# data[].attributes.body
but this is not say possibility of marriage is used as a political tool other films in this case it is Sir Walter Raleigh

# data[].attributes.body
Bergfelder tim, Harris Sue, Street Sarah ed "Set Design, Style, and Genre in 1930s British Cinema" in Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema
(Netherlands, Amsterdam University Press) pg228,

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in Fire Over England (1937) once the plot is found out the plotters immediately reaffirm they're loyalty to Elizabeth

# data[].attributes.headline
follows the same role as male monarch of the time 

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follows the same role as male monarch of the time 

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is shown to ride with troops with "the visual argument is that because she is shown in the midst of her soldiers, she is one of them"

"Queen Elizabeth: The Cinematic Afterlife of an Early Modern Political Diva" in the British Monarchy on Screen, ed Merck Mandy (UK, Manchester: University of Manchester Press, 2016) pg139

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it seems that this has persisted with series like the Great itself portrays him as "violent and ignorant"

Eleanor Stanford, "This is not History's Catherine the Great", New York Times, 8th May 2020, accessed 15th March 2021, https://www.nytimes.com/2020/05/08/arts/television/the-great-hulu.html

# data[].attributes.headline
Iconizing Kingship in Elizabethan England 

# data[].attributes.subject
Iconizing Kingship in Elizabethan England 

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Kizelbach Urzsula "Iconizing Kingship in Elizabethan England: Strategic Acting by Queen Elizabeth I", Studia Anglica Posnaniensia: International Review of English Studies 47, No 2-3 (2012), 152

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Rampton Vanessa, Liberal ideas in Tsarist Russia from Catherine the Great to the Russian Revolution ( Cambridge University Press UK), US, 42-43 pg42

# data[].attributes.body
he is frequently in both The Scarlet Empress and the Rise of Catherine the Great  shown to be irrational and repressive but this would be seen as ahistorical in that Peter III started and continued by Catherine

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the lack of royal relationships in Fires over England 

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the lack of royal relationships in Fires over England 

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at no point does Elizabeth I actually pursue a relationship in Fire Over England (1937)

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Wortman Richard S, "Great Catherine's many dimension", The National Interest, (2012, 118), 83

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She shows herself in the as being present for her subjects needs specifically when she calls one of her subjects when they are denied access to her in Fire Over England (1937)

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also attempts a coup but the miilitary still backs Catherine and she is arrested

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the balcony scene in The Rise of Catherine the Great from the end The rise of Catherine the great shows public support of Catherine II where she reveals herself as not dead following the rumours

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proclaims in front of an army whom says that they will not be defeated by any foreign power including Spain the enemy in the Fires Over England (1934)

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force of stability in they're respective countries 

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force of stability in they're respective countries 

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both Catherine the great and Queen Elizabeth 1 loved by the public of they're respective countries

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Royal Portraits of hollywood: Catherine the great 

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Royal Portraits of hollywood: Catherine the great 

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"Catherine the Great" in Royal Portraits of Hollywood: Filming the lives of Queens ed, Ford A Elizabeth, Mitchel. C Deborah, (United states , Lexington: The University of Kentucky Press, 2009) pg41

# data[].attributes.headline
use of scandal as a means of getting power 

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use of scandal as a means of getting power 

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the lie of "17 lovers" to get Peter III interested in love her in The Rise of Catherine the Great (1934)

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uses military connections to take the throne in both
The scarlet Empress (1955) and the rise of Catherine the Great (1934)

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Expressed in A Royal Scandal (1945) in which it
it is not loyalty to her but to Russia itself

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due to Her military connections a coup of generals is prevented

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does preserve some level of femininity for example
when she lets a lady in waiting to cry into to her hands but note this away from the eyes of the court

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is seen as being more respected by the army and Russia than peter the great in The rise of Catherine the great (1934)

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investigating Royal women in cinema via Queen Elizabeth I and Catherine the Great 

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investigating Royal women in cinema via Queen Elizabeth I and Catherine the Great 

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shows leadership where Peter III does not and has the command of the army perhaps emphasised by his obsession with toy soldiers

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Fire Over England - Elizabeth in masculine roles specifically armour

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Fire Over England - Elizabeth in masculine roles specifically armour

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https://www.imdb.com/title/tt0028872/mediaviewer/rm1950606848/

Fire over England (William K Howard, United Kingdom, 1937)

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in Fires of England she is seen at the forefront of the English army

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reliance on the military used in both The Scarlet Empress and A royal Scandal