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The producer of Hugo talked a lot about the children preforming since they could only go four hours at a time.

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Aaron Sorkin's writing motto is if it's coming together in little pieces, I need to stop writing and let it sit in my head

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Aaron Sorkin's writing motto is if it's coming together in little pieces, I need to stop writing and let it sit in my head

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Aaron Sorkin wrote the screenplay for The Social Network

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Aaron Sorkin wrote the screenplay for The Social Network

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2011 SBIFF Writers' Panel: It Starts with the Script

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2011 SBIFF Writers' Panel: It Starts with the Script

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The topic of producers guild piling up on producers credits

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The topic of producers guild piling up on producers credits

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Graham King says working with Martin Scorsese has made problem solving in future projects together much faster

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Graham King says working with Martin Scorsese has made problem solving in future projects together much faster

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Graham King is the producer of Hugo and has worked with Martin Scorsese in previous films

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Graham King is the producer of Hugo and has worked with Martin Scorsese in previous films

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Moneyball took 9 years from script to big screen

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Moneyball took 9 years from script to big screen

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Making the script for Moneyball, any edit to the script had to be approved

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Making the script for Moneyball, any edit to the script had to be approved

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The beginning of shooting, some shots took 4 hours to do due to the large amount of equipment on set

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The beginning of shooting, some shots took 4 hours to do due to the large amount of equipment on set

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The script wasn't right so Scorsese made Shutter Island and then Hugo was made afterwards

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The script wasn't right so Scorsese made Shutter Island and then Hugo was made afterwards

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Hugo was originally going to be the next film made after The Departed, directed by Martin Scorsese

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Hugo was originally going to be the next film made after The Departed, directed by Martin Scorsese

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A tax refund was enough to cover the extra cost of filming in Paris

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A tax refund was enough to cover the extra cost of filming in Paris

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Because shooting in Paris was so expensive, Midnight in Paris couldn't be made for a few years

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Because shooting in Paris was so expensive, Midnight in Paris couldn't be made for a few years

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2012 SBIFF Producers' Panel: Movers and Shakers

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2012 SBIFF Producers' Panel: Movers and Shakers