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While much discourse relating to teaching in the 21st century revolves around content, programmes, methods and approaches etc. there appears to be a gap in how teachers can equip students with the skills they need to deepen their understanding of the world around them as lifelong learners.
Thinking dispositions
Learning is the outcome of thinking, and as such gaining insights into the ways students think is crucial for teachers, allowing them to alter students' thinking dispositions. Thinking dispositions (Ritchart et al, 2011) are the habits of mind that develop:

1. Observing closely and describing;

2. Building explanations and interpretations;

3. Reasoning with evidence;

4. Making connections;

5. Considering different viewpoints and perspectives;

6. Capturing the heart and forming conclusions;

7. Wondering and asking questions;

8. Uncovering complexity and going below the surface of things.

But how do we know what kind of thinking is taking place and how can we be sure that all our students are developing these thinking skills? What insights do we have into how our students are thinking and learning?

These questions stimulated our curiosity to experiment with Visible Thinking Routines (VTRs) in our EFL classrooms and take up the 21st century challenge: "Build a culture of thinking" in our learning community.

"Every committed educator wants better learning and more thoughtful students. Visible Thinking is a way of helping to achieve that without a separate 'thinking skills' course or fixed lessons."
Visible Thinking <http://www.visiblethinkingpz.org>

But what are Visible Thinking Routines (VTRs)?

Visible Thinking Routines were developed by Project Zero, an educational research group at Harvard Graduate School of Education. The routines consist of a few short steps which scaffold and guide students' thinking. They awaken curiosity and encourage students to dig deeper, taking their thinking to a more sophisticated level (Ritchhart et al, 2011).

We can demonstrate the potential of VTRs by illustrating our mini-research project carried out with two classes of 13-year-old students, in a state secondary school in Italy. The average English competency level of the students was A2 (CEFR) with 3 hours a week of EFL instruction using a mainstream textbook. The routines were chosen according to the thinking dispositions we were aiming to develop, the content being presented in the textbook, and how suitable we felt the routines would be in the given teaching context.

We focused on three different thinking dispositions linked to three VTRs.

A routine for capturing essence.
Materials:
An article about fundraising and charity concerts.
Process:

Topic-specific vocabulary had been pre-taught. The students had been working on making deductions, expressing agreement/disagreement, and probability.

They worked individually on the texts, highlighting key phrases to help them create their headlines, and then shared their ideas on the poster.

They shared their thinking in small groups, read the other headlines, and made comparisons.

Reflections:
The Headlines routine encouraged students to think more deeply about the content and develop their ability to synthesise. Through sharing their thoughts they developed meaningful conversations around the content of the poster.

See-Think-Wonder (STW)

A routine for exploring visuals and related texts.
Materials:
A photograph of a polluted river.
Process:

Topic-specific vocabulary had been pre-taught. The See-Think-Wonder routine raises students' curiosity about the topic with visual stimuli.

First (see) they described what they could see, then (think) they expressed their thoughts about the image, and finally (wonder) they were encouraged to express what else they would like to know about the topic.

The students were given question stems to help them articulate their thoughts. Although they spoke in a mix of L1 and English, they wrote their responses in English.

Reflections:
This routine helped the students analyse a visual, and use elements within it to generate their own ideas related to the topic. We found this routine particularly inclusive, as listening to each other's ideas and opinions encouraged all group members to speak up and share.

Connect-Extend-Challenge (CEC)

A routine for connecting new ideas to prior knowledge.
Materials:
A photo, audio, and some text about the environment and recycling.
Process:

Topic specific vocabulary and expressions had been pre-taught.

The students made observations about the photograph and the dialogue by applying the (now familiar) STW routine before using the new CEC routine.

Using the reading text, first they made connections (connect) to what they already knew about recycling, then they discussed what new information they had gained and how this had extended their knowledge (extend), and finally (challenge) what still puzzled them. The students worked in groups and then a plenary session was held to present their thinking
and their "challenges".

Reflections:
The EFL classroom is often a difficult place for students to express their ideas and their knowledge about a given topic. The CEC routine helped the students tap into their prior knowledge and relate it to new content and encouraged them to go beyond the surface level of the topic.
Thoughts...
A significant consideration which arose while reflecting with students is the importance of feeling comfortable and confident without the threat of evaluation; their thinking is not assessed in this approach! This concept needs to be highlighted at the outset of any Visual Thinking Routine and made clear that it is not just another worksheet to fill in with the right answer, but rather that it's their thinking process that matters.

Visual Thinking Routines need to be used regularly and systematically across the board so that students develop good thinking dispositions and habits which in turn have a positive interdisciplinary impact over time.

How could VTRs make a difference to your teaching?
Authors:
Patrizia Caroti is a teacher and ELT author with 30 years' experience of teaching English in Italian Secondary Schools.
Sarah M Howell is an OUP author and teacher trainer. She has extensive experience of teaching EFL at both primary and secondary levels.
Lisa Kester Dodgson is an OUP author with a rich background in primary and secondary education.
References (recommended reading list!)
Majida "Mohammed Yousef" Dajani. (2016). Using Thinking Routines as a Pedagogy for Teaching English as a Second Language in Palestine. Journal of Educational Research and Practice , Volume 6, Issue 1, Pages 1-18. Walden University, LLC, Minneapolis, MN.

Krechevsky, M., Mardell, B., Rivard, M., Wilson, D., (2013). Visible Learners: Promoting Reggio-Inspired Approaches in all Schools John Wiley and Sons, Inc, Jossey-Bass, San Francisco.

Ritchhart, R., Church, M., Morrison, K., & Perkins, D. (2011). Making Thinking Visible: How to Promote Engagement, Understanding, and Independence for All Learners. John Wiley and Sons, Inc, Jossey-Bass, San Francisco.

"Thinking Palette." Artful Thinking. Project Zero. Harvard Graduate School of Education. Feb. 2017. < http://pzartfulthinking.org/?page_id=2>

Ritchhart, Ron., Perkins, David., & Tishman, Shari. "Visible Thinking." Harvard Graduate School of Education. Feb, 2017.< http://www.pz.harvard.edu/projects/visible-thinking>

Salmon, K, Angela. "Making Thinking Visible Through Action Research." Early Childhood Education. The official journal of the Early Childhood Education Council of the Alberta Teachers' Association. Volume 39, Number 1. 2010. < https://www.academia.edu/4841813/Making_Thinking_Visible_Through_Action_Research>

Arcenas, Claire. "Bridging our Thinking." Visible thinking across subject matters. 13 Feb 2015. <https://clairearcenas.wordpress.com/>

Ritchhart, Ron. "Cultures of Thinking." Think! From the Middle. Rochester Community Schools. March 2017. <http://www.rcsthinkfromthemiddle.com/cultures-of-thinking.html>

Jacobson, Gareth. "Team Teaching - an all or nothing phenomenon." I think therefore... 16th Nov. 2016. < https://makingthinkingvisible.wordpress.com/>

"Research." Visible Thinking for the child to be and the adult to see. < http://visiblethinking.ltd.uk/research/>

Categories: Skills, Teenagers, Young Learners | Tags: Advice, Business English, Classroom Routines, Inclusive, learning technology, Llisa Kester Dodgson, new headway, Patrizia Caroti, Sarah Howell, Teenagers, Thinking, Visible thinking, Web tools | Permalink.

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Let's make our thinking visible | Oxford University Press

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While much discourse relating to teaching in the 21st century revolves around content, programmes, methods and approaches etc. there appears to be a gap in how teachers can equip students with the skills they need to deepen their understanding of the world around them as lifelong learners.

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From Ireland's Professional Learning Service for teachers

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December 2013/January 2014 | Volume 71 | Number 4
Getting Students to Mastery Pages 10-16

Grant Wiggins

MASTERY: An action demonstrating or involving great skill or power ... to perform a notable deed or wonderful feat. Consummate skill, ability, or accomplishment.

MASTER: To make oneself master of, attain expertise in (an art, science, skill, etc.); to acquire complete knowledge or understanding of (a fact, subject, etc.); to attain complete facility in using (an instrument, etc.).

Who wouldn't consider mastery a key aim of education? We don't want barely capable learners graduating from our schools. We want students who have high-level "understanding" and "facility" in terms of key goals.

But what, precisely, is such mastery? "Great skill or power" in what, exactly? And, assuming we can agree on the goal, we face a second issue: What level of performance is high enough for us to say that a goal has been mastered? These are the two questions at the heart of mastery.

Alas, few educators have thought this through precisely and sufficiently, and the results have been unfortunate. Mastery has been reduced to a high score on any old quiz.

It's time to better master the idea of mastery.

Question 1: What Is Mastery?

"Consummate skill" would seem to require a complex and challenging task or two. How, then, should we define mastery-to avoid rushing into schemes that dumb down the idea?

Surprisingly, Benjamin Bloom, the founder of modern mastery learning, finessed the question. Bloom nowhere defined mastery; he only proposed that we set "absolute," criterion-referenced standards at the local level (Bloom 1968). Because Bloom offered no practical advice beyond looking to past local results to set valid standards, few schools have tried to define mastery of those standards-with unfortunate consequences. Numerous writers on and practitioners of mastery learning, for example, propose that mastery be set locally as a percentage score on any test. Thus, if you achieved 85 percent or 90 percent on any test of content, you would be deemed to have demonstrated mastery-no matter how picayune or low-level the test questions. As Kubina and Morrison (2000) put it,

If experts in "mastery learning" cannot provide explicit, objective benchmarks in performance criteria that signal adeptness, who can? ... When teachers, districts, or even states set subjective performance standards for mastery, knowledge of effective teaching practices and student learning diminishes. (pp. 85-86)

And that's where it stands today. Many schools that call themselves mastery-based (or proficiency-based or competency-based) are using invalid and unjustified schemes for giving scores and accolades. Rather than designing backward by establishing complex, worthy, and valid tasks on which students must demonstrate high-level ability (Wiggins & McTighe, 2005), schools too often reduce mastery to a high grade on a simplistic and nonvalidated assessment.

The Hazards of Teaching Bit by Bit

Perhaps as a result of the lack of an overall vision for what constitutes mastery, education has a long-standing practice of turning worthy learning goals into lists of bits. One might even say that this practice is the original sin in curriculum design: Take a complex whole, divide it into small pieces, string those together in a rigid sequence of instruction and testing, and call completion of this sequence "mastery." Although well-intentioned, this practice leads to needlessly fractured, boring, and ultimately in effective learning that never prepares students to be fluent and skilled in authentic work.

Authors of and consultants to the Common Core State Standards share my concern. The recently released K-8 Publishers' Criteria for the Common Core State Standards for Mathematics (National Governors Association, Council of Chief State School Officers, Achieve, & National Association of State Boards of Education, 2013) cautions,

A drive to break the Standards down into "microstandards" risks making the checklist mentality even worse than it is today. Microstandards would also make it easier for microtasks and microlessons to drive out extended tasks and deep learning. Finally, microstandards could allow for micromanagement: Picture teachers and students being held accountable for ever-more-discrete performances. ... If the Standards are like a tree, then microstandards are like twigs. You can't build a tree out of twigs, but you can use twigs as kindling to burn down a tree. (p. 5)

Tom Guskey, who writes about the definition of mastery in another article in this issue, was one of Bloom's students and is a strong advocate of mastery learning. In a 2005 paper presented at the American Educational Research Association's annual meeting, Guskey noted that his mentor would never have approved of what is now being done in the name of mastery:

Some early attempts to implement mastery learning were based on narrow and inaccurate interpretations of Bloom's ideas. These programs focused on low-level cognitive skills, attempted to break learning down into small segments, and insisted students "master" each segment before being permitted to move on. ... Nowhere in Bloom's writing can the suggestion of this kind of narrowness and rigidity be found. (p. 8)

This concern about carving up complex work into low-level bits is actually far older-it was a focus of John Dewey's critique of curriculums 100 years ago. As Dewey (1916) notes, a frequent harmful effect of this approach is to overstress technical vocabulary in initial learning:

Technical concepts and their definitions are introduced at the outset. Laws are introduced at an early stage, with at best a few indications of the way in which they were arrived at. ... The pupil learns symbols without the key to their meaning. He acquires a technical body of information without ability to trace its connections [to what] is familiar-often he acquires simply a vocabulary. (p. 220)

In other words, once we decide on breaking a complex performance into bits, we end up wrongly defining mastery as recall of vocabulary terms and isolated facts instead of any "facility or power," to return to the Oxford English Dictionary definition.

Here is a revealing modern example of what Dewey feared, from a current middle school science book titled Sound and Light (Prentice Hall, 2005). By page 12, the following terms have been introduced to discuss waves-without any prior observations or experiments, just graphics: transverse, mechanical, troughs, longitudinal, compressions, rarefactions, amplitude, wavelength, frequency. The chapter ends with three formulas out of context. The chapter assessment? Recall the terms and plug some data into the formulas, of course!

Sadly, lessons and tests like this are ubiquitous in schools generally, and in so-called mastery programs in particular. Indeed, many modern software solutions now exist to help educators track endless small objectives, in the name of "mastery," "proficiency," or "competency." In some units, students cannot advance to the next level until they test out on interim assessments of such bits of knowledge.

That's not only unwise pedagogically, but also immoral. Lots of great achievers might have been either unable or unwilling to first master a long list of words and worksheets, in isolation, before doing something more worthy. It's as foolish and harmful as not allowing a young would-be basketball player to actually play games until he or she scores 90 percent or better on 20 paper-and-pencil quizzes on the sport.

The practice of reducing mastery to accurate recall of discrete facts and skills is tempting, common, and harmful. Yet, without a sound definition and set of criteria for mastery, it's unlikely that schools can move beyond such practices.

A Proposed Definition of Mastery

So, how might we better define mastery in education in a way that's helpful and that avoids the reductionism of earlier efforts? Kubina and Morrison (2000) propose fluency and frequency of correct performance as key components. Yet, although these criteria are useful, they, too, avoid the key question: fluency and frequency at what tasks? So I propose the following definition to advance the discussion:

Mastery is effective transfer of learning in authentic and worthy performance. Students have mastered a subject when they are fluent, even creative, in using their knowledge, skills, and understanding in key performance challenges and contexts at the heart of that subject, as measured against valid and high standards.

Thus, effective transfer of learning, done with creativity, polish, and grace, is the essence of mastery. Mastery is not just technical knowledge. (Even in music, the term virtuoso is typically pejorative, implying mere speed with no soul.) You haven't mastered a subject if you only possess skills and facts in isolation and can only produce them on demand in response to prompts. Mastery must be tested using authentic tasks and scenarios at the heart of "doing" the subject. And instruction for mastery must be designed backward from these corner stone tasks (Wiggins & McTighe, 2005).

The Common Core anchor standards in writing (National Governors Association Center for Best Practice & Council of Chief State School Officers, 2010) present good examples of such performance:

1. Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.

2. Write informative/explanatory texts to examine and convey complex ideas and information clearly and accurately through the effective selection, organization, and analysis of content.

3. Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

The anchor standards remind us not to fixate on the individual grade-level standards. Indeed, all coaches know that ability in skill exercises or drills does not necessarily yield masterful performance. Masterful performance means, as the three writing standards above suggest, that you can draw on a repertoire of skills and knowledge effectively, in context, with understanding of what you're doing and why. Mastery requires dealing effectively with varied and sometimes novel challenges of purpose, audience, and context.

An Example: The Mastery Master

This understanding of mastery was at the heart of the extraordinary record of John Wooden, the legendary University of California-Los Angeles (UCLA) basket ball coach. As one of his former players, Sven Nater, recalls,

Coach Wooden's goal was to teach the underlying concepts of offensive and defensive basketball, so that when opponents surprised us with new and different challenges we in turn surprised our coach and the other team with creative and effective solution methods. (Nater & Gallimore, 2010, p. 90)

Wooden's methods offer a beautiful example of backward design: shifting from a focus on practicing isolated skills to a focus on applying these skills with mastery in the game itself. Each year, Wooden would use the off season to take a close look at one of his team's weaknesses. One year he studied free-throw shooting. When he discovered that some successful coaches had made their free-throw shooting drills more like playing in an actual game, he changed his own team's practice sessions. Rather than shooting when completely rested and getting unlimited tries, players would scrimmage hard, do sprints, and then have only two shots within 30 seconds, just as they would in a game. The next year, UCLA led the league in free-throw shooting (Nater & Gallimore, 2010).

Wooden described his overall method like this: "I tried to teach according to the whole-part method. I would show them the whole thing to begin with. Then I'm going to break it down into the parts and work on the individual parts and then eventually bring them together" (Nater & Gallimore, 2010, pp. 89-90). The constant process of bringing the parts back together in complex performance is what's routinely missing from many so-called mastery learning programs.

Question 2: How Good Is Good Enough?

Ensuring that students can perform authentic tasks is necessary for mastery, but not sufficient. We also need to ensure that we're assessing work on those tasks against valid, high standards. The Common Core anchor standards in writing state that a student must write analyses "clearly and accurately"-but just how clearly and accurately?

So that's our second key question: Given the tasks at the heart of mastery, how good is good enough? Even if we ask students to work with difficult texts and content, we might score the work too generously-setting the bar low, to use a phrase borrowed from the high jump. Yes, they can jump quickly and fluently! But how high do they need to jump to be deemed masterful?

The recent hullabaloo over New York's cut scores (Sailer, 2013) illustrates how important and contentious this question is. To better align state tests with Common Core standards, the state asked more higher-order questions and made the cut scores for proficiency harder to attain. A score that used to be "good" was thus no longer "good." In other words, state policymakers raised the bar; they ratcheted up the official answer to the question, How good is good enough to indicate mastery?

I believe that such recalibration is needed. We have long known that state passing rates have often been way out of line with those of the National Assessment of Educational Progress (NAEP); the ACT; and international assessments. Hull (2008) found that on average, there was nearly a 40 percentage point difference between state and NAEP assessments of 4th graders' reading proficiency. And remediation rates in college average 40 percent of incoming students (Wiggins, 2010). As a result, it's hard to feel confident about local performance standards.

So this is hardly a new challenge or debate. Setting levels or cut scores has been a knotty technical and political problem since the advent of K-12 schooling. And that's true at least in part because we haven't reached agreement on how high the bar needs to be to establish mastery.

The Need to Face Local Grading Customs Squarely

Every teacher who grades students makes decisions about what level of performance is "good enough." Yet, in my work over decades, I have found that most teachers merely come up with an algorithm for calculating grades rather than ensuring that their grades link to larger, defensible standards. The fact that such norm-referenced, individualistic grading is a time-honored education custom fails to justify it.

To see the harm of the current approach to grading, imagine a teacher who, like most teachers, gives As or Bs to her better students. But suppose that the school is one of the weakest schools regionally. She is thus giving grades determined by familiar local norms and low expectations, not measured against standards. Although the teacher is well intentioned, she is unwittingly setting up her students for heartbreak. They'll find out too late-through external tests and through their need to take remedial courses in college-that their performance is not good enough.

I'm not saying we should hold kids to absurdly high standards or give them only endless bad news. I am saying that we must provide valid feedback early and often. Knowing that you're a novice who's a long way from true mastery is not inherently debilitating. On the contrary, having a worthy, far-off goal and tracking your progress in closing the gap are key to mastery in all walks of life.

Ideally, then, students will know where they stand vis-à-vis wider-world standards long before they take any external test. In such a system, tests should simply confirm what the student and teacher already know-as now typically happens in sports and performance arts.

My Standard on Setting Standards

In a world of national standards, we must now face the issue that Bloom avoided. Regardless of what particular solution we come up with for linking local grades to wider-world standards, this must be our motto: No surprises; complete transparency as to where the student stands in terms of performance.

We owe each student the facts as to where he or she fits in terms of wider-world standards. That's why arguably the most important and overlooked text in the Common Core English language arts standards is the appendix, where we find sample performance tasks and exemplars of student work.

Why did I include the phrase in terms of performance? Because far too many people in our field confuse content standards with performance standards. The standards question is not so much what to teach-the inputs-but rather what level of performance counts as mastery in local grading and scoring of student work-the outputs. In the workplace, when we say your work is not up to standard, we're referring to the quality of your product, not just whether you included the content. Similarly, in track and field we don't ask that you merely "cover" the high jump, and in French class we don't say you reached mastery just because you got decent grades on quizzes. We expect a performance output-a "good enough" jump height or French conversation-that meets a defensible standard.

This is the crux of the matter: how to set school-level standards (and give grades, scores, or judgments in relation to them) in terms of valid external standards. If local tests are less rigorous than state and national tests, and if teachers' scoring and grading of student work reflect only local norms and not wider-world standards, then the school is not standards-based.

What, then, can local schools do as a practical solution to the challenge of determining mastery? I propose that rather than leaving this matter to local educators who simply use prior local assessments and results (as Bloom proposed and as currently happens), we let local educators make the call but ask them to devise a valid way of reporting out performance results against scoring standards that are either equal to or closely calibrated with the Common Core standards.

To avoid fruitless battles, students could continue to receive letter grades (which would provide a holistic look at how the student is doing as measured by teacher goals and expectations, more or less related to local norms). But at least twice a year, they should also receive a standards-based score, which would be derived from schoolwide assessments that reflect Common Core standards and which would incorporate tasks like those on the new Common Core-aligned assessments. Because the Common Core standards and their aligned assessments only address English language arts and math, teachers in other subjects could draw on released test items from high-performing states or countries (see " Websites for Sample Test Items Measuring Wider-World Mastery").

Local Mastery of High Standards

A march through facts and subskills, dotted with numerous quizzes, is not a path to true mastery. Mastery is the effective and graceful transfer of learning to meet authentic performance challenges. The issue of getting students to mastery must be addressed locally by overhauling the quality of local grading and testing to calibrate them with wider-world standards. It is way past time that educators master the idea of genuine mastery.

References

Bloom, B. (1968). Learning for mastery. Evaluation Comment, 1(2). Published by the UCLA Center for the Study of Evaluation and Instructional Programs.

Bloom, B. (1971). Mastery learning. In J. Block (Ed.), Mastery learning: Theory and practice (pp. 47-63). New York: Holt, Rinehart, and Winston.

Dewey, J. (1916). Democracy and education: An introduction to the philosophy of education. MacMillan: New York.

Guskey, T. (2005, April). Formative classroom assessment and Benjamin S. Bloom: Theory, research, and implications. Paper presented at the Annual Meeting of the American Educational Research Association, Montreal, Canada.

Hull, J. (2008). The proficiency debate: A guide to NAEP achievement levels. Alexandria, VA: Center for Public Education.

Kubina, R., & Morrison, R. (2000). Fluency in education. Behavior and Social Issues, 10, 83-99. Retrieved from www.fluency.org/Kubina_Fluency_Ed.pdf

Nater, S., & Gallimore, R. (2010). You haven't taught until they have learned: John Wooden's teaching principles and practices. Morgantown WV: Fitness Information Technology.

National Governors Association Center for Best Practices & Council of Chief State School Officers. (2010). College and career readiness anchor standards for writing. Washington, DC: Authors. Retrieved from www.corestandards.org/ELA-Literacy/CCRA/W

National Governors Association, Council of Chief State School Officers, Achieve, & National Association of State Boards of Education. (2013). K-8 publishers' criteria for the Common Core State Standards for mathematics. Washington, DC: Authors. Retrieved from www.corestandards.org/assets/Math_Publishers_Criteria_K-8_Spring%202013_FINAL.pdf

Prentice Hall. (2005). Sound and light (Prentice Hall Science Explorer Series). Upper Saddle River, NJ: Author.

Sailer, C. (2013, August 7). State test scores reboot Re-Act-O-Mat [blog post]. Retrieved from Capitol Confidential at http://blog.timesunion.com/capitol/archives/192704/state-test-scores-reboot-react-o-mat

Wiggins, G. (2010). Why we should stop bashing state tests. Educational Leaders hip, 67(6), 48-55.

Wiggins, G., & McTighe, J. (2005) Understanding by design: Expanded edition. Alexandria, VA: ASCD.

Grant Wiggins is president of Authentic Education. He is the author of Educative Assessment: Designing Assessments to Inform and Improve Student Performance (Jossey-Bass, 1998) and coauthor, with Jay McTighe, of many books in ASCD's Understanding by Design series.

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December 2013/January 2014 | Volume 71 | Number 4 Getting Students to Mastery Pages 10-16 Grant Wiggins MASTERY: An action demonstrating or involving great skill or power ... to perform a notable deed or wonderful feat. Consummate skill, ability, or accomplishment.

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The trauma and adversity that students are carrying into classrooms are changing how educators need to address learning and academic performance. Fifty-one percent of children in public schools live in low-income households, and when poverty levels exceed 50 percent, there's a significant drop in academic performance across all grade levels. At the same time, 25 percent of all adolescents -including 30 percent of adolescent girls-are experiencing anxiety disorders.

Adversity and trauma reside in our biology, not our psychology and cognition, so we educators need to prime students' brains for learning. This calls for a deeper understanding of how our brains develop and how they respond to adversity and trauma, and how building relationships and providing strategies that promote emotional regulation can positively affect students' emotional, physiological, and cognitive health.

I'd like to describe some practices that not only address the stress response in the limbic brain areas, but also attend to sensory and motor systems in the brain stem area. Often these systems are compromised because of chronic stress that has neurobiologically reprogrammed how the brain of a child or adolescent responds to adversity.

Brain Breaks

Brain breaks stimulate many areas in the brain that pay attention to novelty and curiosity, sparking the motor and sensory systems while initiating emotional regulation in the more reactive and primitive areas of the brain. Here are a few brain breaks you can try in class.

Funny talk: Have students loosely touch the roof of their mouth with their tongue and begin to speak. Create a class chant to say altogether, or the teacher can address the class, modeling what he or she would like students to say.

Tongue stretch: Have students use clean hands or a Kleenex to stretch their tongue as far as it can go. This relaxes the throat, palate, upper neck, and brain stem. What could you add to this to make it funny?

Hum: There are many ways you can incorporate humming as a break or to begin class. Lead students in Simon Says or Name That Tune, or have them move their arms and legs to someone's humming. This activity releases stress and blockages in the brain stem.

Bilateral scribbles: Have students hold a different color marker in each hand and draw or scribble to the beat of some music for 30 seconds. When they're finished, see if the drawings turned into anything familiar or strange. Have them share with a classmate and then give their art a name.

Name scribbles: Have students write their favorite word four times with their dominant hand and then again with their other hand. Discuss how it felt, which they found more difficult and why, and what happened in their brains when they used their non-dominant hand.

Focused-Attention Practices

Focused-attention practices calm the brain's stress response and stimulate sustained attention and emotional regulation. A regulated and calm brain is a brain that is ready to deeply learn.

When we consciously use sensations, breath, movement, and our body's awareness, we activate those areas in the brain that pay attention to what is happening in this moment, while supporting areas we need for learning, attention, and engagement. I'll share four focused-attention practices here.

Ice cube: Give each student an ice cube and a paper towel or napkin to hold. As they hold the ice cube, ask them to focus on what it feels like in their hands and what the sensation reminds them of. Can they sit still and wait for the ice cube to melt?

Deep breathing: Have students scrunch their toes and cross their legs at the ankles. Then they should cross the left arm over the right arm, clasp their hands together, and-keeping their hands clasped-bring them toward their chest. Have them hold that pose for 30 seconds as they take five deep breaths, and then have them take another 30 seconds to uncurl their toes, uncross their legs, extend and unclasp their hands, and uncross their arms while taking another five deep breaths. How did that feel?

So what? As students close their eyes and sit up nice and tall in their chairs, they should visualize a golden thread that connects their hearts to their stomachs. As they breathe in, have them picture a pulse in the thread moving from their stomachs to their hearts; with each exhale, the pulse travels from the heart back down to the stomach. As the students breathe, have them say, "So what?" to themselves if a negative thought occurs.

Feeling phrases: To begin the day, have students share through a picture or description how their bodies feel. Some example phrases: cold/warm/hot; twitchy/butterflies/soft/stuck; sharp/dull/itchy; shaky/trembly/tingly; jittery/weak; empty/full; relaxed/calm/peaceful; flowing/spreading; strong/tight/tense; dizzy/fuzzy/blurry; numb/prickly/jumpy/tearful/goosebumpy.

Sensations are different than emotions in that they describe the way the body feels physically. Children who struggle with speaking can point to places on their body that hold a sensation. Sensory awareness promotes cognitive growth and self-awareness. When students can begin to identify their sensations, they begin to tap into where the negative feelings and images are. This focused-attention practice can be implemented several times a day after different experiences. Questions to ask as part of this practice:

What are you sensing? As the teacher, begin by sharing and modeling your own sensations.

Where is this in your body?

What might be the reason for these butterflies?

Can you draw what fuzzy, tingly, tight, etc. looks like?

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Quick Classroom Exercises to Combat Stress

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The trauma and adversity that students are carrying into classrooms are changing how educators need to address learning and academic performance. Fifty-one percent of children in public schools live in low-income households, and when poverty levels exceed 50 percent, there's a significant drop in academic performance across all grade levels.

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[Amelia Peterson, Amelia Paterson]|Hanna Dumont|Marc Lafuente|Nancy Law

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OECD iLibrary | Understanding innovative pedagogies

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The new OECD cross-searchable online library containing over 5000 e-books, 5000 MS Excel™ tables, 400 statistical datasets and 2500 working papers.

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Kagan’s FREE Articles - Research & Rationale - Research proves effectiveness of Kagan Structures.

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Kagan specializes in staff development and educational resources for teachers. Visit our online store, magazine and message board � the leading authority on cooperative learning, classroom discipline and multiple intelligences.

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Visible Thinking Graphic Organisers & Descriptions

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Visible Thinking Graphic Organisers & Descriptions

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It has been a long time since I have blogged about cooperative learning strategies. They tend to become second nature to me, and I forget that this isn't necessarily the same for everyone. As a refresher, I have compiled my top 10 cooperative learning strategies that have been featured here on the blog at some point.

Each strategy will take you to the step-by-step directions

Enjoy!

What is your favorite cooperative learning strategy?

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It has been a long time since I have blogged about cooperative learning strategies. They tend to become second nature to me, and I forget that this isn't necessarily the same for everyone. As a refresher, I have compiled my top 10 cooperative learning strategies that have been featured here on the blog at some point.