# data[].attributes.attachment_link.readable_text
Why and how AI is bad for photography?

AI technology has both positive and negative impacts on photography. While AI can offer significant benefits and advancements in the field, there are a few concerns that some individuals may associate with AI's influence on photography. Here are some reasons why and how AI can be perceived as negative for photography:

1. Lack of creativity: AI algorithms are designed to learn patterns and make decisions based on existing data. While they can assist in tasks like image recognition or enhancing certain aspects of an image, some argue that AI lacks the creativity and artistic intuition that human photographers possess. AI may generate technically proficient images, but they may lack the emotional depth and unique perspective that human photographers can bring.

2. Over-reliance and automation: AI can automate certain aspects of photography, such as autofocus, exposure settings, or even composition recommendations. While these features can be helpful for beginners or in certain situations, an over-reliance on AI may lead to a decline in the technical skills and knowledge required to capture a photograph manually. It can also lead to a homogenization of styles if everyone relies on the same AI-powered presets or editing tools.

3. Ethical concerns: AI-powered image manipulation tools can make it easier to create deceptive or misleading visual content. This raises concerns about the authenticity and trustworthiness of photographs. AI can be used to generate deepfakes, alter reality, or manipulate images in ways that are not easily detectable. This poses ethical challenges in journalism, documentary photography, and other areas where the accuracy and integrity of visual information are crucial.

4. Job displacement: The automation potential of AI has led to concerns about job displacement in various industries, including photography. AI algorithms can perform tasks that were traditionally done by humans, such as image sorting, curation, or even basic retouching. This can impact professional photographers, photo editors, and other roles within the industry.

It's important to note that while there are potential drawbacks, AI also brings many positive contributions to photography. AI-powered image recognition can assist in organizing and searching through vast collections of photos. AI-based post-processing tools can save time and offer creative possibilities. Ultimately, the impact of AI on photography depends on how it is used and integrated into the creative process.

Photo by Siyan Ren on Unsplash

# data[].attributes.attachment_link.title
Why and how AI is bad for photography? | Camerapixo Press

# data[].attributes.attachment_link.description
AI technology has both positive and negative impacts on photography. While AI can offer significant benefits and advancements in the field, there are a few concerns that some individuals may associate with AI's influence on photography.

# data[].attributes.body
My Daughter on the fast swings

# data[].attributes.attachment_link.readable_text
Do you sometimes feel like your vision for a film is lost in translation? It can be a frustrating experience, but one that can be avoided (or at least minimised). Before delving into the intricate world of advanced video transitions or the finesse of animatics, it's essential to establish a strong foundation in the fundamentals of storyboarding. This solid groundwork serves as the bedrock upon which your cinematic aspirations can flourish.

Armed with a working knowledge of camera shots, angles, and perspective techniques, you'll be well on your way to creating easy-to-read storyboards. It's the key to unlocking your ability to draft storyboards that not only capture your original vision but also convey it to others with precision and impact.

To that end, we've pulled together 16 camera moves and camera shot types to give your storyboarding vocabulary a boost.

Basic Camera Moves

By incorporating a variety of different camera moves into your shots, you can add a deeper sense of visual interest. Combine this with a strategic approach to messaging and you'll be off to the races.

In the realm of camera movements, take particular care when selecting the most appropriate camera move. Remember that your choices here are integral to creating an experience that resonates deeply with your audience as each camera move has a distinct impact, influencing the viewer's emotional response and immersion into the scene.

Here are some well-loved camera moves to consider:

Zoom

Probably the most well-known camera move, zooming gives the impression of moving closer or further away from the subject. It can be used effectively to magnify a certain focus point in the camera frame, but other moves such as a dolly, are a more natural way to show movement. While a quick zoom can help add a sense of drama and energy when used correctly, avoid over-using a zoom shot as your default move.

Also if you're making a storyboard, Boords has pre-built indicators for Zooming (as well as a bunch of other common camera moves). Just click Insert Camera Movement in the Image Editor:

Pan

Panning is when the camera is moved horizontally from one side to another on a central axis. This is a rotating movement in which the camera's position remains in place, but the direction that it faces changes. It can be used to follow a moving character or to fit more into a frame, for example, panning across a landscape to create a sense of place.

Panning offers a practical way to guide the viewer's attention within a scene and can be particularly useful in action sequences, where maintaining focus on a rapidly moving subject might otherwise prove challenging.

Tilt

Tilting is similar to panning in that the camera is kept in a stationary position, but unlike panning (which looks from side to side) tilting focuses on upwards & downwards movements. Using a tilting motion helps to fit more into a single frame. A slow upwards tilt can be very effective in making a subject appear bigger or more significant while a downwards tilt has the opposite effect.

When the camera tilts upwards, it can convey a sense of aspiration or grandeur. For example, capturing a towering skyscraper from a low angle through an upward tilt emphasizes its height and dominance in an urban landscape. This technique is often used to emphasize power, authority, or the awe-inspiring nature of a subject.

On the other hand, a downward tilt can evoke vulnerability, oppression, or a shift in power dynamics. It's used frequently to create a feeling of unease or to place the viewer in a position of overlooking a subject. For example, tilting the camera downward to reveal a character lying injured on the ground can intensify the emotional impact of the scene and encourage empathy from the audience.

Dolly

A dolly shot is when the entire camera is mounted on a track and is moved towards or away from a subject. Unlike a zoom shot, the world around the subject moves with the camera. A dolly zoom gives the illusion that the viewer is walking towards the subject. By bringing the subject into sharp focus, it can be a great way of creating a sense of intimacy between them.

The controlled movement of the camera on a track allows for smooth and dynamic transitions, allowing the audience to feel like they are truly part of the scene. This technique is often employed to establish a connection between characters and their surroundings, as it can simulate the experience of physically moving through the environment.

Truck

Similar to dollying, trucking involves moving the entire camera along a fixed point, but the motion goes from side to side, rather than in and out. It's often used to follow characters in action. Mounting the camera on a fluid motion track will help to stamp out any jerking camera movements.

Trucking shots are especially powerful in conveying the dynamics of a scene, immersing viewers into the environment or revealing important elements piece by piece. For instance, in a suspenseful thriller, trucking can subtly shift the audience's attention from a character to a looming threat in the periphery. This side-to-side movement can also simulate a character's perspective, allowing the viewer to 'walk' beside them, thereby building a deeper connection or empathy.

To add a truck indicator in Boords, just select Pan right from the Camera Movements menu in the Image Editor:

Pedestal

A pedestal (AKA Boom up/down or Jib up/down) requires the camera operator to move the camera upwards or downwards in relation to a subject. It's different from tilting in that the entire camera ascends or descends, rather than just the camera angle.

It's a distinctive way to control the viewer's perspective and engagement within a scene. By vertically adjusting the camera's position while maintaining its angle, filmmakers can draw attention to specific elements within a composition. A pedestal shot can be used to frame a tall or high subject (such as a building) while keeping the framing at eye level view for the viewer.

Pedestal shots can add a sense of dynamism to a scene by altering the spatial relationship between subjects and their surroundings. By gradually moving the camera upwards or downwards, filmmakers can emphasize changes in perspective and revealing new details. This can be especially effective in environments with significant vertical elements, such as cityscapes, forests, or architectural marvels.

Storyboarding Shot Types

There are many different camera shot angles that can be used to frame a subject within a shot, ranging from showing their entire body to fixating on a finer detail, such as their eyes.

In choosing the most fitting camera shot angle, you'll need to bear in mind the message that you're trying to communicate to your audience as different angle shots can elicit different reactions from the viewer. Each shot has its own distinct impact, allowing you to craft a narrative that engages, informs, and resonates with your audience on multiple levels.

Here are some of the most common types of shots and how you can go about using them:

Establishing shot

Often included at the beginning of a scene, establishing shots help to build ambiance and may give a nod towards the context of what's to come. It generally comes in the form of a long and wide shot and indicates where (and sometimes when) the scene is taking place. As a long shot, it can frame the subject, while also building an understanding of the effect that their environment is having on the character's current situation.

As an essential tool in a filmmaker's arsenal, the establishing shot sets the tone for the unfolding narrative, enhancing the audience's engagement and understanding.

Full shot

The full shot is just as the name implies and shows the entire body of the subject from head to toe. This camera shot tends to emphasize the character's physical presence, showcasing their movements, body language, and gestures as the focal points. By providing a comprehensive view of the character within their surroundings, the full shot offers a contextual understanding of their actions and interactions.

This camera shot helps to establish the spatial relationship between characters and their environment, allowing the audience to grasp the character's physical actions and interactions while placing less emphasis on their inner emotions or mental state.

The full shot can be particularly effective in scenes that require the viewer to observe a character's demeanor, physical reactions, or interactions with other elements in the scene. Whether capturing a character's confident stride down a bustling city street or their hesitant movements in a tense confrontation, the full shot plays a key role in presenting a holistic visual narrative.

Medium shot

Also known as the ¾ shot, the medium shot typically shows the subject from the knees up. This camera angle allows the viewer to see the background environment and the character's gestures, while still being close enough to capture their emotions.

It strikes a balance between intimacy and context, providing the viewer with a clear view of the character's upper body and facial expressions while also encompassing elements of the background environment. By maintaining a proximity that captures both the character's physical actions and their emotional nuances, the medium shot effectively bridges the gap between the purely physical and the internal realms of the character.

Close shot

With a close up shot, the subject's head/face takes up the majority of the frame and therefore, allows their reactions and emotions to dictate the scene. As an eye level shot, it thrusts the subject into the forefront, making them the focal point and unequivocal center of attention. This emphasis creates a sense of connection between the viewer and the subject, with minimal distractions from background elements that might otherwise dilute the emotional impact.

A furrowed brow, a subtle smile, or a tear-filled gaze - these are intimate details that allow the audience to resonate deeply with the character's emotional journey. Directors and cinematographers use the close-up shot to intensify climaxes of scenes, heightening the viewer's emotional engagement and empathy.

The close up shot becomes a window into the soul of the character, allowing viewers to partake in their joys, struggles, and transformations with a level of intimacy that goes beyond the visual medium.

Extreme close shot

With an extreme close shot, the camera position is so close that only one specific detail, such as a person's eyes or mouth, can be seen. Because of the unnaturally close nature of the shot, it should be used sparingly, but when used appropriately, an extreme close up can have a remarkable effect, infusing scenes with heightened tension, emotion, and significance.

This unconventional shot acts as a magnifying glass for the narrative, drawing attention to the smallest aspects that might have otherwise slipped past the viewer's notice.

Up shot

An up shot (also known as a low angle shot) is taken from a low angle, below the eye-level of the subject. As the camera points upwards, it creates the perception that the viewer is looking at them from a lower perspective. The low angle shot can alter the power dynamics within the scene, giving the impression that the subject is in some way powerful, heroic or even dangerous

The upward perspective can elevate characters to iconic status, emphasizing their purpose or the magnitude of their actions. This low angle shot has been employed in scenes where protagonists face insurmountable odds, stand tall in the face of adversity, or when antagonists rise to positions of power, projecting an aura of authority.

Down shot

A down shot (also known as a high angle shot), in contrast to an up shot, is taken from a high angle, above the eye-level of the subject.

Camera shots like this impart a sense of dominance over the subject, while also rendering them smaller and less imposing within the frame. The down shot can be used to evoke emotions of vulnerability, powerlessness, or insignificance. This camera angle can cast characters as pawns in a larger scheme, overshadowed by external forces or trapped in situations beyond their control. It's a tool that can be harnessed to create empathy, sympathy, or even pity for the character's predicament.

The down shot is particularly effective when crafting moments of tension, illustrating characters caught in compromising situations, or highlighting the consequences of their actions.

Over the shoulder shot

An over the shoulder shot, a common technique in filmmaking and photography, involves positioning the camera behind the shoulder of one character while framing the subject in a close or medium shot. A shoulder level shot typically takes the form of an over the shoulder shot as it can effortlessly capture the interactions between two characters within the same frame.

These types of camera shots are particularly effective in group conversation scenes and help to establish which characters are speaking to each other. By revealing both the speaker's expressions and reactions from the listener's perspective, the over the shoulder shot provides a complete view of the interaction. It helps viewers connect the verbal communication with the non-verbal cues and emotional responses of both characters, enriching the audience's understanding of the scene's dynamics.

Two shot

A two shot presents two characters sharing the frame, often side by side or in close proximity. This simple arrangement is a natural means of introducing both characters, providing an immediate visual context for their connection. By positioning characters in a two shot, filmmakers can convey a wealth of information about their relationship and interactions without relying solely on dialogue.

Different variations of this shot can be applied to communicate different messages about the characters and their dynamic. When characters are placed side by side within the frame, it can suggest a sense of equality and mutual significance within the scene. This positioning implies that both characters have equal prominence and roles to play in the narrative's unfolding.

Alternatively, when characters are framed with one slightly in front of the other, the composition can imply a power imbalance or hierarchical relationship between them. This technique can visually highlight dominance, submission, or even a mentor-protégé dynamic, where one character takes the lead while the other follows. Such nuanced placement within the camera frame contributes to the visual storytelling, enhancing the audience's perception of the characters' roles and the underlying tensions or connections between them.

Point of view shot

The point of view shot, also known as the POV shot, depicts an angle that shows what a character is looking at. This unique cinematic technique places the audience directly within the character's visual perspective, allowing them to witness the world through the character's eyes. By immersing viewers in the character's viewpoint, the POV shot provides a window into their thoughts, emotions, and reactions, forging a deeply personal connection between the audience and the narrative.

This shot is particularly effective at conveying a character's state of mind and their subjective experience of the environment. It enables the audience to share in their excitement, fear, wonder, or any other emotion relevant to the scene.

Applying this to your storyboards

While a picture often speaks a thousand words, being precise with your language relating to camera shots, angles and perspectives can really make the world of difference when it comes to storyboarding.

These elements possess the power to convey emotions, relationships, and narratives in ways that words alone cannot capture. Mastering the art of communicating through visuals requires a delicate balance of simplicity and precision. Every shot is a brushstroke on the canvas of your story, and with mindful attention to detail, you're primed to craft a masterpiece that captivates and resonates with viewers.

Keep it simple yet specific, and you'll be on track to a brilliant animatic.

# data[].attributes.attachment_link.title
The 16 Types of Camera Shots & Angles | Boords

# data[].attributes.attachment_link.description
Do you sometimes feel like your vision for a film is lost in translation? It can be a frustrating experience, but one that can be avoided (or at least minimised) by understanding and implementing some storyboarding fundamentals.

# data[].attributes.body
Beamish Train Station Bridge

# data[].attributes.body
My local steps into a field

# data[].attributes.body
Lonely Butter up reach for the sky

# data[].attributes.body
Distant Buttercups

# data[].attributes.body
Beautiful Buttercups

# data[].attributes.body
Same Bush but dramatic angle

# data[].attributes.body
Angled shot of a bush

# data[].attributes.body
Shot this lying on my back of Beech Trees

# data[].attributes.body
The grand Carage at Raby Castle.

# data[].attributes.body
Again a shot from the main hall in Raby castle, i tried to capture the rule of thirds

# data[].attributes.body
A mural take from the college ground, good example of rule of thirds

# data[].attributes.body
Lines and curves take your eyes in various direction

# data[].attributes.body
I found this great tutorial on Youtube.

# data[].attributes.attachment_link.title
PHOTOGRAPHY COMPOSITION TUTORIAL -  Fill The Frame For Maximum Impact

# data[].attributes.body
Darke clouds fill the empty space, with the sigage given the shot a talking point

# data[].attributes.body
this is ceramic piece of art from Raby Castle its quite mesmorizing

# data[].attributes.attachment_link.title
Leading Lines Photography - Increase your Creative Skills - Instantly!

# data[].attributes.body
This is the main castle door, the shot was taken from the bottom of the door, i think your eyes are naturally drawn upwards

# data[].attributes.body
This was taken in the servants hallway at Raby Castle, the lines make you follow the hallway down to the end where a ghostly image stands

# data[].attributes.body
This was taken inside Rady Castle, i think the curved staircase takes your eyes down to the stairs

# data[].attributes.attachment_link.readable_text
The rule of thirds is perhaps the most well-known "rule" of composition. And as one of the fundamental principles of photography, understanding and harnessing the power of the rule of thirds can transform your images from ordinary snapshots to visually captivating works of art.

But what actually is the rule of thirds? Is it really that helpful? And is it ever okay to break the rule?

Throughout this essential guide, I delve into the intricacies of this popular compositional guildeline. I explain:

What makes the rule of thirds so effective

How you can use the rule for amazing results

How to apply the rule of thirds in a variety of genres

I also share valuable tips and tricks to elevate your rule of thirds compositions to the next level, such as incorporating leading lines and analyzing the work of renowned photographers who employ this technique.

Ready to start capturing compositions that'll leave a lasting impression? Let's dive right in!

What is the rule of thirds?

The rule of thirds is a compositional guideline that breaks an image down into thirds (both horizontally and vertically) so you have nine pieces and four gridlines.

According to the rule, by positioning key elements along the gridlines, you'll end up with better compositions. Therefore, to apply the rule to your photos, simply use the gridlines to position essential compositional elements.

What do I mean by this? Well, when shooting a flower, you would place its stem or head along the right or left vertical gridline:

And when shooting a sunset, you would place the horizon line along the top or bottom horizontal gridline.

The rule of thirds also identifies four power points at the center of each gridline intersection:

Here, you can position points of interest, such as a head (when shooting a portrait), a flower (when shooting a still life), or the eye of a pet, as shown in the image below:

As you can see, using the rule of thirds isn't actually complicated. That's what makes it so powerful - it's a simple way to improve your compositions, and it requires literally zero art training or photographic experience.

I'll say it up front, though: Rules are meant to be broken, and just because you ignore the rule of thirds doesn't mean that your composition is uninteresting, bland, or otherwise bad. Despite its name, the rule of thirds is a guideline, not a hard-and-fast rule. You can absolutely create beautiful compositions without using the rule of thirds.

Also, keep in mind that it's just one composition technique among many. There are plenty of other "rules" and guidelines worth considering, such as symmetry, the rule of odds, triangular compositions, and more.

At the same time, the rule of thirds is an excellent way to get started with composition. It consistently produces great results, and even professional photographers use it all the time in their work. Plus, as a wise person once told me: If you intend to break a rule, you should always learn it first! That way, you can make sure you break it as effectively as possible.

Why is the rule of thirds useful?

Now that you know how to follow the rule of thirds, it's important to understand why it matters and what exactly it can do for your photos.

At base, the rule of thirds is about two things:

First, by positioning key elements at rule-of-thirds intersections or gridlines, your photo becomes more balanced. Your key elements create visual interest in a third of the composition while also balancing out the empty space in the remaining two-thirds. This looks great and feels right to the viewer.

Second, compositions that include key elements smack-dab in the center of the frame often feel very static and boring. There's nowhere for the viewer's eye to wander; instead, the viewer looks at the shot, sees the subject at its center, then turns away.

But the rule of thirds encourages dynamism. When encountering dynamic images, the viewer starts by appreciating a key element of the shot, then takes a visual journey throughout the rest of the scene. In other words, a rule-of-thirds composition provides a more engaging photographic experience.

One more thing: The rule of thirds draws on the way humans naturally view images. Studies show that people's eyes usually go to one of the intersection points rather than the center of the shot - so the rule of thirds works with this natural way of viewing an image.

When should you use the rule of thirds?

The rule of thirds is helpful in a wide variety of scenarios - basically, anytime you have distinct compositional elements to work with, you can try applying the rule.

In fact, professional photographers swear by the rule of thirds in a wide range of genres. Whether you're capturing breathtaking portraits, sweeping landscapes, bustling street scenes, or even product photography, it can offer outstanding results. It's versatile, adaptable, and adds a touch of harmony and dynamism to each image, engaging the viewer in a way that feels just right.

But the rule of thirds can - and should - be broken. Remember, the rule is all about balance and creating a sense of harmony, but sometimes you may want to challenge the norm. If you're aiming to create tension or a minimalist feel, it's perfectly fine to step away from the rule and try a different approach instead.

For those of you just starting out, however, my advice is to give the rule of thirds a go whenever you encounter a new subject. Capture a couple of shots while allowing the rule to guide you. Then, once you've got a feel for it, don't be afraid to mix things up and experiment with other compositional techniques like minimalism, the golden ratio, or the golden spiral.

When you review your photos later (on your computer), you'll get a better sense of which approach resonates with your style and the scene itself.

How to use the rule of thirds (with examples)

Because the rule of thirds is so universal, I'm afraid I can't explain how to use it in every possible genre or scenario; that article would be never ending! However, if you're looking for rough guidelines for applying the rule of thirds in the field with your camera, this section should help you out.

Using the rule of thirds in landscape photography

The rule of thirds can be a highly effective landscape photography tool; it's a great way to bring a sense of balance and visual interest to your scenic shots.

First and foremost, the rule of thirds is a great guide for positioning the horizon. You essentially have two options:

1. To emphasize captivating foreground elements, like a winding river leading toward majestic mountains in the distance, align the horizon with the top gridline.

2. To emphasize a beautiful sky - such as a cotton-candy sunset painting the sky with its vibrant hues - position the horizon along the bottom gridline. The lower placement will allow the aerial fireworks to take center stage in your composition.

The rule of thirds gridlines and power points can also help you position key elements throughout the frame. Imagine a rugged rock formation in the foreground; placing it at one of the bottom power points creates a strong visual anchor and adds depth to the composition. Or perhaps you're photographing a solitary tree standing tall in a vast field; positioning it at one of the top power points introduces a captivating sense of off-center balance.

Using the rule of thirds in portrait photography

Portrait photography is all about capturing the essence of a person and telling their story through a single frame. When it comes to positioning essential elements in your portraits, the rule of thirds can be your trusted ally.

Imagine this: You're framing a wider environmental shot, and you want to emphasize your subject's body within the context of their surroundings. The rule of thirds allows you to compose the shot in such a way that your subject stands along one of the vertical gridlines. This placement draws attention to their presence and creates a visually compelling composition.

But let's zoom in a bit closer. Suppose you're capturing a half-body shot, focusing on your subject's head and torso. Here's where the rule of thirds comes into play again. By ensuring that your subject's eyes fall across the upper horizontal gridline, you create a natural and aesthetically pleasing alignment.

And what about those captivating headshots? Well, the rule of thirds can lend a hand there too. When capturing a close-up portrait, you can experiment with positioning one (or both!) of the subject's eyes at an upper power point. This creates a visually engaging composition, adding a touch of intrigue and artistry to the image.

Using the rule of thirds in wildlife and pet photography

When photographing animals, positioning more distant subjects along one of the vertical gridlines can add a sense of balance and visual interest. By aligning their heads with the upper or lower power points, you can create a strong focal point that draws the viewer's attention. This works particularly well for frame-filling wildlife or pet shots, where you want to emphasize their presence and capture their unique features.

For close-up shots, consider placing the animal's head along an upper power point, while aligning their body along a lower power point. This positioning adds depth and dimension to your composition, allowing the viewer to connect with the subject on a more intimate level.

Using the rule of thirds in street photography

When it comes to wider street scenes, consider positioning the horizon or road features - like the sidewalk - along the horizontal gridlines. By doing so, you can create a sense of balance and guide the viewer's gaze through the frame. Moreover, keep an eye out for architectural features like building edges or flagpoles that align with the vertical gridlines. This simple alignment can add an extra layer of harmony to your composition.

Now, let's focus on the main subjects that bring life to the streets. If there's a person walking by a building or a captivating scene unfolding before your eyes, try positioning them at one of the power points. This placement adds a touch of emphasis and draws the viewer's attention right to the heart of the action.

But what if you prefer to get up close and personal with your subjects? In that case, consider placing their head at one of the power points while aligning their body along one of the vertical gridlines. This technique not only creates a visually pleasing composition but also adds a sense of connection between the subject and their surroundings.

Applying the rule in post-processing

If you didn't have the chance to employ the rule of thirds while out in the field, fret not! There's still a way to bring that balanced magic to your photographs through a little post-processing wizardry.

Step into the realm of your favorite editing program and grab hold of the crop tool. This powerful tool allows you to trim away portions of the frame, unlocking the potential to align key elements with the rule of thirds gridlines and power points. It's like giving your composition a second chance to shine.

Not only can you refine your composition, but post-processing offers an opportunity to experiment with different arrangements and gauge their impact. Test the waters of various compositions and see which ones truly resonate with your artistic vision. It's an avenue for growth and discovery.

Of course, it's always best to nail the composition right there in the field, capturing that perfect balance without the need for cropping. But hey, we're all human, and sometimes a slight crop can salvage a photo that deserves a second lease on life. While cropping does result in a slight reduction in image resolution, the trade-off is generally worth it. It's far better to have a well-composed image with slightly fewer pixels than a lackluster shot bursting with unnecessary details!

The rule of thirds vs the golden ratio

Photographers and photography instructors often toss around terms like "rule of thirds" and "golden ratio," leaving many beginners scratching their heads in confusion. What sets these two concepts apart? Let's dive deeper into the world of composition and unravel the mysteries behind these techniques.

Imagine your camera's viewfinder as a blank canvas waiting to be transformed into a captivating masterpiece. The rule of thirds provides you with a straightforward three-by-three grid, dividing the frame into nine equal sections. On the other hand, the golden ratio gives birth to a different grid: the phi grid.

While the phi grid shares similarities with the golden ratio, it concentrates its gridlines in the center of the frame, creating a sense of intensity and a touch of static energy. When employing the phi grid, you position essential elements of your composition along these gridlines, just as you would with the rule of thirds.

But which grid should you choose? The rule of thirds offers a distinct advantage: It's more accessible and easier to remember precisely where the gridlines should align. Plus, many cameras and even smartphones offer gridline guides that can be activated to assist you during shooting.

That being said, some photographers find themselves drawn to the golden ratio's phi grid. It offers a unique visual aesthetic and can create an intriguing sense of balance in your images. I recommend starting with the rule of thirds, then gradually exploring the golden ratio grid to see how it resonates with your artistic vision.

Should you break the rule of thirds?

It is possible to break the rule of thirds and end up with beautiful photos. As I've emphasized throughout this article, the rule of thirds isn't a rule, but a guideline. Yes, it'll often get you great results, but sometimes you can end up with an even stronger composition by taking a different approach. By deliberately deviating from the rule, you can create images that captivate viewers and evoke emotions in unexpected ways.

So while I encourage you to learn the rule of thirds, once it's ingrained, experiment with breaking it.

One of my favorite times to break the rule of thirds is when photographing symmetrical subjects. If you're photographing a succulent or flower from above, the symmetry looks even more striking when perfectly centered in the frame:

This shot of a corridor is also roughly symmetrical, which increases the composition's intensity:

You can also experiment with breaking the rule of thirds is by deliberately placing your main subject toward the edge of the frame. This bold approach can add a sense of tension, drawing attention to the subject and creating a visually striking composition. It challenges the viewer's expectations, encouraging them to explore the image beyond the conventional confines of composition.

Another creative avenue is to play with the placement of the horizon line. Instead of adhering to the traditional approach of positioning the horizon along the rule of thirds gridlines, try placing it high up or low down in the frame. This technique can evoke a sense of vastness and emphasize the sky or foreground, creating a minimalist aesthetic that exudes tranquility or a sense of grandeur.

That said, breaking the rule of thirds should not be done haphazardly or simply for the sake of rebellion. Instead, it should be a deliberate choice that enhances the story or visual impact of your photograph.

Tips and tricks to improve your rule of thirds photos

Want to level up your rule of thirds compositions? Here are a few quick tips to use the rule like a pro:

1. Turn on your camera's gridlines

One powerful tool at your disposal is the rule of thirds, a technique that can transform your images from ordinary to extraordinary.

But how do you ensure that you're applying the rule of thirds with precision and finesse? The answer lies in activating your camera's gridlines. Most cameras, whether it's a professional DSLR or your trusty smartphone, offer a rule of thirds overlay that acts as your guiding compass in composing stunning shots.

Once you've enabled this invaluable feature, behold the magic that unfolds before your eyes. With the gridlines gracing your camera's LCD or even your viewfinder, you gain a remarkable advantage. You can effortlessly align your subjects with the gridlines, creating a sense of balance and visual harmony that captivates the viewer.

Personally, I recommend using the viewfinder gridlines. That way, you can immerse yourself in the scene while remaining acutely aware of the gridline positions. It allows you to maintain a connection with your subject while also ensuring that every element falls perfectly into place.

The convenience doesn't end there. Even smartphone cameras have embraced the rule of thirds, providing gridline overlays to enhance your mobile photography experience. So whether you're wielding a professional-grade camera or capturing moments with your phone, don't hesitate to embrace the power of gridlines.

2. Identify a main subject in each scene

Imagine yourself standing before a breathtaking landscape, a bustling city street, or a stunning portrait. Before you even lift your camera, take a moment to immerse yourself in the scene. Look for that one element that commands attention, the focal point that will become the anchor of your composition.

It could be a majestic mountain peak, bathed in the soft hues of a sunrise, drawing the viewer's gaze upwards and filling them with awe. Perhaps it's a solitary figure walking along a deserted beach, exuding a sense of solitude and introspection. Or maybe it's a vibrant flower, bursting with color and life, inviting you to explore its delicate details.

Once you've identified your main subject, it's time to unleash its power via the rule of thirds framework. Positioning your subject along one of the intersecting gridlines or at a power point can create a visually harmonious composition that captivates the viewer's eye. By aligning your main subject with these strategic points, you create a sense of balance and visual interest that elevates your photograph to new heights.

Remember, the rule of thirds is not merely about placing any random element along the gridlines; it's about highlighting the most significant, visually striking aspects of your scene. By thoughtfully framing your main subject within the rule of thirds, you guide the viewer's attention directly to the heart of your image, leaving a lasting impression.

3. Incorporate leading lines into your images

The rule of thirds is a tried-and-true technique that can do a great job on its own. However, combining it with other compositional elements can take your images to new heights, and one powerful technique that can give your photos an extra boost is leading lines.

Leading lines are like visual pathways that guide the viewer's gaze towards the main subject, creating a sense of depth and movement within the frame. They can be found in various forms, such as winding roads, meandering rivers, architectural lines, or even everyday objects like fences or footprints in the sand.

To incorporate leading lines effectively, begin by seeking out a scene that presents these captivating elements. Look for lines that seem to converge or flow towards your intended focal point. This could be a person, an object, or a particular area of interest that you want to highlight within the frame.

Once you have identified your subject and the leading lines within the scene, it's time to align them with the rule of thirds. Position your main subject along one of the gridlines, while allowing the leading lines to flow naturally towards it. This dual approach creates a dynamic composition that draws the viewer's eye into the photograph, leading them on a visual journey towards the focal point.

Imagine a photograph of a lone hiker standing at the edge of a magnificent mountain range. The winding path that leads to the hiker serves as a leading line, guiding the viewer's gaze from the foreground towards the majestic peaks in the distance. By placing the hiker along one of the rule of thirds gridlines, you create a harmonious balance between the subject and the surrounding landscape, emphasizing their significance within the composition.

Incorporating leading lines into your photography opens up a world of creative possibilities. It adds depth, visual interest, and a sense of narrative to your images. Experiment with different scenes and subjects, and observe how leading lines interact with the rule of thirds to create compelling compositions.

4. Analyze the work of your favorite photographers

One of the most powerful ways to truly internalize a photographic technique is to immerse yourself in the captivating work of other talented photographers. By examining and dissecting their images, you can gain valuable insights into how they skillfully employ the rule of thirds to create captivating and visually striking compositions.

So spend time visiting the websites or Instagram pages of your favorite photographers. Take your time to browse through their portfolio, paying particular attention to the photographs that incorporate the rule of thirds.

As you explore these images, ask yourself questions, such as: Where precisely did the photographer position their main subject within the frame? Which elements gracefully align with the rule of thirds gridlines? How do the strategic placements of these elements contribute to the overall impact of the composition? What emotions or story does the rule of thirds evoke?

Over time, you'll develop an intuitive eye for the effective use of the rule of thirds. Studying the works of experienced photographers will expose you to a wealth of creative possibilities and allow you to gain a deeper understanding of how the rule can be harnessed to produce compelling, original shots.

The rule of thirds in photography: final words

The rule of thirds is a powerful and versatile method of photographic composition that can greatly enhance your images. Whether you're a beginner, an intermediate photographer, or a professional, incorporating the rule of thirds into your compositions can elevate the visual impact of your photos.

While it's important to note that the rule of thirds is not a strict rule that must be followed in every photo, it serves as a valuable guideline that rarely disappoints. It provides a strong foundation for creating well-balanced and visually appealing images.

As you gain experience and explore different creative avenues, don't be afraid to break the rule of thirds intentionally for artistic effect. However, understanding and practicing the rule of thirds will sharpen your compositional skills and give you a solid starting point for creating captivating photographs.

So grab your camera and explore the world. Keep the rule of thirds in mind, and see what you can produce!

Now over to you:
Do you plan to use the rule of thirds in your photos? Share your thoughts (and images) in the comments below!

# data[].attributes.attachment_link.title
Rule of Thirds in Photography: The Essential Guide

# data[].attributes.attachment_link.description
Discover everything you need to know about the rule of thirds - a simple principle that will help you take better photos!

# data[].attributes.body
This is a fine example of ROT and empty space.

# data[].attributes.body
Shutter speed is measured in fractions of a second. Most modern DSLR cameras are capable of the fastest shutter speeds of up to 1/4000th of a second – some go up to 1/8000th. At the other end of the scale are the slowest shutter speeds. These are measured in whole seconds and generally fall anywhere between two and 30 seconds.

# data[].attributes.body
Rear view of controls on my Nikon 810

# data[].attributes.body
This is a photo of a aluminium post with chicken wire wrapped around it. I like the mix of straight lines and the contorted shape of the wire

# data[].attributes.body
This is why Manmade products are needed.
This is a photo of a wooden gate, the top of the gate was in good condition, the steel plate was placed on the bottom to add to the life of the gate as it was rotten.
I like the contrast of nature and manmade togrther.

# data[].attributes.body
This is a photo of a tent that has been discarded in a field. There is not much light present on this i just like the shape and texture of it.

# data[].attributes.body
This is probably the worst think man ever made "PLASTIC" but where would we be without it?
Its a black plastic bag which i think resembles a coal seam.
I like he deep dark recesses and how the light picks up the edges of the bag.

# data[].attributes.body
This is a felled old tree with Lichen colonizing the fine green moss. I like how the light picks up the yellow outline of the Lichen and the dark shadows in the gnarly cracks of the tree

# data[].attributes.body
A ‘light painting’ is an image that is created by capturing a long exposure of a dark scene that contains a moving light source. By moving the light source within the scene whilst the photographic medium is being exposed the photographer is able to produce an effect which resembles the brush strokes made by an artist’s paint brush, only composed entirely of light. A classic example of a light painting is writing your name using a sparkler at a firework display. Light Paintings can be created by capturing any moving subject with a light source against a dark background using a long exposure.

# data[].attributes.body
Front/Side view of my Nikon 810 Controls

# data[].attributes.body
This is the wooden statue of Lord and Lady Byron's hands taken in Seaham. It is mainly manmade stucture but i do like the watered rust marks the nails are making to this statue and the writing adds to its interest

# data[].attributes.body
This is a burnt wood fence post, i like how the light picks out the top of the charred wood making it look like the North Face of the Eiger lol

# data[].attributes.body
Typical battery for my Nikon d810

# data[].attributes.body
Spooky !!!!!
Me at the edge of a table drawing a ghost with a lazer torch.

# data[].attributes.body
A dark room with wooden floor. Two people behind a person, one with a dark red light (from mobile phone) the other person with a torch.

# data[].attributes.body
In the class we had a discussion on how to understand the Aperture triangle, it was a little difficult to understand at first but there more we discussed it the easier it was to understand.

# data[].attributes.headline
YOU NEED THESE TO MAKE YOUR CAMERA WORK!!!

# data[].attributes.subject
YOU NEED THESE TO MAKE YOUR CAMERA WORK!!!

# data[].attributes.body
All these items are the basic things you will need to get them fantastic photos we all crave for.

# data[].attributes.attachment_link.title
Understanding Exposure: The Exposure Triangle with Mark Wallace

# data[].attributes.headline
EASY TO FOLLOW VIDEO ON HOW TO UNDERSTAND ISO

# data[].attributes.subject
EASY TO FOLLOW VIDEO ON HOW TO UNDERSTAND ISO

# data[].attributes.attachment_link.title
Understanding ISO! | Quick Camera Series

# data[].attributes.body
Feather in grass, light coming from right to left catching the ends of the feather

# data[].attributes.headline
Examples using aperture at different F stops/ and ISO

# data[].attributes.subject
Examples using aperture at different F stops/ and ISO

# data[].attributes.body
Photo taken outside of college,
iso 600
f 14
50mm focal lenght

# data[].attributes.body
iso 600
f 1.4
50mm focal lenght

# data[].attributes.body
ISO 600
F16
50MM FOCAL LENGHT

# data[].attributes.body
ISO 400
F1.4
50MM FOCAL LENGHT

# data[].attributes.body
ISO 400
F16
50MM FOCAL LENGTH

# data[].attributes.body
IOS 300
F1.4
50MM FOCAL LENGHT