# data[].attributes.body
Smiling Sunrise

# data[].attributes.body
It took a lot of effort to put this photo together.

# data[].attributes.attachment_link.provider_name
100 Photographs | The Most Influential Images of All Time

# data[].attributes.attachment_link.readable_text
Capturing the essence of those he photographed was Philippe Halsman's life's work. So when Halsman set out to shoot his friend and longtime collaborator the Surrealist painter Salvador Dalí, he knew a simple seated portrait would not suffice. Inspired by Dalí's painting Leda Atomica, Halsman created an elaborate scene to surround the artist that included the original work, a floating chair and an in-progress easel suspended by thin wires. Assistants, including Halsman's wife and young daughter Irene, stood out of the frame and, on the photographer's count, threw three cats and a bucket of water into the air while Dalí leaped up. It took the assembled cast 26 takes to capture a composition that satisfied Halsman. And no wonder. The final result, published in LIFE, evokes Dalí's own work. The artist even painted an image directly onto the print before publication.

Before Halsman, portrait photography was often stilted and softly blurred, with a clear sense of detachment between the photographer and the subject. Halsman's approach, to bring subjects such as Albert Einstein, Marilyn Monroe and Alfred Hitchcock into sharp focus as they moved before the camera, redefined portrait photography and inspired generations of photographers to collaborate with their subjects.

Watch the 100 Photos Documentary Short Dalí Atomicus

# data[].attributes.attachment_link.title
See How This Gravity Defying Photo Was Created Before Photoshop

# data[].attributes.attachment_link.description
Capturing the essence of those he photographed was Philippe Halsman's life's work. So when Halsman set out to shoot his friend and longtime collaborator the Surrealist painter Salvador Dalí, he knew a simple seated portrait would not suffice.

# data[].attributes.attachment_link.provider_name
100 Photographs | The Most Influential Images of All Time

# data[].attributes.attachment_link.readable_text
Harry Benson didn't want to meet the Beatles. The Glasgow-born photographer had plans to cover a news story in Africa when he was assigned to photograph the musicians in Paris. "I took myself for a serious journalist and I didn't want to cover a rock 'n' roll story," he scoffed. But once he met the boys from Liverpool and heard them play, Benson had no desire to leave. "I thought, 'God, I'm on the right story.' " The Beatles were on the cusp of greatness, and Benson was in the middle of it. His pillow-fight photo, taken in the swanky George V Hotel the night the band found out "I Want to Hold Your Hand" hit No. 1 in the U.S., freezes John, Paul, George and Ringo in an exuberant cascade of boyish talent-and perhaps their last moment of unbridled innocence. It captures the sheer joy, happiness and optimism that would be embraced as Beatlemania and that helped lift America's morale just 11 weeks after John F. Kennedy's assassination. The following month, Benson accompanied the Fab Four as they flew to New York City to appear on The Ed Sullivan Show, kick-starting the British Invasion. The trip led to decades of collaboration with the group and, as Benson later recalled, "I was so close to not being there."

Watch the 100 Photos Documentary Short The Pillow Fight

# data[].attributes.attachment_link.title
See the Beatles Before Beatlemania Swept the World

# data[].attributes.attachment_link.description
Harry Benson didn't want to meet the Beatles. The Glasgow-born photographer had plans to cover a news story in Africa when he was assigned to photograph the musicians in Paris. "I took myself for a serious journalist and I didn't want to cover a rock 'n' roll story," he scoffed.

# data[].attributes.body
no more wonderland

# data[].attributes.body
These are all my favorite moments I captured on camera. The first is from a homecoming party I had where only four people came but it was one of the best nights I had. The second one is from when I was in seussical and I was able to get a photo of all the bird girls. The third is when me and some friends didn’t have money to go to a football game so we went to the laundry matt. The fourth is a photo of my cat a week after a high risk surgery. The fifth is the main cast of a production of bye bye birdie who have become almost like family to me. And the last photo was from a few days ago when all of my friends got together and we took a photo that I will  cherish forever.

# data[].attributes.body
Depth of field is when you control how much of a photo a person can see. You use it to shift the viewers attention to a certain place. you do this by lessening the aperture for a larger depth of field and increasing the aperture for a shallow depth of feild

# data[].attributes.body
лечение по имени Саша

# data[].attributes.body
Fille tournesol

# data[].attributes.body
Isolation

# data[].attributes.body
Pixels-a minut area of illumination on a display screen,

image resolution-the detail an image holds

megabyte-one million bytes

Megapixel-one million pixels

Gigabyte-one billion bytes

jpeg-a format for compressing image files

Raw- not compressed image

tiff-Tag Image File Format

png-Portable Network Graphics

white balance-the process of removing unrealistic color casts

histogram-a graphical representation of the tonal values of your image

aperture-a hole or an opening through which light travels

shutter speed-the length of time when the film or digital sensor inside the camera is exposed to light

depth of field-the distance about the plane of focus where objects appear acceptably sharp in an image

aperture priority-a setting on some cameras that allows the user to set a specific aperture value

shutter priority-a setting on some cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure

bitmap-images are stored as a series of tiny dots called pixels

exposure-the amount of light per unit area

watermarking-used to identify ownership of the copyright of such signal

optical zoom-This will enable you to get a closer view of the subject before taking your picture

digital zoom-used to make the image seem more close-up

bracketing- the general technique of taking several shots of the same subject using different camera settings

light meter-a device used to measure the amount of light

image stabilization-a family of techniques that reduce blurring associated with the motion of a camera or other imaging device during exposure

noise-random variation of brightness or color information in images

lag time-the delay between triggering the shutter and when the photograph is actually recorded

hot shoe-a mounting point on the top of a camera to attach a flash unit and other compatible accessories

fisheye-an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image

macro-photographing objects that are very close to the lens

telephoto-a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length

wide angle-a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane

DSLR-A digital still image camera that uses a single lens reflex mechanism

dynamic range-The dynamic range of the subject is a measure of the range of light intensities from the shadows to the highlights

exposure compensation-a technique for adjusting the exposure indicated by a photographic exposure meter