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Bruno Munari was born on October 24, 1907 in Milan, Italy. He would go on to become one of the most influential designers and artists of the 20th century.

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1930: Early Works and Photodynamic Sculpture

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1930: Early Works and Photodynamic Sculpture

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In 1930, Munari was influenced by the Futurist movement and created 'Photodynamic Sculpture,' an experimental piece capturing movement through dynamic forms and light.

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1948: Contribution to the MAC (Movimento Arte Concreta)

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1948: Contribution to the MAC (Movimento Arte Concreta)

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Munari became a co-founder of the MAC and played a pivotal role in abstract and concrete art, moving beyond Futurism to embrace new, innovative forms.

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1964: Publication of 'Arte come mestiere'

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1964: Publication of 'Arte come mestiere'

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Munari's book 'Arte come mestiere' (Art as a Craft) was published in 1964. It provides a clear insight into his philosophy that art and design should be an integral part of everyday life.

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1965: Development of the Xerografie Originali

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1965: Development of the Xerografie Originali

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Munari's experimentation with technology continued in 1965 with the creation of 'Xerografie Originali.' These works were generated using a Xerox photocopier, blending art with technological innovation.

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In 1968, Munari held the 'Illegible Writings' exhibition, showcasing works that explored the visual impact of written characters, emphasizing shapes and forms over legibility.

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Munari was awarded the prestigious Andersen Prize in 1977 for his contribution to children’s books and literature, recognizing his profound impact on educational and design fields for the young.

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Munari's exploration of positive and negative spaces culminated in his 'Negative-Positive' series in 1981, challenging traditional perceptions of visual composition.

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Bruno Munari passed away on September 30, 1998, in Milan, leaving behind a legacy that spans art, design, and education. His innovative approach continues to inspire generations of designers.