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I will be recreating the artist Picasso artwork style onto of these classics I want to contrast the traditional piece with a contemporary aspect. As I have used parts of this unit to study the great artists that inspire us today I feel my finishing piece should incorporate both my own style and the style that has inspired me. I will also be using the same style on a primary image I have taken.

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Lorenzo Quinn is a notable sculptor of the body and human form. His main aspect of focus is the human hands and there postures and positions as they are always moving. His artwork is displayed at castle fine art on grays street and if i have free time i would find his work interesting to go and see. I would like to focus on developing a personal skill which will allow me to have artwork which is personal to me with distinctive aspects which make it stand out and become more notable.

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I think that i college i am not taught any way to branch away from the fine art section and i am also not taught to much about how to develop with paints or other media in my case i have to become self taught in this discipline. I am here only to receive feedback on the way i develop at this point. Learning from sessions outside of college is the best way for me to pick up my own personal style such as artists like Lorenzo.

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I created my first sculpture piece at the end of the last year. I used lots of various materials and i enjoyed being so experimental in my art. I would potentially like to make a casting or something this year in his style to create my on piece of artwork, maybe go down the line of contemporary sculpting artwork and stretch myself out of the comfort zone while staying with my focus on the human body.

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i attended the BP awards this year and was inspired by a created mixed media portrait that had a diverse composition to it which i would like to try in my artwork more this year. i took a series of primary images at all the various types of portrait. this image jumped out at me and i would be interested to dive deeper into the style of this artist as it isn't my comfort zone but i would be happy too.

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David Booth (b.1986) gained a BA (Hons) in fine art at the Institute of Technology Carlow, Wexford. His work has been seen in numerous exhibitions in Ireland including those of the Royal Hibernian Academy (2012, 2016, 2018) and the Zurich Portrait Award at the National Gallery of Ireland, Dublin (2018).

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I would like ton create a set of photos in order to work from specific images that can be used and edited to create a piece similar to his. i could cut images and paint round them to create his half hyper realism pieces in the time i have left to complete the tasks. i would like to maybe use a painted face to take a series of photos first as one piece i found of his is a woman with a painted face. i would need to get the correct materials to do this and be able to have the images taken as soon as possible.

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inspiration and primary research day 2019

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inspiration and primary research day 2019

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I visited the national portrait gallery London to gain some contextual research, i found i was attracted to pieces of artwork i would not normally go to create myself they where bright and bold and not the traditional portrait type image.

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i would like to take a series of images that i can use to make mixed media response to his BP portrait awards piece. i would like to incorporate images in a form of collage with acrylic paints to mimic the same technique that he has used but skip the time taken to have incredibly real aspects with materials to images in sections.

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I could not take my own images as i had problems getting a camera and a model in such sort notice, i have collected a range of secondary images based from a set of primary images i took at Leeds festival. I will be recreating his style with a portrait image of Billie Eillish as I know her style is also a strange concept and the proportions of her face are great.

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- acrylic paint
-photo images
-printer
-camera
-a3 paper

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-ILLUMINATI
-REPTILES
-SIMULATION
-ALIENS
-AMERICAN GOVERMENT
-BERMUDA TRIANGLE
-9/11
-night terrors
-goya's artwork demons

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1. LEARN HOW TO DEVELOP DIGITAL SKILLS
2. COMPLETE A SERIES OF PHOTOSHOPS
3. CREATE A SCULPTURE PIECE FOR MY UNI APPLICATION
4. FIGURE DRAWING AND LIFE DRAWINGS  DEVELOPED

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-UNI APPLICATION DONE BY-  END OF OCTOBER
-ACTUAL DEADLINE- 15TH JANUARY
-PROJECT UNIT 10 DONE MY THE END OF PROJECT OR SOONER

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1.  ACCROSS THE YEAR- LONG PROJECT
2. BRIEF PERIOD IN LESSON
3.  CREATION OF SCULPTURE- LONG PERIOD
-THIS AFTERNOON WILL BE SPENT RESEARCHING TECHNIQUES
4. 8 WEEKS IN THE LIFE DRAWING AREA OF THE COURSE WHERE I CAN BUILD UPON MY SKILLS

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1. Sketch your sculpture. Always draw out the sculpture you plan on making first. ...

2. Create a base. ...

3. Build an armature. ...

4. Fill in the basic form. ...

5. Move from large forms to smaller ones. ...

6. Add in details. ...

7. Add in textures. ...

8. Cure your sculpture.

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CLAY AND SHAPING WIRE TO CREATE A STRONG BASE, THEN COVER WITH CLAY THAT ALWAYS HAS TO BE KEPT WET TO BE ABLE TO WORK WITH IT FLEXIBLY AND EFFECTIVELY.

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DARK SCULPTURES
BOOK- THREE SCULPTURES
LIBRARY- BALTIC CENTER

INSPIRED AS THE STRANGE COMPOSITION COULD LINK TO A CONSPIRACY THEORY.

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- START CONSPIRACT RESEARCH
-CHOOSE A CONSPIRACY
-GATHER LINKS TO ARTIST  TO RESPOND IN THERE STYLE
-CHOOSE A FORM PF MATERIALS TO RESPOND IN A TYPE OF ART FORM

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I will continue the sketchbook I am creating into my personal project and make sure I develop theses ideas to the strongest i can  because the subject is so broad that the ideas are almost unlimited and very unique.

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View finder from "persistence of memory" 

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View finder from "persistence of memory" 

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I am aslo going to allow my work to be heavily influenced by current news and social issues that are effecting the world as we know it

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- wild fires
-chernobyl fires /radiation increase
- coronavirus pandemic
- social distancing
- economy collapsing

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The group of 14 artists – known as the 26:86 Collective – visited the site of the world’s biggest nuclear disaster on the year of its 30th anniversary and documented the visit with film, photos and interviews.

Photography artists visited Chernobyl to collect a series of desolate images that formed an exhibition in the north.

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I created series of images in response to there exhibition, as I can not travel to Chernobyl currently I travelled to abandoned locations in the north east with a group of friends (before lockdown ) and we invested in a gas mask to incorporate props that link to the theme we where focusing on. I would like to use the photos I've taken as a response and a platform to develop further from.

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A series of paintings all similar in style and heavily influenced by a similar theme and portray characteristics of Salvador Dali artwork with similar consistency and the presentation minimal but with an unusual asset these pieces really remind me of Dali's unique work.

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In the center of the plot of the picture is a telephone in a gas mask around him children's dolls. Inside the gas mask there was a living snail, as a sign of life.
These dolls are painted from photos of dolls that still lie there in Chernobyl, dolls still have radiation on them.
My city Kyiv and nearby cities were cleared of radiation even before the collapse of the USSR.
The painting is included in a series of Pathos of Bureaucracy.
They say that the Chernobyl tragedy affected the collapse of the USSR. But a lot of empty words, inaction, complete bureaucracy are what influenced both the collapse of the USSR and the tragedy in Chernobyl.

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I will be aiming to create a piece in response to the effects of radio after the event 30 years ago and now the respire of radiation due t the fires.
I want this artwork to reflect the danger it is and the damage it caused as then it will have impact to an audience.

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a shillouette of a figure from the shoulders up and instead of painting what should be there painting what the radiation would do but with a pale knife to get messy strokes of pain and no clear use of line just expressionism

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This is the first draft photoshop created.
I will be using this to create my paper version and then canvas version when it is due to arrive.

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Today I will be using a cardboard base and wall filler to create a three demential abstract face, it will be in a schilloute style the same s he the piece I am planning but it will have no colour as I would like for this to be very minimal unlike the other design. similar method of using a palette knife I will adapt to this as the strokes and movement in the artwork

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Today I want to work back into my traditional dry materials for example pencils and tonal drawings

I would like to create a traditional piece that is in my comfort zone just to keep that skin active and keep me engaged with my artwork and generate more ideas

With that in mind when the traditional piece is complete I will then attempt layer it with an abstract aspect that is similar to what I have created with the most recent two artworks this will be in order to link all my weeks skill development together as this is what unit 10 is all about

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Traditional portraits with an abstract touch 

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Traditional portraits with an abstract touch 

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Time lengthens as the years pass by Kos Cos

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Time lengthens as the years pass by Kos Cos

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The traditional view of the relationship between portraiture and time, is that portraits endure while their subjects grow older and ultimately die. The distinction of ‘Life Goes On Within You And Without You’ is that the artist has introduced an element of time into the portraits themselves.

The flow of thick vivid paint that runs through each portrait is a metaphor for time. It’s a technique that takes several weeks to complete. Vibrant colours are poured onto the canvas and left until a dry outer layer forms, onto which an entire portrait is painted. When the crust is broken, the dynamic inner layers of still liquified paint are released to make their own irreversible impression in a deliberate act reminiscent of the destruction of sand mandalas by Tibetan monks.

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In my opinion I was really happy with this final outcome I feel it reflects well what I was attempting to create. I found using the material of wall filler harder than anticipated my first attempt the substance just bolded and I couldn't create the correct consistency or texture that I wanted. So then I remolded it and I was able to create the finished product.

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It is a product I think I would use again for future sculpting experiments it is a cheap nd resourseful material that I found would be great for a more realistic three dimensional face, as you can paint over it but also sculpt it well when it is slightly hardened

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So for the final piece after being happy with my first planning of the piece I brought my first flat canvas to Create the finished outcome, I used a wall paint to prep the board and then acrylics mixed with coconut white wall paint as I ran out of white acrylic. I found that the consistency was clearly more water based than acrylic but it made painting the canvas a lot easier as it wasn't hard to create layers on the board itself.

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- Billie Ellish tears

On one of the artists music videos she creates the illusion she is crying black tears and then run down her face.
In connection to my mixed acrylic piece I used a collection of paints and then created a blended dripping effect, I want to use a collection of colors to recreate the tears over the tonal drawing and see what effect what gives

Instead of having the risk of damaging the original piece I will be scanning the piece onto my computed and using photoshop to add an abstract layer over therefor displaying a wider range of skills and having multiple copies of the drawing in different styles and themes.

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https://www.tiktok.com/@lkell25

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Why I decided to document with video media? 

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Why I decided to document with video media? 

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I thought I would use social media to project my artwork to a wider audience and by doing do documenting my progression go pieces I am creating for my unit 10, I have received almost 1000 views on both videos I have uploaded and I am currently filming another one for my most recent traditional drawing I have started.

I learned some basic video skills in the 3D and time based unit in first year and I have put some go those skills back into this topic too.

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I have the facial proportions and tonal shading correct but I am challenged by the eyebrows one is too high on ones side will need to adjust this a I progress to keep it proportionally correct

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Influences and interesting artwork from London (primary contextual research) 

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Influences and interesting artwork from London (primary contextual research) 