church in the background)
-She would stop everyone to focus on the prayer
-Not a religious subject, but just a religious action
-Religious behavior of everyday people and workers
-

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Rosa Bonheur. Plowing in the Nivernais: The Dressing of Vines, 1849

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Rosa Bonheur. Plowing in the Nivernais: The Dressing of Vines, 1849

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Romanticism

-Oil painting
-She got this idea from a book (something death)
-She was able to wear pants to go and view animals, she had to get a permit from the police to wear them
-Had a father than wanted the best for her

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Édouard Manet. The Luncheon on the Grass (Le Dejeuner sur l’Herbe). 1863

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Édouard Manet. The Luncheon on the Grass (Le Dejeuner sur l’Herbe). 1863

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Realism
Info:
-Placed in the "art of the rejects"
-This piece was very disturbing to most because of the nude woman, the use of nudity wasn't very common in this time so it caused a lot of controversy
-People thought that it was unfinished and that the composition was a bit weird.
-He keeps our eye at the surface of the painting
-This was at the Salon Des Refuses in Paris (salon of the rejects)
-He heavily influenced impressionism
-He opened his own art gallery that he charged guests for to show his rejected work at
-The perspective in the image is a bit off
-People didn't like her nude because it is contemporary, not mythological, so it was very disliked

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Realism

-A woman who is drinking a brandy with a plum in it and getting ready to smoke
-She is alone and doing these two activities that were unseenly for woman to do by themselves
-This turns her into a contemporary woman who is in the working class
-Different portrayal of a woman
-brushstroke are loose but some parts are very rendered ( like the hand)

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Edouard Manet, Corner of a Café-Concert, 1878-80

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Edouard Manet, Corner of a Café-Concert, 1878-80

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Realism

-Lots of weird tangents going on
-He is leaving us out of the canvas
-Lots of rule breaking
-

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Édouard Manet. A Bar at the Folies-Bergère. 1881–82

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Édouard Manet. A Bar at the Folies-Bergère. 1881–82

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Realism

Info,
-There is a mirror behind her, you can tell because of the frame
-This was at a famous hotel where they would have acts and performances like the circus.
-Looks like everyone is having a great time but the woman is not very happy
-The reflection shows a man talking to her with money that is giving her a proposition for sex
-His brushstrokes and

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Edgar Degas, At the Races in the Countryside, 1869

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Edgar Degas, At the Races in the Countryside, 1869

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Realism
-Appears to be a wealthy family as they are all dressed well and a carriage
-The focus is all on the baby and as you can see the woman is about to feed the baby and she is called a "wet nurse" so she is hired to feed the baby (she isn't actually the mother)
-Lots of variety of parenthood shown
-cropped image
-Influence from Japanese prints and photography

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Realism

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Thomas Eakins. Max Schmitt in a Single Scull , 1871

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Thomas Eakins. Max Schmitt in a Single Scull , 1871

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Realism
-This painting is a depiction of a famous athlete, but he decided to paint him at a moment of rest during a practice.
-Muted colors, showing possibly the morning
-Actually a self portrait of the painting in the background

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Realism

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Realism

The kids are playing,
Snap! Whip! And away they go,
Fun for all who join

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Henry Ossawa Tanner. The Banjo Lesson, 1893

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Henry Ossawa Tanner. The Banjo Lesson, 1893

# data[].attributes.body
Realism

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Mis milae
Nameless and friendless- Emily Mary ozborn

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Secret society started with 3 students at the London Royal Academy: William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti.

-They wanted to reform ills of the industrial revolution through spirituality and art
-Looked to Early Renaissance and Gothic art (art before Raphael) as pure, genuine art
-Wanted to depict "Truth" by close observation of nature and details
-Work is characterized by rich, pure color on a white ground; also included symbolism
-Looked to literature from subject matter, especially Shakespeare, the Bible, and Arthurian legends

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Pre Raphaelites Brotherhood

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Pre Raphaelite Brotherhood

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Pre Raphaelite Brotherhood

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William Holman Hunt, The Awakening Conscience. 1853

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William Holman Hunt, The Awakening Conscience. 1853

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Pre Raphaelite Brotherhood
Impressionism in England (pre-Raphaelite)

Info:
-They are in a relationship but are not married, this man bought her an apartment and they are playing piano together and as they are playing she has an "awakening" of her life before so she is breaking away from what is going on to go back to her roots.
-There is a symbol in the cat with a bird and that is a symbol of the woman breaking away from the relationship
-Very influenced by Van Eyke
-Prostitution was a big problem at the time in England
-A lot of people didn't have jobs so a lot of women would resort to prostitution to make money
-Great love of detail
-Contemporary

Symbol:
-Clock is nearing noon when is representing that it is at the last hour, so she has just a bit of time to redeem herself
-Discarded glove, looks like it has come off of his hand so there is an idea that he discards his things easily so like how he discarded the glove he will easily discard her as well

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Pre Raphaelite Brotherhood

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Ford Madox Brown, The last sight of England, 1852-55

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Ford Madox Brown, The last sight of England, 1852-55

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Pre Raphaelite Brotherhood

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John Roddam Spencer Stanhope, Thoughts of the Past, 1859

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John Roddam Spencer Stanhope, Thoughts of the Past, 1859

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Pre- Raphaelite Brotherhood

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Emily Mary Osborn, Nameless and friendless 

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Emily Mary Osborn, Nameless and friendless 

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Pre Raphaelites Brotherhood

There is a woman looks to be poor an orphaned is trying to sell a painting, by the pose of the woman she is not comfortable and that shows that the painting may be hers that she is trying to sell.
-This painting has a continuous narrative
-The woman isn't very known, and because of that she is unsuccessful when trying to sell her artwork
-It is now shown in the work but eventually in the future on her fourth attempt a young man finally agrees to hold one of her paintings in his shop
-In this time some didn't agree wit this image as they thought the woman was presented to passive and to willing to accept rejection,

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John Everett Millais. Christ in the carpenter's shop (Christ in the House of his Parents) 1849-50

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John Everett Millais. Christ in the carpenter's shop (Christ in the House of his Parents) 1849-50

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Pre-Raphaelite Brotherhood

Impressionism in England (pre-Raphaelite)

Info:
-Story not from the bible
-There is dirt in the fingernails of Christ which many were upset with because it showed that he was in the working class
-They take symbolism to the next level
-Lots of symmetry that shows from the high renaissance
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Symbols:
-Wound on Christs hand and foot that reference what he will do in the future
-John the Baptist in the boy with the Bowl and he has a bowl of water that represents his role
-Sheep represent the congregation
-The dove on the ladder represents the holy Spirit
-One little red flower that represents Christs sacrifice

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Dante Gabriel Rossetti, Ecce Ancilla Domini, 1850

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Dante Gabriel Rossetti, Ecce Ancilla Domini, 1850

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Pre-Raphaelite Brotherhood

-Very religious
-It is narrative

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Pre Raphaelite Brotherhood

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Emily Mary Osborn, Nameless and Friendless, 1857

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Emily Mary Osborn, Nameless and Friendless, 1857

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Pre Raphaelite Brotherhood

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John William Waterhouse, the Lady of Shalott, 1888

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John William Waterhouse, the Lady of Shalott, 1888

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Pre Raphaelite Brotherhood

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Sir Edward Coley Burne-Jones, the Golden Stairs, 1880

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Sir Edward Coley Burne-Jones, the Golden Stairs, 1880

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Pre Raphaelite Brotherhood

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William Morris (Morris & Co.) Green Dining Room. 1867

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William Morris (Morris & Co.) Green Dining Room. 1867

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Arts and crafts movement

-Started making wallpaper, fancy rugs, nice furniture, He designed all the wallpaper
-Everything was designed by him
-They wanted everything to be authentic not fake,
-Lots of symmetry and detail

-The love of nature is something that connected the Arts and crafts movement to the Pre-Raphaelite Brotherhood
-Making society a better place by making well crafted things

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Art for arts sake

-Art without a purpose
-No moral to the piece

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Sir Edward Coley Burne-Jones, The Golden Stairs, 1880

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Sir Edward Coley Burne-Jones, The Golden Stairs, 1880

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Pre Raphaelite Brotherhood

-No story
-goal was to create a beautiful harmony to suggest music
-the whole purpose is to evoke ideas of ideas and harmony

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James Abbott McNeill Whistler. Symphony in White no. II: The Little White Girl, 1864

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James Abbott McNeill Whistler. Symphony in White no. II: The Little White Girl, 1864

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The Aesthetic Movement

-Because the title doesn't have a name of the person it makes it not a portrait, but something that evokes music and harmony
-This is more than a portrait
-Good example of the interest of Japanese art

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Whistler, Arrangement in Black and Gray No. 1, 1871

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Whistler, Arrangement in Black and Gray No. 1, 1871

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The Aesthetic Movement

-Used to have a different name
-The attention is on the arranged shapes and colors
-The painting isn't about the context, but of the principle and design that goes into art
-He related a lot of his art to music
-The subject matter isn't what is important to him, what's important to him is the harmony of colors and shapes and composition
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James Abbott McNeill Whistler, Nocturne: Blue and Gold- Old Battersea Bridge, c. 1872-75

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James Abbott McNeill Whistler, Nocturne: Blue and Gold- Old Battersea Bridge, c. 1872-75

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The Aesthetic Movement

-Lots of influence of Japanese prints

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Whistler. Nocturne in Black and Gold: The Falling Rocket. Ca. 1875

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Whistler. Nocturne in Black and Gold: The Falling Rocket. Ca. 1875

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Impressionism aesthetic movement

-an art critique compared this painting to throwing a pot of paint into the public
-Whistler sued this art critic because the art critic was hurting his business
-It took him 3-4 days to paint, so he was questioned as to why would he charge so much for something that didn't take much time
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Whistler, Harmony in Blue and Gold: The Peacock Room, 1876-77

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Whistler, Harmony in Blue and Gold: The Peacock Room, 1876-77

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The Aesthetic Movement

-This was a room that he finished for a man who was supposed to do it but got sick
-Whistler changed a lot of things because he wanted it to all match
-It ended up not being what the original owner wanted
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Impressionism in the aesthetic movement

Info:
-He was a famous portrait painter
-He was very good at painting very flattering portraits, but the public was a little disturbed by this piece because she is dressed very scandalously
-The woman never got the painting
-He is looking at composition and you can see that in the painting
-Classical profile which was a classical way to show a portrait
-She was also known for her scandalous affairs she had

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John Singer Sargent, Carnation, Lily, Lily, Rose, 1885-86

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John Singer Sargent, Carnation, Lily, Lily, Rose, 1885-86

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The Aesthetic Movement

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Sargent, Me. And Mrs. I.N Phelps Stokes. 1897

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Sargent, Me. And Mrs. I.N Phelps Stokes. 1897

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The Aesthetic Movement

-American artist
-She was supposed to wear a blue silk dress, and there was supposed to be a dog as well
-The woman showed up wearing this and Sargent was taken away and chose to do it
-They couldn't get the dog so her husband stepped in
-She looks very confident
-This painting was supposed to be a wedding gift

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Henri Matisse, Harmony in Red (The Dessert), 1908

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Henri Matisse, Harmony in Red (The Dessert), 1908

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Art for arts sake (The Aesthetic Movement )