# data[].attributes.body
(ˌæntɪməˈtæbəlɪ) is a figure of speech in which words or clauses from the first half of a sentence are repeated in the second half of the sentence in reverse order.

“Ask not what your country can do for you, ask what you can do for your country.”
John F. Kennedy

“I wasted (A) time (B) and now doth time (B) waste (A) me.”
William Shakespeare, Richard II

# data[].attributes.body
Enjambment is incomplete syntax at the end of a line the meaning runs over from one line to the next, without terminal punctuation.

Example:
I am not prone to weeping, as our sex
Commonly are; the want of which vain dew
Perchance shall dry your pities; but I have
That honourable grief lodged here which burns
Worse than tears drown.
Shakespeare, The Winter's Tale

# data[].attributes.body
An Apostrophe is an exclamatory figure of speech.
It occurs when a speaker breaks off from addressing the audience and directs speech to a 3rd party such as an opposing litigant or some other individual, sometimes absent from the scene or cannot respond in reality.
An Apostrophe always addresses its object in the second person. Sometimes this address involves the word "you" or the more formal "thou."

Example:
"O God! God!"
Hamlet act 1, scene 2

# data[].attributes.body
A pun is a play on words that produces a humorous effect by using a word that suggests two or more meanings,
or by exploiting similar sounding words that have different meanings.

Example:
“Now is the winter of discontent … made glorious summer by this sun of York.” William Shakespeare, Richard III, Act I, Scene 1

# data[].attributes.body
The repetition at the end of a line or clause of a word or expression that appeared at the beginning.

Example:
"Weigh oath with oath, and you will nothing weigh."
Shakespeare, Midsummer Night's Dream, Act III, Scene 2

# data[].attributes.body
Hamartia is a personal error in a protagonist’s personality, which brings about his tragic downfall in a tragedy. This defect in a hero’s personality is also known as a “tragic flaw.”

Example:
Prince Hamlet’s tragic flaw, in Shakespeare’s play Hamlet, determines his tragic downfall. Hamlet’s hamartia is his indecisiveness. He cannot make up his mind about the dilemmas he confronts. He reveals his state of mind in the following lines from Act 3, Scene 1 of the play:
“To be, or not to be — that is the question:
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep…”

# data[].attributes.body
An anaphora is the repetition of the same word or phrase at the beginning of successive clauses.

Example:
“This blessed plot, this earth, this realm, this England;
This nurse, this teeming womb of royal kings [. . .];
This land of such dear souls, this dear dear land,”
Shakespeare, Richard II, Act 2, Scene 1

# data[].attributes.body
A Hyperbole is the use of exaggeration to emphasize a point. It is not intended to be taken literally.

Example:
"I was helpless. I did not know what in the world to do. I was quaking from head to foot, and could have hung my hat on my eyes, they stuck out so far."
- Old Times on the Mississippi by Mark Twain

# data[].attributes.body
[ɛˈpɪstrɔfi:]

Epistrophe is derived from a Greek word that means “turning upon ». It indicates the same word returns at the end of each sentence.

Thus epistrophe is a stylistic device that can be defined as the repetition of phrases or words at the ends of successive clauses or sentences.

Writers use this rhetorical technique of repeating a word or phrase in order to place emphasis on the repeated phrase.

Example :

I had an Edward, till a Richard kill'd him;

I had a husband, till a Richard kill'd him;

Thou hadst an Edward, till a Richard kill'd him;

Thou hadst a Richard, till a Richard kill'd him.

(Shakespeare, Richard III, 4.4.40-43)

> Anaphora is the opposite of epistrophe (> same words are repeated at the beginning of successive sentences)

# data[].attributes.body
-A type of question to which no answer is expected because it is already known. Its purpose is rather to make a point, insinuate or lay emphasis on something, start a discussion...
-Example: Shakespeare, The Merchant of Venice
“If you prick us, do we not bleed?
If you tickle us, do we not laugh?
If you poison us, do we not die?
And if you wrong us, shall we not revenge?”

# data[].attributes.body
-A far-fetched controlling metaphor or comparison made between two very different things whose similarity is not at first visible. It relies on wit or ingenuity.
-Example: in Richard II, the metaphor of the two buckets is a conceit.

# data[].attributes.body
In the ancient Greek, it typically describes behaviour that defies the norms of behaviour and challenges the gods, and which in turn brings about the downfall, or nemesis, of the perpetrator of hubris. It considered hubris as a dangerous character flaw, capable of provoking the wrath of the gods. In classical Greek tragedy, hubris was often a fatal shortcoming that brought about the fall of the tragic hero. Typically, overconfidence led the hero to attempt to overstep the boundaries of human limitations and assume a godlike status, and the gods inevitably humbled the offender with a sharp reminder of his or her mortality.

Example: the myth of Oedipus.

# data[].attributes.body
1:Anaphora (Auryan Thomas)
2: Anadiplosis (Camille Provot)
3: Antanaclasis (Florine Poulard)
4: Antimetabole (Heiteaarii Bertholon-Chin Ah You)
5: Antithesis (Emeline Jay)
6: Apostrophe (Marion Delhumeau)
7: Catharsis (Charlotte David)
8: Chiasmus (Honorine Piuro)
9: Climax (Carol-Ann Penichon)
10: Conceit (Clémence Alexandre)
11: Dramatic irony (Marianne Bardot)
12: Enjambment / run-on-line (Marion Delhumeau)
13: Epanalepsis (Vincent Grellard)
14: Epistrophe (Lucile Arnaud)
15: Extended metaphor (Mansita Traore)
16: Hamartia (Elisa Richard)
17: Hubris (Sophie Noël)
18: Hyperbole (Rawya Horeya)
19: Metonymy (Florine Poulard)
20: Oxymoron (Romain Roulier)
21: Paradox (Constance Febvre)
22: Parataxis (Lili Radanovic)
23: Personification (Charline Pierens)
24: Polyptoton (Alexia Planchenault)
25: Pun (Nellie Monnet)
26: Rethorical question (Clémence Alexandre)
27: Synecdoche (Murat Aydemir)

# data[].attributes.body
- Repetition of a word with two different definition -> I’m not a businessman, I’m a business, man (Jay Z)
- Repetition of a word used with more than one meaning -> While we live, let us live. (Epicurean)

# data[].attributes.body
Naming an object or a concept to refer to another, related object or concept -> Friends, lend me your ears. (Bible)

# data[].attributes.body
The repetition of words which have the same roots
The Greeks are strong and skilful in their strength
Fierce to their skill, and to their fierceness valiant
(Shakespeare!)