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History Of Rye House, Lewis Hamilton & Karting Resilience

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As this project is individual based, I have to fill all job roles meaning I will be responsible for all pre-production aspects of the project meaning I shall need to stick to my allocated deadlines I have created (Action Plan):
- Storyboards
- Props & Costumes
- Edit Decisions Lists
- Shot Sheets
- Commination With Contributors

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For Blaise and my interview questions I can create myself some rough notes / guidelines to follow, allowing me to if needed expand and allow the conversation to flow (focus group style) allowing for a more natural look and feel from a conversation instead of "survey" feeling.

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Scripts will have to be used for me when narrating so I am able to cover the information and aspects intended from my initial idea.

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- Camera
- Phone
- Tripod
- Drone
- Go-Pro & Mounts
- Battery`s & SD cards

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Equipment will be a main factor of this project as I tend to include a variety of different angles and perspectives throughout, allowing for a more visually engaging experience for the viewer.

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As part of the current history of Rye House I will talk about its current racing events and hosting. Because I am also involved in the karting "scene" I know contacts that run there own "team" at Rye House with a small workshop where I could possibly base a lot of my footage and talk points on as I have a good opportunity to gather some unique "insider" content, related to running's of a Rye House Karting Team.

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As part of the documentary, I am going to include many visuals and images, accompanying this, me narrating and "storytelling" Lewis Hamilton story and past, then relating back to Rye House and its past history.

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The location form is one of the most important as if I don't have prior consent to film at the track at the allocated time and dates, my whole project could be jeopardized, to allow this to not become a problem, i am going to make sure this form is signed, weeks in advance of filming, allowing, me to have the full amount of time I will need, to gather the footage wanted.

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As I am going to have to film at Rye House and include people on-screen: Blaise, and potentially a few people to interview, I will need to make sure all pre-production forms and release forms are all signed to allow filming to commence or continue.

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related to weather it would be quite nice to have a variety of different shots in a range of different conditions for the documentary, explaining how resilience and practice is key as no race will ever be the same, meaning and anything can happen and to be prepared for a good or bad outcome.

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As Rye House is an outdoor karting track, many types of weather and temperature can occur whilst filming. Because of this I am going to have to check the weather in advance and make sure its is suitable for filming and the equipment as I don't want to injury myself or damage any equipment.

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By making sure my project can incorporate all audiences ages, wont be limiting my target audience, meaning I can appeal to a wider audience further improving my reach of viewers.

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From my experience related to go-karting, there never seems to be an age range that is more interested into the sport than another, as at all ages a lot of different, karting "levels" open up, as the older person may go for fun instead of competing like a young audience would.

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This "cinematic" style of short film is something I would like my final product to look like, I know as this is a low budget college project, it may not look as professional as this example, but this is the "look" I would like to achieve but with my idea/ storyline.

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As Lewis Hamilton is one of the most famous faces in the racing world, I wanted to create a more relatable aspect to his life and career and how there are many young people that aspire to become what he as and how you have to stay "RESILIENT" to achieve you goals in the sport.

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I am going to use my friend Blaise who is a local karter at Rye House and film a "Day In The Life" Short Film of him and what he does at Rye House on a race day, relating back to the documentary of the track and Lewis Hamilton.

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Example of Background Footage - "B-Roll"

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Example of Background Footage - "B-Roll"

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This video I found on YouTube is a good representation of similar footage I would like to film, for the documentary background footage.

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Lexus RX350 B-ROLL CINEMATICS, Shot in 6K

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A way for to me to portray my points effectively, I will add in my own cinematic footage of races, rental karting and owner kart racing, so I am able to obtain background footage for my project, whilst talking or images can be shown to carry on with the "documentary" storytelling.

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Short Film

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As I am going to combine a short film with a documentary, I am going to need to be able to create a smooth transition and correlation between the 2 very different styles of content.

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My ideal target audience and what I want to achieve from this product is reaching all age demographics, genders, and social backgrounds, who are interested in motorsport and some of their famous faces. Allowing everyone to equally enjoy my product with a super niche target audience.

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Resilience - Lewis Hamilton career. As he started go-karting at Rye House I am going to include, talking points of his early and current career.

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Cinematic Documentary

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Learning To Drive

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DofE Journey