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Ron Mueck
Mass (detail) 2016–17
Installation view
Commissioned by the National Gallery of Victoria, Melbourne
National Gallery of Victoria, Melbourne
Felton Bequest, 2017
Photo: Sean Fennessey

https://www.ngv.vic.gov.au/exhibition/ngv-triennial/

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http://www.damienhirst.com/texts1/series/kaleidoscope

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Akay Koo'olia Women's Arts Centre Artists, Aurukun, God's Eye Installation, 2017

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Akay Koo'olia Women's Arts Centre Artists, Aurukun, God's Eye Installation, 2017

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https://www.ngv.vic.gov.au/explore/collection/work/131055/

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Nyapanyapa Yunupingu - Untitled - Roslyn Oxley9 Gallery

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Nyapanyapa Yunupingu Untitled, 2016 4929W natural ochre on paper 76 × 57cm

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http://www.haring.com/!/art-work/18#.Wrd6rZNuaRs

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https://www.ngv.vic.gov.au/exhibition/ngv-collection-australia/

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Maharam Stories is an evolving collection of cultural commentary by artists, designers, and writers.

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Andy Warhol. Campbell’s Soup Cans. 1962 | MoMA

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Andy Warhol. Campbell’s Soup Cans. 1962. Acrylic with metallic enamel paint on canvas, 32 panels. Each canvas 20 x 16″ (50.8 x 40.6 cm). Overall installation with 3″ between each panel is 97″ high x 163″ wide. Partial gift of Irving Blum Additional funding provided by Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William A. M. Burden, Abby Aldrich Rockefeller Fund, gift of Nina and Gordon Bunshaft, acquired through the Lillie P. Bliss Bequest, Philip Johnson Fund, Frances R. Keech Bequest, gift of Mrs. Bliss Parkinson, and Florence B. Wesley Bequest (all by exchange). 476.1996.1-32. © 2025 Andy Warhol Foundation / ARS, NY / TM Licensed by Campbell’s Soup Co. All rights reserved. Painting & Sculpture

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http://www.tate.org.uk/kids/explore/who-is/who-yayoi-kusama

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https://www.ngv.vic.gov.au/exhibition/emily-floyd/

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https://www.broadsheet.com.au/melbourne/art-and-design/article/first-look-ngv-triennial

https://www.ngv.vic.gov.au/triennial-voices/artists/?a=38

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Click for a few more examples :-)

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Tate glossary definition for linocut: A relief print produced in a manner similar to a woodcut but that uses linoleum as the surface into which the design is cut and printed from

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From an art practice that encompasses ceramics, sculpture, painting, glass, theatre design, installations and architectural-scale projects, Jun Kaneko is able to draw together a diverse range of powerful visual and technical resources in the production of his work. This large dango, a Japanese term for steamed dumplings, owes its commanding presence to Kaneko's planning skills, production methodology and articulation of surface design.

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Pattern understanding | Emily FLOYD | NGV | View Work

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(e) chopmark l.r.: APW (in a rectangle) inscribed in pencil on reverse l.l.: 1/15 inscribed in pencil on reverse l.c.: Pattern Understanding / (Left Panel) inscribed in pencil on reverse l.r.: EMILY FLOYD 2008 (f) chopmark l.r.: APW (in a rectangle) inscribed in pencil on reverse l.l.: 1/15 inscribed in

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an artist who writes and teaches; is a member of TCB art inc., and was previously a member of the collective DAMP & currently working in the Painting Department at the Victorian College of the Arts.

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http://visualmelt.com/Andy-Goldsworthy

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Anwerlarr anganenty (Big yam Dreaming) | Emily Kam Kngwarray~Anmatyerr | NGV | View Work

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Emily Kam Kngwarray was born in her father and grandfather's Country, Alhalker, Northern Territory, where she grew up in a traditional family as the youngest of three children. In 1926 the borders of the Utopia pastoral lease were drawn across the lands of the Anmatyerr and Alyawarr peoples and thereafter Kngwarray worked on a number of pastoral stations.

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https://www.artgallery.nsw.gov.au/collection/works/426.1987/

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https://nga.gov.au/collections/australia/gallery.cfm?displaygal=2C&mnuid=

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BURKE , Frances BURWAY PRINTS | Rope and shell, length of furnishing fabric

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Examples of lino cutting
https://www.artgallery.nsw.gov.au/collection/works/?group_accession=150.1990.1-12

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https://www.gustav-klimt.com/Expectation.jsp

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Examples of lino cutting
https://www.christies.com/matisse/printmaker.aspx

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http://www.tate.org.uk/art/artworks/bayer-chromatic-intersection-p04032

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https://www.moma.org/artists/2948?=undefined&page=1&direction=

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Donald Judd. Untitled. 1988. One from a portfolio of ten woodcuts. approx. composition 23 5/8 x 31 1/2" (60 x 80 cm). sheet 23 5/8 x 31 1/2" (60 x 80 cm). Brooke Alexander Editions, New York. Derriere L'Etoile Studios, New York. 25. Gift of Nelson Blitz, Jr.. 135.1989.6.

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Álvaro Catalán de Ocón (designer)Mary Dhapalany (weaver)

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Álvaro Catalán de Ocón (designer)Mary Dhapalany (weaver)

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PET Lamp Ramingining: individual lamp | Alvaro Catalan de OCON (designer); Mary Dhapalanu (weaver) | NGV | View Work

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In these works designer Alvaro Catalán de Ocón and the Bula'bula artists devised a system for joining traditional woven mat forms, resulting in large-scale collaborative works, to be presented as suspension lamps. Alongside, studies of the development process track the process of collaboration and the merging of traditional gathered, dyed and woven pandanus with PET plastic bottles.

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Hand block printing on cotton | INDIA | NGV | View Work

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"A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know." - This a quote from the legendary and possibly best known textile designer of the 20th century - Anni Albers. To find out more about her groundbreaking work at The Bauhaus in the 1920's check out her Wiki Page. We're really feeling this look at the moment for Autumn/Winter 2013/14 print trends, check out our preview here. The Josef & Anni Albers Foundation.

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Anni Albers - Legendary Textile Designer | Patternbank

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"A longing for excitement can be satisfied without external means within oneself: For creating is the most intense excitement one can come to know." - This a quote from the legendary and possibly best known textile designer of the 20th century - Anni Albers.

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http://whitecube.com/artists/sarah_morris/

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The 'Kaleidoscope' paintings reference the spiritual symbolism of the butterfly, used by the Greeks to depict Psyche, the soul, and in Christian imagery to signify the resurrection. The works are reminiscent of, and even sometimes directly copy stained glass windows (' South Rose Window, Lincoln Cathedral ' (2007)).