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This technique gave me more freedom to create a better figure. And some of my friends that had more knowledge aided me to make it.

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this is one of the first projects where I made with copic markers. I have good understanding of the marker, but I got nervous.
Copic markers are  Alchool based and come in thounsand different tones.
I currently got over 80 different markers, so getting the colour I want isn´t hard
the marker is a high quality blendable ink, and is fairly simple to use.

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The choice for these 3 animals came from a research for the most famous animals looked for in Butantã.

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Used to send massages by mail, these are a5-a6 sized papers with a design in one side, and writing space in the other, I enjoyed this ideia because is not only a suvenir, but it can actually be used by someone that receives it.

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The Institute was founded by the Brazilian physician and biomedical scientist Vital Brazil in 1901, according to Pasteur Institute paradigm, i.e., by combining in the same institution medical research, the transfer of the results to society as health products, and self-financing through this later activity. Its foundation was a reaction to the outbreak of bubonic plague in the city of Santos.[3] It is internationally renowned for its research on venomous animals; it was visited by Theodore Roosevelt in 1912. It is also a state-supported producer of vaccines against many infectious diseases, such as rabies, hepatitis, botulism, tetanus, diphtheria, pertussis and tuberculosis, as well as polyvalent and monovalent antivenoms against the bites of snakes, lizards, bees, scorpions and spiders (which, historically were first developed in the beginning of the 20th century by Dr. Vital Brazil and his coworkers). Among the distinguished scientists at the institute were biochemists Karl Slotta and Heinz Fraenkel-Conrat, pioneers in the study of progesterone, estriol, and medical use of venom, from 1935 to 1948.

A fire in 2010 destroyed the collection facility, which maintained one of the largest collections of venomous animals in the world, comprising around 80,000 snake specimens, and an estimated 450,000 spiders and scorpions.

This was the main inspiration for this project, I wanted to do something to do with the place, with the help of a family member that works there, I managed to figure out the type of project involving Butantã

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Work at Ebac for the association Mestres da Obra.

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Game called “Cyberpunk 2077”  it’s set in the future and has a lot of different aspects of a modern world while still maintaining our current structure.

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Not taken by me, but it’s the best one to show the work the way I want.

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Manga created by Suu Minazuki, (2007-2014) one of my all time favorite manga serie, I enjoy the style and the framing that the author draws, the story is generic to some points but has a lot of originallity to it.

The author is able to draw full views of intricate buildings and add a lot of destruction effects, things that I look foward in my project, so I take inspiration from that from his work

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this series is originated by ONE as a web comic, but as it gained success, it was made into a manga serie, drawn by famous Yusuke Murata.
His style is of a very detailed but still reminding of manga, he won various prizes for games and manga, and was offered some works, but refused due to claiming he was inexperient. He finally decided to work on series on 2008 with Hetappi Manga Research Lab R.
This helped him to be noticed in the industry, after some small works, he was invited to be the artist for One Punch Man.

I got inspiration from him for this project since the world he created is very big in scale, so theres lots of buildings and interesing angles

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They`re generic sounds to use in the animations, from animals to screams to generic sounds you can find in the construction site.

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added textures, will be added to locker background

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completed with textures

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Stock Photos, Pictures & Royalty-Free Images by Dreamstime

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Stock Photos, Pictures & Royalty-Free Images by Dreamstime

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233 Million stock photos, unlimited prints, lifetime, worldwide rights: ✓ Free photos for commercial use. ✓ Model-released, ✓ Safe to use ✓ Free trial. World`s largest stock photo community. Join for free.

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i used this to help Marcello to get a better fell of movement for when he made the animation

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the style for SP was a big inspiration for this project, the colours, movement was what catched my attention.

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Science Of The Movies - South Park studios

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Two hundred fifteen safety leaders took part, including 111 from the private sector (i.e. construction companies, unions, insurance underwriters) and 104 from the public sector (i.e. federal and state highway departments and other regulators, elected officials and staff).

The key finding concerning lack of employer enforcement came in response to a question that asked those surveyed to consider eight different potential barriers that may exist between hazard-exposed road workers and their use of 10 different types of PPE -- safety vests, hard hats, fall protection, safety shoes/boots, earplugs/muffs, safety glasses/goggles, gloves, respiratory protection, coveralls and face shields.

In all cases except earplugs/muffs and coveralls, the industry leaders cited "employers don't require/enforce usage" as the number one barrier.

Other barriers the respondents evaluated were "lack of style/comfort," "hampers job performance," "equipment not available or not provided," "expense of equipment to employees," "laborers aren't informed on importance of equipment," "apathetic" and "inattentive."

For earplugs/muffs, "laborers aren't informed," was the top barrier, while for coveralls, "lack of style/comfort" was cited most frequently.

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The main reason road construction workers do not wear personal protective equipment (PPE) when needed is because their employers do not require or enforce its use, according to a new survey of road construction safety leaders.

The International Safety Equipment Association (ISEA) commissioned the research as part of its "Partnership for Worker Protection" program to raise safety equipment awareness in the road construction industry.

Strategic Marketing Associates, an Ohio-based research firm specializing in the construction industry, conducted the survey.

The survey measured road construction leaders' perceptions about awareness and use of PPE, including their viewpoints on the barriers that prevent workers from using it and the effectiveness of various safety measures, including PPE.

Two hundred fifteen safety leaders took part, including 111 from the private sector (i.e. construction companies, unions, insurance underwriters) and 104 from the public sector (i.e. federal and state highway departments and other regulators, elected officials and staff).

The key finding concerning lack of employer enforcement came in response to a question that asked those surveyed to consider eight different potential barriers that may exist between hazard-exposed road workers and their use of 10 different types of PPE -- safety vests, hard hats, fall protection, safety shoes/boots, earplugs/muffs, safety glasses/goggles, gloves, respiratory protection, coveralls and face shields.

In all cases except earplugs/muffs and coveralls, the industry leaders cited "employers don't require/enforce usage" as the number one barrier.

Other barriers the respondents evaluated were "lack of style/comfort," "hampers job performance," "equipment not available or not provided," "expense of equipment to employees," "laborers aren't informed on importance of equipment," "apathetic" and "inattentive."

For earplugs/muffs, "laborers aren't informed," was the top barrier, while for coveralls, "lack of style/comfort" was cited most frequently.

Both of those barriers and "hampers job performance" were cited frequently for other types of PPE, as well.

The respondents perceived "expense of equipment to employees," "apathetic" and "inattentive" as less significant barriers.

Asked about usage level for various types of PPE when needed, the safety leaders said that high-visibility apparel (safety vests) and hard hats are worn regularly in situations where needed about 75 percent of the time -- the highest usage rates they assigned among the 10 types of PPE evaluated.

By contrast, they believe that earplugs/muffs and safety glasses/goggles are worn only about half the time when needed, and that usage rates for respiratory protection, protective coveralls and face shields fall well below that level -- in the 30 to 40 percent range.

Between six and seven out of 10 workers wear fall protection, gloves and safety shoes/boots when needed, the respondents said.

Asked about the importance of various types of PPE in minimizing accident or injury, the respondents said that safety vests, hard hats, fall protection, safety shoes, earplugs/muffs and safety glasses/goggles are "highly important."

"They consider gloves respirators, protective coveralls and face shields 'moderately important,'" said SMA President Jim McKeen. "The respondents did not think that any type of PPE is of low importance."

Considering the effectiveness of six different safety measures to minimize construction zone accidents and injuries, SMA reported that the respondents believe all of them are "highly important," with "training and education" receiving the highest rating of all.

They ranked the other measures in descending order of importance as follows: signs/lights, barriers/cones, PPE, flagger and OSHA compliance.

Commenting on the results, ISEA President Daniel Shipp said, "Most road construction employers want to do the right thing by keeping their workers safe, and many already recognize the bottom-line benefits of equipping their workers properly with PPE. We hope that these findings will serve as a wake-up call on just how far we all have to go to ensure the safety of road workers, especially in terms of their PPE use. Given the enormous costs of on-the-job injuries and the virtually incalculable costs of workplace deaths, there is no good reason why every employee isn't wearing PPE when he or she needs it."
Edited by Virginia Sutcliffe

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Lack of Employer Enforcement Main Barrier to Road Worker PPE Use

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The main reason road construction workers do not wear personal protective equipment (PPE) when needed is because their employers do not require or enforce its use, according to a new survey of road construction safety leaders.

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Workplace injuries are a leading cause of substantial disabilities globally. According to the International Labor Organization, 270 million workplace accidents occur annually . Construction employees have 1 in 300 chances of dying while at workplace and the likelihood of becoming handicapped by injury is far greater than in other industries.

Casual workers have no law protection against acidents in work, in case of someone getting hurt, or even a fatality, the company or goverment doens't take any fault.

The use of machinery only increased the risk of work.

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Use of Personal Protective Equipment among Building Construction Workers in Kampala, Uganda

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Background. 270 million workplace accidents occur annually. In Uganda, Kampala district has the highest workplace injury and fatality rates. However, information on personal protective equipment (PPE)-hand gloves, hardhats, overalls, safety boots, earplugs, safety harness with lanyard, and face shields-utilization among building construction workers remains scarce.

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-Helmet
-Belts for free fall
-ear protection
-masks
-gloves

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Nos últimos anos, o Brasil acompanhou o elevado número de acidentes fatais envolvendo operários que trabalhavam em obras grandiosas de estádios país afora, por meio de uma infinidade de notícias divulgadas pela mídia. Não por acaso, o setor da Construção Civil responde pelo maior índice de acidentes de trabalho, muitos dos quais poderiam ser evitados pelo uso correto dos equipamentos de proteção individual ou coletiva, além da supervisão intensiva de um profissional de segurança devidamente habilitado.

Com o "boom" do mercado imobiliário e dos projetos relacionados à mobilidade urbana nas grandes cidades, é quase impossível andar pelas ruas e não esbarrar com alguma obra. Porém, nem sempre o cuidado com a segurança dos trabalhadores acompanha a necessidade de lucro de empreiteiras e construtoras, que são frequentemente multadas pelos fiscais do trabalho em função do uso irregular de EPIs ou EPCs, ou simplesmente pela falta deles.

No post de hoje você vai conferir alguns dos principais equipamentos de segurança que não podem faltar em qualquer canteiro de obras, principalmente nos trabalhos realizados em alturas maiores que 2 metros:

O mais básico e elementar de todos os equipamentos. Deve ser usado não só pelos operários, mas por todos que estejam dentro da área do canteiro de obras, como engenheiros e arquitetos. O capacete você já conhece: protege a cabeça de fortes impactos causados pela queda de materiais, evitando lesões graves e até traumatismo craniano.

Para operários que trabalham em andaimes em alturas superiores a 2 metros. Com esse cinto acoplado ao corpo, o trabalhador fica imune a quedas tão comuns e fatais na Construção Civil.

Se para quem passa perto ou mora perto de uma obra o ruído de betoneiras ou britadeiras é bastante incômodo, imagine para quem precisa manusear as máquinas diariamente. O uso de protetores auditivos, tanto do tipo plug quanto o tipo concha, é vital para a manutenção da saúde mental dos trabalhadores, além de evitar a surdez ou eventuais danos ao aparelho auditivo.

As máscaras evitam que os trabalhadores inalem a poeira excessiva gerada de corte de tijolos e outros materiais, além de protegê-los contra a intoxicação por produtos químicos usados em pinturas, além do pó originado do cimento das betoneiras.

Amputações infelizmente também são comuns entre os trabalhadores da construção civil. Para proteger as mãos e dedos de cortes com objetos perfurantes, as luvas de raspa são mais recomendadas. Já as luvas de látex, mais frágeis, são apropriadas para o contato com elementos químicos, como cimento e argamassa.

Além deste citados, há uma imensa lista de equipamentos que visa proteger cada uma das partes do corpo, de acordo com as normas técnicas de segurança exigidas pelo Ministério do Trabalho. Há também os equipamentos de segurança coletiva, como as plataformas de proteção, que nem sempre são viáveis para obras de menor porte em função das dificuldades técnicas de instalação nas alturas. Já outros EPCs, como os extintores de incêndio e as faixas isolantes não só são bem viáveis, como obrigatórios.

Agora que você já tem uma dimensão da importância das medidas de segurança nos canteiros de obras, conte pra nós a sua experiência com o uso destes equipamentos. Eles já protegeram você ou alguém da sua obra? Deixe o seu comentário!

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QUAIS OS EQUIPAMENTOS DE SEGURANÇA MAIS USADOS NAS OBRAS DE CONSTRUÇÃO?

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Nos últimos anos, o Brasil acompanhou o elevado número de acidentes fatais envolvendo operários que trabalhavam em obras grandiosas de estádios país afora, por meio de uma infinidade de notícias divulgadas pela mídia.

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This is one of the first piece of reference i've found since the beggining of this project, since I had in mind rebuilding the style and design of EBAC.

BLAME! is a manga serie written and drawn by famous japanese artist Tsutomu Nihei (born in 1971),  he's mostly known for his cyber-punk style of drawing and very detailed backgrounds and structures.
He studied overseas to attend the Parsons School of Design, becoming an architect after graduating. A few years later he quit his job to become a mangaka. And he translated the skills he learned to his new profession. Becoming a famous figure and influencer in the community for his unique style.
His most famous  and first work is indeed BLAME! and was the stepping stone for his success, his style of this works can be seen in his future works. Other works he made are(in order of release):
-NOise, a prequel to BLAME!
-Abara, a story of a man that can transform into a Gauna, a monster.
-Biomega, the story of a human and a AI, whose objective is to find other humans capable to resist a zombie-turning virus in a post apocalyptic world.
-Knights of Sidonia, the story set in the future about a colony of humans having to survive in space against a alien race called Gauna.

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Fire emblem- berkut

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With base and lance included

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Painted and w armor

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There was not much things to worry during this project, exept time manegement, and maintaining a original plan and ideia

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This was my inspiration for my monstern the Hitotsume Kozo, is a mythological monster from Japan, I really liked his desing, so I decided to use its desing

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一つ目小僧
ひとつめこぞう

T RANSLATION: one-eyed priest boy
H ABITAT: found all throughout Japan; often encounters on dark streets
D IET: omnivorous

A PPEARANCE: Child-like and mischievous, hitotsume kozō are little one-eyed goblins who are well-known in all parts of Japan. They have a single, enormous eye, a long red tongue, and wear shaved heads and robes, like tiny Buddhist monks.

B EHAVIOR: Hitotsume kozō are relatively harmless as far as yokai go; their most alarming trait is appearing suddenly and surprising people on dark streets, which they seem to enjoy doing. Hundreds of encounters have been reported over the years, most of them very similar to each other, and they simply detail a mischievous spirit who likes to spook people late at night.

I NTERACTIONS: In East Japan, it is said that every year on the 8th of December, hitotsume kozō travel the land, recording in ledgers the families who have been bad that year in order to decide each family's fortunes for the next year. They take their reports to the god of pestilence and bad luck, who brings misfortune on those bad families in the coming year. However, they leave their ledgers with the guardian deity of travels for safekeeping until February 8th. In a mid-January ceremony, local villagers burn down and rebuild that deity's roadside way-shrines in hopes that the fires will also burn the hitotsume kozō's ledgers before they come to pick them up (thus escaping disaster that year).

O RIGIN: Though similar in name to other one-eyed monsters like hitotsu-me-nyūdō, there is little evidence suggesting a relation between the two. Many believe that hitotsume kozō's origins are connected in some way with Enryaku-ji, the head temple of the Tendai sect of Buddhism. Others believe that they were once local mountain deities who over time became corrupted and changed into yokai.

L EGENDS: A man named visited a friend on business. While waiting in the reception room, a young boy of about 10 appeared and began to mischievously roll and unroll the hanging scroll in the room's alcove. When the man scolded the boy for being mischievous, the boy turned around and squawked, "Be quiet!" However, the boy's face had only one eye! The man screamed and fainted, and had to be carried back to his own home. He was bed-ridden for 20 days, but made a full recovery.

In an account from Fukushima, a young lady was walking the street at night. A little boy approached her from behind and asked, "Ma'am, would you like some money?" She laughed and sweetly replied yes, and turned to face the boy. He was a hitotsume kozō, and he was grinning staring so intensely at her with his single eye that she fainted in shock on the spot.

A similar tale from Okayama tells of a particular street where an eerie, pale blue glow was seen one night. A man went to investigate and witnessed a ghostly one-eyed boy playing around. The man collapsed, paralyzed with fear, and was unable to move. The apparition approached the helpless man and licked him from head to toe with his long, slobbery tongue.

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一つ目小僧 ひとつめこぞう T RANSLATION: one-eyed priest boy H ABITAT: found all throughout Japan; often encounters on dark streets D IET: omnivorous A PPEARANCE: Child-like and mischievous, hitotsume kozō are little one-eyed goblins who are well-known in all parts of Japan. They have a single, enormous eye, a long red tongue, and wear shaved heads and robes, like tiny Buddhist monks.

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To make the animation of the monster flying through the screen, I wanted to use my digital desk to draw on photoshop, but I found myself in a problem. It wasnt working, so I went with the bad route. I drew the design of the monster on a piece of paper, and with a good camera, I took a photo of it. Sent to my computer and edited ech frame of it on photoshop.
Since im a novice on photoshop, I decided on making only 3 frames of movement for my creature.

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One of my biggest inspirations for making the scene of this project came from scooby doo chase scenes that I love, these scenes are a very iconic occurance in the show and mixes the element of comedy with surprise/shock very well.

So i attempted to implement this formula to my work

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This is a list of things I had to be careful while working.

-While working with wire, I had to be careful while hadling it to either not break it, or cut myself.
-While making the lance, I had to be extra careful since I was working with a real cutting blade, so while putting everything together, there was a constant danger of being cut by it.

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To increase the fell of a knight running into combat, I wanted to give my figure a weapon, after doing research on medieval weapons and trivia, I decided to go with a lance. This weapon is used to face opponents in close combat, but still giving space advantage to the wielder, usually medieval spears were used as a piercing weapon, so the point of it was a needle style weapon.
I think that this weapon is good to emphasise the motion of the character, a lance is long, and I think this helps to increase the flow.

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This video explains very clearly how to create a good model of a wire human figure, this was a necessary component to create my figure.

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I took inspiration from, action figures i own and a video game called Fire Emblem.
I think i could make my very own figure of a soldier charging into battle!
The movement would be seen and you would be able to sense it as well.

Considering that I want to make a soldier, i decided to take inspiration from medieval knights! More from French crusaders since i liked the design the most.

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Covering in newspaper

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Assembled

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Wire skeleton

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These items were a very integral part of medieval times, often used to represent royalty, knights or whole kingdoms.

It would be nice to add some type of symbol to my work, this way it would add more depth to my figure.

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I’ve been thinking about adding medieval details to my figure, I’m taking inspiration from crusade armorments, the style is sleek and dark to combine to the time period.

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The phot part of the project was complicated,  we had a introduction to the photostudio and it equipement, but it was still hard to use the camera and adjust the best mode for each shot, but except that, the actual photographing was simple, the background was a still image so I just had to alling a good angle to it. And the photos of the video,, since I didnt had the zoom lens, during the close -up scene, I just brought the camera closer.

After using the camera eqquipment, I feel more confident while using it.

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The performance was tricky, I did a lot of sketches and storyboards. From start to execution I knew the plan, but had problems thinking about how to apply to the scene,
But them I decided to use the walls of my background as a way to introduce and finish the scene, so I would come in by a wall and run away by another,this way the background would interact with the scene even more

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Ive decided to go for a more dark and misterious background, since my I decided that my word is Shocking, I wanted to use not the literal meaning of it, but as something that surprised you.

The monocromatic tone was created to be able to emphisize the acting and the main actions, but at the same time, feel right in the ambient inserted on.

The angled walls were made in mind so I could interact with them in the video, I took inspirations from theatres and how theres a space that the actors stay to get ready to go into action. So from the start I had plans to use them .

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To begin the project we are supposed to decide on a identidy for it. Basically a theme.
Some of the options are:
quiet, bizarre, strong, bad, good, light, anxious, etc
After some thinking, I reduced my option list so see wich one would be the best.
Bizzare, shoking, holy, light, eletrick

I belive that these options i can relate to it, so it would be more enjoyable and creative.

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Since this video was going to be in GIF format, Ive decided to implement animation to a real life enviroment, since I dont have much knowlegde about programs and such.

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I was assigned to this part.

I used After Effects to create the animation and used a youtube tutorial to create it (after effects page)
Since for the graphic score we made individual symbols for each instrument, I wanted to use this as well, so I decided to create a pop up effect to each symbol, the symbols woud shine for 10 frames and then turn off.
I made one for each instrument symbol, after that, we syncd the aniamtion to the song. We just added the animation to the audio spikes of each individual instrument, it worked well enough.

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I was assigned to create the animation, but I had some part into making the design of the graphic score.
We had a lot of options first, but decided to go with a scroll type. Really big but with a simple ideia and design.
We created a design for each instument, and each one had a different colour, the ideia was to re-create the song notes respectivly.

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To aid me on making my first animation I used this video, its very explicative and clear, and the pacing is very good.
My objective on this animation was to create a flicker effect on after effects, and althought is not as hard to do such a thing than a frame animation, Ive never done such a thing, so it was a first experince not only making a animation, but using after effects to its full potential.

The animation was a sucess, I was happy on how I made everything althought I have a lot of things I could better mylself, but I know I learned a lot.

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Neon Text Animation in After Effects - After Effects Tutorial - Simple Way

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This tutorial guided me through the animation process, since I had little knowlegde about how to use after effects

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Neon Text Animation in After Effects - After Effects Tutorial - Simple Way

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This was the first life drawing I had, and it was an interessing experience.
The teacher is called Christina and she was a nice lady. She said to us that her class would be different than most life drawings, instead of practicing most of the class with a model, we would explore our own body’s instead.
So the first part of the class we basically layed on the ground and began feeling our body’s, following the teacher.
After we had an experiment, we filled a water ballon and the teacher said that we should consider that as our own body, so we began playing with it.
After some time we began drawing, we should draw our own body normally first, then, draw as our body was a water ballon.

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During our Sound and Vision project we had the opportunity of hearing BAs graphic design director Jaggo explain how to operate certain programs that work with sound, he also showed his early work related and explained his thoughts and techniques.

Although I’ve never had such an interest in the matter, the project required me to pay attention, and during the class, I managed to absorve a lot of information, not too much from the program standpoint, but from his teaching of composition, styles and his talk about how he managed to work in this certain environment back then, I enjoyed listening and made some annotations.

I hope we have more talks with Jaggo, he brings a nice atmosphere to his talks and managed to make me interessed in a subject I had no ideia and interest about.

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It took a lot of time to create a song the group enjoyed, we had a lot of re-takes and attemps.

Eventually we decided to go with a song with 2 parts, but similar melodies.

To record such we all recorded the song from our phones but with each close to our respective instrument, so that we coud this way, sync the sound and change the volume of certain instruments at parts.

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At first i imagined the instrument as a wooden plank with metal bowls stuck with it, after some trying and thought, I decided to change my style.
The reason is that when making the wooden part, I found some complications in the way, I didn’t had enough materials and equipment to make the wood platform, it was too rough and time consuming, also, the materials weren’t going to make my desired sounds. So I scraped the ideia.

After a while I found a metal object used to hold papers, and I figured that was the perfect support. The object has two levels of equal side, so I could put more metal objects. After adjusting everything, I managed to create the perfect base for the set.
Every different part of it sounded different and was unique.
I also set a wooden plank and a rubber board to the instrument. So I could have more other sounds than metal.

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while I was operating some materials during the creation of my instrument device, i had some rough scratches, so I should be more careful when using cutting objects.

While making the sound you must pay attention on the melody, and thinking that it  should be the most authoral as possible.

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i took inspiration from drum sets, and i decided to build my own made out of metal.

metal bowl
wood
metal sheets
metal objects (small