# data[].attributes.body
- Celtx preproduction docs

- Wandering DP (podcast)

- No Filmschool

- Groundcontrol color (LUTs)

- Colorgrading central (LUTs)

- Art of the Title

- Greyscale Gorilla

- credit protocol (aftiteling)

- Elements of Cinema

- Important documents

Search shots:

Eye Cannndy (creative shot finder)

Artschool links:

Ubuweb

Monoskop

# data[].attributes.body
Create - change imagery

Pika

Runway

Midjourney

Flim (search shots)

Krea (foto)

Upscale

Topaz (video)

Audio

Elevenlabs (VO creation)

Adobe Enhance

# data[].attributes.body
AFTER EFFECTS
Offset layers
- Select all layers (order of selected will be order of offset)
- right click
- keyframe assistance
- sequence layers
(use overlap for the option to fade layers)
- click OK

PREMIERE PRO
recover deleted audio from timeline
- Match Frame (F)
- drag sound of clip onto timeline

# data[].attributes.body
- Lighting basics with Eve 1
- Lighting secrets $
- 1 Flickering in LED lights
- 2 Understanding light flicker
- 3 Banding cause
- Green screen with Eve
- Edit tips and inspiration
- Color grading workflow
- Linny LUT
- Create Proxies

# data[].attributes.body
LINK
It makes sense that S-log would introduce noise to 120fps and Cine4 a bit less. This topic is very technical but I'll try to keep it fairly simple.
First, when you shoot in S-log, you have a lot of dynamic range. This means that your 100 Mb/s are divided by all 120 frames and your 12-14 stops of dynamic range. Additionally, when you're grading, you're pretty much squeezing your information within Rec 709. This is what introduces the noise in the image, data rate is too low to keep enough information from the shadows.
To make the most of your data rate limit, your picture profile has to look a lot more like Rec 709 to begin with. This would also be how you treat a picture profile for low light.
You see, when using a picture profile that reduces dynamic range, you'll be able to have A LOT more data per frame because you're "leaving out" the low and high ends of your dynamic range.
Cine 4 would be perfect for daylight slow-mo, however, the dynamic range is still a bit too wide if you intent to shoot slow-mo in low light or indoors.

Please try this custom picture profile for low light or slow mo (not in bright harsh daylight), you'll be surprised with the results:
1. Black Level -2
2. Gamma Still
3. Black Gamma -2
4. Color Mode - Pro
5. Saturation -4
6. Detail -7
Warning: This picture profile has the least amount of dynamic range of them all, so expose for the mid tones accordingly.
With this you pretty much trade high dynamic range for a very clean image right off the camera.

This is the beauty of Sony cameras, we have so much control but there's a lot to explore and play with to figure out what every setting does.
The best camera is not the one you have, it's the one you master =

# data[].attributes.body
- Audiio (lifetime subscription)

- Premiumbeat $

- Musicbed  $

- Audiojungle

- Freemusic archive (cc)

- Audionetwork (cc)

- Wavebrigade (sound effects $)

- Freesound (sound effects)

- Soundbible (sound effects)

- Epidemic Sound (via subscription)

- Envato Elements (via subscription)

# data[].attributes.attachment_link.readable_text
If you're just starting out in photography, learning the fundamental principles, techniques, and concepts can feel daunting. To help beginners out, the private photo sharing service KatchUp has created a handy and easy-to-follow infographic that can help bring you up to speed.

Here's their "Complete Guide to Photography for Beginners" infographic:

You can also grab a larger version of this image or download a PDF of it over on the KatchUp website.

# data[].attributes.attachment_link.title
This Infographic is a Complete Guide to Photography for Beginners

# data[].attributes.attachment_link.description
If you're just starting out in photography, learning the fundamental principles, techniques, and concepts can feel daunting. To help beginners out, the private photo sharing service KatchUp has created a handy and easy-to-follow infographic that can help bring you up to speed. Here's their "Complete Guide to

# data[].attributes.body
Brand Idendity

Filmposter 830x1070 mm

- Card observer

- Color picker

- Behance

- Giphy

# data[].attributes.body
Converters
- youtubeconverter
- clipconverter

File sharer
- Myairbridge (up to 20 gb)

# data[].attributes.attachment_link.title
105 Great Title Animations | After Effects template | envato elements

# data[].attributes.body
Script writing
- Save the cat
- The hero's journey
- Scriptshadow secrets (only online/kindle, paperback coming soon)

Editing
- In the blink of an eye
Walter Murch

Additional
- Steal like an artist*
- The film makers handbook*

# data[].attributes.body
Video
- Pexels
- Mitch Martinez
- Artgrid $ via subscription
- Shutterstock $
- Videohive $
- Film supply

Animation
- free pik (Motion Graph)
- beeplecrap (C4D etc.)
- Utility Box (free AE script)

Images
- Unsplash
- Pexels
- kaboom
- Pixabay

- Get the font

# data[].attributes.attachment_link.title
Free Stock Photo: COLORFUL SEQUIN BACKGROUND - Kaboompics

# data[].attributes.attachment_link.description
Find the best free stock images. Download all images and use them in your projects.

# data[].attributes.body
Je kunt je gear in een jaar terug verdienen mits je op alle werkdagen je gear uitleent. Je doet dan de nieuwprijs / 260 (werkdagen) om je dagprijs te berekenen.

Dus bijv je camera + lenzenset heeft je 2000,- euro gekost dan doe je 2000/260= 7,70 euro per dag. Maar dat is alleen als je het gaat declareren bij bijv je baas.

Ook kun je kijken naar film rental prijzen.

# data[].attributes.body
- Through the lens IMDB originals
- 30 DIFF. SHOTS
- Shotlist terms & tips
- Film terms
- How to record the best voice over
- Sensor sizes in relation to lens sizes

# data[].attributes.body
- canvas connectie
- David Talley
- Revital Cohen & Tuur van Balen

# data[].attributes.body
YungFilm
Cake film (Ams)
Fat Fred film and photo (Ams)
Any colour you like (Rtd)
dog & pony (Ams)
Veejays
Pfadfinderei
Eyeforce
Submarine (Ams)
Studio Rewind (Rtd)
Pablo (Hel)
Captains