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Realizar 2 obras
Obra 1 será a partir de un video (individual o en parejas) donde la temática será libre.
Obra 2 tema y medio libre.

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Elegir un video de mi gusto y contestar las preguntas....
¿Qué es lo que te llama la atención en un primer momento?(Aspectos visuales, sonoros, contenidos, secuencia de imágenes)
¿Qué elementos es preciso considerar para analizar un video?
¿Qué es el video arte?

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Es mixto, se utiliza simultáneamente lenguaje visual y sonoro, los que trabajan con los tres elementos, movimiento, tiempo y narración.

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Investigación de elementos del lenguaje audiovisual

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Investigación de elementos del lenguaje audiovisual

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Escena, secuencia, movimiento de cámara, planos, ángulos de filmación, composición e iluminación.

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Registro de proceso creativo..

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Sun In Your Head - Television Décollage (1963) Artist: Wolf Vostell

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Sun In Your Head - Television Décollage (1963) Artist: Wolf Vostell

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For Sun In Your Head - Television Décollage, German artist Wolf Vostell distorted and played with various single frames that he'd sourced from film and television of the time (such as a smiling woman; words such as "Silence Please! Genius At Work!" or an embracing couple, for example). The resulting piece is a fast-paced, flickering mish-mash of televisual images that veer from flashing, abstracted shapes to recognizable forms. The work was shown as part of Vostell's nine-part 'happening' - 9 Decollagen - which took place in Wuppertal, Germany in 1963. As no video playback technology was available at the time, Vostell recorded the images from a television set using a film camera, allowing him to edit the piece and play it back on a projector.

With its highly experimental technique and subversive form, Sun In Your Head was one of the first works to examine the possibilities of television as a medium in its own right. It employs his innovative use of the decollage technique, first associated with the French Nouveau Realisme movement who used the term to describe their ripping, erasing, and reworking of Parisian posters to create new information. Vostell used it to refer to the re-mixing and layering of image and sound he employed to create a new artistic language in his Video art. A pioneer of the European branches of the Fluxus and Happening movements, Vostell is considered one of the most influential early Video artists - he was also the first to use a television as an object in an artwork in 1958.

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Sleep (1963)                  Artist: Andy Warhol

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Sleep (1963)                  Artist: Andy Warhol

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In Sleep, Andy Warhol filmed his close friend and occasional lover John Giorno sleeping for five hours and twenty minutes. The piece's length means few people have watched it from beginning to end (two of the nine people who attended its premiere at The Gramercy Theater in New York left during its opening hour), and it is considered one of the first and most important works of durational art. Sleep looks at themes of intimacy, repetition, and duration, and is one of the first examples of what Warhol called his 'anti-films', in which he used hugely long, single takes to record his everyday experience and that of his friends. Although Sleep is a film rather than a video, Warhol's use of the camera, in which he just switched it on and walked away, make it stylistically much closer to art then film since he is clearly looking to bash Hollywood's conventions of narrative and the strategic manipulation of real time through editing.

The artist's use of such epic duration has been exceptionally influential, inspiring many contemporary film and video artists working today. Sam Taylor-Wood's hour-long film of David Beckham sleeping in 2004 directly referenced Warhol's piece. Christian Marclay's 24 hour-long epic Clock and Douglas Gordon's slowed version of Alfred Hitchcock's masterpiece, 24 Hour Psycho, were also made in the same tradition.

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TV Cello (1964).            Artist: Nam June Paik

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TV Cello (1964).            Artist: Nam June Paik

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Fluxus artist Nam June Pak was one of the first artists to break the barriers between art and technology. TV Cello is a seminal example, specifically created for use in performance by the avant-garde cellist Charlotte Moorman. The work consisted of three television sets piled on top of each other, all showing different moving images - a film of Moorman performing live, a collaged video of other cellists and an intercepted broadcast feed. Ingeniously, the whole sculpture was also a fully operational cello, designed to be played with a bow to create a series of raw, electronic notes that reverberated through the space.

By appropriating the domestic television set as an art object in this way, Paik became one of the first artists to establish video as a serious artistic medium. By taking the television out of its normal setting and using it in such subversive performances, he wanted to question its increasingly dominant role in shaping public opinion.

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1967-68

Art Make-Up

Artist: Bruce Nauman

1971

Facing A Family

Artist: Valie Export

1972

Vertical Roll

Artist: Joan Jonas

1972

Teaching A Plant The Alphabet

Artist: John Baldessari

1975

Semiotics of the Kitchen

Artist: Martha Rosler

1977-79

The Reflecting Pool

Artist: Bill Viola

1984

Why Do Things Get In A Muddle (Come On Petunia)

Artist: Gary Hill

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Esto les servirá para el diseño de tu proyecto.